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* FingerPokeOfDoom: Hancock's fingernails can leave drawings on walls and sharpen a steel lampshade to a cutting edge.


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* {{Foreshadowing}}: One of the TV programs has someone insisting that Hancock should move to New York. [[spoiler:He does in the end.]]
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* ActionFilmQuietDramaScene: Several.
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*** Justified- see BroughtDownToNormal above.
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* StrappedToABomb: The hostages during the bank robbery.
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* ArcWords: More like arc symbolism. Ray's "All Heart" logo, which he hopes to convince big corporations use as brand recognition, to indicate the amount of charity work they do. They laugh him out of the room [[spoiler: until the ending, when Hancock puts the All Heart logo on the near side of the moon.]]

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* ArcWords: More like arc symbolism. ArcSymbol: Ray's "All Heart" logo, which he hopes to convince big corporations use as brand recognition, to indicate the amount of charity work they do. They laugh him out of the room [[spoiler: until the ending, when Hancock puts the All Heart logo on the near side of the moon.]]
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* PoorCommunicationKills: [[spoiler: Mary, it's one thing to be displeased about what happened in the past with Hancock. But refraining from telling him about his past in his amnesic state and certainly ''threatening him'' only compound the problems which ultimately end up revealing her secret to Ray.]]
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* AntiHero: Hancock is this at the start of the film - a drunken, sexist, politically incorrect prick who cares nothing for collateral damage and only saves people out of some strange need. He grows out of it with Ray's help.

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* AntiHero: Hancock is this at the start of the film - a drunken, sexist, homophobic, politically incorrect prick who cares nothing for collateral damage and only saves people out of some strange need. He grows out of it with Ray's help.



* {{Trainstopping}}: Hancock "saves" Ray by stopping a train from hitting his car.

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* {{Trainstopping}}: Hancock "saves" "saves"[[note]]He happened to be in the way.[[/note]] Ray by stopping a train from hitting his car.

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* AntiHero: Hancock is this at the start of the film - a drunken, sexist, homophobic prick who cares nothing for collateral damage and only saves people out of some strange need. He grows out of it with Ray's help.

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* AntiHero: Hancock is this at the start of the film - a drunken, sexist, homophobic politically incorrect prick who cares nothing for collateral damage and only saves people out of some strange need. He grows out of it with Ray's help.


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* NotHyperbole: While he may or may not actually be serious when making the threat, when Hancock threatens to shove someone's head up someone else's posterior, he really can do it, and ''will'' if pushed too far.
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* {{Trainstopping}}: Hancock saves Ray by stopping a train from hitting his car.

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* {{Trainstopping}}: Hancock saves "saves" Ray by stopping a train from hitting his car. car.
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* Trainstopping: Hancock saves Ray by stopping a train from hitting his car.

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* Trainstopping: {{Trainstopping}}: Hancock saves Ray by stopping a train from hitting his car.
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* Trainstopping: Hancock saves Ray by stopping a train from hitting his car.

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* EasyAmnesia: [[spoiler: Subverted. Hancock was attacked with his wife and had his skull fractured, leaving him in that state.]]


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* IdentityAmnesia: [[spoiler: Hancock was attacked with his wife and had his skull fractured, which erased any memory of who he was.]]
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* DidNotGetTheGirl: Despite being [[EternalLove made for each other]] Hancock can't stay with Mary.

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* DidNotGetTheGirl: Despite being [[EternalLove made for each other]] other]], Hancock can't stay with Mary.
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* NobodyCallsMeChicken: Hancock is about to abandon prison and heads for the door when Ray calls him out (You're being a coward!) which makes Hancock change his mind.

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* ArcWords: More like arc symbolism. Hancock's tends toward wearing clothing and/or jewelry with eagles on them. Ray notices this, and when he gives Hancock his uniform, it too bears an eagle.
** Ray's "All Heart" logo, which he hopes to convince big corporations use as brand recognition, to indicate the amount of charity work they do. They laugh him out of the room [[spoiler: until the ending, when Hancock puts the All Heart logo on the near side of the moon.]]

