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* SilenceIsGolden: Long, ''long'' stretches without any dialogue. The first 15 minutes of the movie, in which Jeanne services a client and then her son comes home, have only two lines of dialogue. Most of the rest of the movie is Jeanne puttering around the house in silence.
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* SilenceIsGolden: Long, ''long'' stretches without any dialogue. The first 15 minutes of the movie, in which Jeanne services a client and then her son comes home, have only two lines of dialogue. Most of the rest of the movie is Jeanne puttering around the house in silence. While watching the film you gradually pick up on how Jeanne never does things like turn on the radio, never visits friends, never even mutters to herself about the work she's doing.
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The film premiered in the Directors' Fortnight of the 1975 Cannes Film Festival. Its uniquely meticulous take on the SliceOfLife (signified by a restrained pace, long takes, and static camerawork) as well as its length (3 hours and 21 minutes) divided critics upon release, but the film gained a [[CultClassic cult following]] and is [[VindicatedByHistory nowadays]] viewed as a landmark moment in several movements of film history (slow cinema, structuralist cinema, and feminist cinema. In the 21st century, it was placed on several professional lists of the greatest films of all time, but most notably (and somewhat unexpectedly) took the number-one slot in the 2022 ''Sight & Sound'' Poll, becoming the fourth film to do so and dethroning the previous number-one, ''Film/{{Vertigo}}''.
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The film premiered in the Directors' Fortnight of the 1975 Cannes Film Festival. Its uniquely meticulous take on the SliceOfLife (signified by (including a restrained pace, long takes, and static camerawork) as well as its length (3 hours and 21 minutes) divided critics upon release, but the film gained a [[CultClassic cult following]] and is [[VindicatedByHistory nowadays]] viewed as a landmark moment in several movements of film history (slow cinema, structuralist cinema, and feminist cinema.cinema). In the 21st century, it was placed on several professional lists of the greatest films of all time, but most notably (and somewhat unexpectedly) took the number-one slot in the 2022 ''Sight & Sound'' Poll, becoming the fourth film to do so and dethroning the previous number-one, ''Film/{{Vertigo}}''.
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''Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles'' is a 1975 film from UsefulNotes/{{Belgium}} directed by Creator/ChantalAkerman.
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''Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles'' Bruxelles''[[note]]English: "Jeanne Dielman, 23 Commerce Quay, 1080 Brussels"[[/note]] is a 1975 film from UsefulNotes/{{Belgium}} written and directed by Creator/ChantalAkerman.
[[UsefulNotes/{{Belgium}} Belgian]] filmmaker Creator/ChantalAkerman. It was filmed over five weeks on location in Brussels, and funded through a $120,000 grant from the Belgian government.
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Clocking in at 3 hours and 21 minutes, the film is viewed as a landmark moment in structuralist and feminist cinema. It somewhat unexpectedly took the number one slot in the 2022 ''Sight & Sound'' Poll, dethroning the previous number one ''Film/{{Vertigo}}''.
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Directors who have drawn influence from the film include Creator/ToddHaynes, Creator/CelineSciamma and Creator/GusVanSant (who credited it as a major inspiration for his films ''Film/{{Gerry}}'' and ''Film/LastDays'').
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* LongTitle: It's her address.
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No longer a trope
* ObsessivelyOrganized: Jeanne gives off vibes of this. Note how precisely she lays out the dinner ware, or how she pulls out two cubes of sugar and neatly matches them together before putting them in her coffee. When she loses a button on her coat, she has to find an ''exact'' copy of that button. She never seems to relax at home, to take some time to read a book or go for a walk or lie down and take a nap; in one scene where she is without a task to occupy her she starts polishing the ceremonial plates in the curio cabinet. She is visibly upset on the third day when her usual table at the coffee shop is taken and her usual waitress isn't there.
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* SuperOCD: Jeanne gives off vibes of this. Note how precisely she lays out the dinner ware, or how she pulls out two cubes of sugar and neatly matches them together before putting them in her coffee. When she loses a button on her coat, she has to find an ''exact'' copy of that button. She never seems to relax at home, to take some time to read a book or go for a walk or lie down and take a nap; in one scene where she is without a task to occupy her she starts polishing the ceremonial plates in the curio cabinet. She is visibly upset on the third day when her usual table at the coffee shop is taken and her usual waitress isn't there.
