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''Ivanhoe'' is the 1952 Creator/MetroGoldwynMayer movie adaptation of Creator/WalterScott's [[Literature/{{Ivanhoe}} eponymous novel]], directed by Richard Thorpe and starring Creator/RobertTaylor as Sir Wilfred of Ivanhoe, Creator/ElizabethTaylor (no relation to Robert) as Rebecca, Creator/JoanFontaine as Rowena, Creator/GeorgeSanders as De Bois-Guilbert, Felix Aylmer as Isaac and Finlay Currie as Sir Cedric of Ivanhoe.

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''Ivanhoe'' is the 1952 Creator/MetroGoldwynMayer movie adaptation of Creator/WalterScott's [[Literature/{{Ivanhoe}} eponymous novel]], directed by Richard Thorpe and starring Creator/RobertTaylor as Sir Wilfred of Ivanhoe, Creator/ElizabethTaylor (no relation to Robert) as Rebecca, Creator/JoanFontaine as Rowena, Creator/GeorgeSanders as De Bois-Guilbert, Felix Aylmer as Isaac and Finlay Currie Creator/FinlayCurrie as Sir Cedric of Ivanhoe.
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General clarification on work content (Adaptational Badass)


** Lady Rowena in the original novel is a standard damsel in distress and a relatively bland character when compared to Rebecca of York. Joan Fontaine's interpretation makes Rowena into a much more proactive character who partakes in the action of the story. She openly challenges Bois-Guilbert during their first encounter, can be seen fighting back against Font de Boef's men during the capture scene, and is much more willfully defiant towards De Bracy than in the book, physically slapping him for trying to kiss her and even fighting him when he attempts to pull her out of the burning castle. She also has a standoff with Rebecca over whether to transport the wounded Ivanhoe during the tournament.

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** Lady Rowena in the original novel is a standard damsel in distress and a relatively bland character when compared to Rebecca of York. Joan Fontaine's interpretation makes Rowena into a much more proactive character who partakes in the action of the story. She openly challenges Bois-Guilbert during their first encounter, can be seen fighting back against Font de Boef's men during the capture scene, and is much more willfully defiant towards De Bracy than in the book, physically slapping him for trying to kiss her and even fighting him when he attempts to pull her out of the burning castle. She also has a standoff with Rebecca over whether to transport the wounded Ivanhoe during the tournament.at Ashby.

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Added example(s)Adaptational Badass


* AdaptationalBadass: This version of Ivanhoe is more active, as he manages to outmaneuver the Normans while giving himself up, rescue most of the prisoners, and kill Front-de-Boeuf. Wamba too gets a big upgrade as he's fighting alongside Ivanhoe throughout the film, skilled enough to fight toe-to-toe with Norman knights despite just being a jester like in the original story.

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* AdaptationalBadass: AdaptationalBadass:
**
This version of Ivanhoe is more active, as he manages to outmaneuver the Normans while giving himself up, rescue most of the prisoners, and kill Front-de-Boeuf. Front-de-Boeuf.
**
Wamba too gets a big upgrade as he's fighting alongside Ivanhoe throughout the film, skilled enough to fight toe-to-toe with Norman knights despite just being a jester like in the original story.story.
** Lady Rowena in the original novel is a standard damsel in distress and a relatively bland character when compared to Rebecca of York. Joan Fontaine's interpretation makes Rowena into a much more proactive character who partakes in the action of the story. She openly challenges Bois-Guilbert during their first encounter, can be seen fighting back against Font de Boef's men during the capture scene, and is much more willfully defiant towards De Bracy than in the book, physically slapping him for trying to kiss her and even fighting him when he attempts to pull her out of the burning castle. She also has a standoff with Rebecca over whether to transport the wounded Ivanhoe during the tournament.
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** A number of characters including Athelstane, Prior Aylmer, Ulrica, and the swineherd Gurth are cut.

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** A number of characters including Athelstane, Prior Aylmer, Aymer, Ulrica, and the swineherd Gurth are cut.
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** Likely done to differentiate it from ''Film/TheStoryOfRobinHoodAndHisMerrieMen'', despite the film basically being the ''Film/TheAdventuresOfRobinHood'' of the 1950's right down to getting Olivia de Havilland's sister Joan Fontaine in a lead role, Robin Hood and Friar Tuck are never referred to as such, only by their aliases of Locksley and the Clerk of Copmanhurst.

