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* AdultFear: One sequence deals with Louka's panic after he gets separated from Kolya on the subway. The situation is very scary from the child's point of view.
** Also for Nadezhda. She seeks emigration for a better life, but she can't bring her son with her. So she leaves him temporarily with her aunt and seeks help from the red cross to reunite with him. The aunt unexpectedly dies and the child is left in the hands of complete strangers.


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* MinorLivingAlone: Nadezhda seeks emigration for a better life, but can't bring her son with her. So she leaves him temporarily with her aunt and seeks help from the red cross to reunite with him. The aunt unexpectedly dies and the child is left in the hands of complete strangers.

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** Also for Nadezhda. She seeks emigration for a better life, but she can't bring her son with her. So she leaves him temporarily with her aunt and seeks help from the red cross to reunite with him. The aunt unexpectedly dies and the child is left in the hands of complete strangers.



* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman in order for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife's five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scenes has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.

to:

* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman in order for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife's five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scenes has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone. Eventually Kolya starts to pick up a bit of Czech, funnily enough from Franta's interrogations.
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Seems more logical to think that the secret police no longer have a job


* BittersweetEnding: The Velvet Revolution allows Kolya's mother to come back to Czechoslovakia and take him with her but he has to say goodbye to Louka who he started to regard as a parent. It also allows Louka to get his job with the symphonic orchestra back, and the last scene reveals that he and Klára might be together and that she is pregnant. On the other hand, in an aspect of the ending probably not obvious to foreign viewers, the appearance of the two policemen in the happy crowd scene towards the end may in fact introduce more of a bitter than hopeful note - they are not regular police but [[Main/SecretPolice the StB]], so there may well be more ominous reasons for their presence at the protest.

to:

* BittersweetEnding: The Velvet Revolution allows Kolya's mother to come back to Czechoslovakia and take him with her but he has to say goodbye to Louka who he started to regard as a parent. It also allows Louka to get his job with the symphonic orchestra back, and the last scene reveals that he and Klára might be together and that she is pregnant. On the other hand, in an aspect of the ending probably not obvious to foreign viewers, the appearance of the two policemen in the happy crowd scene towards the end may in fact introduce more of a bitter than hopeful note - they are not regular police but [[Main/SecretPolice the StB]], so there may well be more ominous reasons for their presence at the protest.
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No longer a trope.


* YourCheatingHeart:
** Louka calls his mistress Zuzi looking for sex, only to say in disappointment, "He's at home?"
** Klára says "I almost got divorced for you."
** Kolya's mother has a boyfriend/lover in West Germany, but according to Brož, he's married

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* ArentYouGoingToRavishMe: When Louka uses his bow to poke under Klara the singer's skirt during a performance, she smacks him with her music sheet and calls him a pig. But when they're doing another performance and he doesn't poke under her skirt, she keeps looking backwards expectantly. The movie cuts to a scene of the two of them in bed together.
* BittersweetEnding: The Velvet Revolution allows Kolya's mother to come back to Czechoslovakia and take him with her but he has to say goodbye to Louka who he started to regard as a parent. It also allows Louka to get his job back with the symphony, and the last scene reveals that he and Klara might be together and that she is pregnant.
* BystanderSyndrome: Nobody helps poor five-year-old Kolya when he's clearly lost in metro, wandering hopelessly from train to train, getting stuck in the door and being very scared on the escalator.
* CallBack: In one of the first scenes Louka is using his bow to poke under Klara's skirt during a gig. Later he makes the exact same gesture with his bow, but it's to stop Kolya from climbing too far over the edge of the balcony.
* TheCasanova: Louka has a little black book of lovers and girlfriends, he calls Zuzi the hot teacher, he beds Klara the hot singer, and he's about to bed the hot blonde cello student when Kolya interrupts.

to:

