Follow TV Tropes

Following

History Film / LetMeIn

Go To

OR

Added: 730

Changed: 177

Is there an issue? Send a MessageReason:
None


* AdaptationalAngstUpgrade: Owen suffers alot more than Oskar did. He has a much worse relationship with his parents. In this version his mother is an alcoholic who neglects him while in the swedish version they have a loving relationship. While Owens father doesnt even make a single appearance, his voice is only heard on the phone while he totally ignores that his son is obliviously very distressed and upset about something, while his swedish counterpart, despite being an alcoholic, visited him every weekend.Also, the bullies are much more sadistic and violent than their swedish counterparts.For example, in their first scene in "Let the right one in" involves childishly flicking Oskars nose, while in this version they snap a wet towel at his eyes before attacking him until he wets himself out of the pain and fear.

to:

* AdaptationalAngstUpgrade: Owen suffers alot more than Oskar did. He has a much worse relationship with his parents. In this version his mother is an alcoholic who neglects him while in the swedish version they have a loving relationship. While Owens father doesnt even make a single appearance, his voice is only heard on the phone while he totally ignores that his son is obliviously very distressed and upset about something, while his swedish counterpart, despite being heavily implied to be an alcoholic, visited made the effort to see him every weekend.Also, the bullies are much more sadistic and violent in their abuse of Owen than their swedish counterparts.For example, in their first scene in "Let the right one in" involves childishly flicking Oskars nose, while in this version they snap a wet towel at his eyes before attacking him until he wets himself out of the pain and fear.



* EeriePaleSkinnedBrunette:To be expected of Abby due to her being a vampire but Owen despite being a normal boy is also extremely pale.

to:

* EeriePaleSkinnedBrunette:To be expected of Abby due to her being a vampire but Owen EeriePaleSkinnedBrunette:Owen, despite being a normal boy boy, is also extremely pale.pale. Hes actually more pale than Abbey, a vampire.


Added DiffLines:

* ThenLetMeBeEvil: A possible interpretation for Owens decision to stay with Abbey. Judging by his phone call to his father near the end of the movie Owen its obivous hes considering the possibility that Abbey is evil and sturggling with that fact. However, since most of the normal, self-proclaimed "good" world has been so cruel to Owen, his parents neglect him,he has no friends and no one protects him from the bullies who torture him everyday while Abbey is kind to him,gives him attention/affection and ends up massacaring Owens tormentors when they attempt to drown him, so you cant really blame him from wanting to throw in his lot with Abbey and run away with her by the end of the film, despite the fact shes a vampire.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AdaptationalAngstUpgrade: Owen suffers alot more than Oskar did. He has a much worse relationship with his parents. In this version his mother is an alcoholic who neglects him while in the swedish version they have a loving relationship. While Owens father doesnt even make a single appearance, his voice is only heard on the phone while he totally ignores that his son is obliviously very distressed and upset about something, while his swedish counterpart, despite being an alcoholic, visited him every weekend.Also, the bullies are much more sadistic and violent than their swedish counterparts.For example, in their first scene in "Let the right one in" involves childishly flicking Oskars nose, while in this version they snap a wet towel at his eyes before attacking him until he wets himself out of the pain and fear.
Is there an issue? Send a MessageReason:
None


* EeriePaleSkinnedBrunette:To be expected of Abby due to her being a vampire but Owen despite a normal boy is also extremely pale.

to:

* EeriePaleSkinnedBrunette:To be expected of Abby due to her being a vampire but Owen despite being a normal boy is also extremely pale.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* EeriePaleSkinnedBrunette:To be expected of Abby due to her being a vampire but Owen despite a normal boy is also extremely pale.
Is there an issue? Send a MessageReason:
None


''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz, Kodi Smit-[=McPhee=], Creator/RichardJenkins, and Elias Koteas. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by Creator/JohnAjvideLindqvist. It is produced by ''Film/HammerHorror'', making this their first movie in decades.

In 1982, in Los Alamos, New Mexico, young Owen is tormented by bullies and frustrated with his parents, who are too wrapped up in their divorce to offer him much sympathy. Everything changes for him when Abby moves in to the apartment next door. However, Abby is not what she seems, and as Owen strikes up a friendship with her, he is soon drawn into her dangerous life.

to:

''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, fame), starring Creator/ChloeGraceMoretz, Kodi Smit-[=McPhee=], Creator/RichardJenkins, and Elias Koteas. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by Creator/JohnAjvideLindqvist. It is produced by ''Film/HammerHorror'', making this their first movie in decades.

