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A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room break the remote -- wind up TrappedInTVLand due to a strange TV repairman and a stranger magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. They both want to get home, and David wants to do so without upsetting the community - but the repairman gets antsy and they're stuck.

to:

A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room break the remote -- wind up TrappedInTVLand due to a strange TV repairman and a stranger magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. They Still, they both want to get home, and David wants to do so without upsetting the community - but the repairman gets antsy and they're stuck.
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* HeyItsThatGuy: Hi, Jonathan and Riley from the BuffyVerse!
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Okay, apparently someone doesn\'t understand the definition of \"casting\".


** They did. Listen to the music they listen to on the radio.
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* {{Homage}}: The set in the courtroom scene, and the segregation of the "colored" characters is very similar to ''ToKillAMockingbird''.
** David's reaction the first time it rains in Pleasantville is almost identical to a shot in ''TheShawshankRedemption''.
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** One can only assume those same people never saw ''BackToTheFuture'', or forgot that the lustful, smoking Lorianne lived in 1955.

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** One can only assume those same people never saw ''BackToTheFuture'', ''Film/BackToTheFuture'', or forgot that the lustful, smoking Lorianne lived in 1955.
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* WeirdnessSearchAndRescue: The film had the TV Repairman, who instigated the TrappedInTVLand plot, and then ineffectually tried to stop the fallout from it.
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* {{Deconstruction}}: Of a more seemingly idealistic time in America, which of course was rife with problems like censorship and racism that the film shows we have progressed from since then.
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* DeadTVRemoteGag: Causes the plot.



* DeadTVRemoteGag: Causes the plot.
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* Deconstruction: Of a more seemingly idealistic time in America, which of course was rife with problems like censorship and racism that the film shows we have progressed from since then.

to:

* Deconstruction: {{Deconstruction}}: Of a more seemingly idealistic time in America, which of course was rife with problems like censorship and racism that the film shows we have progressed from since then.
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* Deconstruction: Of a more seemingly idealistic time in America, which of course was rife with problems like censorship and racism that the film shows we have progressed from since then.
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The original remote did.


A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a strange TV repairman and a stranger magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. They both want to get home, and David wants to do so without upsetting the community - but the repairman gets antsy and they're stuck.

to:

A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room break the remote -- wind up TrappedInTVLand due to a strange TV repairman and a stranger magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. They both want to get home, and David wants to do so without upsetting the community - but the repairman gets antsy and they're stuck.
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The remote never breaks


A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a strange TV repairman and a stranger magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. They both want to get home, and David wants to do so without upsetting the community - but the remote gets broken and the repairman gets antsy and they're stuck.

to:

A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a strange TV repairman and a stranger magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull and wants to liven the place up. They both want to get home, and David wants to do so without upsetting the community - but the remote gets broken and the repairman gets antsy and they're stuck.
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* BrickJoke: David helping put out a fire is a hilarious example. First of all the movie establishes that all the firemen in town ever do is getting cats down from trees. Later, due to the ArtisticLicenseSexEd trope above a tree bursts into flame. David catches wind of it and runs to the nearest firestation. Of course due to its pleasantry fires never happened in Pleasantville and this happens:

to:

* BrickJoke: David helping put out a fire is a hilarious example. First of all the movie establishes that all the firemen in town ever do is getting cats down from trees. Later, due to the ArtisticLicenseSexEd trope above a tree bursts into flame. David catches wind of it and runs to the nearest firestation. fire station. Of course due to its pleasantry fires course, there's never happened been an actual fire in Pleasantville and this happens:until now:
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namespace!


-->'''Jennifer''': We're supposed to be at home, David. [[LampshadeHanging We're supposed to be in COLOR!]]

to:

-->'''Jennifer''': We're supposed to be at home, David. [[LampshadeHanging We're supposed to be in COLOR!]] COLOR!]]



** The scene where Bud and his girlfriend are in Lover's Lane. She tempts him into eating a red apple. Now what [[TheBible biblical story]] involves eating a certain Forbidden Fruit?

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** The scene where Bud and his girlfriend are in Lover's Lane. She tempts him into eating a red apple. Now what [[TheBible [[Literature/TheBible biblical story]] involves eating a certain Forbidden Fruit?