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** Likely done to differentiate it from ''Film/TheStoryOfRobinHoodAndHisMerrieMen'', despite the film basically being the ''Film/TheAdventuresOfRobinHood'' of the 1950's 1950s right down to getting Olivia de Havilland's sister Joan Fontaine in a lead role, Robin Hood and Friar Tuck are never referred to as such, only by their aliases of Locksley and the Clerk of Copmanhurst.
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An Axe To Grind is no longer a trope


* AnAxeToGrind: Ivanhoe chooses a one-handed axe as his weapon in the final duel.
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* PragmaticAdaptation:
** Censorship related: The Hays Code would not have allowed the Cross as an emblem of villains, hence why the Knights Templar are AdaptedOut and Bois-Guilbert is a common knight rather than belonging to any order.
** Likely done to differentiate it from ''Film/TheStoryOfRobinHoodAndHisMerrieMen'', despite the film basically being the ''Film/TheAdventuresOfRobinHood'' of the 1950's right down to getting Olivia de Havilland's sister Joan Fontaine in a lead role, Robin Hood and Friar Tuck are never referred to as such, only by their aliases of Locksley and the Clerk of Copmanhurst.
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Dewicked trope


* CombatPragmatist: Ivanhoe has no compunctions about sneaking up behind people and stabbing them in the back, or hiding in dark corners and popping out to stab them in the back. Even when he's {{Flynning}}, he doesn't really fight fair - the sword fight is just so he can get close enough to stab his opponent with the dagger he carries in his off-hand. Ivanhoe is practically a KnifeNut in this adaptation, a truly unusual element for a heroic character.

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* CombatPragmatist: Ivanhoe has no compunctions about sneaking up behind people and stabbing them in the back, or hiding in dark corners and popping out to stab them in the back. Even when he's {{Flynning}}, he doesn't really fight fair - the sword fight is just so he can get close enough to stab his opponent with the dagger he carries in his off-hand. Ivanhoe is practically a KnifeNut knife expert in this adaptation, a truly unusual element for a heroic character.

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* AdaptationalHeroism: Cedric doesn’t push Rowena into marriage against her will (Athelstane being AdaptedOut) and forgives Ivanhoe much earlier than in the book.

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* AdaptationalHeroism: AdaptationalHeroism:
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Cedric doesn’t push Rowena into marriage against her will (Athelstane being AdaptedOut) and forgives Ivanhoe much earlier than in the book. book.
** Only the antagonists display any animosity towards Jews. Cedric welcomes Isaac to his house much more heartily than he does the Normans, Rowena is friendly with Isaac and Rebecca and is, though with sadness, ready to accept that Ivanhoe might choose Rebecca over her, and Ivanhoe offers his friendship and protection to Isaac and Rebecca from the start. In the novel, [[PoliticallyIncorrectHero the heroes, including Ivanhoe]], are still victim to the anti-Semitic prejudices of the setting.

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* BigDamnHeroes: [[spoiler: Richard shows up at the very end to do this.]]
* TheCavalry: Locksley's men.

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* BigDamnHeroes: [[spoiler: Richard shows up BlackKnight: Ivanhoe participates in TheTourney at the very end to do this.]]
Ashby as an anonymous knight clad in black armor.
* TheCavalry: Locksley's men.men assaulting Bois-Guilbert's castle in the climax.



* SpiritualSuccessor: Received quite a few: ''King Richard and the Crusaders'', the television series ''Series/TheAdventuresOfRobinHood'' and ''Richard the Lionheart'', the 1970 ''Ivanhoe'' miniseries, ''The Men of Sherwood Forest'' and the ''Ivanhoe'' series starring Creator/RogerMoore.

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* SpiritualSuccessor: Received quite a few: ''King Richard StormingTheCastle: Robin Hood and his men attack the Crusaders'', castle of Torquilstone in the television series ''Series/TheAdventuresOfRobinHood'' climax to help Ivanhoe and ''Richard the Lionheart'', the 1970 ''Ivanhoe'' miniseries, ''The Men of Sherwood Forest'' and the ''Ivanhoe'' series starring Creator/RogerMoore.his father who are prisoners there.


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* TheTourney: The Ashby tourney, to which Ivanhoe participates as an anonymous BlackKnight.
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Not So Different has been renamed, and it needs to be dewicked/moved


* HistoricalHeroUpgrade: Also present in this adaptation, although it's played with differently. Ivanhoe staunchly supports Richard, because he's Richard's friend; almost all the other characters point out that there's [[NotSoDifferent very little to choose between Richard and John]]. Ivanhoe builds support for Richard by promising a civil rights movement.