In 1982, in Los Alamos, New Mexico, young Owen is tormented by bullies and frustrated with his parents, who are too wrapped up in their divorce to offer him much sympathy. Everything changes for him when Abby moves in to into the apartment next door. However, Abby is not what she seems, and as Owen strikes up a friendship with her, he is soon drawn into her dangerous life.
Is there an issue? Send a MessageReason:
None


''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by Creator/JohnAjvideLindqvist. It is produced by ''Film/HammerHorror'', making this their first movie in decades.

to:

''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Creator/ChloeGraceMoretz, Kodi Smit-[=McPhee=].Smit-[=McPhee=], Creator/RichardJenkins, and Elias Koteas. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by Creator/JohnAjvideLindqvist. It is produced by ''Film/HammerHorror'', making this their first movie in decades.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* RealityEnsues: Owen pulls his knife on the four bullies when they corner him in the locker room... which does absolutely no good, as it's too small to do much damage. The bullies laugh it off, overpower him and throw him into the pool anyway.

Added: 198

Changed: 16

Is there an issue? Send a MessageReason:
None


* BlatantLies: When Owen's mother demands to know where he's been after being out with Abby, Owen unconvincingly claims he's been there the whole time. [[ParentalObliviousness She seems to buy it]].



* MomentKiller: After venting about how much he wants to leave town, Abby tenderly takes Owen's hand, and it seems it might be heading toward a kiss... when Owen's mother calls out to him. Owen's reaction really sells it.

to:

* MomentKiller: After venting Owen vents about how much he wants to leave town, Abby tenderly takes Owen's his hand, and it seems it might be heading toward a kiss... when Owen's mother calls out to him. Owen's reaction really sells it.

Added: 1151

Changed: 214

Is there an issue? Send a MessageReason:
None


* AdaptationDistillation: This version distills the plot further than the Swedish version did. Barely any characters other than the boy and the vampire even register, and one CompositeCharacter is created to fulfill the function of one of the demoted characters at the climax.
* AdaptationDyeJob: In ''Let the Right One In'', Eli had dark hair and Oskar was blonde. In this film, Owen has dark hair and Abby is the blonde.

to:

* AdaptationDistillation: This version distills the plot further than the Swedish version did. Barely any characters other than the boy and the vampire even register, and one CompositeCharacter is created to fulfill the function of one of the demoted characters at the climax.
climax. The film also adds more scenes between Owen and Abby, such as when he confides in her that his parents are getting divorced, and later tells her about how miserable he feels in Los Alamos and just wants to leave.
* AdaptationDyeJob: In ''Let the Right One In'', Eli had dark hair and Oskar was blonde. In this film, Owen has dark hair and Abby is the blonde.


Added DiffLines:

* AdultsAreUseless: Owen gets blamed for hitting Kenny on the ice, despite acting in self-defense, with the principal threatening to suspend him over the incident. There's no mention of Kenny getting in trouble for threatening to ''drown'' him.


Added DiffLines:

* DespairEventHorizon: Owen has definitely hit this when [[spoiler: Abby leaves him after killing the policeman]]. As he watches her go, he seems in shock and can't even show emotion. The next day, he just stares out the window at the empty jungle gym, crying his heart out.


Added DiffLines:

* FirstKiss: Abby kisses Owen on the cheek after he tells her how he stood up to Kenny.


Added DiffLines:

* ItsAllAboutMe: After he learns that Abby's a vampire, Owen calls his father and asks him whether people can be evil. His father assumes this is something Owen's mother is telling him to try to turn Owen against him.


Added DiffLines:

* MomentKiller: After venting about how much he wants to leave town, Abby tenderly takes Owen's hand, and it seems it might be heading toward a kiss... when Owen's mother calls out to him. Owen's reaction really sells it.


Added DiffLines:

* ThemeNaming: A lot of the titles on the soundtrack album are based on quotes from Theatre/RomeoAndJuliet.