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* ArcWords: More like arc symbolism. Hancock's tends toward wearing clothing and/or jewelry with eagles on them. Ray notices this, and when he gives Hancock his uniform, it too bears an eagle.
**
Ray's "All Heart" logo, which he hopes to convince big corporations use as brand recognition, to indicate the amount of charity work they do. They laugh him out of the room [[spoiler: until the ending, when Hancock puts the All Heart logo on the near side of the moon.]]



* CoincidentalBroadcast: TV news about Hancock are being aired whenever a TV is switched on.
** IgnoredVitalNewsReports: At the convenience store, Hancock doesn't seem to take notice of the crucial news about Kenneth Parker Jr.'s prison break.



* DidNotGetTheGirl: Despite being [[EternalLove made for each other]] Hancock can't stay with Mary.



* GenreSavvy: When Hancock goes to prison, he quickly figures out why all the other prisoners are giving him the stink eye.
--> '''Hancock''' Oh I get it, I put some... well ''most'' of you guys in here. I can understand you feeling some way about that.



* ReallySevenHundredYearsOld:[[spoiler: Hancock and Mary, several thousand years old]]

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* ReallySevenHundredYearsOld:[[spoiler: Hancock and Mary, several thousand years old]]old.]]


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* ShoutOut: A crook in New York City references Wolverine when describing Hancock's costume, as it looks like the X-Men's black suits.


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* TheStinger: A scene during the end credits with a NY crook triggering Hancock's BerserkButton.
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''Hancock'' is a 2008 film starring WillSmith as the titular "[[AntiHero hero]]."

''Hancock'' is a movie about a drunken {{jerkass}} super-zero (played by WillSmith) who has been stopping crime in Los Angeles for years. He has absolutely zero HeroInsurance, and every time he stops crime, something gets horribly wrecked, only annoying the city's denizens more and more. Each additional crime he stops raises the level of enmity the Angelenos have for him, and it isn't helped by the fact that they're all aware he cannot be restrained. While he still opts to fight the bad guys, there is absolutely no public support for him.

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''Hancock'' '''''Hancock''''' is a 2008 film starring WillSmith as the titular "[[AntiHero hero]]."

''Hancock'' is a The movie is about a drunken {{jerkass}} super-zero (played by WillSmith) who has been stopping crime in Los Angeles for years. He has absolutely zero HeroInsurance, and every time he stops crime, something gets horribly wrecked, only annoying the city's denizens more and more. Each additional crime he stops raises the level of enmity the Angelenos have for him, and it isn't helped by the fact that they're all aware he cannot be restrained. While he still opts to fight the bad guys, there is absolutely no public support for him.
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Crosswicking.

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* IndecisiveDeconstruction: This film can't decide whenever it wants be a {{deconstruction}} or a tragedy. The first half is basically a straight DeconstructiveParody. The second half is a different kind of deconstruction, examining the fact that superpowers don't exist in a vacuum. (You can't have Superman without Krypton, or Wonder Woman without Paradise Island.) Whether it's any good depends on the viewer.

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* GenreSavvy: When Hancock goes to prison, he quickly figures out why all the other prisoners are giving him the stink eye.
--> '''Hancock''' Oh I get it, I put some... well ''most'' of you guys in here. I can understand you feeling some way about that.
* GenreShift: It goes from a BlackComedy (Act 1) to a [[BromanticComedy Buddy Film]] (Act 2) to a Drama (Act 3).



* GenreSavvy: When Hancock goes to prison, he quickly figures out why all the other prisoners are giving him the stink eye.
--> '''Hancock''' Oh I get it, I put some... well ''most'' of you guys in here. I can understand you feeling some way about that.
* GenreShift: It goes from a BlackComedy (Act 1) to a [[BromanticComedy Buddy Film]] (Act 2) to a Drama (Act 3).



* [[HotMom Hot Stepmom]]: Mary.

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* GoodIsNotNice: Hancock. [[spoiler:Mary.]]

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* GoodIsNotNice: Hancock. In the beginning, he's rude, lecherous, drunk, and cares next-to-nothing for public safety and property damage - it's as if he has some sort of contract to do "good" (like stopping police pursuits by shoving gang members up onto a skyscraper), and as Ray reveals, he's also homophobic and shoves kids to get at ice cream. [[spoiler:Mary.]]



