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* FriendInTheBlackMarket: Mortdecai is MI5's go-to consultant for art-related crimes, but they've got all of his own felonies on file to hold over his head to bully him into service.

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* FriendInTheBlackMarket: Mortdecai is MI5's [=MI5=]'s go-to consultant for art-related crimes, but they've got all of his own felonies on file to hold over his head to bully him into service.
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* ChekhovsGun: The [[spoiler:insulting painted caricature of WinstonChurchill hanging in Charlie's den]] is initially used as a visual shorthand for just how serious a government agent Martland is, but later comes into play during the finale as the Mortdecais' [[spoiler:decoy of choice.]]

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* ChekhovsGun: The [[spoiler:insulting painted caricature of WinstonChurchill UsefulNotes/WinstonChurchill hanging in Charlie's den]] is initially used as a visual shorthand for just how serious a government agent Martland is, but later comes into play during the finale as the Mortdecais' [[spoiler:decoy of choice.]]
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* OedipusComplex: Combined with ScrewYourself, Krampf wants the Goya because it reminds him of his mother who he believes he takes after in terms of looks. The subject of the painting is, incidentally, naked.

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* CreatorsCultureCarryover: The flashback scene showing Charlie, Johanna, and Alister at university clearly shows them in an American-style college dormitory of a type not really present in the UK, despite the fact that all three characters are British and therefore are (presumably) being educated at a UK institution.



* FailOSuckyname: Charlie (not Charles) and Robin Mortdecai believe their first names to have been made plebeian by their mother in a puckishly subversive way to insult her husband.



* UnfortunateNames: Charlie (not Charles) and Robin Mortdecai believe their first names to have been made plebeian by their mother in a puckishly subversive way to insult her husband.



* WeAllLiveInAmerica: The flashback scene showing Charlie, Johanna, and Alister at university clearly shows them in an American-style college dormitory of a type not really present in the UK, despite the fact that all three characters are British and therefore are (presumably) being educated at a UK institution.
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* {{Greed}}: The cornerstone of the entire plot is that Bronwen [[spoiler:used her firsthand exposure to the lost Goya painting to create a replica which she intended to sell on the black market while claiming it was the real thing. Naturally, this attracted the attention of those that were far likelier to steal it from her than purchase it, resulting in her death.]] The worth of the painting itself creates a web of alliances, betrayals, thefts, and double dealings amongst the cast who either want to profit off of the masterpiece or to simply keep it for themselves.

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* {{Greed}}: The cornerstone of the entire plot is that Bronwen [[spoiler:used her firsthand exposure to the lost Goya painting Creator/FranciscoDeGoya {{painting|s}} to create a replica which she intended to sell on the black market while claiming it was the real thing. Naturally, this attracted the attention of those that were far likelier to steal it from her than purchase it, resulting in her death.]] The worth of the painting itself creates a web of alliances, betrayals, thefts, and double dealings amongst the cast who either want to profit off of the masterpiece or to simply keep it for themselves.

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->''"I won't beat about the bush, Mortdecai. You are clearly an awful man."''



->''"I won't beat about the bush, Mortdecai. You are clearly an awful man."''
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->''"I won't beat about the bush, Mortdecai. You are clearly an awful man."''
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* MisplacedNamesPoster: Johnny Depp and Gwyneth Paltrow's names are switched in the poster.

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* MisplacedNamesPoster: Johnny Depp and Gwyneth Paltrow's Paltrow and Johnny Depp's names are switched should be above and below their respective actors in the poster.
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Misplaced Names Poster entry rewritten to add context
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* MisplacedNamesPoster: Johnny Depp and Gwyneth Paltrow's names are switched in the poster.
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''Mortdecai'' is a 2015 comedy film based on the 1972 cult novel ''Don't Point That Thing At Me'' by Kyril Bonfiglioli. It stars Creator/JohnnyDepp, Creator/PaulBettany, Creator/GwynethPaltrow, Creator/EwanMcGregor, Creator/JeffGoldblum, and Creator/OliviaMunn.