Added: 1166

Changed: 432

Is there an issue? Send a MessageReason:
None


* AdaptationalVillainy: Abby's intentions with Owen are a lot more ambiguous in this version. [[spoiler: While Håkan was recruited by Eli when he was an adult, Thomas has been Abby's caretaker since he was a child. This implies that she is just seeing Owen as a replacement, and he is doomed to become a murderer who will eventually be replaced as well.]]

to:

* AdaptationalJerkass: Jimmy is much more of a BigBrotherBully here, mocking Kenny for his injury, and basically threatening him into giving him his keys, which he seemed a lot more casual about in the Swedish film.
* AdaptationalVillainy: Abby's intentions with Owen are a lot more ambiguous in this version. [[spoiler: While Håkan was recruited by Eli when he was an adult, Thomas has been Abby's caretaker since he was a child. This implies that she is just seeing Owen as a replacement, and he is doomed to become a murderer who will eventually be replaced as well. According to Chloe Grace Moretz, Abby does love Owen, but is also manipulative so that she can have him to herself.]]


Added DiffLines:

* {{Foreshadowing}}: At one point, Owen tells Abby how much he hates Los Alamos, and that he just wants to leave and never come back. In response, Abby takes his hand as if inviting him to leave with her. [[spoiler: He does just that at the end]].


Added DiffLines:

* {{Pastiche}}: Reeves cited ''Film/ETTheExtraTerrestrial'' as a stylistic influence on the film.


Added DiffLines:

* RuleOfSymbolism: Owen's bedroom has a space theme, with posters of outer space and a space shuttle prominently displayed. According to Kodi Smit-[=McPhee=], this is to symbolize both Owen's sense of isolation and his desire to escape from his surroundings. He also said that Owen's silver jacket is meant to look similar to an astronaut's spacesuit.
Is there an issue? Send a MessageReason:
None


* AdaptationalVillainy: Abby's intentions with Owen is a lot more ambiguous in this version. [[spoiler:While Håkan was recruited by Eli when he was an adult, Thomas has been Abby's caretaker since he was a child. This implies that she is just seeing Owen as a replacement, and he is doomed to become a murderer who will eventually be replaced as well.]]

to:

* AdaptationalVillainy: Abby's intentions with Owen is are a lot more ambiguous in this version. [[spoiler:While [[spoiler: While Håkan was recruited by Eli when he was an adult, Thomas has been Abby's caretaker since he was a child. This implies that she is just seeing Owen as a replacement, and he is doomed to become a murderer who will eventually be replaced as well.]]



* AlasPoorVillain: Thomas still has a sad ending, despite the fact that in this version he's still a serial killer, [[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]

to:

* AlasPoorVillain: Thomas still has a sad ending, despite the fact that in this version he's still a serial killer, [[spoiler:holding [[spoiler: holding a sobbing Eli Abby in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror [[spoiler: [[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli Abby safe]] beforehand.]]



* ChildrenAreInnocent: Averted with the bullies and Eli being cruel and homicidal.

to:

* ChildrenAreInnocent: Averted with the bullies and Eli Abby being cruel and homicidal.
Is there an issue? Send a MessageReason:
None


''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by John Ajvide Lindqvist. It is produced by ''Film/HammerHorror'', making this their first movie in decades.

to:

''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by John Ajvide Lindqvist.Creator/JohnAjvideLindqvist. It is produced by ''Film/HammerHorror'', making this their first movie in decades.
Is there an issue? Send a MessageReason:
None


''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by John Ajvide Lindqvist. It is produced by ''Film/HammerHorror'', their first movie in decades.

to:

''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by John Ajvide Lindqvist. It is produced by ''Film/HammerHorror'', making this their first movie in decades.
Is there an issue? Send a MessageReason:
None


''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by John Ajvide Lindqvist.

to:

''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by John Ajvide Lindqvist.
Lindqvist. It is produced by ''Film/HammerHorror'', their first movie in decades.
Is there an issue? Send a MessageReason:
None


* AdaptationalVillainy: Abby's intentions with Owen is a lot more ambigous in this version. [[spoiler:While Håkan was recruited by Eli when he was an adult, Thomas has been Abby's caretaker since he was a child. This implies that she is just seeing Owen as a replacement, and he is doomed to become a murderer who will eventually be replaced as well.]]

to:

* AdaptationalVillainy: Abby's intentions with Owen is a lot more ambigous ambiguous in this version. [[spoiler:While Håkan was recruited by Eli when he was an adult, Thomas has been Abby's caretaker since he was a child. This implies that she is just seeing Owen as a replacement, and he is doomed to become a murderer who will eventually be replaced as well.]]
Is there an issue? Send a MessageReason:
None


For tropes on the original book, see ''Literature/LetTheRightOneIn''. For tropes on the Swedish film, see ''Film/LetTheRightOneIn''

to:

For tropes on the original book, see ''Literature/LetTheRightOneIn''. For tropes on the Swedish film, see ''Film/LetTheRightOneIn''
[[Film/LetTheRightOneIn here]].
Is there an issue? Send a MessageReason:
None


* TheFaceless: Used in the English-language film to signify this is principally a tale about childhood ([[NotGrowingUpSucks more or less]]), with adult characters mostly peripheral and often fleeting. Owen's island-like status is emphasized by his absent father only making one scene by telephone, and his mother – a fairly constant presence in the book – appears numerous times yet is ''never once seen properly on camera'': she varies from being a distant figure, a ghostly reflection or obscured by a door, to fully visible yet thrown way out of focus or seen only from the neck down; even a passport-type photo glimpsed in her wallet is crumpled to the point of indistinguishability.

to:

* TheFaceless: Used in the English-language film to signify that this is principally a tale about childhood ([[NotGrowingUpSucks more or less]]), with adult characters mostly peripheral and often fleeting. Owen's island-like status is emphasized by his absent father only making one scene by telephone, and his mother – a fairly constant presence in the book – appears numerous times yet is ''never once seen properly on camera'': she varies from being a distant figure, a ghostly reflection or obscured by a door, to fully visible yet thrown way out of focus or seen only from the neck down; even a passport-type photo glimpsed in her wallet is crumpled to the point of indistinguishability.

Added: 352

Changed: 871

Is there an issue? Send a MessageReason:
None


* AdaptationalHeroism: Thomas In this version seems to have been divorced from the clear pedophile storyline of Hakan in the book and the softened version of it from the Swedish film. Here there is a scene revealing that [[spoiler:his counterpart met Abby when he was a child]].
* AdaptationDistillation: This version distills the plot further than the Swedish version did. To the point that barely any characters other than the boy and the vampire even register, and one CompositeCharacter is created to fulfill the function of one of the demoted characters at the climax.

to:

* AdaptationalHeroism: Thomas In in this version seems to have been divorced from the clear pedophile storyline of Hakan Håkan in the book and the softened version of it from the Swedish film. Here there is a scene revealing that [[spoiler:his counterpart met Abby when he was a child]].
* AdaptationalVillainy: Abby's intentions with Owen is a lot more ambigous in this version. [[spoiler:While Håkan was recruited by Eli when he was an adult, Thomas has been Abby's caretaker since he was a child. This implies that she is just seeing Owen as a replacement, and he is doomed to become a murderer who will eventually be replaced as well.]]
* AdaptationDistillation: This version distills the plot further than the Swedish version did. To the point that barely Barely any characters other than the boy and the vampire even register, and one CompositeCharacter is created to fulfill the function of one of the demoted characters at the climax.



* AlasPoorVillain: Thomas still has a sad ending ,despite the fact that in this version he's still a serial killer,[[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]
* TheAlcoholic: In the remake, it was his mother that was the alcoholic.

to:

* AlasPoorVillain: Thomas still has a sad ending ,despite ending, despite the fact that in this version he's still a serial killer,[[spoiler:holding killer, [[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]
* TheAlcoholic: In Owen's mother, making her a CompositeCharacter of Oskar's parents in the remake, it was his mother that was the alcoholic.novel and Swedish film.



* FacialHorror: Thomas after pouring acid on his face looks all the worse for it when he is in the hospital.
** Virginia in the remake as well where she is not only vampiric but getting rapidly burned by the sun.

to:

* FacialHorror: Thomas FacialHorror:
** Thomas,
after pouring acid on his face face, looks all the worse for it when he is in the hospital.
** Virginia in the remake as well where she Virginia, who is not only vampiric but getting rapidly burned by the sun.