* WithGreatPowerComesGreatPerks: Hancock was this from the start and for most of the movie [[spoiler:until Ray finally convinced him to use his powers for good as a superhero]].

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* WithGreatPowerComesGreatPerks: Hancock was this from the start and for most of the movie [[spoiler:until movie, though Ray finally convinced convinces him to use his powers for good as a superhero]].tone down the act.



* WhoWantsToLiveForever: [[spoiler:This is actually a reason why there's no one else like Hancock: superheroes were made in pairs, and when they fell in love, they become mortal to live and die together.]]

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* WhoWantsToLiveForever: [[spoiler:This is actually a reason why there's no one else like Hancock: superheroes were made in pairs, and when they fell in love, they become mortal to live and die together.together - and everyone ''but'' Hancock found peace.]]



* WouldHurtAChild: Subverted. Hancock tosses the bully up in the air and only catches him at the last second. Ray is visibly shaken, obviously not sure if Hancock would bother to catch the kid or not.
** [[JerkassVictim Not that many viewers cared]].

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* WouldHurtAChild: Subverted. Hancock tosses the bully up in the air and only catches him at the last second. Ray is visibly shaken, obviously not sure if Hancock would bother to catch the kid or not.
**
not. [[JerkassVictim Not that many viewers cared]].
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* BittersweetEnding: Hancock doesn't get to be with Mary at the end, even though they were apparently made for one-another. But he's alive, and she's alive, and she's with a good man whom she cares about and he's doing what he likes doing, and they both know each other is okay.

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* BittersweetEnding: Hancock doesn't get to be with Mary at the end, even though they were apparently made for one-another.one another. But he's alive, and she's alive, and she's with a good man whom she cares about and he's doing what he likes doing, and they both know each other is okay. And hey, they're both immortal, so there's plenty of time.
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* AntiHero: Hancock is this at the start of the film. He grows out of it with Ray's help.

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* AntiHero: Hancock is this at the start of the film.film - a drunken, sexist, homophobic prick who cares nothing for collateral damage and only saves people out of some strange need. He grows out of it with Ray's help.
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Sliding Scale Of Antiheroes was redirected. Deleting wicks to it, Anti Hero Zero Context Examples and \"Type X\" junk


* AntiHero: Hancock is a [[SlidingScaleOfAntiHeroes Type III]] at the start of the film. He grows out of it with Ray's help.

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* AntiHero: Hancock is a [[SlidingScaleOfAntiHeroes Type III]] this at the start of the film. He grows out of it with Ray's help.
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* DudeWheresMyRespect
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Deleted trope.


* ConstantineCurse: John Hancock destroys more than he saves. And he's darn well good at it.
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* ConstantineCurse: John Hancock destroys more than he saves. And he's darn well good at it.
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''Hancock'' is a movie about a drunken {{jerkass}} super-hero (played by WillSmith) who has been stopping crime in Los Angeles for years. He has absolutely zero HeroInsurance, and every time he stops crime, something gets horribly wrecked, only annoying the city's denizens more and more. Each additional crime he stops raises the level of enmity the Angelenos have for him, and it isn't helped by the fact that they're all aware he cannot be restrained. While he still opts to fight the bad guys, there is absolutely no public support for him.

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''Hancock'' is a movie about a drunken {{jerkass}} super-hero super-zero (played by WillSmith) who has been stopping crime in Los Angeles for years. He has absolutely zero HeroInsurance, and every time he stops crime, something gets horribly wrecked, only annoying the city's denizens more and more. Each additional crime he stops raises the level of enmity the Angelenos have for him, and it isn't helped by the fact that they're all aware he cannot be restrained. While he still opts to fight the bad guys, there is absolutely no public support for him.

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Moving Triva.Also,don\'t spoiler tag the trope itself.


* [[spoiler:PhysicalGod: Hancock and Mary are implied to be this. They're certainly powerful enough and have at many times in history been dubbed and worshipped as gods.]]

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* [[spoiler:PhysicalGod: Hancock PhysicalGod: [[spoiler:Hancock and Mary are implied to be this. They're certainly powerful enough and have at many times in history been dubbed and worshipped as gods.]]