* FridgeLogic: A rare in-universe example, all over the place with the show. Highlighted once they enter the show's world where the things never addressed in the show simply don't exist. There are [[NobodyPoops no toilets]], there's literally nothing outside of Pleasantville, and the residents [[NoHuggingNoKissing don't even know what sex is]]. And of course, the entire world is actually monochromatic.

to:

* FridgeLogic: A rare in-universe example, all over the place with the show. Highlighted once they enter the show's world where the things never addressed in the show simply don't exist. There are [[NobodyPoops no toilets]], there's literally nothing outside of Pleasantville, and the residents [[NoHuggingNoKissing don't even know what sex is]]. And of course, the entire world is actually monochromatic.



* HeyItsThatGuy: Hi, Jonathan and Riley from the BuffyVerse!

to:

* HeyItsThatGuy: Hi, Jonathan and Riley from the BuffyVerse! BuffyVerse!



** Though, one would be hard-pressed to find an actual 50s sitcom where the outside world, pop music, and sexuality ''literally'' were non-existent.

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** ** Though, one would be hard-pressed to find an actual 50s sitcom where the outside world, pop music, and sexuality ''literally'' were non-existent.



* TheUnfairSex: Set up as if it's going to be played straight, but [[TakeAThirdOption takes a different path]]. The wife who finds another love interest is portrayed sympathetically... but so is her husband, who simply doesn't understand how she feels, and his defining moment is realizing how much he loves her.

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* TheUnfairSex: Set up as if it's going to be played straight, but [[TakeAThirdOption takes a different path]]. The wife who finds another love interest is portrayed sympathetically... but so is her husband, who simply doesn't understand how she feels, and his defining moment is realizing how much he loves her.
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* WhenDimensionsCollide

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* WhenDimensionsCollideWhenDimensionsCollide: What the protagonists presence does to Pleasantville.
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* WhenDimensionsCollide

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** The scene where Bud and his girlfriend are in Lover's Lane. She tempts him into eating a red apple. Now what [[TheBible biblical story]] involves eating a certain Forbidden Fruit.

to:

** The scene where Bud and his girlfriend are in Lover's Lane. She tempts him into eating a red apple. Now what [[TheBible biblical story]] involves eating a certain Forbidden Fruit.Fruit?
* DoubleStandardRapeFemaleOnMale: Jennifer goes on a date with the town jock, who she quickly manipulates into having sex with her. This is PlayedForLaughs, though at the time, the boy had no idea what sex was (or for that matter, STD's or even pregnancy), was visibly freaked out, and even mistook his erection for an "illness." Had the sexes been reversed, the boy would have been villified.



* RapeIsOkayWhenItsFemaleOnMale: Jennifer goes on a date with the town jock, who she quickly manipulates into having sex with her. This is PlayedForLaughs, though at the time, the boy had no idea what sex was (or for that matter, STD's or even pregnancy), was visibly freaked out, and even mistook his erection for an "illness." Had the sexes been reversed, the boy would have been villified.
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* SoWhatDoWeDoNow
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* OneSteveLimit: Averted. In the TV series, both the the mother and one of Mary Sue's friends are named "Betty."

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* OneSteveLimit: Averted. In the TV series, both the the mother and one of Mary Sue's friends are named "Betty."
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** Also, one of the racist antagonists is even named Whitey...[[ViewersAreMorons in case you still haven't made the connection.]]

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** Also, one of the racist antagonists is even named Whitey... [[ViewersAreMorons in case you still haven't made the connection.]]
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* ShallowParody: Shows like ''LeaveItToBeaver'' and ''TheAndyGriffithShow'' were not nearly as gritty and dramatic as a more modern show, but they were hardly the surrealistically-perfect world ''Pleasantville'' is. The film more parodies the modern conception of older shows than the actual shows.
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--> '''David:''' Fire! ''(Confused firemen stare at him.)'' FIRE!!!! ''(They still stare.)'' ... Cat? ''(They rush to the scene.)''\\

to:

--> '''David:''' Fire! ''(Confused firemen stare at him.)'' FIRE!!!! FIRE!!! ''(They still stare.)'' ...)''... Cat? ''(They rush to the scene.)''\\
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--> '''David:''' Fire! ''(Confused firemen stare at him.)'' FIRE!!!! ''(They still stare.)'' .....Cat? ''(They rush to the scene.)''\\

to:

--> '''David:''' Fire! ''(Confused firemen stare at him.)'' FIRE!!!! ''(They still stare.)'' .....)'' ... Cat? ''(They rush to the scene.)''\\



''Fireman watching the tree burn:'': Where's the cat?

to:

''Fireman watching the tree burn:'': burn:'' Where's the cat?
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A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull. They both want to get home though, though David wants to do so without upsetting the community.

to:

A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a strange TV repairman and a stranger magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull. dull and wants to liven the place up. They both want to get home though, though home, and David wants to do so without upsetting the community.
community - but the remote gets broken and the repairman gets antsy and they're stuck.