* GenderFlip: Abby here is 100% female, her counterpart in the book and Swedish film, Eli, on the other hand was a castrated boy who for his/her reasons presented or was assumed to be a girl.

to:

* GenderFlip: Abby here is 100% female, her female. Her counterpart in the book and Swedish film, Eli, on the other hand was a castrated boy who for his/her reasons presented or was assumed to be a girl.



* SadisticChoice: The climax involves a sadistic contest of Owen being held underwater; if he can spend 3 minutes below the surface he just gets a cut on his cheek but if he can't spend 3 minutes below the surface, he gets his eye gouged out. Mind you he is also being held down by a bigger teen's hand which could also drown him instead. Also in the end averted with another sadistic ending, Owen's vampire lover comes to even the score.

to:

* SadisticChoice: The climax involves a sadistic contest of Owen being held underwater; if he can spend 3 minutes below the surface he just gets a cut on his cheek but if he can't spend 3 minutes below the surface, he gets his eye gouged out. Mind you he is also being held down by a bigger teen's hand which could also drown him instead. Also in the end averted with another sadistic ending, Ultimately it's subverted though a [[TakeAThirdOption third option]], as Owen's vampire lover comes to even the score.

Added: 1260

Changed: 217

Is there an issue? Send a MessageReason:
None


* ChildrenAreInnocent: Averted with the bullies and Eli being cruel and homicidal.



* DarkSecret: The audience knows that Abby is a vampire the entire time; Owen finds out eventually. Stemming from this, Abby tries to hide the more gruesome aspects of her affliction from her new friend (such as what happens when she enters a house without permission, and what she does while sleeping/recuperating in the bathroom), but Owen deals with each in turn.



* TheDogBitesBack: Owen is at first brutually targeted by the bullies until after Abby's encouragement he finally strikes back splitting Kenny's ear in the process.
* EvenEvilHasLovedOnes: Owen and Thomas to Abby, if you consider Abby evil. Kenny and Jimmy to each other.



* FacialHorror: Virginia in the remake when she is not only vampiric but getting rapidly burned by the sun.

to:

* FacialHorror: Thomas after pouring acid on his face looks all the worse for it when he is in the hospital.
**
Virginia in the remake when as well where she is not only vampiric but getting rapidly burned by the sun.



* TheRenfield: Father procures blood for Abby.

to:

* TheRenfield: Father Thomas procures blood for Abby.Abby. As such Owen appears to have taken over this role for the future.


Added DiffLines:

* SadisticChoice: The climax involves a sadistic contest of Owen being held underwater; if he can spend 3 minutes below the surface he just gets a cut on his cheek but if he can't spend 3 minutes below the surface, he gets his eye gouged out. Mind you he is also being held down by a bigger teen's hand which could also drown him instead. Also in the end averted with another sadistic ending, Owen's vampire lover comes to even the score.

Added: 1020

Changed: 143

Is there an issue? Send a MessageReason:
None


* BloodierAndGorier: The Swedish film relied a lot on long shots to not focus as much on the gory aspects. This film was more open to those aspects.



* ComingOfAgeStory: Oddly heartwarming. Kind of.
* CreepyChild: Abby counts as one giving how she murders people on screen. Although she's been a child for a long time.



* DisproportionateRetribution: In ''Let Me In'' they try to kill Owen for splitting Kenny's ear, in self defense no less.

to:

* DisproportionateRetribution: In ''Let Me In'' they try to kill Owen for splitting Kenny's ear, in self defense no less. This is distilled from the book where there was an ongoing series of events to get there, but this is the same level as from the Swedish film.


Added DiffLines:

* GenderFlip: Abby here is 100% female, her counterpart in the book and Swedish film, Eli, on the other hand was a castrated boy who for his/her reasons presented or was assumed to be a girl.


Added DiffLines:

* LighterAndSofter: Ironically in the same film that didn't mind showing more blood several characters are less morally murky in this film than the book and Swedish film. Owen is still a bullied kid who has a knife who thinks about attacking his bullies, yet he doesn't do a fraction of the stuff book Oskar did from shoplifting and setting a fire at his school. Thomas is separated out from Hakan by dropping all the pedophile storyline in favor of him having met Abby similar to how Owen did when he was younger.

Added: 1125

Changed: 1256

Removed: 70

Is there an issue? Send a MessageReason:
Fixed up some of the leftovers but there's still more to do here.