* [[spoiler:ReallySevenHundredYearsOld: Hancock and Mary, several thousand years old]]

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* [[spoiler:ReallySevenHundredYearsOld: ReallySevenHundredYearsOld:[[spoiler: Hancock and Mary, several thousand years old]]



* WhatCouldHaveBeen: The film evolved out of a much more adult script, which was known mostly for its concept of a superhero who can't have sex because his ejaculations blow his lovers up (an argument first proposed in [[LarryNiven Man of Steel, Women of Kleenex]]). A scene along those lines was included in the extended edition of the film.
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** [[JerkassVictim Not that many viewers cared]].
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/hancock-poster.jpg]]
->''"Call me an [[BerserkButton asshole]], [[TemptingFate one more time]]."''
-->-- '''Hancock'''

''Hancock'' is a 2008 film starring WillSmith as the titular "[[AntiHero hero]]."

''Hancock'' is a movie about a drunken {{jerkass}} super-hero (played by WillSmith) who has been stopping crime in Los Angeles for years. He has absolutely zero HeroInsurance, and every time he stops crime, something gets horribly wrecked, only annoying the city's denizens more and more. Each additional crime he stops raises the level of enmity the Angelenos have for him, and it isn't helped by the fact that they're all aware he cannot be restrained. While he still opts to fight the bad guys, there is absolutely no public support for him.

Until he saves the life of Ray (JasonBateman), an idealistic marketing executive. Ray convinces him to clean up his act: to change his image from being a clumsy {{jerkass}} with no care for property damage to actually acting and dressing the part of a superhero such that the people he saves will be ''happy'' to see him.

Soon Hancock opens up about himself, where he came from, and why he is constantly pissed off. It delves into his SuperHeroOrigin and there is a constant worry that everyone has a weakness, and Hancock doesn't know what his is.

The film's name is a case of title dissonance for British viewers of a certain age, who irrevocably associate the name with ''Tony'' Hancock, of ''HancocksHalfHour'' fame. The actual reference, for those not well-versed in American history, is to ''John'' Hancock, who famously signed the American Declaration of Independence with a much larger signature than the other signers, leading to the idiom "put down your John Hancock" being used to mean "sign here."

----
!!Provides Examples Of:

* AnimalMotifs: Hancock often finds himself surrounded by subtle or prominent the imagery of an Eagle, waking up on a bench with an eagle painted on it, wearing a hat bearing a logo of an eagle on the front, scrawling eagles on the walls of his cell, etc. Ray seems to have noticed this recurring motif and purposely put an Eagle on Hancock's brand new suit as his symbol. His reintroduction to the public has him walk past a prominent metal statue of one, and finally, Hancock is shown watching over New York whilst sitting next to one.
* AntiHero: Hancock is a [[SlidingScaleOfAntiHeroes Type III]] at the start of the film. He grows out of it with Ray's help.
* ArcWords: More like arc symbolism. Hancock's tends toward wearing clothing and/or jewelry with eagles on them. Ray notices this, and when he gives Hancock his uniform, it too bears an eagle.
** Ray's "All Heart" logo, which he hopes to convince big corporations use as brand recognition, to indicate the amount of charity work they do. They laugh him out of the room [[spoiler: until the ending, when Hancock puts the All Heart logo on the near side of the moon.]]
* AssShove: His favorite threat is to shove someone's head up someone else's ass. Later, he makes good on that threat.
* BadassBookworm: Kenneth "Red" Parker Jr. He's actually mentioned in a news report as a former Psychology professor who created a large underground network using psychological persuasion to create criminals.
* BerserkButton: Both Smith and Theron's characters get pissed when someone calls them an "asshole" or "crazy," respectively.
** [[PreAssKickingOneLiner "Call me an asshole]] [[PunctuatedForEmphasis one...more...time."]]
* BigApplesauce: [[spoiler: Where Hancock chooses to set up his new life after leaving Mary alone in L.A.]]
* BittersweetEnding: Hancock doesn't get to be with Mary at the end, even though they were apparently made for one-another. But he's alive, and she's alive, and she's with a good man whom she cares about and he's doing what he likes doing, and they both know each other is okay.
* BlackComedy: The first act. The original scripts continued this way, but the addition of the second plot line takes it in a different direction.
* BlatantLies: Hancock's excuse for "coming in hot" when he landed in the street.
--> '''Hancock''': That was already like that when I got here.
--> '''Ray''': I live here... I know what the street looks like.
* BroughtDownToNormal: Hancock and [[spoiler: other immortals like him]] suffers from this when [[spoiler: they come into contact with their immortal mate. The loss of their powers allows them to decide to live a normal, mortal life and eventually die. All but Hancock and Mary have chosen this fate and died before the start of the film]].
* BullyingADragon: [[TooDumbToLive Are these people tired of living?]]
* BusFullOfInnocents: In this case a bank full of innocents acting as hostage to the robbers. Hancock saving them without loss of life or major property damage is precisely when his public image improves.
* CardboardPrison: Normal prisons have no hope of holding Hancock. He pulls a steel door off its hinges when he gets annoyed and flies over the fence to pick up a lost basketball. The fact that he's ''willing to stay of his own accord'' rather than actually ''escape'' is part of his CharacterDevelopment.
* CarFu: Set off by the aforementioned BerserkButton.
* CerebusSyndrome: Remember the goofy first half of the movie where Will Smith is a JerkAss superhero? That sort of goes away for a while...
* CivvieSpandex: After Hancock's rehab and time in prison, he wears this during the first climax, causing some bemused stares from the SWAT on the scene.
* ComesGreatResponsibility: Most of the movie revolves around Hancock cleaning up his act.
* DeadpanSnarker: Do you really need to be told?
* DeathByChildbirth: Ray's first wife.
* DefaceOfTheMoon: [[spoiler: Hancock carves the All Heart logo onto the moon as a thank you to Ray.]]
* {{Deconstruction}}: Of superheroes, but in a [[DeconstructiveParody fun way]] for the first half of the movie.
* DestructiveSavior: Hancock, before he cleans up his act.
* {{Determinator}}: Hancock proves to be one, especially after he [[spoiler: loses his powers]].
* DisproportionateRetribution:
** Hancock shoving people's heads up asses.
** Mary, who rather than tell Hancock what was going on after they first meet, [[spoiler:flings him out of her house and into the street.]]
* DistaffCounterpart: [[spoiler: Mary to Hancock. They were created as a pair. They even have similar [[BerserkButton trigger words.]]]]
* DoesNotKnowHisOwnStrength: Especially when drunk.
* DoNotTauntCthulhu: People just don't know when to stop taunting Hancock.
* DramaticThunder: Punctuated by [[spoiler:SnowMeansLove]].
* EagleLand: The television host who proclaims that Hancock is not as strong as the US Constitution... ''[[SarcasmMode yeah, right]]''