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* HistoricalHeroUpgrade: Also present in this adaptation, although it's played with differently. Ivanhoe staunchly supports Richard, because he's Richard's friend; almost all the other characters point out that there's [[NotSoDifferent [[NotSoDifferentRemark very little to choose between Richard and John]]. Ivanhoe builds support for Richard by promising a civil rights movement.
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* CostumePorn: The 1982 film has some truly glorious costumes, especially Rowena's stunning pink gown at the end.
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* CostumePorn: The 1982 film has some truly glorious costumes, especially Rowena's stunning pink gown at the end.
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** Rebecca’s threatened suicide scene is practically the complete opposite of the one in the book. There, Bois-Guilbert convinces her to step down as he swears he won’t try to rape her again; here, he delivers a full-fledged ScarpiaUltimatum (complete with not ''really'' planning to spare the heroes), forcibly kisses her and threatens to kill Ivanhoe still if she isn’t responsive enough next time.
** De Bracy’s honorable traits and his genuine feelings for Rowena are removed too: he admits he is only guided by his ambitions.

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** Rebecca’s Rebecca's threatened suicide scene is practically the complete opposite of the one in the book. There, Bois-Guilbert convinces her to step down as he swears he won’t won't try to rape her again; here, he delivers a full-fledged ScarpiaUltimatum (complete with not ''really'' planning to spare the heroes), forcibly kisses her and threatens to kill Ivanhoe still if she isn’t isn't responsive enough next time.
** De Bracy’s Bracy's honorable traits and his genuine feelings for Rowena are removed too: he admits he is only guided by his ambitions.



* TheEvilPrince: Prince John is the king’s brother planning to usurp the throne for himself.

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* TheEvilPrince: Prince John is the king’s king's brother planning to usurp the throne for himself.



* IWantMyBelovedToBeHappy: When Rowena comes to see Ivanhoe off as he is leaving for Rebecca’s trial by combat, she tells him, albeit sadly, that the ultimate choice rests with him, not with her or Rebecca.

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* IWantMyBelovedToBeHappy: When Rowena comes to see Ivanhoe off as he is leaving for Rebecca’s Rebecca's trial by combat, she tells him, albeit sadly, that the ultimate choice rests with him, not with her or Rebecca.



* SooOutTheClowns: Wamba is killed off in the siege of Torquilstone.

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* SooOutTheClowns: ShooOutTheClowns: Wamba is killed off in the siege of Torquilstone.

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* AdaptedOut: [[spoiler:King Richard's]] plotline as the Black Knight. [[CompositeCharacter Ivanhoe takes the role of the leader of the attack on Torquilstone Castle.]]

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* AdaptedOut: A number of elements to streamline the movie.
**
[[spoiler:King Richard's]] plotline as the Black Knight. [[CompositeCharacter Ivanhoe takes the role of the leader of the attack on Torquilstone Castle.]]]]
** A number of characters including Athelstane, Prior Aylmer, Ulrica, and the swineherd Gurth are cut.


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* DemotedToExtra: King Richard and Friar Tuck.


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* SooOutTheClowns: Wamba is killed off in the siege of Torquilstone.

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* HoistByHisOwnPetard: Ivanhoe gets Bois-Guilbert off his horse by entangling his opponent's flail in the shaft of his axe and dragging him off that way. Once that's

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* HoistByHisOwnPetard: Ivanhoe gets Bois-Guilbert off his horse by entangling his opponent's flail in the shaft of his axe and dragging him off that way. Once that's done he ducks the next swing and plants his axe in Bois-Guilbert's chest.


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* ThrowingYourSwordAlwaysWorks: Ivanhoe beats De Bracy by throwing his sword at him; when De Bracy is distracted by the sword Ivanhoe tackles him and gets his knife at his throat to make him surrender.

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* AdaptationalBadass: This version of Ivanhoe is more active, as he manages to outmaneuver the Normans while giving himself up, rescue most of the prisoners, and kill Front-de-Boeuf. Wamba too get a big upgrade as he's fighting alongside Ivanhoe throughout the film, skilled enough to fight toe-to-toe with Norman knights despite just being a jester like in the original story.

to:

* AdaptationalBadass: This version of Ivanhoe is more active, as he manages to outmaneuver the Normans while giving himself up, rescue most of the prisoners, and kill Front-de-Boeuf. Wamba too get gets a big upgrade as he's fighting alongside Ivanhoe throughout the film, skilled enough to fight toe-to-toe with Norman knights despite just being a jester like in the original story.



* DeadlyDodging: Ivanhoe wins the TrialByCombat by ducking Bois-Guilbert's swing, then striking upward with his axe to knock him off-balance and then finishing him off with a blow to the chest.