* AdaptationalHeroism: In the remake, it was omitted altogether, with a scene revealing that [[spoiler:his counterpart met Abby when he was a child]].
* AdaptationDistillation: The American version distills it further, so that barely any characters other than the boy and the vampire even register, and one new character is created to fulfill the function of one of the demoted characters at the climax.

to:

* AdaptationalHeroism: Thomas In this version seems to have been divorced from the remake, clear pedophile storyline of Hakan in the book and the softened version of it was omitted altogether, with from the Swedish film. Here there is a scene revealing that [[spoiler:his counterpart met Abby when he was a child]].
* AdaptationDistillation: The American This version distills it further, so the plot further than the Swedish version did. To the point that barely any characters other than the boy and the vampire even register, and one new character CompositeCharacter is created to fulfill the function of one of the demoted characters at the climax.



* AlasPoorVillain: Hakan/ might be the only time in movie history where you could cry for the death of a ''serial-killing pedophile'', [[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]

to:

* AdaptationNameChange: A lot of characters had their names changed to fit in better in America than Sweden. Oskar became Owen. Eli became Abby. Hakan became Thomas. Conny became Kenny (ironically his original name in the book was Jonny).
* AlasPoorVillain: Hakan/ might be Thomas still has a sad ending ,despite the only time fact that in movie history where you could cry for the death of this version he's still a ''serial-killing pedophile'', [[spoiler:holding serial killer,[[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]



* BerserkButton: Whatever you do, don't try to hurt the boy the vampire likes.



* DangerTakesABackseat: One of the most intense sequences in the film has Father hiding in the backseat of a car in order to kill someone for Abby to feed on.
* DarknessEqualsDeath: in the remake, where the entire pool area let alone the pool is ridiculously dark.

to:

* BloodOath: Owen cuts his hand and suggests this to Abby. Abby, being a vampire, takes it somewhat less than calmly.
* BoyMeetsGhoul: A charming story where the bullied boy meets a charming vampire when she moves in next door.
* BullyBrutality: The bullies that harass Owen and end up almost drowning him.
* DangerTakesABackseat: One of the most intense sequences in the film has Father Thomas hiding in the backseat of a car in order to kill someone for Abby to feed on.
* DarknessEqualsDeath: The finale pool scene starts out bright just like it was in the remake, Swedish film but once the bullies come in they turn out the lights where the entire pool area let alone the pool is ridiculously dark.dark as the violence is about to pick up.



* DeathSeeker: In the remake, it's more of an accident.
* DemotedToExtra: They are removed entirely from the American version.

to:

* DeathSeeker: In the remake, it's more of an accident.
* DemotedToExtra: They are removed entirely Most of the mid level characters from the American previous versions are excluded from this version.


Added DiffLines:

* ReplacementGoldfish: Owen's expression in one scene plays off this trope. He worries he is being groomed to be this once he sees a picture of Thomas and Abby together when he was younger.

Added: 101

Removed: 114

Is there an issue? Send a MessageReason:
None


* ForeignRemake: ''Let Me In'' is an American remake of the film version of ''Let The Right One In''.



* TheRemake:
** ForeignRemake: ''Let Me In'' is an American remake of the film version of ''Let The Right One In''.

Added: 3076

Changed: 259

Is there an issue? Send a MessageReason:
Added over everything for this film that didn't belong on the new seperated book page. I need to rewatch this version to properly fill it out more to match the others. Anyone can feel free to beat me to his one though.


For tropes on the original book, see ''Literature/LetTheRightOneIn''. For tropes on the Swedish film, see ''Film/LetTheRightOneIn''



* AdaptationDistillation: Whereas the original book had a few subplots, ''Let Me In'' is almost entirely devoted to Abby and Owen's relationship, with the detective character added in as a replacement for a character who was cut.

to:

* AdaptationalHeroism: In the remake, it was omitted altogether, with a scene revealing that [[spoiler:his counterpart met Abby when he was a child]].
* AdaptationDistillation: Whereas The American version distills it further, so that barely any characters other than the original book had a few subplots, ''Let Me In'' is almost entirely devoted to Abby boy and Owen's relationship, with the detective vampire even register, and one new character added in as a replacement for a character who was cut.is created to fulfill the function of one of the demoted characters at the climax.


