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* AmbiguousEnding: The [[spoiler:1993]] version. [[spoiler:The surviving characters are about to land at another military base, after bombing the pod convoy and knocking out the original base, but [[YouAreTooLate the "Where you gonna go" line]] is repeated for the audience--suggesting the pod people have already taken that base over. Marti's narration also notes how a person can only stay awake for so long--possibly suggesting she and her companion are resigned to being replaced.]]

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* AmbiguousEnding: The [[spoiler:1993]] version. [[spoiler:The surviving characters are about to land at another military base, after bombing the pod convoy and knocking out the original base, but [[YouAreTooLate the "Where you gonna go" line]] line is repeated for the audience--suggesting the pod people have already taken that base over. Marti's narration also notes how a person can only stay awake for so long--possibly suggesting she and her companion are resigned to being replaced.]]



* BreakingTheFourthWall: In the original film, [[spoiler:Bennell shouts at the camera "You're next!"]]

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* BreakingTheFourthWall: In the original film, [[spoiler:Bennell shouts at the camera camera, "You're next!"]]



* DownerEnding: In the 1978 version only. It sure does pack a punch. [[spoiler: Basically, the alien invasion ''wins'', something made clear when Nancy, the only survivor, tries to meet up with Matthew, only for him to pull a horrific NightmareFace and let out the distinctive scream of a pod-person.]]

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* DownerEnding: DownerEnding:
**
In the 1978 version only. It sure does pack a punch. [[spoiler: Basically, the alien invasion ''wins'', something made clear when Nancy, the only survivor, tries to meet up with Matthew, only for him to pull a horrific NightmareFace Nightmare Face and let out the distinctive scream of a pod-person.]]



* DutchAngle: The 1978 remake features many bizarre camera angles to emphasize disorientation and isolation.

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* DutchAngle: DutchAngle:
**
The 1978 remake features many bizarre camera angles to emphasize disorientation and isolation.



* InformedAbility: While the pod-duplicates are certainly not as emotional as Humans, their claims of emotionlessness need to be taken with several grains of salt. If they are so, then why (beyond the plot and dramatic needs) do they taunt and gloat over the uninfected about the inevitability of their victory? The stepmother and Forrest Whittaker's replaced co-workers in 1993 almost seem angry or giggling over how they can't be beat. They're all more like recent converts to a movement, which is somewhat the point, but if you have no emotions, you don't need to say it so damned often.

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* InformedAbility: While InformedAttribute: The supposedly emotionless pod people aren't always so emotionless.
** In
the pod-duplicates final scene, Matthew sees a group of school children who are certainly not as emotional as Humans, their claims of emotionlessness need to be taken with several grains of salt. If they are so, then why (beyond the plot and dramatic needs) do they taunt and gloat over the uninfected about the inevitability of their victory? The stepmother and Forrest Whittaker's replaced behaving just like regular school children.
** Forest Whitaker's
co-workers in 1993 almost seem are angry or giggling over how they can't be beat. They're all more like recent converts to a movement, which is somewhat the point, but if you have no emotions, you don't need to say it so damned often.



* ItWasHereISwear: In the original, Miles brings his psychiatrist friend to look at his and Becky's pod bodies, but they've naturally vanished.

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* ItWasHereISwear: ItWasHereISwear:
**
In the original, Miles brings his psychiatrist friend to look at his and Becky's pod bodies, but they've naturally vanished.



* MeaningfulBackgroundEvent: In the 1978 version you'll often see garbage men in the background and as the movie progresses they're throwing away more and more of the black end result of pod transformation.
* MythologyGag / RemakeCameo: The 1978 remake had Kevin [=McCarthy=] reprise his performance from the ending of the original, banging on the protagonists' windshield and screaming, "You're next!". [[spoiler: Shortly before being fatally hit by a car, likely driven by a pod person.]] Later on in the film, Don Siegel (director of the original) appears as an overly-suspicious cab driver.
** The 2007 version had a woman reprising the Kevin [=McCarthy=] performance, and then getting hit by a car.