* ArentYouGoingToRavishMe: When Louka uses his bow to poke under Klara Klára the singer's skirt during a performance, she smacks him with her music sheet and calls him a pig. But when they're doing another performance and he doesn't poke under her skirt, she keeps looking backwards expectantly. The movie cuts to a scene of the two of them in bed together.
* BittersweetEnding: The Velvet Revolution allows Kolya's mother to come back to Czechoslovakia and take him with her but he has to say goodbye to Louka who he started to regard as a parent. It also allows Louka to get his job back with the symphony, symphonic orchestra back, and the last scene reveals that he and Klara Klára might be together and that she is pregnant.
pregnant. On the other hand, in an aspect of the ending probably not obvious to foreign viewers, the appearance of the two policemen in the happy crowd scene towards the end may in fact introduce more of a bitter than hopeful note - they are not regular police but [[Main/SecretPolice the StB]], so there may well be more ominous reasons for their presence at the protest.
* BystanderSyndrome: Nobody helps poor five-year-old Kolya when he's clearly lost in the metro, wandering hopelessly from train to train, getting stuck in the door and being very scared on the escalator.
* CallBack: In one of the first scenes Louka is using his bow to poke under Klara's Klára's skirt during a gig. Later he makes the exact same gesture with his bow, but it's to stop Kolya from climbing too far over the edge of the balcony.
* TheCasanova: Louka has a little black book phonebook of lovers and girlfriends, he calls Zuzi the hot teacher, he beds Klara Klára the hot singer, and he's about to bed the hot blonde cello student when Kolya interrupts.interrupts them.



* DoorstopBaby: By accident. But Louka finds himself suddenly and unexpectedly responsible for a five-year-old boy when his "wife" lights out for West Germany and her aunt, who's been looking after the boy, is killed in a car wreck.

to:

* DoorstopBaby: By accident. But Louka finds himself suddenly and unexpectedly responsible for a five-year-old boy when his "wife" lights out for West Germany and her aunt, who's been looking after the boy, is killed in a car wreck.hospitalised and later dies.



* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife's five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scenes has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.

to:

* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman in order for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife's five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scenes has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.



* MathematiciansAnswer: Klara wonders about the pigeons that always peck at Louka's window.

to:

* MathematiciansAnswer: Klara Klára wonders about the pigeons that always peck at Louka's window.



'''Klara''': Why are they sharpening their beaks?\\
'''Louka''': So they're sharp.\\
'''Klara''': You are an idiot!
* MaybeEverAfter: Klara is pregnant with Louka's child and she watches him play in concert. Maybe they're together.

to:

'''Klara''': '''Klára''': Why are they sharpening their beaks?\\
'''Louka''': So that they're sharp.\\
'''Klara''': '''Klára''': You are an idiot!
* MaybeEverAfter: Klara Klára is pregnant with Louka's child and she watches him play in concert. Maybe they're together.



* SilverFox: Despite being white-haired and 55 years old, Louka is pretty darn successful with the ladies. He's good-looking and charming, and simply has sex appeal.

to:

* SilverFox: Despite being white-haired and 55 years old, Louka is pretty darn successful with the ladies. He's good-looking and charming, and simply has sex appeal. The fact that elderly Zdeněk Svěrák looks a bit like elderly Creator/SeanConnery certainly does not hurt in selling that aspect of Louka's character.



* SourceMusic: Because several characters are musicians, there are more instances throughout the film. In a more notable mixed example, when Kolya's plane leaves at the end, a passage from Bedřich Smetana's "Tábor" begins to play, appearing at first to be more traditional soundtrack - but the next scenes reveal it is actually a piece being played by the symphonic orchestra at the concert where Louka is welcomed back.
* UnfortunateNames: Ms Zubatá the social worker, whose surname not only literally means "toothy", but also is the Czech equivalent of "Grim Reaper". That particular meaning is lampshaded:
--> '''Louka''': We have to disappear before Zubatá comes after us.