Added DiffLines:

* AlasPoorVillain: Hakan/ might be the only time in movie history where you could cry for the death of a ''serial-killing pedophile'', [[spoiler:holding a sobbing Eli in his arms and letting her feed on him before falling out the hospital window to his death]]. Especially considering [[spoiler:[[BodyHorror what he does to his face]] [[HeroicSacrifice to keep Eli safe]] beforehand.]]
* TheAlcoholic: In the remake, it was his mother that was the alcoholic.


Added DiffLines:

* BringMyBrownPants: In the remake, the bullies attack Owen until he wets himself.


Added DiffLines:

* DarknessEqualsDeath: in the remake, where the entire pool area let alone the pool is ridiculously dark.
* DeliberateValuesDissonance: The remake has two instances of this, since it takes place in the 1980s. The first being Kenny being forced to do laps for sexually harassing a classmate. If the movie had taken place in modern day, his punishment would have been much more severe. Another one was Owen being able to buy a knife at only 12-years-old, which would not fly as easily in the post-Columbine society.
* DeathSeeker: In the remake, it's more of an accident.
* DemotedToExtra: They are removed entirely from the American version.
* DisproportionateRetribution: In ''Let Me In'' they try to kill Owen for splitting Kenny's ear, in self defense no less.


Added DiffLines:

* FacialHorror: Virginia in the remake when she is not only vampiric but getting rapidly burned by the sun.
* TheFaceless: Used in the English-language film to signify this is principally a tale about childhood ([[NotGrowingUpSucks more or less]]), with adult characters mostly peripheral and often fleeting. Owen's island-like status is emphasized by his absent father only making one scene by telephone, and his mother – a fairly constant presence in the book – appears numerous times yet is ''never once seen properly on camera'': she varies from being a distant figure, a ghostly reflection or obscured by a door, to fully visible yet thrown way out of focus or seen only from the neck down; even a passport-type photo glimpsed in her wallet is crumpled to the point of indistinguishability.
* FreudianExcuse: It's implied that the reason why Kenny bullies Owen more harshly than the others is because he himself is being [[BigBrotherBully bullied by his big brother]]. His brother even calls him a "little girl" which is what Kenny has been calling Owen.


Added DiffLines:

* KubrickStare: Abby does one while feeding on the man in the tunnel.
* ManOnFire: Virginia again although this remake shows it more gradually compared to the other versions.


Added DiffLines:

* NightmareFace: Played deadly straight with Abby.


Added DiffLines:

* TheRemake:
** ForeignRemake: ''Let Me In'' is an American remake of the film version of ''Let The Right One In''.
Is there an issue? Send a MessageReason:
None


* BigBrotherBully: Kenny's older brother. It's implied that it's because of him that Kenny became a bully himself, since he calls Kenny a "little girl" to mock him in much the same way Kenny does to Owen.

to:

* BigBrotherBully: Kenny's older brother.brother Jimmy. It's implied that it's because of him that Kenny became a bully himself, since he calls Kenny a "little girl" to mock him in much the same way Kenny does to Owen. [[spoiler: He's also the one who leads the bullies and threatens Owen with either drowning him or picking out one of his eyes, to the objections of Kenny and his friends who think he's going too far.]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* BigBrotherBully: Kenny's older brother. It's implied that it's because of him that Kenny became a bully himself, since he calls Kenny a "little girl" to mock him in much the same way Kenny does to Owen.

Added: 247

Changed: 221

Is there an issue? Send a MessageReason:
None


* BattleDiscretionShot: [[spoiler:Abby's slaughter of the bullies at the climax is obscured; the camera remains on Owen the whole time.]]

to:

* AssholeVictim: Owen's bullies. [[spoiler:Abby might be rather brutal when tearing them apart, but even if some of them expressed uncertainty about their final attacks on him, they were threatening to either drown Owen or leave him half-blind]].
* BattleDiscretionShot: [[spoiler:Abby's slaughter of the bullies at the climax is obscured; the camera remains underwater and focused on Owen the whole time.]]


Added DiffLines:

* EyeScream: Referenced; Kenny's older brother threatens to put one of Owen's eyes out.