* EasyAmnesia: [[spoiler: Subverted. Hancock was attacked with his wife and had his skull fractured, leaving him in that state.]]
* EternalLove: [[spoiler: Hancock and Mary.]]
* FlyingBrick: The titular Hancock can fly and is completely invulnerable, to the point that even his facial hair is too tough for razors. He shaves using his fingernails.
** And SuperStrength taken to ridiculous levels. Hancock would have exerted 33 and a third million Newtons to stop that train.
* FrenchJerk: Michel. He gets flung upwards.
* AGodAmI: Hancock has this attitude sometimes, but [[spoiler: Mary]] gets it pretty bad for their fight.
-->'''Hancock''': You and I, we're the same.
-->'''[[spoiler: Mary]]''': No, I'm stronger.
-->'''Hancock''': Really?
-->'''[[spoiler: Mary]]''': * snidely* Oh yeah.
** It helps they were actually [[spoiler:Godlike, and called Gods since the beginning of time.]]
* GenreSavvy: When Hancock goes to prison, he quickly figures out why all the other prisoners are giving him the stink eye.
--> '''Hancock''' Oh I get it, I put some... well ''most'' of you guys in here. I can understand you feeling some way about that.
* GenreShift: It goes from a BlackComedy (Act 1) to a [[BromanticComedy Buddy Film]] (Act 2) to a Drama (Act 3).
* GoodIsNotNice: Hancock. [[spoiler:Mary.]]
* GroinAttack: Hancock breaks free from a choke hold in this way in the final fight.
* HalfwayPlotSwitch: As laid out under GenreShift.
* HeroInsurance: Hancock's talent for causing collateral damage is wearing thin on the public at the start of the film.
* HeroWithBadPublicity: The premise. Ray intends to fix this.
** HundredPercentHeroismRating: "Crowds should cheer when you fly by. Boys should beg for your autograph. People should ''love'' you. They really should."
* HoldingOutForAHero: The first step in Ray's plan to fix Hancock's bad publicity is to "remind them that they need you."
* HookHand: Red.
* [[HotMom Hot Stepmom]]: Mary.
* InstantHumiliationJustAddYouTube: Hancock grabs a beached whale by the tail and throws it back into the ocean where it hits a boat and capsizes it. Apparently, this is just one of many incidents on Website/YouTube that Ray found of Hancock's "exploits."
* InstitutionalApparel: Orange jumpsuits in prison.
* {{Jerkass}}: Guess. Although he gets better.
** [[spoiler: Mary]] is also this [[spoiler: especially while she unloads 3,000 years of repressed anger in the street fight with Hancock, when he's repeatedly and honestly told her he ''doesn't remember anything'' about his former life.]]
* LastOfHisKind: Hancock believes himself to be this. [[spoiler: ThereIsAnother - Mary - but all the others died out.]]
* LivingLegend: Everyone knows who Hancock is. They know he's perfectly willing to help. They just don't like him very much.
* [[MagicPants Magic Pants, Shirt and Shoes]]: Hancock wears normal clothes and regularly flies into the pavement. He's even slammed by a train at one point but his clothes never get shredded. Averted in a Website/YouTube video Ray shows him in which what's left of his clothes are barely there after putting out an apartment fire.
* MalignedMixedMarriage: [[spoiler: Hancock and Mary]]'s troubles throughout history are implied to be a result of their races.
* MissingMom: Ray's first wife died while giving birth to his son.
* MovieSuperheroesWearBlack: The suit he gets later on is black leather.
* NotSoInnocentWhistle: Mary whistles as she goes to fetch eggs from the fridge, [[spoiler:which she threw (along with the titular character) through her wall upon revealing her powers to him.]]
* NotSoInvincibleAfterAll: [[spoiler: Hancock and Mary lose their powers if they stay together. This was the reason for every other being like them dying out.]]
* NotTheFallThatKillsYou: Obviously exaggerated. The aforementioned French kid gets thrown maybe a mile up into the air and then caught maybe four feet from the ground without any apparent ill effects other than a bruised ego.
* OnlySaneMan: Ray. Ray is also seemingly the only person in the Hancock-verse who recognises that it's ''not'' a good idea to piss Hancock off.
--> '''Mary''': Did he just take the whiskey bottle to the bathroom?
--> '''Ray''': Do you want him to kill us all?
* OohMeAccentsSlipping: No idea where on earth Eddie Marsan's villain is supposed to be from. He's sometimes English, sometimes Southern US, and sometimes vaguely...Irish?
* [[spoiler:PhysicalGod: Hancock and Mary are implied to be this. They're certainly powerful enough and have at many times in history been dubbed and worshipped as gods.]]
* PoliticallyCorrectHistory: Averted. [[spoiler: Hancock is assaulted in his weakened state by bigots in 1931 Florida because he's with a white woman. That's also the probable motive of the 1850 incident.]]
* [[spoiler:ReallySevenHundredYearsOld: Hancock and Mary, several thousand years old]]