* HistoricalHeroUpgrade: Also present in this adaptation, although it's played with differently. Ivanhoe staunchly supports Richard, because he's Richard's friend; almost all the other characters point out that there's very little to choose between Richard and John. Ivanhoe builds support for Richard by promising a civil rights movement.

to:

* HistoricalHeroUpgrade: Also present in this adaptation, although it's played with differently. Ivanhoe staunchly supports Richard, because he's Richard's friend; almost all the other characters point out that there's [[NotSoDifferent very little to choose between Richard and John. John]]. Ivanhoe builds support for Richard by promising a civil rights movement.movement.
* HoistByHisOwnPetard: Ivanhoe gets Bois-Guilbert off his horse by entangling his opponent's flail in the shaft of his axe and dragging him off that way. Once that's



** And Rebecca has it all the time, being friendly with Rowena after their initial argument at Ashby and reassuring her that Ivanhoe’s love never wavered.

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** And Rebecca has it all the time, being friendly with Rowena after their initial argument at Ashby and reassuring her that Ivanhoe’s Ivanhoe's love never wavered.


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* LightIsNotGood: The villainous Bois-Guilbert wears a blue and white surcoat.

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* ChildhoodMarriagePromise: Ivanhoe and Rowena, cutting their wrists and mixing the blood.



* TheEvilPrince: Prince John is the king’s brother planning to usurp the throne for himself.



* DeathFromAbove: Inverted when one of the Torquilstone guards who is fighting Ivanhoe is killed when the fire bursts up underneath the floor.



* TheEvilPrince: Prince John is the king’s brother planning to usurp the throne for himself.



* ChildhoodMarriagePromise: Ivanhoe and Rowena, cutting their wrists and mixing the blood.
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None


* AdaptationalBadass: This version of Ivanhoe is more active, as he manages to outmaneuver the Normans while giving himself up, rescue most of the prisoners, and kill Front-de-Boeuf. Wamba too get a big upgrade as he's fighting alongside Ivanhoe throughout the film, skilled enough to fight toe-to-toe with Norman knights despite just being a jeste like the original story.

to:

* AdaptationalBadass: This version of Ivanhoe is more active, as he manages to outmaneuver the Normans while giving himself up, rescue most of the prisoners, and kill Front-de-Boeuf. Wamba too get a big upgrade as he's fighting alongside Ivanhoe throughout the film, skilled enough to fight toe-to-toe with Norman knights despite just being a jeste jester like in the original story.
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None


The film was nominated for three [[UsefulNotes/AcademyAward Academy Awards]], for Best Picture, Best Colour Cinematography, and Best Score for Music/MiklosRozsa. It is part of a ThematicSeries with 1953's ''Film/KnightsOfTheRoundTable'' and 1955's ''Film/TheAdventuresOfQuentinDurward'' (which were [[ProductionPosse also produced by MGM and directed by Richard Thorpe, and also starred Robert Taylor]]), what with their similar chivalric spirit and tone and lavish production values. All three were filmed at MGM's British Studios at Elstree, near London.

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The film was nominated for three [[UsefulNotes/AcademyAward Academy Awards]], for Best Picture, Best Colour Cinematography, and Best Score for Music/MiklosRozsa. It is part of a ThematicSeries with 1953's ''Film/KnightsOfTheRoundTable'' and 1955's ''Film/TheAdventuresOfQuentinDurward'' (which were [[ProductionPosse also produced by MGM and directed by Richard Thorpe, and also starred Robert Taylor]]), Taylor]], and ''Quentin Durward'' was also adapted from a Scott novel), what with their similar chivalric spirit and tone and lavish production values. All three were filmed at MGM's British Studios at Elstree, near London.
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The film was nominated for three [[UsefulNotes/AcademyAward Academy Awards]], for Best Picture, Best Colour Cinematography, and Best Score for Music/MiklosRozsa. It is part of a ThematicSeries with 1953's ''Film/KnightsOfTheRoundTable'' and 1955's ''Quentin Durward'' (which were [[ProductionPosse also produced by MGM and directed by Richard Thorpe, and also starred Robert Taylor]]), what with their similar chivalric spirit and tone and lavish production values. All three were filmed at MGM's British Studios at Elstree, near London.

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The film was nominated for three [[UsefulNotes/AcademyAward Academy Awards]], for Best Picture, Best Colour Cinematography, and Best Score for Music/MiklosRozsa. It is part of a ThematicSeries with 1953's ''Film/KnightsOfTheRoundTable'' and 1955's ''Quentin Durward'' ''Film/TheAdventuresOfQuentinDurward'' (which were [[ProductionPosse also produced by MGM and directed by Richard Thorpe, and also starred Robert Taylor]]), what with their similar chivalric spirit and tone and lavish production values. All three were filmed at MGM's British Studios at Elstree, near London.

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