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* BoomerangBigot: Eventually, all of the racists are revealed to have the same passions inside them that reveal their true colors, just like everyone else.
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* AmbiguousEnding: The film doesn't provide us with a clear answer about how the situation will work out between Betty, Bill, and George.


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* ManlyTears: George weeps as he admits his wife is as beautiful as the day he married her an that he truly loves her.
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* {{Irony}}: Despite being the ones to instigate the chaos in Pleasantville, David and Jennifer are among the last open minded teens to change to color, because it's not about being DarkerAndEdgier or HotterAndSexier, it's about growth, and they had a ways to go.
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* DutchAngle: When the Mayor's town hall addresses cut to his fellow members of the Chamber of Commerce, it switches from HitlerCam to an ominous angled shot.


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* HitlerCam: The mayor's addresses to the town meetings are filmed at a low angle with the Chamber of Commerce's handshake symbol framed behind him (looking more like a pair of fists than a handshake).
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* ClothingDamage: Attacked by a mob, newly colored Margaret runs crying into frame with her blouse ripped at the shoulder.


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* PassionIsEvil: Subverted. The people of Pleasantville maintain the typical calm, stoic, 50s demeanor up until they don't. People gain color, a full life, by discovering their passions, their best selves. Or their worst selves.
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* {{Chiaroscuro}}: The film uses its black and white setting to good effect when George comes home and discovers, to his horror, that his wife doesn't have dinner ready and waiting for him. He wanders the house, confused and increasingly upset with his face in shadow, repeatedly asking "Where's my dinner?".
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* FoolishSiblingResponsibleSibling: Subverted with David and Jennifer. It ''seems'' like nerdy David is the responsible sibling to worldly, slutty Jennifer's foolish, but the fact is that they're both avoiding reality and its responsibilities, as he's ducking out of life by diving into Pleasantville while she hides in meaningless sex.
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%% * KarmicTrickster: The TV repairman.

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%% * KarmicTrickster: The TV repairman.repairman. He pretends he's rewarding David for his knowledge of Pleasantville trivia, but really he's putting David and Jennifer through the wringer for some CharacterDevelopment.
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* MoodMotif: The day after David tricks the fire department into fighting a fire, all the teens in town are gathered in the diner to ask him how he knew how to fight the fire and he starts explaining life outside Pleasantville to them, opening up their world. The music playing is Creator/DaveBrubeck's ''Take Five'', a song written in 5/4 time during the era of Big Band and Swing, when everything was written in 4/4 time so everyone could dance to it. Everyone predicted the song would bomb because no one would be able to dance in 5/4, but it was a hit and no one had any trouble dancing in 5/4. The scene and the music are about the teens breaking the mold and moving to a different beat than they had before.
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* VisitByDivorcedDad: David's and Jennifer's mom opens the movie on the phone arguing with their father about when he gets the kids.

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* VisitByDivorcedDad: David's and Jennifer's mom opens the movie on the phone arguing with their father about when he gets the kids. It's his weekend to see them, but he's in jail and she won't bail him out.
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* VisitByDivorcedDad: David's and Jennifer's mom opens the movie on the phone arguing with their father about when he gets the kids.
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* CrapsackWorld: The movie opens setting up the world of the 90s this way, with David being told over and over and over by various teachers and lecturers that the future is going to be terrible and the kids will never have jobs and the environment will be totally destroyed before they're thirty.

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* LampshadeHanging: David is very genre savvy, and constantly points out tropes as they happen in-universe (but not for the movie as a whole). He even tries to warn his sister against [[DefiedTrope defying tropes]].

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* LampshadeHanging: LampshadeHanging:
** The movie opens with a montage talking about the upcoming ''Pleasantville'' marathon that points out a lot of the 50s tropes (especially "[[SexlessMarriage safe sex]]".
**
David is very genre savvy, and constantly points out tropes as they happen in-universe (but not for the movie as a whole). He even tries to warn his sister against [[DefiedTrope defying tropes]].



* StealthPun: Some early film posters colored "tv" differently from the rest of the title.

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* StealthPun: StealthPun:
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Some early film posters colored "tv" differently from the rest of the title.title.
** The opening montage announcing the upcoming ''Pleasantville'' marathon includes a bit about a trivia contest that includes a question about the secret ingredient in [[VirginPower Betty's cherry pie]].
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** Jennifer falls in love with the book ''Literature/LadyChatterleysLover'', which was a highly controversial novel about a young wife engaging in an affair, with her husband's permission (as he'd been rendered paralytic and impotent during WWI). Jennifer is likewise a sexual woman who becomes incredibly controversial in the 1950s setting of Pleasantville. The book was involved in legal drama as it was repeatedly banned and went through court cases, just like Jennifer.
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** David starts out the film as an introverted loner who thinks of the show as escapism. Halfway through the film, he begins to display more assertive leader traits [[spoiler:and earns his color by punching out a thug who was attacking his TV mom]].

