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As per TRS, the current definition of Would Hit A Girl is "A guy that has no problems with violence against women is treated as morally questionable at best or evil at worst in a work's narrative and other characters". Any example that doesn't fit the new definition is removed.
Deleted line(s) 64,65 (click to see context) :
* WouldHitAGirl: James's reaction to his wife's cleavage moment in public at Christmas, both in Santa costumes.
-->"YOU THINK I LIKE SEEING MY WIFE DRESSED UP LIKE THAT, FOR EVERY MAN TO SEE?"
-->"YOU THINK I LIKE SEEING MY WIFE DRESSED UP LIKE THAT, FOR EVERY MAN TO SEE?"
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* GoodPeopleHaveGoodSex: Whatever problems they have over the years, James and his wife certainly have this going on.
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dewicked Angry Black Man
Deleted line(s) 12 (click to see context) :
* AngryBlackMan: Despite having a temper and plenty of reasons to be angry, James usually averts this: although he is still blunt about the respective positions of Blacks and Whites in America, he is usually friendly and personable; he also knows that he'll be seen as this trope if he doesn't keep the facade up. His father, Joe, seems to play this trope straight.
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Wick cleaning. Absolute Cleavage has been renamed. Nothing here indicates the stomach is shown, so removing. Feel free to readd it with the new name if it turns out to be a correct example.
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* WouldHitAGirl: James's reaction to his wife's AbsoluteCleavage moment in public at Christmas, both in Santa costumes.
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* WouldHitAGirl: James's reaction to his wife's AbsoluteCleavage cleavage moment in public at Christmas, both in Santa costumes.
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None
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* ItWillNeverCatchOn: A few minutes before a performance, Ben notifies James that there's been a change in plan: Music/TheRollingStones will be closing the show instead of James' band. When James becomes visibly irritated (at this point in time, the Rolling Stones hadn't even performed in the United States before that night), Ben tries to pacify him by saying that within a year the Stones will probably fade into obscurity. This is especially amusing, as Music/MickJagger [[{{Irony}} was the executive producer of the film]].
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* ItWillNeverCatchOn: A few minutes before a performance, Ben notifies James that there's been a change in plan: Music/TheRollingStones Music/{{The Rolling Stones|Band}} will be closing the show instead of James' band. When James becomes visibly irritated (at this point in time, the Rolling Stones hadn't even performed in the United States before that night), Ben tries to pacify him by saying that within a year the Stones will probably fade into obscurity. This is especially amusing, as Music/MickJagger [[{{Irony}} was the executive producer of the film]].
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* BrokenAce: James' unmatched musical talents that propel him to superstardom are contrasted with his estranged relationship with his wife, best friend and bandmates in addition to a troubled past, personal tragedies and struggles with drugs.
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* RejectedApology: Susie shows up backstage after ''Live at the Apollo'' and apologies for abandoning James. James is very understandably not interested in hearing it; see ParentalAbandonment for details.
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* YoureNotMyFather: James is adamant about this when Susie shows up backstage after the ''Live at the Apollo'' concert. He flat out tell her that he doesn't want anyone knowing that she's his mother and basically orders her to leave. That said [[DownplayedTrope he does decide to give her financial support]].
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Changed line(s) 44 (click to see context) from:
* ParentalSubstitute: Aunt Honey becomes this for James. While she can be cold and strict at times, she's the one who tells the young James that someday he will be famous. Surely enough, when he ''does'' become a star, Aunt Honey's the one looking proudly up at him from the crowd.
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* ParentalSubstitute: ParentalSubstitute:
** Aunt Honey becomes this for James. While she can be cold and strict at times, she's the one who tells the young James that someday he will be famous. Surely enough, when he ''does'' become a star, Aunt Honey's the one looking proudly up at him from thecrowd.crowd.
** Ben, James' record manager, is a surprisingly straight example. Despite appearing to be the "the white devil", he turns out to be supportive and loyal of James, who in turn starts calling him "Pop." [[spoiler:When he dies James is distraught and bordering on another HeroicBSOD.]]
** Aunt Honey becomes this for James. While she can be cold and strict at times, she's the one who tells the young James that someday he will be famous. Surely enough, when he ''does'' become a star, Aunt Honey's the one looking proudly up at him from the
** Ben, James' record manager, is a surprisingly straight example. Despite appearing to be the "the white devil", he turns out to be supportive and loyal of James, who in turn starts calling him "Pop." [[spoiler:When he dies James is distraught and bordering on another HeroicBSOD.]]