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A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull. They both want to get home, and David wants to do so without upsetting the community.

to:

A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull. They both want to get home, and home though, though David wants to do so without upsetting the community.



* CharacterDevelopment: David starts out the film as a depressed loner who thinks of the show as escapism. Halfway through the film, he begins to display more assertive leader traits and earns his color by punching out a thug who was attacking his TV mom. Likewise, Jennifer starts as a shallow, slutty fashionista whose original intent is to shake things up, but when given a fresh start, she realizes the value of education and earns her color by breaking a date to study.
** Technically, CharacterDevelopment happens to every character in Pleasantville as they turn to color. The happy housewife ends up having an affair with another man, the soda jerk is secretly a talented artist, and so on and so forth.
** And the husband earns his when he realizes how much he truly loves his wife.
** The town judge gets his color when he discovers true anger, instead of trying to put a happy and satisfied face on for everything. So Character Development goes both ways in this film.

to:

* CharacterDevelopment: David starts out the film as a depressed an introverted loner who thinks of the show as escapism. Halfway through the film, he begins to display more assertive leader traits and earns his color by punching out a thug who was attacking his TV mom. Likewise, Jennifer starts as a shallow, slutty fashionista whose original intent is to shake things up, but when given a fresh start, she realizes the value of education and earns her color by breaking a date to study.
** Technically, CharacterDevelopment happens to every character in Pleasantville as they turn to color. The happy housewife ends up having an affair with another man, is what the soda jerk entire film is secretly a talented artist, and so on and so forth.
** And the husband earns his when he realizes how much he truly loves his wife.
** The town judge gets his color when he discovers true anger, instead of trying to put a happy and satisfied face on for everything. So Character Development goes both ways in this film.
about.
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* ADateWithRosiePalms

to:

* ADateWithRosiePalmsADateWithRosiePalms: Betty the housewife after getting the sex talk from her "daughter" Mary Sue/Jennifer.

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--> '''David:''' Fire! ''(Confused firemen stare at him.)'' FIRE!!!! ''(They still stare.)'' .....Cat? ''(They rush to the scene.)''

to:

--> '''David:''' Fire! ''(Confused firemen stare at him.)'' FIRE!!!! ''(They still stare.)'' .....Cat? ''(They rush to the scene.)'')''\\
''(Later)''\\
''Fireman watching the tree burn:'': Where's the cat?
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* DuelingMovies: Released in 1998, the same year as ''TheTrumanShow'', both films center on folks living happily and unknowingly in a television world who eventually learn of the wonderful challenges human nature and actual reality provide.

to:

* DuelingMovies: Released in 1998, the same year as ''TheTrumanShow'', ''Film/TheTrumanShow'', both films center on folks living happily and unknowingly in a television world who eventually learn of the wonderful challenges human nature and actual reality provide.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/pleasantville_ver5_9378.jpg]]
[[caption-width-right:350: Nothing is as simple as Black and White.]]

->''"There are some places that the road doesn't go in a circle. There are some places where the road keeps going."''
-->-- '''David'''

A deliberately troperrific 1998 movie starring Reese Witherspoon and Tobey Maguire, who play main characters Jennifer and David, a pair of siblings who -- during an argument over who gets to use the big TV in the living room -- wind up TrappedInTVLand due to a magical remote; specifically, they wind up in ''Pleasantville'', an old black-and-white show portraying the stereotypical 1950s American suburb (along the lines of ''LeaveItToBeaver'' or ''FatherKnowsBest'', but even more idealistic). David is thrilled because it's his favorite show; it is a happy world where nothing bad ever happens (as a contrast to David and Jennifer's unstable home life). Jennifer, being more of a party girl, finds Pleasantville incredibly dull. They both want to get home, and David wants to do so without upsetting the community.

Their presence winds up throwing the heavily-idealized world into chaos. As things become less idealized and more like the real world, they begin to show up in color instead of black and white -- people cease to be monochrome whenever they stop staying nice and snug within their boundaries and break out, displaying some inner truth about their character (in other words, they [[StealthPun show their]] TrueColors).