Added: 227

Changed: 2

Removed: 129

Is there an issue? Send a MessageReason:
None


[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/91bdwlnmrul_sl1500.jpg]]



* BattleDiscretionShot: [[spoiler:Abby's slaughter of the bullies at the climax is obscured; the camera remains on Owen the whole time.

to:

* BattleDiscretionShot: [[spoiler:Abby's slaughter of the bullies at the climax is obscured; the camera remains on Owen the whole time.]]



* BiggerBad: In a deleted scene, it's revealed [[spoiler:Abby's uncle was a vampire who turned her after apparently raping her.]]


Added DiffLines:

* GreaterScopeVillain: In a deleted scene, it's revealed [[spoiler:Abby's uncle was a vampire who turned her after apparently raping her.]]
Is there an issue? Send a MessageReason:
added tropes

Added DiffLines:

* DangerTakesABackseat: One of the most intense sequences in the film has Father hiding in the backseat of a car in order to kill someone for Abby to feed on.
* HandsOffParenting: Owen's mother is clearly completely detached from his life due her own alcoholism and despondency over her failed marriage. She is completely unaware that Owen is being physically and emotionally tortured by bullies every day at school and is developing psychological quirks at home due to his sheer loneliness. She thinks everything is just fine and dandy with him. Owen's father, meanwhile, hasn't even seen him for an undetermined amount of time and is also oblivious to his plight. It's an ironic point that Abby, a {{vampire}}, shows more genuine concern for Owen's well-being than either of his parents. It makes [[spoiler:Owen's decision to leave with Abby at the end of the film completely understandable.]]


Added DiffLines:

* TheRenfield: Father procures blood for Abby.


Added DiffLines:

* UndeadBarefooter: Abby never wears any shoes.

Added: 2084

Changed: 287

Is there an issue? Send a MessageReason:
created work page


[[redirect:Literature/LetTheRightOneIn]]

to:

[[redirect:Literature/LetTheRightOneIn]]''Let Me In'' is a 2010 horror film by Creator/MattReeves (of ''Film/{{Cloverfield}}'' fame, starring Creator/ChloeGraceMoretz and Kodi Smit-[=McPhee=]. It is an English-language remake of the Swedish film ''Film/LetTheRightOneIn'', based on the book of the same name by John Ajvide Lindqvist.

In 1982, in Los Alamos, New Mexico, young Owen is tormented by bullies and frustrated with his parents, who are too wrapped up in their divorce to offer him much sympathy. Everything changes for him when Abby moves in to the apartment next door. However, Abby is not what she seems, and as Owen strikes up a friendship with her, he is soon drawn into her dangerous life.

----

!!This film contains examples of:

* AdaptationDistillation: Whereas the original book had a few subplots, ''Let Me In'' is almost entirely devoted to Abby and Owen's relationship, with the detective character added in as a replacement for a character who was cut.
* AdaptationDyeJob: In ''Let the Right One In'', Eli had dark hair and Oskar was blonde. In this film, Owen has dark hair and Abby is the blonde.
* AliensInCardiff: Abby has been roaming the suburbs of New Mexico.
* BattleDiscretionShot: [[spoiler:Abby's slaughter of the bullies at the climax is obscured; the camera remains on Owen the whole time.
* BigBad: Kenny, Owen's persistent tormentor.
* BiggerBad: In a deleted scene, it's revealed [[spoiler:Abby's uncle was a vampire who turned her after apparently raping her.]]
* BloodFromEveryOrifice: If Abby enters a place without being invited in first, she bleeds from everywhere.
* MustBeInvited: The movie universe takes this rule very seriously. When Abby violates it, the results are very bloody.
* {{Prequel}}: The comic ''Let Me In: Crossroads'', which John Ajvide Lindqvist did not want made (he unknowingly sold the comic rights.)
* RapidFireNo: At the end, [[spoiler:Kenny can be heard [[VillainsWantMercy pleading with Abby]] in this fashion before she kills him off screen]].
* RoaringRampageOfRescue: [[spoiler:Abby slaughters Owen's bullies in order to save him from being drowned.]]
* TearsOfBlood: If Abby enters a place uninvited, she bleeds from her eyes... and her nose... and her mouth... and pretty much everywhere else.
* WoundedGazelleGambit: Abby pulls one of these in order to lure in a victim, pretending to have been injured so that he'll pick her up, allowing her to feed on him.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[redirect:Literature/LetTheRightOneIn]]

Top