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''Mortdecai'' is a 2015 comedy film based on the 1972 cult novel ''Don't Point That Thing At Me'' by Kyril Bonfiglioli. It stars Bonfiglioli directed by Creator/DavidKoepp and starring Creator/JohnnyDepp, Creator/PaulBettany, Creator/GwynethPaltrow, Creator/EwanMcGregor, Creator/JeffGoldblum, and Creator/OliviaMunn.
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* AdaptationalWimp: Charlie's literary counterpart is a WorldWar2 veteran and an expert in unarmed combat, sabotage, and "shooting people." His person in the film, while not harmless, isn't very well-versed in combat.

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* AdaptationalWimp: Charlie's literary counterpart is a WorldWar2 UsefulNotes/WorldWar2 veteran and an expert in unarmed combat, sabotage, and "shooting people." His person in the film, while not harmless, isn't very well-versed in combat.
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* AdaptationalWimp: Charlie's literary counterpart is a WorldWarII veteran and an expert in unarmed combat, sabotage, and "shooting people." His person in the film, while not harmless, isn't very well-versed in combat.

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* AdaptationalWimp: Charlie's literary counterpart is a WorldWarII WorldWar2 veteran and an expert in unarmed combat, sabotage, and "shooting people." His person in the film, while not harmless, isn't very well-versed in combat.
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* IFightForTheStrongestSide: The [[spoiler:International Chinese Waiters Union]] from ''After You with the Pistol'' is well-aware that the secret [[spoiler:Women's Domination Society]] has their sights set on global conquest, their nation included, but help them anyway, figuring that if they're going to regardless, they might as well try to ride on their victory and profit somehow.
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* MaybeMagicMaybeMundane: The Black Mass that Mortdecai and his friends set up in ''Something Nasty in the Woodshed'' was meant to strike down the satanic rapist plaguing the island or at the very least dissuade him from continuing his rampage under threat of a gruesome infernal death. When he wasn't immediately struck down after the ritual was completed, [[spoiler:George]] intensified his attacks, badly wounding Charlie and even [[spoiler:raping Johanna]]. However, he soon after dies in a painful and exacerbated drowning which could either be bad luck or the curse taking effect. Muddying up the evidence further is how Father Tichborne seemed to demonstrate observable supernatural phenomena to the protagonists earlier on which could have been real or simply seemed to be so via his powers of persuasion.
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* AffablyEvil: Father Tichborne from ''Something Nasty in the Woodshed'' is a spindly defrocked priest turned Satanist who is physically deformed from the neck down, but he's tirelessly pleasant, a delight to talk to, respects "the Other Side" of the holy war, and even crafted a canvas corporal featuring the uncanny lifelike image of a human being to act as a substitute for ritual sacrifice so he nor anyone else who uses it, has to kill a person to invoke demonic powers. The "evil" aspect of the trope only comes into play when he enacts [[spoiler:the Black Mass that Mortdecai, George, and Sam commissioned him to perform in an effort to intimidate "the Devil of Jersey."]]


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* BetterToDieThanBeKilled: Rather than let [[spoiler:Sam]] kill him out of vengeance or allow himself to be captured and punished for his crimes, [[spoiler:George]] opts to let himself drown.


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** ''Something Nasty in the Woodshed'' ends a little more sweetly than ''Don't Point that Thing at Me'' and much more bitterly than ''After You with the Pistol''. Charlie has had [[spoiler:one of his ears mutilated by the rapist, Johanna wound up as one of the victims, his songbird canary died of old age, and the Davenants committed suicide.]] The fact that the criminal was "caught" and "punished" is of little comfort to the Mortdecais.


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* DrivenToSuicide: [[spoiler:Sam and Violet Davenant]] during the closing pages of ''Something Nasty in the Woodshed.''


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* PetTheDog: Charlie's one true act of genuine kindness occurs at the end of ''Something Nasty in the Woodshed'' where he offers Sam lodging at his house for the night because he knows [[spoiler:exactly what he's going to do in reaction to hearing about his wife's suicide.]] It is [[spoiler:tragically rebuffed, and all Mortdecai can do is stare upon Sam's house from across the way and wait for him to kill himself. Which he does a few minutes later.]]
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* AsTheGoodBookSays: Even though he's not a practicing Christian, Mortdecai enjoys quoting Bible verses from memory in the novels because they're well-written and oftentimes philosophically insightful.