The movie is clever and well-written, but also {{Anvilicious}} in its parallels, and your enjoyment may depend upon your [[SomeAnvilsNeedToBeDropped tolerance for such things]]. For an oddly similar experience in book form, try ''TheGiver''.
----
!!This movie provides examples of:
* ArtisticLicenseSexEd: Considering her inexperience, Betty makes that tree burst into flames amazingly quickly.
** Or maybe it's because of her inexperience?
* AscendedFanboy: David becomes Bud which he loves at first.
* BlandNameProduct: [=TVTime=] for [=TVLand=].
* BlankBook: The entire library.
* BlitheSpirit: The entire point of the kids' visit, which winds up [[NothingIsTheSameAnymore changing everything in the town]].
* BrickJoke: David helping put out a fire is a hilarious example. First of all the movie establishes that all the firemen in town ever do is getting cats down from trees. Later, due to the ArtisticLicenseSexEd trope above a tree bursts into flame. David catches wind of it and runs to the nearest firestation. Of course due to its pleasantry fires never happened in Pleasantville and this happens:
--> '''David:''' Fire! ''(Confused firemen stare at him.)'' FIRE!!!! ''(They still stare.)'' .....Cat? ''(They rush to the scene.)''
* CharacterDevelopment: David starts out the film as a depressed loner who thinks of the show as escapism. Halfway through the film, he begins to display more assertive leader traits and earns his color by punching out a thug who was attacking his TV mom. Likewise, Jennifer starts as a shallow, slutty fashionista whose original intent is to shake things up, but when given a fresh start, she realizes the value of education and earns her color by breaking a date to study.
** Technically, CharacterDevelopment happens to every character in Pleasantville as they turn to color. The happy housewife ends up having an affair with another man, the soda jerk is secretly a talented artist, and so on and so forth.
** And the husband earns his when he realizes how much he truly loves his wife.
** The town judge gets his color when he discovers true anger, instead of trying to put a happy and satisfied face on for everything. So Character Development goes both ways in this film.
* TheChewToy: The rival basketball team. After all, their sole purpose for existing is to lose to the Pleasantville team.
* ComingOfAgeStory: When people of all age ranges step outside their formula lifestyle, symbolized by the transition to color. The whole film is an allegory for CharacterDevelopment and almost chronicles the rise of the teenager, the TheFifties coming of age as a decade if you will.
* CutAndPasteSuburb
* ADateWithRosiePalms
* DeadTVRemoteGag: Causes the plot.
* DeliberatelyMonochrome
-->'''Jennifer''': And I still don't see why we're doing this!
-->'''David''': [[GenreSavvy Because we're supposed to be in school]].
-->'''Jennifer''': We're supposed to be at home, David. [[LampshadeHanging We're supposed to be in COLOR!]]
* DoesThisRemindYouOfAnything: Not that the movie's subtle about its parallels with a cultural revolution. The signs discriminating against non-monochrome people even read "No Coloreds".
** The scene where Bud and his girlfriend are in Lover's Lane. She tempts him into eating a red apple. Now what [[TheBible biblical story]] involves eating a certain Forbidden Fruit.
* DuelingMovies: Released in 1998, the same year as ''TheTrumanShow'', both films center on folks living happily and unknowingly in a television world who eventually learn of the wonderful challenges human nature and actual reality provide.
* {{Dystopia}}: How Pleasantville appears to really be.
* FantasticRacism: [[ViewersAreMorons And because you wouldn't be able to figure it out for yourself]] they actually refer to the newly colorized people as "coloreds."
** Also, one of the racist antagonists is even named Whitey...[[ViewersAreMorons in case you still haven't made the connection.]]
*** Possibly a ShoutOut; Whitey was the name of a character on ''LeaveItToBeaver''.
* FisherKingdom: Initially. When David and Jennifer first enter the TV show, they're turned monochrome and adopt the clothing of the world around them.
** Not only that, they actually take the roles of pre-existing characters, complete with friends and histories. As far as everyone else is concerned, they've been there all along.
* FridgeLogic: A rare in-universe example, all over the place with the show. Highlighted once they enter the show's world where the things never addressed in the show simply don't exist. There are [[NobodyPoops no toilets]], there's literally nothing outside of Pleasantville, and the residents [[NoHuggingNoKissing don't even know what sex is]]. And of course, the entire world is actually monochromatic.
** Out of universe: If there's nothing outside Pleasantville, where did the opposing basketball team come from? At the very least, without any roads leading out, how did they get in?
*** [[EpilepticTrees They're cross-town rivals.]]
*** Another explanation: they get in off-screen. The citizens know about the USA, they just don't need to go there.
* GenreSavvy: David, due to ''Pleasantville'' being his favorite show.