** Louka calls his mistress Zuzi looking for sex, only to say in disappointment, "He's home?"
** Klara says "I almost got divorced for you."
** Kolya's mother has a boyfriend/lover in West Germany, but according to Broz, he's married

to:

** Louka calls his mistress Zuzi looking for sex, only to say in disappointment, "He's at home?"
** Klara Klára says "I almost got divorced for you."
** Kolya's mother has a boyfriend/lover in West Germany, but according to Broz, Brož, he's married

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* ParentalAbandonment: Kolya's father is never mentioned in the film. His mother Nadezhda emigrates to Western Germany, hoping to be reunited with her son soon through the Red Cross. Meanwhile Nadezhda's aunt is taking care of him, but she's hospitalised and dies. Kolya is an orphan and the only person who can take care of him is his reluctant step-father who only married Nadezhda for money in a citizenship marriage scheme. (The communist authorities won't let a small child of Russian nationality go out of the country.)



** Louka calls an old girlfriend Zuzi looking for sex, only to say in disappointment, "He's home?"

to:

** Louka calls an old girlfriend his mistress Zuzi looking for sex, only to say in disappointment, "He's home?"

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A friend approaches Louka with a scheme to make a tidy sum of money: engage in a fake marriage with a Russian single mother who wants to gain Czech citizenship. Louka does so, and gets a fat chunk of cash that allows him to buy a car. Unfortunately, this backfires on him when the Russian woman soon skips to West Germany to be with her real boyfriend, thus leaving Louka exposed to trouble with the police for engaging in a fake marriage. It backfires on him even more when the Russian woman's aunt is killed in a car wreck in Prague, leaving Louka, as the woman's husband, in charge of her five-year-old son Kolya. Suddenly being a father to a small boy transforms the formerly irresponsible bachelor's life.

to:

A friend approaches Louka with a scheme to make a tidy sum of money: engage in a fake marriage with a Russian single mother who wants to gain Czech Czechoslovak citizenship. Louka does so, and gets a fat chunk of cash that allows him to buy a car.car and repay his debts. Unfortunately, this backfires on him when the Russian woman soon skips to West Germany to be with her real boyfriend, thus leaving Louka exposed to trouble with the police for engaging in a fake marriage. It backfires on him even more when the Russian woman's aunt is killed dies in a car wreck in Prague, hospital, leaving Louka, as the woman's husband, in charge of her five-year-old son Kolya. Suddenly being a father to a small boy transforms the formerly irresponsible bachelor's life.



* YourCheatingHeart: Louka's lovers are married women.
** He calls an old girlfriend Zuzi looking for sex, only to say in disappointment, "He's home?"

to:

* YourCheatingHeart: Louka's lovers are married women.
YourCheatingHeart:
** He Louka calls an old girlfriend Zuzi looking for sex, only to say in disappointment, "He's home?"


Added DiffLines:

** Kolya's mother has a boyfriend/lover in West Germany, but according to Broz, he's married
Is there an issue? Send a MessageReason:
None


* FallenOnHardTimesJob: As Louka eventually explains, an offhand smartass remark to a bureaucrat got him fired from the orchestra. Now he cadges work playing at funerals and moonlights as a restorer of gravestones, and is in debt, which is why he agrees to the marriage scheme. Lampshaded when the Bad Cop interrogating Kolya threatens to get him fired from the orchestra and leave him playing funerals, and the Good Cop passes him a note saying "HE DOES FUNERALS ALREADY."

to:

* FallenOnHardTimesJob: As Louka eventually explains, an offhand smartass remark to a bureaucrat got him fired from the orchestra. Now he cadges work playing at funerals and moonlights as a restorer of gravestones, and is in debt, which is why he agrees to the marriage scheme. Lampshaded when the Bad Cop interrogating Kolya him threatens to get him fired from the orchestra and leave him playing funerals, and the Good Cop passes him a note saying "HE DOES FUNERALS ALREADY."

Added: 665

Changed: 1654

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adding some tropes, swapping some tropes that I think were misuse (Kavorka Man vs. Silver Fox), and deleting Punch Clock Villain — officers of State Security were anything but Punch Clock Villains — they're the worst scum, responsible for torturing people and for the worst crimes of communism; it's true that many took part in anti-communist rallies — they were clever enough and tried to get credit for it, wanting to appear they are pro-democratic;


* AdultFear: One sequence deals with Louka's panic after he gets separated from Kolya on the subway.

to:

* AdultFear: One sequence deals with Louka's panic after he gets separated from Kolya on the subway. The situation is very scary from the child's point of view.