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* BlackWidow: Subverted with [[spoiler:Johanna]] with Charlie being pleasantly shocked that it was Kramp's [[spoiler:son, rather than his FemmeFatale wife]] who ultimately did him in.



* FriendInTheBlackMarket: Mortdecai's is MI5's go-to consultant for art-related crimes, but they've got all of his own felonies on file to hold over his head to bully him into service.

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* FriendInTheBlackMarket: Mortdecai's Mortdecai is MI5's go-to consultant for art-related crimes, but they've got all of his own felonies on file to hold over his head to bully him into service.

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* AwesomeButImpractical: Selling the Duchess of Wellington. As a lost masterpiece, it is undoubtedly priceless, but as a cultural artifact, it would be difficult to pawn off as going through official channels would get you arrested by the Spanish government and those rich and covetous enough on the black market would be likelier to just kill you to have it. [[spoiler:Goering's Swiss bank account]] adds an extra wrinkle due to how such a preposterous fortune would make one a target of immense suspicion and possibly even murderous intent. The movie's third act involve the Mortdecai's trying to TakeAThirdOption as they desperately need the money they could get from the item's worth, but are incapable of defending themselves from the baggage that comes with it.

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* AwesomeButImpractical: Selling the Duchess of Wellington. As a lost masterpiece, it is undoubtedly priceless, but as a cultural artifact, it would be difficult to pawn off as going through official channels would get you arrested by the Spanish government and those rich and covetous enough on the black market would be likelier to just kill you to have it. [[spoiler:Goering's Swiss bank account]] adds an extra wrinkle due to how such a preposterous fortune would make one a target of immense suspicion and possibly even murderous intent. The movie's third act involve the Mortdecai's Mortdecais trying to TakeAThirdOption as they desperately need the money they could get from the item's worth, but are incapable of defending themselves from the baggage that comes with it.



* DecompositeCharacter: The film is based on several of the Charlie Mortdecai novels by Kyril Bonfiglioli, with the plot being sort of a composite of the first novel, ''Don't Point That Thing With Me'' as well as the unfinished final novel ''The Great Mortdecai Moustache Mystery''. In the first book, Mortdecai meets Johanna Krampf, the nymphomaniac wife of a wealthy American businessman, and is married to her in later installments. Johanna is characterized as pretending to be a BrainlessBeauty, and beneath the surface having ruthless and cunning traits. Here, Mortdecai is married to Johanna, who is cunning, but a rather different character, belonging to British high society. There is also a separate character, ''Georgina'' Krampf, the nymphomaniac ''daughter'' of a wealthy American businessman, who gets Book!Johanna's BrainlessBeauty facade and hidden untrustworthiness. Georgina also has elements of Krampf's son, Milton III, from the books. Particularly how she is also [[spoiler:party to her father's murder.]]

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* DecompositeCharacter: The film is based on several of the Charlie Mortdecai novels by Kyril Bonfiglioli, with the plot being sort of a composite of the first novel, ''Don't Point That that Thing With at Me'' as well as the unfinished final novel ''The Great Mortdecai Moustache Mystery''. In the first book, Mortdecai meets Johanna Krampf, the nymphomaniac wife of a wealthy American businessman, and is married to her in later installments. Johanna is characterized as pretending to be a BrainlessBeauty, and beneath the surface having ruthless and cunning traits. Here, Mortdecai is married to Johanna, who is cunning, but a rather different character, belonging to British high society. There is also a separate character, ''Georgina'' Krampf, the nymphomaniac ''daughter'' of a wealthy American businessman, who gets Book!Johanna's BrainlessBeauty facade and hidden untrustworthiness. Georgina also has elements of Krampf's son, Milton III, from the books. Particularly how she is also [[spoiler:party to her father's murder.]]]]
* DirtyCommies: Charlie earns the attention and suspicion of the American embassy during ''Don't Point that Thing at Me'' (which is set during the Cold War) after Colonel Blucher sees that he was part of a socialist academic club during his university days.