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* MeaningfulBackgroundEvent: In the The 1978 version you'll does this frequently.
** When Matthew is speaking in the hallway of the Health Department, the camera swings around and briefly reveals that someone is staring at them through the glass panel of a door, with his face pressed creepily close.
** While Elizabeth is walking down the street, several people sprint by, as if chasing or running away from someone.
** You'll
often see garbage men in the background background, and as the movie progresses they're throwing away more and more of the black end result end-result of pod transformation.
* MythologyGag / RemakeCameo: RemakeCameo:
**
The 1978 remake had Kevin [=McCarthy=] reprise his performance from the ending of the original, banging on the protagonists' windshield and screaming, "You're next!". [[spoiler: Shortly before being fatally hit by a car, likely driven by a pod person.]] Later on in the film, Don Siegel (director of the original) appears as an overly-suspicious cab driver.
** The 2007 version had a woman reprising the Kevin [=McCarthy=] performance, and then getting hit by a car.
driver.



* [[PretendWereDead Pretend We're Pod People]]: The 1956 version has Miles and Becky feign emotionlessness to walk through the pod-infested town safely. The other versions followed suit. [[spoiler: Thwarted in the 1978 version, where a messed up clone that has a busker's head upon the body of his dog frightens the female protagonist so badly she gives the game away.]]

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* [[PretendWereDead Pretend We're Pod People]]: PretendWereDead: The 1956 version has Miles and Becky feign emotionlessness to walk through the pod-infested town safely. The other versions followed suit. [[spoiler: Thwarted in the 1978 version, where a messed up clone that has a busker's head upon the body of his dog frightens the female protagonist so badly she gives the game away.]]



* RoaringRampageOfRevenge: [[spoiler:In the '93 version, Marti and her LoveInterest escape in a helicopter, which they later use to bomb a truck convoy carrying pods. Marti's narration makes it clear she's acting out of hate over what happened to her family.]]

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* RoaringRampageOfRevenge: [[spoiler:In the '93 version, Marti and her LoveInterest Love Interest escape in a helicopter, which they later use to bomb a truck convoy carrying pods. Marti's narration makes it clear she's acting out of hate over what happened to her family.]]



* ZombieApocalypse: The 1978 version has shades of this. Most notably, when they are attacked at Matthew's house and the pod people are reaching around the gate.

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** RemakeCameo: Kevin [=McCarthy=] (Miles Bennell in the original film) appears as a man banging on cars and yelling about the pod people.
*** DeathByCameo: ...And is then immediately hit by a car.
*** The original film's director, Don Siegel, plays a cab driver [[spoiler:who's turned]].

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** RemakeCameo: Kevin [=McCarthy=] (Miles Bennell in the original film) appears as a man banging on cars and yelling about the pod people.
*** DeathByCameo: ...And
people, [[DeathByCameo and is then immediately hit by a car.
***
car]].
**
The original film's director, Don Siegel, plays a cab driver [[spoiler:who's turned]].
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* StepfordSuburbia: What happens to the city as the pod people take over. There's no fighting, fuss, crime or problems... but there's no laughter, smiling, or human warmth, either. The pod people, once in control, are like zombies of the old-school Voodoo style: fleshy automatons that just robotically do their tasks without any individual thought or drives.

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* StepfordSuburbia: What happens to the city society as the pod people take over. There's no fighting, fuss, crime or problems... but there's no laughter, smiling, or human warmth, either. The pod people, once in control, are like zombies of the old-school Voodoo style: fleshy automatons that just robotically do their tasks without any individual thought or drives.
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** The original was supposed to have one of these until ExecutiveMeddling intervened; see FramingStory below.

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** The original was supposed to have one of these until ExecutiveMeddling intervened; see FramingStory FramingDevice below.
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** The original was supposed to have one of these until ExecutiveMeddling intervened; see FramingStory below.
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** While the framing device is included in nearly all showings of the film (including all home video releases and a special screening held by the Academy of Motion Picture Arts and Sciences in 2005 to honor Siegel), a re-edited version omitting it was done in 1979 and presumably exhibited somewhere at least once.

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** While the framing device is included in nearly all showings a re-edited version of the film (including more in keeping with Siegel's original vision was supposedly made in 1979, all home video releases and have used the theatrical cut with the framing story, as did a special screening held by the Academy of Motion Picture Arts and Sciences in 2005 to honor Siegel), a re-edited version omitting it was done in 1979 and presumably exhibited somewhere at least once.Siegel.