* RescueIntroduction: When Hancock rescues Ray.
* ScrewDestiny: "People get to choose!"
* ScrewTheRulesIHaveSupernaturalPowers: A significant part of Hancock's attempt to clean up his act is to convince the public that he doesn't live by this trope and that they can hold him accountable for his actions, willingly serving time in prison for instance, until he's called back in to help.
* SexyDiscretionShot: The deleted sex scene in Hancock's trailer home between Hancock and the girl. As they're about to get it on, the trailer violently rocks back and fourth until right before Hancock [[UnusualEuphemism reaches the mountaintop]], when he knocks the girl onto the couch and ejaculates three powerful shots through the roof.
* ShamingTheMob: When a crowd jeers Hancock for causing massive collateral damage to save Ray, Ray chews them out for it and thanks Hancock instead.
* SirNotAppearingInThisTrailer: CharlizeTheron. The DVD previews didn't do it, and it went to TrailersAlwaysSpoil.
* SlidingScaleOfIdealismVsCynicism: The film starts with Ray at the idealistic end, and Hancock at the cynical end. The movie ends up closer to center but still tilted toward idealism.
* StealthPun: Ray meets Mary in the [[spoiler:''super''market.]]
* SymbolMotifClothing: Hancock likes to put eagles on his clothes.
* ThereCanBeOnlyOne: Mostly inverted, [[spoiler:the supers are in pairs who weaken each other if they get close enough, but the last two never quite get together.]]
* ThePowerOfLove: As above, [[spoiler:the supermen and women are designed in pairs that are drawn to each other, and according to Theron's character, being close to one another causes them to lose their powers so they can grow old and die together. However, Hancock's irresponsibility interferes with this plan by causing them both to break up and get back together every century or so. An attack while the two are depowered leads to Hancock becoming amnesiac, and Mary leaving to marry Ray and live a normal life.]]
* ThereIsAnother: [[spoiler: Mary.]]
* ThinkNothingOfIt: What Hanock does not say but means, subverted in that [[HeroWithBadPublicity the people think a ''lot'' of it]]
* TooDumbToLive: Arguably, the people who insist on taunting Hancock, apparently failing to remember that he can crush their skulls like grapes. As are the (former) prisoners who assault Hancock at the hospital. Sure he can be hurt ''now'' because he's turning mortal. But he still has SuperStrength. And there is no way they could have known he'd be vulnerable.
** The scene before showed a news report about him being hospitalized with gunshot wounds. Though they did start planning to escape and get revenge long before this happens though.
* TrailersAlwaysSpoil: Later trailers and the DVD cover all spoil the twist that [[spoiler:there's another superhuman]].
* TheUnfairSex: Hancock even calls [[spoiler: Mary]] out on this.
* UntrustingCommunity: Justified. [[JerkAss He]] deserves [[WhatTheHellHero it]].
* WeaksauceWeakness: Hancock's only weakness? [[spoiler:His real wife. Any attempt to live a loving, fulfilling life with his wife of ''3,000'' years will cause them to both become mortal in order to die together. Unfortunately, Hancock has a hero complex to save people. Which attracts bad guys who attack them in their weakened state. They argue, he leaves, they meet again and the whole cycle starts again.]]
* WithGreatPowerComesGreatPerks: Hancock was this from the start and for most of the movie [[spoiler:until Ray finally convinced him to use his powers for good as a superhero]].
* WonderTwinPowers: [[spoiler:reversed.]]
* WhatCouldHaveBeen: The film evolved out of a much more adult script, which was known mostly for its concept of a superhero who can't have sex because his ejaculations blow his lovers up (an argument first proposed in [[LarryNiven Man of Steel, Women of Kleenex]]). A scene along those lines was included in the extended edition of the film.
* WhatTheHellHero: The premise.
* WhereDaWhiteWomenAt: [[spoiler: Hancock and Mary have been together for centuries in a mixed marriage. In fact, Hancock's amnesia is a result of being assaulted by bigots [[MalignedMixedMarriage because he was with a white woman]] in pre-[[CivilRightsMovement Civil Rights]] era Florida.]]
* WhoWantsToLiveForever: [[spoiler:This is actually a reason why there's no one else like Hancock: superheroes were made in pairs, and when they fell in love, they become mortal to live and die together.]]
** LivingForeverIsAwesome: [[spoiler: They decide to split permanently because Hancock and Mary don't want this to happen to themselves. Hancock, for instance, wants to be a super hero forever.]]
* WouldHurtAChild: Subverted. Hancock tosses the bully up in the air and only catches him at the last second. Ray is visibly shaken, obviously not sure if Hancock would bother to catch the kid or not.
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