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Addition
Changed line(s) 35,36 (click to see context) from:
* StrawAffiliation: Due to his job, his serious demeanor and his business suit, Bahia immediately assumes that Arthur is politically conservative. (He isn't.)
* SubliminalSeduction: Bahia thinks that she can convert men to her cause by whispering leftist slogans to them while they are in the throes of passion. In-universe, [[TheCuckoolanderWasRight it apparently works.]]
* SubliminalSeduction: Bahia thinks that she can convert men to her cause by whispering leftist slogans to them while they are in the throes of passion. In-universe, [[TheCuckoolanderWasRight it apparently works.]]
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* StrawAffiliation: Due to his job, his serious demeanor and his business suit, SexFaceTurn: Bahia immediately assumes that Arthur is politically conservative. (He isn't.)
* SubliminalSeduction: Bahia thinks that she can convert mensleeps with right-wing leaders specifically to her cause by whispering leftist slogans to them while they are in the throes of passion. In-universe, [[TheCuckoolanderWasRight it apparently works.]]moderate their political views.
* SubliminalSeduction: Bahia thinks that she can convert men
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Up To Eleven is a defunct trope
Changed line(s) 29 (click to see context) from:
* NakedPeopleAreFunny: Taken UpToEleven--Bahia is so scattered that at one point she literally ''forgets to put her clothes on'' after a shower and gets onto the Metro while completely naked aside from a pair of Doc Marten boots, only realizing her error when a middle-aged Muslim man does a double take after she sits down across from him. And since this is a French movie there are no [[SceneryCensor scenery censors]] or modesty-preserving camera angles to speak of. [[SincerityMode Believe it or not]], this is only the first of several full-frontal scenes Sara Forestier performs in the film.
to:
* NakedPeopleAreFunny: Taken UpToEleven--Bahia Bahia is so scattered that at one point she literally ''forgets to put her clothes on'' after a shower and gets onto the Metro while completely naked aside from a pair of Doc Marten boots, only realizing her error when a middle-aged Muslim man does a double take after she sits down across from him. And since this is a French movie there are no [[SceneryCensor scenery censors]] or modesty-preserving camera angles to speak of. [[SincerityMode Believe it or not]], this is only the first of several full-frontal scenes Sara Forestier performs in the film.
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Not So Different has been renamed, and it needs to be dewicked/moved
* {{Foil}}: Bahia and Arthur could hardly seem more different at a glance, but both are descended from a native French person and an immigrant from a disadvantaged background. The difference is that Bahia plays up her "other-ness," while Arthur downplays it.
Deleted line(s) 29 (click to see context) :
* NotSoDifferent: Bahia and Arthur could hardly seem more different at a glance, but both are descended from a native French person and an immigrant from a disadvantaged background. The difference is that Bahia plays up her "other-ness," while Arthur downplays it.
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None
Changed line(s) 28 (click to see context) from:
* NakedPeopleAreFunny: Taken UpToEleven--Bahia is so scattered that at one point she literally ''forgets to put her clothes on'' after a shower and gets onto the Metro while completely naked aside from a pair of Doc Marten boots, only realizing her error when a middle-aged Muslim man does a double take after she sits down across from him. And since this is a French movie there are no [[SceneryCensor scenery censors]] or modesty-preserving camera angles to speak of. [[ButWaitTheresMore Believe it or not]], this is only the first of several full-frontal scenes Sara Forestier performs in the film.
to:
* NakedPeopleAreFunny: Taken UpToEleven--Bahia is so scattered that at one point she literally ''forgets to put her clothes on'' after a shower and gets onto the Metro while completely naked aside from a pair of Doc Marten boots, only realizing her error when a middle-aged Muslim man does a double take after she sits down across from him. And since this is a French movie there are no [[SceneryCensor scenery censors]] or modesty-preserving camera angles to speak of. [[ButWaitTheresMore [[SincerityMode Believe it or not]], this is only the first of several full-frontal scenes Sara Forestier performs in the film.