* BittersweetEnding: The Velvet Revolution allows Kolya's mother to come back to Czechoslovakia and take him away. But it also allows Louka to get his job back with the symphony, and the last scene reveals that he and Klara are together and she is pregnant.

to:

* BittersweetEnding: The Velvet Revolution allows Kolya's mother to come back to Czechoslovakia and take him away. But it with her but he has to say goodbye to Louka who he started to regard as a parent. It also allows Louka to get his job back with the symphony, and the last scene reveals that he and Klara are might be together and that she is pregnant.pregnant.
* BystanderSyndrome: Nobody helps poor five-year-old Kolya when he's clearly lost in metro, wandering hopelessly from train to train, getting stuck in the door and being very scared on the escalator.



* TheCasanova: Louka has a little black book of lovers and girlfriends, he calls Zuzi the hot teacher, he beds Klara the hot singer, and he's about to bed the hot blonde cello student when Kolya interrupts.



* ComfortingComforter: Louka tries to do this on their first night together but a scared and angry Kolya throws back the comforter. Later he doesn't, signifying how they've bonded.

to:

* ComfortingComforter: Louka tries to do this cover Kolya on their first night together but a scared and angry Kolya throws back the comforter. Later he doesn't, signifying how they've bonded.



* KavorkaMan: Despite being white-haired and 55 years old, Louka is pretty darn successful with the ladies. He has a little black book of girlfriends, he beds Klara the hot singer, and he was about to bed the hot blonde cello student when Kolya interrupted.
* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scenes has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.

to:

* KavorkaMan: Despite being white-haired and 55 years old, Louka is pretty darn successful with the ladies. He has a little black book of girlfriends, he beds Klara the hot singer, and he was about to bed the hot blonde cello student when Kolya interrupted.
* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife wife's five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scenes has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.phone.
* LongLastLook: At the airport, Louka keeps looking at Kolya and his mom as they leave. Kolya turns around for one last look and waves at him.



* MaybeEverAfter: Klara is pregnant with Louka's child and she watches him play in concert. Maybe they're together.



* PunchClockVillain: The two police who grill Louka about his CitizenshipMarriage scheme. Late in the movie, they're at an anti-Communist street rally along with thousands of others. They give Louka sheepish looks.

to:

* PunchClockVillain: The two police who grill SilverFox: Despite being white-haired and 55 years old, Louka about his CitizenshipMarriage scheme. Late in the movie, they're at an anti-Communist street rally along is pretty darn successful with thousands of others. They give Louka sheepish looks.the ladies. He's good-looking and charming, and simply has sex appeal.



* YourCheatingHeart: Louka calls an old girlfriend Zuzi looking for sex, only to say in disappointment, "He's home?" Klara later says "I almost got divorced for you."

to:

* YourCheatingHeart: Louka Louka's lovers are married women.
** He
calls an old girlfriend Zuzi looking for sex, only to say in disappointment, "He's home?" home?"
**
Klara later says "I almost got divorced for you.""
----
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Diacritics


''Kolya'' is a 1996 film from the UsefulNotes/CzechRepublic, directed by Jan Sverak, written by and starring his father, Zdenek Sverak.

Frantisek Louka (Zdenek Sverak) is a 55-year-old professional cellist in Prague, Czechoslovakia in the last days of Communist rule. He used to work in the Czech Philharmonic, but after pissing off a Communist bureaucrat he finds himself blacklisted, reduced to freelance gigs playing at funerals, living a bachelor life that has a surprising amount of girlfriends.

A friend approaches Louka with a scheme to make a tidy sum of money: engage in a fake marriage with a Russian single mother who wants to gain Czech citizenship. Louka does so, and gets a fat chunk of cash that allows him to buy a car. Unfortunately this backfires on him when the Russian woman soon skips to West Germany to be with her real boyfriend, thus leaving Louka exposed to trouble with the police for engaging in a fake marriage. It backfires on him even more when the Russian woman's aunt is killed in a car wreck in Prague, leaving Louka, as the woman's husband, in charge of her five-year-old son Kolya. Suddenly being father to a small boy transforms the formerly irresponsible bachelor's life.

to:

''Kolya'' is a 1996 Academy Award-winning film from the UsefulNotes/CzechRepublic, directed by Jan Sverak, Svěrák, written by and starring his father, Zdenek Sverak.

