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* ChristmasCake: The Beales find a photo of Little Edie at 24. Big Edie expresses shock that she looked so young despite being "so old" at the time.



* HollywoodPudgy: Big Edie needles her daughter for getting fat, a sentiment that Little Edie sadly agrees with. She weighs herself and is disappointed with a result of 145 -- a perfectly healthy weight for a woman of her height, but far from the physique she had as a dancer and model.

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* AllForNothing: Little Edie gave up a career (though perhaps not a lucrative one) to take care of Big Edie, who tells her frankly and unsympathetically that it was completely unnecessary, as she already had a companion (albeit one whom Little Edie disdained).



* HandyMan: "The Marble Faun", Jerry Torre, the teenaged handyman who is the only person who regulary visits the Beales. Little Edie thinks that Jerry wants sex with her and also is terrified at the prospect that he might move in and become a companion to Big Edie.[[note]]In reality, he had run from an abusive home and was just trying to hustle work. Jerry saw the Edies more as mother figures than anything else, which they in turn indulged to the extent they could.[[/note]] Torre, who was [[http://www.newyorker.com/archive/2006/03/06/060306ta_talk_green gay]], never did move into the house. He surfaced thirty-odd years later, working as a cab driver in New York City.

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* HandyMan: "The Marble Faun", Jerry Torre, the teenaged handyman who is the only person who regulary regularly visits the Beales. Little Edie thinks that Jerry wants sex with her and also is terrified at the prospect that he might move in and become a companion to Big Edie.[[note]]In reality, he had run from an abusive home and was just trying to hustle work. Jerry saw the Edies more as mother figures than anything else, which they in turn indulged to the extent they could.[[/note]] Torre, who was [[http://www.newyorker.com/archive/2006/03/06/060306ta_talk_green gay]], never did move into the house. He surfaced thirty-odd years later, working as a cab driver in New York City.City.
* HollywoodPudgy: Big Edie needles her daughter for getting fat, a sentiment that Little Edie sadly agrees with. She weighs herself and is disappointed with a result of 145 -- a perfectly healthy weight for a woman of her height, but far from the physique she had as a dancer and model.



* LivingEmotionalCrutch: Mother and daughter are this for each other.

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* LivingEmotionalCrutch: Mother and daughter are this for each other. Despite openly resenting her mother for keeping her in a decrepit house instead of freeing her to have her own life, love, and career, Little Edie admits in the end that she hopes her mother doesn't die, because she'll be lonely.


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* MayDecemberRomance: Little Edie, at age 52, had a romance interlude with a 32-year-old man who proposed marriage, and she deeply resents that Big Edie allegedly chased him out of the house for such a petty reason as literally not wanting another cook in the kitchen. Big Edie, who believed that the relationship was doomed to fail anyway due to the age gap, eventually pokes holes in this fairy tale, claiming that the lover was more or less long-distance only, and had lost interest in Little Edie after meeting her in person and finding her cold and bitter.
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* VicariousGoldDigger: J. V. Bouvier stresses to his grandchildren, Edie, Jackie and Lee, the importance of marrying well and securing their future, which he feels Edie's mother failed to do. The future Jackie Kennedy and Lee Radziwill take his advice to heart, but Edie ends up alone and unwed taking care of her mother after her father abandons them.
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Big Edie died in 1977 at the age of 81, four years after the film was shot and the year after ''Grey Gardens'' was released in theatres. Little Edie sold the house in 1979 to ''Washington Post'' owner Ben Bradlee and his wife Sally Quinn, on the condition that it not be torn down. The house was extensively remodeled and still stands today. Little Edie lived in New York City, Florida, and elsewhere before her death in Florida in 2002 at the age of 84.

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Big Edie died in 1977 at the age of 81, four years after the film was shot and the year after ''Grey Gardens'' was released in theatres. Little Edie sold the house in 1979 to ''Washington Post'' owner editor Ben Bradlee and his wife Sally Quinn, on the condition that it not be torn down. The house was extensively remodeled and still stands today. Little Edie lived in New York City, Florida, and elsewhere before her death in Florida in 2002 at the age of 84.
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* RichesToRags: The Beale women were once very wealthy and affluent society figures who rubbed shoulders with the upper echelons of New York high society. Now they live in squalor and with barely enough money to survive.
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** SilverVixen: Little Edie despite her very rough living conditions still looked very good for someone nearly 60 years old at the time.