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* FramingDevice: The 1956 version was given one by executives who wanted a happier ending to the film. In the added prologue, Bennell is dragged into a hospital emergency ward by the authorities, where he recounts the film to the doctor assigned to him. In the epilogue, his story is confirmed by one of the pod truck drivers being rescued from a car crash; the hospital staff immediately call the FBI in an implied happy ending. Director Don Siegel said it almost ruined his intended movie. As mentioned in the preamble, this framing device has usually been omitted, starting in 1979, but has been re-instated on several occasions, including a screening held by the Academy of Motion Picture Arts and Sciences in 2005 which honored Siegel.

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* FramingDevice: The 1956 version was given one by executives who wanted a happier ending to the film. In the added prologue, Bennell is dragged into a hospital emergency ward by the authorities, where he recounts the film to the doctor assigned to him. In the epilogue, his story is confirmed by one of the pod truck drivers being rescued from a car crash; the hospital staff immediately call the FBI in an implied happy ending. Director Don Siegel said it almost ruined his intended movie. As mentioned in movie.
** While
the preamble, this framing device has usually been omitted, starting is included in 1979, but has been re-instated on several occasions, including nearly all showings of the film (including all home video releases and a special screening held by the Academy of Motion Picture Arts and Sciences in 2005 which honored Siegel.to honor Siegel), a re-edited version omitting it was done in 1979 and presumably exhibited somewhere at least once.

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** The 1956 version's director, Don Siegel, plays a [[spoiler: converted]] cab driver.



** RemakeCameo: Kevin [=McCarthy=] (Miles Bennell) appears as a man banging on cars and yelling about the pod people.

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** RemakeCameo: Kevin [=McCarthy=] (Miles Bennell) Bennell in the original film) appears as a man banging on cars and yelling about the pod people.


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*** The original film's director, Don Siegel, plays a cab driver [[spoiler:who's turned]].
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Miles Bennell (Kevin [=McKarthy=]) is a doctor in the small California town of Santa Mira whose patients start accusing their family and friends of being impostors. They can't explain their suspicions -- there are no physical or behavioral changes -- but they are still convinced that the people they suspect are [[NotHimself no longer themselves]]. Bennell and his colleague, Dan Kaufman, initially assume this is merely mass hysteria, a diagnosis which seems to be confirmed when the patients start recanting their accusations.

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Miles Bennell (Kevin [=McKarthy=]) [=McCarthy=]) is a doctor in the small California town of Santa Mira whose patients start accusing their family and friends of being impostors. They can't explain their suspicions -- there are no physical or behavioral changes -- but they are still convinced that the people they suspect are [[NotHimself no longer themselves]]. Bennell and his colleague, Dan Kaufman, initially assume this is merely mass hysteria, a diagnosis which seems to be confirmed when the patients start recanting their accusations.
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Miles Bennell (Kevin [=McKarthy=]) is a doctor in the small California town of Santa Mira whose patients start accusing their family and friends of being impostors. They can't explain their suspicions -- there are no physical or behavioral changes -- but they are still convinced that the people they suspect are [[NotHimself no longer themselves]]. Bennell and his colleague, Dan Kaufman (Larry Gates), initially assume this is merely mass hysteria, a diagnosis which seems to be confirmed when the patients start recanting their accusations.

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Miles Bennell (Kevin [=McKarthy=]) is a doctor in the small California town of Santa Mira whose patients start accusing their family and friends of being impostors. They can't explain their suspicions -- there are no physical or behavioral changes -- but they are still convinced that the people they suspect are [[NotHimself no longer themselves]]. Bennell and his colleague, Dan Kaufman (Larry Gates), Kaufman, initially assume this is merely mass hysteria, a diagnosis which seems to be confirmed when the patients start recanting their accusations.
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Miles Bennell is a doctor in the small town of Santa Mira whose patients start accusing their family and friends of being impostors. They can't explain their suspicions -- there are no physical or behavioral changes -- but they are still convinced that the people they suspect are [[NotHimself no longer themselves]]. Bennell and his colleague, Kaufman, initially assume this is merely mass hysteria, a diagnosis which seems to be confirmed when the patients start recanting their accusations.

to:

Miles Bennell (Kevin [=McKarthy=]) is a doctor in the small California town of Santa Mira whose patients start accusing their family and friends of being impostors. They can't explain their suspicions -- there are no physical or behavioral changes -- but they are still convinced that the people they suspect are [[NotHimself no longer themselves]]. Bennell and his colleague, Kaufman, Dan Kaufman (Larry Gates), initially assume this is merely mass hysteria, a diagnosis which seems to be confirmed when the patients start recanting their accusations.
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* ItWasHereISwear: Jack's pod body in the 1956 version disappears before the authorities can be called in.