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* KarmicDeath: [[spoiler:Charlie]] believes that his upcoming demise at the end of ''Don't Point that Thing at Me'' makes the entire affair "quite a moral tale" as he feels it is just and mostly deserved.

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* BolivianArmyEnding: ''Don't Point that Thing at Me'' ends with [[spoiler:a cornered and alone Charlie on his way to exit his mountain hideout to confront Martland one last time.]]



* DecompositeCharacter: The film is based on several of the Charlie Mortdecai novels by Kyril Bonfiglioli, with the plot being sort of a composite of the first novel, ''Don't Point That Thing With Me'' as well as the unfinished final novel ''The Great Mortdecai Moustache Mystery''. In the first book, Mortdecai meets Johanna Krampf, the nymphomaniac wife of a wealthy American businessman, and is married to her in later installments. Johanna is characterized as pretending to be a BrainlessBeauty, and beneath the surface having ruthless and cunning traits. Here, Mortdecai is married to Johanna, who is cunning, but a rather different character, belonging to British high society. There is also a separate character, ''Georgina'' Krampf, the nymphomaniac ''daughter'' of a wealthy American businessman, who gets Book!Johanna's BrainlessBeauty facade and hidden untrustworthiness.

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* CompositeCharacter: The film's version of Martland combines elements with his literary counterpart and Colonel Blucher from the books although a man bearing the latter's name is mentioned at the auction house where the climax of the film takes place.
* DecompositeCharacter: The film is based on several of the Charlie Mortdecai novels by Kyril Bonfiglioli, with the plot being sort of a composite of the first novel, ''Don't Point That Thing With Me'' as well as the unfinished final novel ''The Great Mortdecai Moustache Mystery''. In the first book, Mortdecai meets Johanna Krampf, the nymphomaniac wife of a wealthy American businessman, and is married to her in later installments. Johanna is characterized as pretending to be a BrainlessBeauty, and beneath the surface having ruthless and cunning traits. Here, Mortdecai is married to Johanna, who is cunning, but a rather different character, belonging to British high society. There is also a separate character, ''Georgina'' Krampf, the nymphomaniac ''daughter'' of a wealthy American businessman, who gets Book!Johanna's BrainlessBeauty facade and hidden untrustworthiness. Georgina also has elements of Krampf's son, Milton III, from the books. Particularly how she is also [[spoiler:party to her father's murder.]]



* EvenEvilHasStandards: Charlie might get Jock shot, partially frozen, and violently sick, but he draws the line at allowing one of his [[spoiler:fingers to be cut off by the triads.]] Partially subverted at the end as, while he willingly [[spoiler:hands the codes to Goering's Swiss bank account and the enormous Nazi fortune within]] to the authorities instead of keeping the money for himself, this in turn gives him a clear conscience to [[spoiler:keep the painting for himself instead of giving it back to Spain.]]

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* {{Eagleland}}: Zigzagged throughout the first book where Mortdecai meets many people of both types, sometimes in the same city or even the same room. While disguised as a member of the Vatican during the second, he accidentally gives a bundle of money to an American guest at a casino who later has it returned to him along with 95% of the winnings he earned with it and asks him to donate it to the poor through the Church. Charlie considers this American "the only honest man" he's ever met.
* EvenEvilHasStandards: Charlie might get Jock shot, partially frozen, and violently sick, but he draws the line at allowing one of his [[spoiler:fingers to be cut off by the triads.]] Partially subverted at the end as, while he willingly [[spoiler:hands the codes to Goering's Swiss bank account and the enormous Nazi fortune within]] to the authorities instead of keeping the money for himself, this in turn gives him a clear conscience to [[spoiler:keep [[spoiler:hold on to the painting for himself instead of giving it back to Spain.]]]]
** Jock, while a known felon and thug who would kill at Charlie's command (or for his own amusement) refuses to [[spoiler:assassinate the Queen of England]] during the first act of ''After You with the Pistol''.
* FailOSuckyname: Charlie (not Charles) and Robin Mortdecai believe their first names to have been made plebeian by their mother in a puckishly subversive way to insult her husband.


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* GenderBlenderName: Robin Mortdecai as "Robin" was considered a girl's name during the time he was born.