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** David starts out the film as an introverted loner who thinks of the show as escapism. Halfway through the film, he begins to display more assertive leader traits [[spoiler:and earns his color by punching out a thug who was attacking his TV mom]]. He ends the film by returning to his life and comforting his mother over the difficulties of her life as a single mom with two kids and a deadbeat ex-husband.

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rename


* SexySweaterGirl: Jennifer is taken aback when she puts on the typical sweater and bullet bra combo.
--> '''Jennifer:''' I could, like, kill a guy with these things.



* SweaterGirl: Jennifer is taken aback when she puts on the typical sweater and bullet bra.
--> '''Jennifer:''' I could, like, kill a guy with these things.
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Misuse


* StylisticSuck: Taken at face value, the TV series ''Pleasantville'' would be a ''terrible'' sitcom, as there would be no conflict, and characters who are already perfect can't learn anything.

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A Date With Rosie Palms is no longer a trope


* ADateWithRosiePalms: Betty the housewife after getting the sex talk from her "daughter" Mary Sue/Jennifer. This is so out of character and against the ways of Pleasantville's reality, it ''sets a tree in front of the house on fire''.



* DeconstructiveParody: Of 50's sitcoms and nostalgia for the era. Main character David thinks that the titular town, which shares its name with the [[ShowWithinAShow television program in the film]], is this: everything seems happy and idyllic, the town is permanently in the "nice" part of TheFifties (no greasers/rock 'n roll/war, etc.), and all problems are resolved in thirty short minutes. But when David and his sister Jennifer are [[TrappedInTVLand sucked into the show]], he discovers just how miserable it is: none of the books have any print in them, everybody's happy [[StepfordSmiler because they're mandated to be]], nobody has any sex whatsoever (to the point where Jennifer teaching her sitcom "mother" to [[ADateWithRosiePalms masturbate]] and experience orgasm for the first time causes a nearby tree to ''burst into flame''), and the town's Main Street ends in a circle--there's no getting out of it whatsoever. By the end, David and Jennifer have transformed the town into a place that's not nearly as perfect, but much more human and genuine.

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* DeconstructiveParody: Of 50's sitcoms and nostalgia for the era. Main character David thinks that the titular town, which shares its name with the [[ShowWithinAShow television program in the film]], is this: everything seems happy and idyllic, the town is permanently in the "nice" part of TheFifties (no greasers/rock 'n roll/war, etc.), and all problems are resolved in thirty short minutes. But when David and his sister Jennifer are [[TrappedInTVLand sucked into the show]], he discovers just how miserable it is: none of the books have any print in them, everybody's happy [[StepfordSmiler because they're mandated to be]], nobody has any sex whatsoever (to the point where Jennifer teaching her sitcom "mother" to [[ADateWithRosiePalms masturbate]] masturbate and experience orgasm for the first time causes a nearby tree to ''burst into flame''), and the town's Main Street ends in a circle--there's no getting out of it whatsoever. By the end, David and Jennifer have transformed the town into a place that's not nearly as perfect, but much more human and genuine.



* TheTalk: ZigZagged, in that it's a teenage daughter giving it to her ''mother'', and then when the mother is sure the father won't be interested, the daughter points out that [[ADateWithRosiePalms the man is actually dispensable]].

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* TheTalk: ZigZagged, in that it's a teenage daughter giving it to her ''mother'', and then when the mother is sure the father won't be interested, the daughter points out that [[ADateWithRosiePalms the man is actually dispensable]].dispensable.
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* TheThemeParkVersion: Although ''Pleasantville'' might appear to be taken straight from a [[TheFifties 1950s]] sitcom, sitcoms of that era were not actually that simple for the most part; references to pop culture, the outside world and sexuality occurred on even the strictest shows. The film is more about how people think of and remember those shows than how they actually were.

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* TheThemeParkVersion: Although ''Pleasantville'' might appear to be taken straight from a [[TheFifties 1950s]] sitcom, sitcoms of that era were not actually that simple for the most part; references to pop culture, the outside world and sexuality occurred on even the strictest shows. This particular usage is more thematically deliberate, though: The film is more about how people think of and remember those shows than how they actually were.
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* DisappearedDad: David and Jennifer’s dad is mentioned but not seen.
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* DeconstructiveParody: Of 50's sitcoms and nostalgia for the era.