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* ItWasHereISwear: Jack's In the original, Miles brings his psychiatrist friend to look at his and Becky's pod body in the 1956 version disappears before the authorities can be called in.bodies, but they've naturally vanished.
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* KillAllHumans: And replace them with lookalikes.

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* CatScare: The original has one of these involving a cuckoo clock.



** The original also has this, in the scene where Miles discovers the pods in the greenhouse.



* GettingCrapPastTheRadar: For the film made in TheFifties, the original has a surprising amount of sexual innuendo between Miles and Becky.

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* GettingCrapPastTheRadar: For the a film made in TheFifties, the original has a surprising amount of sexual innuendo between Miles and Becky.
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* GettingCrapPastTheRadar: For the film made in TheFifties, the original has a surprising amount of sexual innuendo between Miles and Becky.
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[[caption-width-right:265:''The seed is planted...terror grows...'']]
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* BeastWithAHumanFace: In the 1978 film, a homeless man and his dog are huddled together for warmth and a pod encloses them ''both'', producing a chimerical creature.
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framing device

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* FramingDevice: The 1956 version was given one by executives who wanted a happier ending to the film. In the added prologue, Bennell is dragged into a hospital emergency ward by the authorities, where he recounts the film to the doctor assigned to him. In the epilogue, his story is confirmed by one of the pod truck drivers being rescued from a car crash; the hospital staff immediately call the FBI in an implied happy ending. Director Don Siegel said it almost ruined his intended movie. As mentioned in the preamble, this framing device has usually been omitted, starting in 1979, but has been re-instated on several occasions, including a screening held by the Academy of Motion Picture Arts and Sciences in 2005 which honored Siegel.
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** Robert Duvall plays a priest near the beginning of the film.

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** Robert Duvall plays a priest on a child's swing set near the beginning of the film.

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How does the 1978 version count as a Green Aesop? Nancy goes on a short rant about how people \"breathe junk\" and \"eat junk\" before they find out about it being an alien invasion, but that\'s it.


* BodyHorror: The 1970s remake answers the question of what happened to the people whom the pods replaced. [[spoiler:They crumble into ash.]]

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* BodyHorror: The 1970s remake answers the question of what happened to the people whom the pods replaced. [[spoiler:They crumble dessicate and then implode whilst crumbling into ash.]]]]
** It also shows us some of the "foetal" duplicates, which are partially formed, slimy, blood-and-snot hued variants covered in hairy filaments.



* BrickJoke: In the 1978 film, Matthew first appears giving an inspection on a French restaurant, where he finds a rat turd and plans to throw the book at the owner (but not before they throw a bottle of wine at his car). It's later revealed that Dr. Kibner wasn't too pleased.

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* BrickJoke: In the 1978 film, Matthew first appears giving an inspection on a French restaurant, where he finds a rat turd in some soup and plans to throw the book at the owner (but not before they throw a bottle of wine at his car). It's later revealed that Dr. Kibner wasn't too pleased.



** The 1956 version's director, Don Siegel, plays a cab driver.

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** The 1956 version's director, Don Siegel, plays a [[spoiler: converted]] cab driver.



** [[TheGratefulDead Jerry Garcia]] can be heard on the soundtrack playing the banjo.

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** [[TheGratefulDead [[Music/TheGratefulDead Jerry Garcia]] can be heard on the soundtrack playing the banjo.



* CleanupCrew: The garbage men in the 1978 movie. Garbage trucks are also glimpsed in the '93 version.

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* CleanupCrew: The garbage men in the 1978 movie.movie are implied to be this for when the duplicates fail to develop. Garbage trucks are also glimpsed in the '93 version.



* DownerEnding: In the 1978 version only. It sure does pack a punch.

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* DownerEnding: In the 1978 version only. It sure does pack a punch. [[spoiler: Basically, the alien invasion ''wins'', something made clear when Nancy, the only survivor, tries to meet up with Matthew, only for him to pull a horrific NightmareFace and let out the distinctive scream of a pod-person.]]