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* ImplacableMan: The powder-blue Buick which pursues Mortdecai and his Rolls-Royce Silver Ghost across America. To his dismay, he discovers that [[spoiler:there's more than one and both cars have different benefactors.]]
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%% * {{Expy}}: The book series upon which it’s based has been compared to ''Literature/JeevesAndWooster''
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* AscendedExtra: Fang has a bit role as a dentist cum drug dealer in the novels, but is a powerful crime boss and tertiary antagonist in the film.
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* BattleButler: Jock, whom Charlie says is his manservant and thug in his voiceover after the opening scene in HongKong when Fang tries to welch on his Ming vase deal with Charlie.

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* BattleButler: Jock, whom Charlie says is his manservant and thug in his voiceover after the opening scene in HongKong UsefulNotes/HongKong when Fang tries to welch on his Ming vase deal with Charlie.
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* SnicketWarningLabel: The narration of the books is peppered with Charlie prefacing sections of career "villainy" with warnings about how law-abiding readers or those leafing through the story "below their station" might find them distasteful.
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* AdaptationalAttractiveness: All the major characters with the exception of Johanna are much less fat and middle-aged than they were in the books. Jock, for how injured he gets in the movie, still gets to keep [[spoiler:most of his teeth and both of his eyes by the end of the story.]]
* AdaptationalWimp: Charlie's literary counterpart is a WorldWarII veteran and an expert in unarmed combat, sabotage, and "shooting people." His person in the film, while not harmless, isn't very well-versed in combat.


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* SparedByTheAdaptation: [[spoiler:Martland]] who is killed in the opening chapter of ''After You with the Pistol''.
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%% * {{Expy}}: The book series upon which it’s based has been compared to ''JeevesAndWooster''

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%% * {{Expy}}: The book series upon which it’s based has been compared to ''JeevesAndWooster''''Literature/JeevesAndWooster''

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* {{Greed}}: The cornerstone of the entire plot is that Bronwen [[spoiler:used her firsthand exposure to the lost Goya painting to create a replica which she intended to sell on the black market while claiming it was the real thing. Naturally, this attracted the attention of those that were far likelier to steal it from her than purchase it, resulting in her death.]] The worth of the painting itself creates a web of alliances, betrayals, thefts, and double dealings amongst the cast who either want to profit the masterpiece or to simply keep it for themselves.

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* {{Greed}}: The cornerstone of the entire plot is that Bronwen [[spoiler:used her firsthand exposure to the lost Goya painting to create a replica which she intended to sell on the black market while claiming it was the real thing. Naturally, this attracted the attention of those that were far likelier to steal it from her than purchase it, resulting in her death.]] The worth of the painting itself creates a web of alliances, betrayals, thefts, and double dealings amongst the cast who either want to profit off of the masterpiece or to simply keep it for themselves.


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* TooDumbToLive: Once he [[spoiler:tricks Mortdecai into delivering him what he thinks is the Goya, Krampf's first instinct is to publicly announce that he's in possession of it and that he'll be throwing a lavish party in celebration of his acquisition,]] never mind that this puts him squarely in the crosshairs of fanatics who would kill to own the painting and those who believe the legend that [[spoiler:the codes to a Nazi fortune are written on the back of it]] and would likewise kill to learn them.
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* {{Greed}}: The cornerstone of the entire plot is that Bronwen [[spoiler:used her firsthand exposure to the lost Goya painting to create a replica which she intended to sell on the black market while claiming it was the real thing. Naturally, this attracted the attention of those that were far likelier to steal it from her than purchase it, resulting in her death.]] The worth of the painting itself creates a web of alliances, betrayals, thefts, and double dealings amongst the cast who either want to profit the masterpiece or to simply keep it for themselves.

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* GentlemanThief: As a sense and fledgling high-class conman, Charlie is technically a thief and his pedigree encourages him to try and act like a gentleman, but he only barely manages to qualify for this trope.

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* GentlemanThief: As a sense fence and fledgling high-class conman, Charlie is technically a thief and his pedigree encourages him to try and act like a gentleman, but he only barely manages to qualify for this trope.


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* UpperClassTwit: Charlie knows art and he knows his wines, but in regards to everything else, he's an aristocratic buffoon.

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