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* DeconstructiveParody: Of 50's sitcoms and nostalgia for the era. Main character David thinks that the titular town, which shares its name with the [[ShowWithinAShow television program in the film]], is this: everything seems happy and idyllic, the town is permanently in the "nice" part of TheFifties (no greasers/rock 'n roll/war, etc.), and all problems are resolved in thirty short minutes. But when David and his sister Jennifer are [[TrappedInTVLand sucked into the show]], he discovers just how miserable it is: none of the books have any print in them, everybody's happy [[StepfordSmiler because they're mandated to be]], nobody has any sex whatsoever (to the point where Jennifer teaching her sitcom "mother" to [[ADateWithRosiePalms masturbate]] and experience orgasm for the first time causes a nearby tree to ''burst into flame''), and the town's Main Street ends in a circle--there's no getting out of it whatsoever. By the end, David and Jennifer have transformed the town into a place that's not nearly as perfect, but much more human and genuine.

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* AnAesop: Life is not perfect, but there's always a way to deal with it.

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* AnAesop: AnAesop:
**
Life is not perfect, but there's always a way to deal with it.it.
** Families and relationships are complicated. Non-traditional families are as valid as traditional ones.
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* TheNineties: Where the real world is set, being enough of a CrapsackWorld for David to resort to watching a '50s sitcom for escapism.

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* TheNineties: Where the real world is set, being enough of a CrapsackWorld for David to resort to watching a '50s sitcom for escapism. The film was a response to the MoralGuardians of that decade who condemned changes in family structure, and promoted ''Series/LeaveItToBeaver''-style “family values”.
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* StylisticSuck: Taken at face value, the TV series ''Pleasantville'' would be a ''terrible'' sitcom, as there would be no conflict, and characters who are already perfect can't learn anything.
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[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/pleasantville_ver5_9378.jpg]]
[[caption-width-right:310:''[[{{Tagline}} Nothing is as simple as Black and White.]]'']]

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[[caption-width-right:310:''[[{{Tagline}} [[caption-width-right:305:''[[{{Tagline}} Nothing is as simple as Black and White.]]'']]



Jennifer (Witherspoon) and David (Maguire) are a pair of '90s teen siblings who, during an argument over who gets to use the big TV in the living room, wind up TrappedInTVLand due to a strange TV repairman (Knotts) and a stranger magical remote. Specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''Series/LeaveItToBeaver'' or ''Series/FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. Still, they both want to get home, and David wants to do so without upsetting the community -- but the repairman gets antsy and they're stuck.

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Jennifer (Witherspoon) and David (Maguire) are a pair of '90s teen siblings who, during an argument over who gets to use the big TV in the living room, wind up TrappedInTVLand due to a strange TV repairman (Knotts) and a stranger magical remote. Specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''Series/LeaveItToBeaver'' or ''Series/FatherKnowsBest'', but even more idealistic). idealized). David is thrilled because it's his favorite show; it is show, taking place in a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. Still, they both want to get home, and David wants to do so without upsetting the community -- but the repairman gets antsy and they're stuck.
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* TheNineties: Where the real world is set, being enough of a CrapsackWorld for David to resort to a '50s sitcom for escapism.

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* TheNineties: Where the real world is set, being enough of a CrapsackWorld for David to resort to watching a '50s sitcom for escapism.
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* TheNineties: Where the real world is set being enough of a CrapsackWorld for David to resort to a 50s sitcom for escapism.

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* TheNineties: Where the real world is set set, being enough of a CrapsackWorld for David to resort to a 50s '50s sitcom for escapism.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/pleasantville_ver5_9378.jpg]]
[[caption-width-right:300:''[[{{Tagline}} Nothing is as simple as Black and White.]]'']]

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[[quoteright:300:https://static.[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/pleasantville_ver5_9378.jpg]]
[[caption-width-right:300:''[[{{Tagline}} [[caption-width-right:310:''[[{{Tagline}} Nothing is as simple as Black and White.]]'']]



A deliberately {{Troperrific}} 1998 dramedy film written and directed by Gary Ross, starring Creator/ReeseWitherspoon, Creator/TobeyMaguire, Creator/JeffDaniels, Creator/JoanAllen, Creator/WilliamHMacy, Creator/JTWalsh, and Creator/DonKnotts.

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A deliberately {{Troperrific}} 1998 dramedy film comedy-drama film, written and directed by Gary Ross, Ross and starring Creator/ReeseWitherspoon, Creator/TobeyMaguire, Creator/JeffDaniels, Creator/JoanAllen, Creator/WilliamHMacy, Creator/JTWalsh, and Creator/DonKnotts.
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* EvenEvilHasStandards: Despite Big Bob being the leader of the repressive backlash to the changes in Pleasantville he condemns the destruction of the malt shop and the book burning. That said he uses it as an excuse to codify bans on books, colors, and areas such as the public library.
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* BreakoutCharacter: InUniverse example. Bill is treated this way for the ''Pleasantville'' show given that he's advertised alongside the Parker family members in the TV advertisement.

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