* EvilTwin: Kinda.
* {{Foreshadowing}}: Early in the 1978 remake, a man is shown running through by the Health Department and a pod scream can be faintly heard.
* GivingSomeoneThePointerFinger: In the 1978 version, the pod people do this to point out unconverted humans.
* GreenAesop: The [[spoiler:1978]] version.

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* DyingWorld: In the 1978 version, this is where the pods originate from. About midway through the movie, one of the pod clones explains this to Matthew to try and convince him that there is nothing wrong or evil in allowing the pods to replace humanity.
* EvilTwin: Kinda.
Kinda. The pod people are exact physical and mental duplicates of the originals, but are coldly logical and driven to ensure their species survives by converted all of humanity.
* {{Foreshadowing}}: Early in the 1978 remake, a man is shown running through crowds by the Health Department and a pod scream can be faintly heard.
* GivingSomeoneThePointerFinger: In the 1978 version, the pod people do this whilst opening their mouths wide and screaming horrifically to point out unconverted humans.
* GreenAesop: The [[spoiler:1978]] version.
humans.



* InvisibleAliens

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* InvisibleAliensInvisibleAliens: The pod people, technically. Their original alien forms are protoplasmic -- they're sapient germs in the 2007 version -- and they take over people by absorbing their memories, forming perfect replicas of the bodies, and destroying the originals, so they seamlessly step into the original's life.



** Also in the 1978 remake. Matthew returns to Elizabeth's bedroom with the police, and finds flowerpots in a vaguely human shape where the body was.

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** Also in the 1978 remake. Kibner arrives to Nancy and Jake's bathhouse to find no trace of the failed Jake-clone. Matthew returns to Elizabeth's bedroom with the police, and finds flowerpots in a vaguely human shape where the body was.



* MeaningfulBackgroundEvent: In the 1978 version you'll often see garbage men in the background and as the movie progresses they're throwing more and more of the black end result of pod transformation.
* MythologyGag / RemakeCameo: The 1978 remake had Kevin [=McCarthy=] reprise his performance from the ending of the original, banging on the protagonists' windshield and screaming, "You're next!" Later on in the film, Don Siegel (director of the original) appears as an overly-suspicious cab driver.

to:

* MeaningfulBackgroundEvent: In the 1978 version you'll often see garbage men in the background and as the movie progresses they're throwing away more and more of the black end result of pod transformation.
* MythologyGag / RemakeCameo: The 1978 remake had Kevin [=McCarthy=] reprise his performance from the ending of the original, banging on the protagonists' windshield and screaming, "You're next!" next!". [[spoiler: Shortly before being fatally hit by a car, likely driven by a pod person.]] Later on in the film, Don Siegel (director of the original) appears as an overly-suspicious cab driver.



* [[PretendWereDead Pretend We're Pod People]]: The 1956 version has Miles and Becky feign emotionlessness to walk through the pod-infested town safely. The other versions followed suit.
* PuppeteerParasite

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* [[PretendWereDead Pretend We're Pod People]]: The 1956 version has Miles and Becky feign emotionlessness to walk through the pod-infested town safely. The other versions followed suit.
suit. [[spoiler: Thwarted in the 1978 version, where a messed up clone that has a busker's head upon the body of his dog frightens the female protagonist so badly she gives the game away.]]
* PuppeteerParasitePuppeteerParasite: The Pod People in the 2007 version are changed to this, being microbial organisms rather than the duplicating plant-things of earlier films.



* StepfordSuburbia

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* StepfordSuburbiaStepfordSuburbia: What happens to the city as the pod people take over. There's no fighting, fuss, crime or problems... but there's no laughter, smiling, or human warmth, either. The pod people, once in control, are like zombies of the old-school Voodoo style: fleshy automatons that just robotically do their tasks without any individual thought or drives.



* WeAreEverywhere

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* WeAreEverywhereWeAreEverywhere: How the films work; because the pods show up all over, by the time anyone has figured out what's going on, there are pod people in all sorts of positions, from lowly street people to police officers, phone operators, doctors, psychiatrists, everywhere. And of course the pods in authority can get even ''more'' people converted before they realise what's happening, so their numbers just keep growing, and growing...



* ZombieApocalypse: The 1978 version has shades of this when they are attacked at Matthew's house and they are reaching around the gate.