Frantisek
Zdeněk Svěrák.

František
Louka (Zdenek Sverak) (Zdeněk Svěrák) is a 55-year-old professional cellist in Prague, Czechoslovakia in the last days of Communist rule. He used to work in the Czech Philharmonic, but after pissing off a Communist bureaucrat he finds himself blacklisted, reduced to freelance gigs playing at funerals, living a bachelor life that has a surprising amount of girlfriends.

A friend approaches Louka with a scheme to make a tidy sum of money: engage in a fake marriage with a Russian single mother who wants to gain Czech citizenship. Louka does so, and gets a fat chunk of cash that allows him to buy a car. Unfortunately Unfortunately, this backfires on him when the Russian woman soon skips to West Germany to be with her real boyfriend, thus leaving Louka exposed to trouble with the police for engaging in a fake marriage. It backfires on him even more when the Russian woman's aunt is killed in a car wreck in Prague, leaving Louka, as the woman's husband, in charge of her five-year-old son Kolya. Suddenly being a father to a small boy transforms the formerly irresponsible bachelor's life.



* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scene has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.

to:

* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scene scenes has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.



* PunchClockVillain: The two police who grill Louka about his CitizenshipMarriage scheme. Late in the movie they're at a anti-Communist street rally along with thousands of others. They give Louka sheepish looks.

to:

* PunchClockVillain: The two police who grill Louka about his CitizenshipMarriage scheme. Late in the movie movie, they're at a an anti-Communist street rally along with thousands of others. They give Louka sheepish looks.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* LanguageBarrier: Louka is Czech and doesn't speak any foreign language. He marries a Russian woman for her to get Czechoslovak citizenship. She then emigrates to West Germany, and when her elderly aunt goes to hospital (and later dies), Louka has to take care of his wife five-year-old son Kolya who only speaks Russian. The first weeks are very hard for both and very sad for Kolya. One of the scene has Louka calling his mistress who teaches Russian to tell Kolya a fairy-tale over the phone.
Is there an issue? Send a MessageReason:
Louka got interrogated. Not Kolya.


* PunchClockVillain: The two police who grill Kolya about his CitizenshipMarriage scheme. Late in the movie they're at a anti-Communist street rally along with thousands of others. They give Louka sheepish looks.

to:

* PunchClockVillain: The two police who grill Kolya Louka about his CitizenshipMarriage scheme. Late in the movie they're at a anti-Communist street rally along with thousands of others. They give Louka sheepish looks.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/img_0677_0.JPG]]
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None

Added DiffLines:

* DoorstopBaby: By accident. But Louka finds himself suddenly and unexpectedly responsible for a five-year-old boy when his "wife" lights out for West Germany and her aunt, who's been looking after the boy, is killed in a car wreck.


Added DiffLines:

* ThePlotReaper: Kolya's great-aunt is required to die to get the plot going.

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None


* AdultFear: One sequence deals with Louka's panic after he gets separated from Kolya on the subway.



* BittersweetEnding: The Velvet Revolution allows Kolya's mother to come back to Czechoslovakia and take him away. But it also allows Louka to get his job back with the symphony, and the last scene reveals that he and Klara are together and she is pregnant.
* CallBack: In one of the first scenes Louka is using his bow to poke under Klara's skirt during a gig. Later he makes the exact same gesture with his bow, but it's to stop Kolya from climbing too far over the edge of the balcony.



* ComfortingComforter: Louka tries to do this on their first night together but a scared and angry Kolya throws back the comforter. Later he doesn't, signifying how they've bonded.