* HeyItsThatGuy: Hi, Jonathan and Riley from the BuffyVerse!
* HotMom: Betty!
* IChooseToStay: [[spoiler:Jennifer]].
* LampshadeHanging: Again, due to David's genre savvy. He even tries to warn his sister against averting Tropes.
* LettingHerHairDown: Inverted.
* LoveTriangle: [[spoiler:George, Betty, and Bill]].
* MarySue: InUniverse. A perfect, sweet sister character named Mary Sue -- though quickly subverted once Jennifer occupies the role.
* MediumAwareness: David and Jennifer of course, being TrappedInAnotherWorld.
* MonochromeCasting: People claim this is [[JustifiedTrope justified]] because [[TruthInTelevision non-white characters weren't depicted]] on TV in the 50s. However, you would think a movie so concerned with racism could have found a way around this.
** They did. Listen to the music they listen to on the radio.
* NobodyPoops: There aren't any toilets. The stalls are empty!
* NostalgiaAintLikeItUsedToBe: Parodied and ultimately subverted; the world of the show is initially the rosy idea of TheFifties that everyone loves to reminisce about, but once the "colour infection" starts to spread, the uglier side of the decade (such as "racial" and gender discrimination) is gradually reflected.
* OneSteveLimit: Averted. In the TV series, both the the mother and one of Mary Sue's friends are named "Betty."
* RapeIsOkayWhenItsFemaleOnMale: Jennifer goes on a date with the town jock, who she quickly manipulates into having sex with her. This is PlayedForLaughs, though at the time, the boy had no idea what sex was (or for that matter, STD's or even pregnancy), was visibly freaked out, and even mistook his erection for an "illness." Had the sexes been reversed, the boy would have been villified.
* RealityIsUnrealistic: Pleasantville starts off as the version of the 1950s shown on old TV shows, but gradually becomes more like the actual 1950s, with teenagers making out in parked cars, kids wearing leather jackets and slicked-back hair, and bebop music on the radio. This caused [[FanDumb some]] [[CompletelyMissingThePoint people]] to complain that the good, wholesome black-and-white Pleasantville, which they saw as the "real" 1950s, was impugned by all that "modern" stuff like teenage sex, smoking, and the existence of marital difficulties.
** One can only assume those same people never saw ''BackToTheFuture'', or forgot that the lustful, smoking Lorianne lived in 1955.
* ShallowParody: Shows like ''LeaveItToBeaver'' and ''TheAndyGriffithShow'' were not nearly as gritty and dramatic as a more modern show, but they were hardly the surrealistically-perfect world ''Pleasantville'' is. The film more parodies the modern conception of older shows than the actual shows.
* SlidingScaleOfIdealismVsCynicism: The world of Pleasantville starts out with the dial pegged on Idealism, and steadily moves it over to Realism. (Though, as noted above, some thought it moved from Realism to Cynicism.)
* SplashOfColor: The town is in black-and-white until our heroes begin encouraging the natives to think for themselves. Ironically, David and Jennifer are not the first to change; they too must grow as people -- Jennifer complains she is one of the last to change despite [[ReallyGetsAround having more sex than anybody else in town]], but this teaches her it's not all about sex.
* StealthPun: Some early film posters colored "tv" differently from the rest of the title.
* TheTalk: Inverted, in that it's a teenage daughter giving it to her ''mother''. Further subverted; when the mother is sure the father won't be interested, the daughter points out that [[ADateWithRosiePalms the man is actually dispensable]].
* TheThemeParkVersion: Pleasantville starts out as a version of the 1950s that could only come from, well, an old TV show.
** Though, one would be hard-pressed to find an actual 50s sitcom where the outside world, pop music, and sexuality ''literally'' were non-existent.
*** However, these were more meant to {{Lampshade}} the way old shows never went anywhere and never seemed to talk about anything further away than "downtown". The scenes of learning Main Street loops wouldn't have been shown on the broadcast, David just learns this now that he's ''inside'' the show. It's both an indication of how there's more than what he sees on the screen, and symbolism.
* TheUnfairSex: Set up as if it's going to be played straight, but [[TakeAThirdOption takes a different path]]. The wife who finds another love interest is portrayed sympathetically... but so is her husband, who simply doesn't understand how she feels, and his defining moment is realizing how much he loves her.
* WhatHappenedToTheMouse: What happened to the old Bud and Mary Sue? You'd think that even the old Bud would come back once David leaves.
* WrapAround: Early in the film, the town's topology is such that someone going off one side of the town would end up on the other side.
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