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** SilverVixen: Little Edie despite her very rough living conditions still looked very good for someone nearly 60 years old at the time.time, still possessing an impressive dancer's physique.
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* CastingGag: In the documentary, Little Edie said that she would like Ethel Barrymore to play her mother in a film about them (not knowing that Ethel Barrymore had been dead for over ten years). Ethel is the great aunt of Creator/DrewBarrymore, who ended up playing Little Edie herself.

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Up To Eleven is being dewicked.


* CrazyCatLady: Could be TropeCodifier. A lot of the fictional cat ladies in various works have been inspired by the Beales. The scene where Big Edie matter-of-factly notes that one of the cats is urinating behind her portrait stands out.
** Taken UpToEleven in the scene where it is shown they aren't just crazy cat ladies but are crazy ''raccoon'' ladies as well, as they go up to the attic to feed the feral raccoons that live there.

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* CrazyCatLady: CrazyCatLady:
**
Could be TropeCodifier. A lot of the fictional cat ladies in various works have been inspired by the Beales. The scene where Big Edie matter-of-factly notes that one of the cats is urinating behind her portrait stands out.
** Taken UpToEleven up to eleven in the scene where it is shown they aren't just crazy cat ladies but are crazy ''raccoon'' ladies as well, as they go up to the attic to feed the feral raccoons that live there.
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There's nothing saying we can't use redirects. However, How To Write An Example states we're not supposed to edit trope names. Read it yourself, please.


* [[CoolOldLady Cool Old Ladies]]: Despite their disgusting living conditions, both women have a lot of interesting stories to tell about their high-society lives and are very engaging. The filmmakers took quite a shine to them as well.

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* [[CoolOldLady Cool Old Ladies]]: CoolOldLady: Despite their disgusting living conditions, both women have a lot of interesting stories to tell about their high-society lives and are very engaging. The filmmakers took quite a shine to them as well.



* [[TheDutifulSon The Dutiful Daughter]]: Little Edie sees herself this way. She did not want to move into Grey Gardens and would rather have married an upper-class husband and lived her own life, but became a spinster because her mother has literally no one else.

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* [[TheDutifulSon The Dutiful Daughter]]: TheDutifulDaughter: Little Edie sees herself this way. She did not want to move into Grey Gardens and would rather have married an upper-class husband and lived her own life, but became a spinster because her mother has literally no one else.



* [[KindHeartedCatLover Kind Hearted Cat Lovers]]: Despite being barely able to care for themselves, the two dote on their many cats in their own way.

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* [[KindHeartedCatLover Kind Hearted Cat Lovers]]: KindHeartedCatLover: Despite being barely able to care for themselves, the two dote on their many cats in their own way.



* [[ManChild Woman Child]]: Little Edie is childlike to the point of some people suspecting arrested development.

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* [[ManChild Woman Child]]: WomanChild: Little Edie is childlike to the point of some people suspecting arrested development.
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removed Bald Women as it's been disambiged


* BaldWomen: Little Edie, who always wears decorative scarves (sweaters or towels also do in a pinch) on her head. (She had the skin disease alopecia totalis, which makes literally all the hair on the body fall out.)
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* HairTodayGoneTomorrow: Little Edie had long blonde hair when she was young but is completely bald in the present due to her Alopecia which started in her twenties.


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* NoBrows: Little Edie due to her Alopecia Totalis which caused the loss of all the hair on her head, including her eyebrows and eyelashes. She usually draws them on but goes without any in a few scenes too.

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* HandyMan: "The Marble Faun", Jerry Torre, the teenaged handyman who is the only person who regulary visits the Beales. Little Edie thinks that Jerry wants sex with her and also is terrified at the prospect that he might move in and become a companion to Big Edie. Torre, who was [[http://www.newyorker.com/archive/2006/03/06/060306ta_talk_green gay]], never did move into the house. He surfaced thirty-odd years later, working as a cab driver in New York City.

to:

* HandyMan: "The Marble Faun", Jerry Torre, the teenaged handyman who is the only person who regulary visits the Beales. Little Edie thinks that Jerry wants sex with her and also is terrified at the prospect that he might move in and become a companion to Big Edie. [[note]]In reality, he had run from an abusive home and was just trying to hustle work. Jerry saw the Edies more as mother figures than anything else, which they in turn indulged to the extent they could.[[/note]] Torre, who was [[http://www.newyorker.com/archive/2006/03/06/060306ta_talk_green gay]], never did move into the house. He surfaced thirty-odd years later, working as a cab driver in New York City.

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