* FallenOnHardTimesJob: As Louka eventually explains, an offhand smartass remark to a bureaucrat got him fired from the orchestra. Now he cadges work playing at funerals and moonlights as a restorer of gravestones, and is in debt, which is why he agrees to the marriage scheme.

to:

* FallenOnHardTimesJob: As Louka eventually explains, an offhand smartass remark to a bureaucrat got him fired from the orchestra. Now he cadges work playing at funerals and moonlights as a restorer of gravestones, and is in debt, which is why he agrees to the marriage scheme. Lampshaded when the Bad Cop interrogating Kolya threatens to get him fired from the orchestra and leave him playing funerals, and the Good Cop passes him a note saying "HE DOES FUNERALS ALREADY."
* GoodCopBadCop: Played arrow-straight, as the first cop is friendly and agreeable while the second cop comes in breathing fire and threatening Louka with prison for his CitizenshipMarriage.
* InterruptedIntimacy: Louka is just getting his cello student's underwear off when Kolya re-enters the room from the bath.


Added DiffLines:

* NewParentNomenclatureProblem: Louka wrestles with how to identify himself, sometimes calling himself Kolya's uncle, sometimes grandfather. Finally Kolya starts calling him "dad".
* PunchClockVillain: The two police who grill Kolya about his CitizenshipMarriage scheme. Late in the movie they're at a anti-Communist street rally along with thousands of others. They give Louka sheepish looks.
* {{Skinnydipping}}: One scene has Kolya and Louka naked in a river as Louka ruefully notes how pollution has killed off all the otters and trout.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

''Kolya'' is a 1996 film from the UsefulNotes/CzechRepublic, directed by Jan Sverak, written by and starring his father, Zdenek Sverak.

Frantisek Louka (Zdenek Sverak) is a 55-year-old professional cellist in Prague, Czechoslovakia in the last days of Communist rule. He used to work in the Czech Philharmonic, but after pissing off a Communist bureaucrat he finds himself blacklisted, reduced to freelance gigs playing at funerals, living a bachelor life that has a surprising amount of girlfriends.

A friend approaches Louka with a scheme to make a tidy sum of money: engage in a fake marriage with a Russian single mother who wants to gain Czech citizenship. Louka does so, and gets a fat chunk of cash that allows him to buy a car. Unfortunately this backfires on him when the Russian woman soon skips to West Germany to be with her real boyfriend, thus leaving Louka exposed to trouble with the police for engaging in a fake marriage. It backfires on him even more when the Russian woman's aunt is killed in a car wreck in Prague, leaving Louka, as the woman's husband, in charge of her five-year-old son Kolya. Suddenly being father to a small boy transforms the formerly irresponsible bachelor's life.

----
!!Tropes:

* ArentYouGoingToRavishMe: When Louka uses his bow to poke under Klara the singer's skirt during a performance, she smacks him with her music sheet and calls him a pig. But when they're doing another performance and he doesn't poke under her skirt, she keeps looking backwards expectantly. The movie cuts to a scene of the two of them in bed together.
* CitizenshipMarriage: Louka reluctantly agrees to enter into one to make some money. Unexpected complications ensue.
* DistractedByTheSexy: Louka's friend is honked at after slowing down to gawk at girls while he's driving.
* FallenOnHardTimesJob: As Louka eventually explains, an offhand smartass remark to a bureaucrat got him fired from the orchestra. Now he cadges work playing at funerals and moonlights as a restorer of gravestones, and is in debt, which is why he agrees to the marriage scheme.
* KavorkaMan: Despite being white-haired and 55 years old, Louka is pretty darn successful with the ladies. He has a little black book of girlfriends, he beds Klara the hot singer, and he was about to bed the hot blonde cello student when Kolya interrupted.
* MathematiciansAnswer: Klara wonders about the pigeons that always peck at Louka's window.
--> '''Louka''': They're sharpening their beaks.\\
'''Klara''': Why are they sharpening their beaks?\\
'''Louka''': So they're sharp.\\
'''Klara''': You are an idiot!
* YourCheatingHeart: Louka calls an old girlfriend Zuzi looking for sex, only to say in disappointment, "He's home?" Klara later says "I almost got divorced for you."

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