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* ZombieApocalypse: The 1978 version has shades of this this. Most notably, when they are attacked at Matthew's house and they the pod people are reaching around the gate.
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* VampiricDraining: While not explicit, it is implied that in order to copy a living being, the Pods take something fundamental and necessary from the original as after duplication, the original disintegrates into dust.
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** CreatorCameo: Director Philip Kaufman is the impatient man who knocks on the phone box Matthew is using, along with the voice of one of the officials Matthew calls.


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** Also in the 1978 remake. Matthew returns to Elizabeth's bedroom with the police, and finds flowerpots in a vaguely human shape where the body was.
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* ''The Invasion'' (2007), another GenderFlip version with NicoleKidman, is regarded by most as being the worst of the lot. Amongst many other changes, they dropped the idea of alien replacements entirely, going for a simple [[spoiler:and reversible]] version of TheVirus. It also worked in TheWarOnTerror and, with it, questions regarding TheEvilsOfFreeWill.

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* ''The Invasion'' (2007), another GenderFlip version with NicoleKidman, Creator/NicoleKidman, is regarded by most as being the worst of the lot. Amongst many other changes, they dropped the idea of alien replacements entirely, going for a simple [[spoiler:and reversible]] version of TheVirus. It also worked in TheWarOnTerror and, with it, questions regarding TheEvilsOfFreeWill.
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* BittersweetEnding: [[spoiler: the 1956]] version, along with the [[spoiler: 1993 and 2007 ones]]

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* BittersweetEnding: [[spoiler: the The 1956]] version, along with the [[spoiler: 1993 and 2007 ones]]



* OnlySaneMan: By the end of the original film, Bennell, and no one left unaffected believes him.

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* OnlySaneMan: By the end of the original film, Bennell, and no one left unaffected believes him. [[spoiler:Ultimately, the psychiatrist realizes Bennell was telling the truth after some medics report having to dig a man out from under a wrecked truck full of giant seed pods.]]
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* INeverToldYouMyName: In the 1978 version, Matthew is [[OhCrap surprised that Washington already knows who is calling them.]]

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* INeverToldYouMyName: In the 1978 version, Matthew is [[OhCrap surprised that Washington already knows police knew who is was calling them.them, along with the phone operator intercepting his call to Washington.]]
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* DivorceInReno: In 1956, divorce wasn't a topic for polite conversation, whether it be a quickie divorce in Reno or any other kind. Cue the following euphemisms:
--> '''Becky:''': I've been in Reno.
--> '''Miles:''': Reno?
--> '''Becky:''': Reno. Dad tells me you were there, too.
--> '''Miles:''': Five months ago.
--> '''Becky:''': Oh, I'm sorry.
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The original film also provided inspiration for the 2005 ABC series ''{{Series/Invasion}}''.
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* BrickJoke: In the 1978 film, Matthew first appears giving an inspection on a French restaurant. It's later revealed that Dr. Kibner wasn't too pleased.

to:

* BrickJoke: In the 1978 film, Matthew first appears giving an inspection on a French restaurant.restaurant, where he finds a rat turd and plans to throw the book at the owner (but not before they throw a bottle of wine at his car). It's later revealed that Dr. Kibner wasn't too pleased.
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* AmbiguousEnding: The [[spoiler:1993]] version. [[spoiler:The surviving characters are about to land at another military base, but [[YouAreTooLate the "Where you gonna go" line]] is repeated for the audience--suggesting the pod people have already taken that base over. Marti's narration also notes how a person can only stay awake for so long--possibly suggesting she and her companion are resigned to being replaced.]]

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* AmbiguousEnding: The [[spoiler:1993]] version. [[spoiler:The surviving characters are about to land at another military base, after bombing the pod convoy and knocking out the original base, but [[YouAreTooLate the "Where you gonna go" line]] is repeated for the audience--suggesting the pod people have already taken that base over. Marti's narration also notes how a person can only stay awake for so long--possibly suggesting she and her companion are resigned to being replaced.]]

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* HopeSpot: The "[[SoundtrackDissonance Amazing Grace]]" scene, in the 1978 version.

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* HopeSpot: HopeSpot:
** The music Miles and Becky hear while hiding in the cave in the 1956 version.
**
The "[[SoundtrackDissonance Amazing Grace]]" scene, in the 1978 version.

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