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* ThickerThanWater: ''Very'' downplayed. James makes it clear that he wants nothing to do with his biological mother but ultimately decides to financially support her.
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* AdaptationalAttractiveness: Let's face it: James Brown was nowhere near as attractive as Chadwick Boseman.
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Changed line(s) 4,5 (click to see context) from:
''Get on Up'' is a 2014 [[{{Biopic}} biographical drama]]/JukeboxMusical depicting the life and career of one of America's most influential entertainers, Music/JamesBrown. The movie is directed by Tate Taylor, the director of the film ''Film/TheHelp'', and stars Creator/ChadwickBoseman as Brown.
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''Get on Up'' is a 2014 [[{{Biopic}} biographical drama]]/JukeboxMusical depicting the life and career of one of America's most influential entertainers, Music/JamesBrown. The movie is directed by Tate Taylor, the director of the film ''Film/TheHelp'', and stars Creator/ChadwickBoseman as Brown. The cast also includes Creator/DanAykroyd, Creator/ViolaDavis and Creator/OctaviaSpencer.
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Changed line(s) 4,5 (click to see context) from:
''Get on Up'' is a 2014 [[{{Biopic}} biographical drama]]/JukeboxMusical depicting the life and career of one of America's most influential entertainers, Music/JamesBrown. The movie is directed by Tate Taylor, the director of the film ''Film/TheHelp'', and stars Creator/ChadwickBoseman (who also played the main protagonist in ''Film/FortyTwo'') as Brown.
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''Get on Up'' is a 2014 [[{{Biopic}} biographical drama]]/JukeboxMusical depicting the life and career of one of America's most influential entertainers, Music/JamesBrown. The movie is directed by Tate Taylor, the director of the film ''Film/TheHelp'', and stars Creator/ChadwickBoseman (who also played the main protagonist in ''Film/FortyTwo'') as Brown.
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None
Changed line(s) 4,5 (click to see context) from:
Get on Up is a 2014 [[{{Biopic}} biographical drama]]/JukeboxMusical depicting the life and career of one of America's most influential entertainers, Music/JamesBrown. The movie is directed by Tate Taylor, the director of the film ''Film/TheHelp'', and stars Creator/ChadwickBoseman (who also played the main protagonist in ''Film/FortyTwo'') as Brown. The film alternates between segments relaying the stories of Brown's later years, his rise to fame, and his childhood, displaying how he transformed from a poor boy in Augusta, Georgia into one of the greatest names to sweep the country.
to:
The film alternates between segments relaying the stories of Brown's later years, his rise to fame, and his childhood, displaying how he transformed from a poor boy in Augusta, Georgia into one of the greatest names to sweep the
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Misused trope. Fantastic Racism refers to metaphorical representations of racism, not the real thing.
Deleted line(s) 28,32 (click to see context) :
* FantasticRacism: This is a film depicting a Black man trying to become an entertainer in the sixties, so this trope is a foregone conclusion. For specific examples, though:
** While James' band is practicing and hanging out around a pool at a hotel, a White couple is simultaneously checking in. The wife immediately has a fit, wanting James and the others to be gone before she goes near the pool. While her husband's views are not stated, he at least has some dignity, trying to stop his wife before she can go too far.
** When the Famous Flames are recording their first single, "Please, Please, Please" for King Records, the studio executive listening to them admits that James has good vocals, but cruelly mocks the beat and lyrics of their song, which are typical for Afro gospel music.
** In the movie's only real comedic use of this trope, when James is at an interview with his family and Bobby, a reporter (who is also a white woman), asks him what his favorite food is. James immediately sees the insulting implications and responds with the following quote:
--->'''James:''' ''[{{beat}}]'' Bobby, tell this pretty White lady what we eat.
** While James' band is practicing and hanging out around a pool at a hotel, a White couple is simultaneously checking in. The wife immediately has a fit, wanting James and the others to be gone before she goes near the pool. While her husband's views are not stated, he at least has some dignity, trying to stop his wife before she can go too far.
** When the Famous Flames are recording their first single, "Please, Please, Please" for King Records, the studio executive listening to them admits that James has good vocals, but cruelly mocks the beat and lyrics of their song, which are typical for Afro gospel music.
** In the movie's only real comedic use of this trope, when James is at an interview with his family and Bobby, a reporter (who is also a white woman), asks him what his favorite food is. James immediately sees the insulting implications and responds with the following quote:
--->'''James:''' ''[{{beat}}]'' Bobby, tell this pretty White lady what we eat.
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Changed line(s) 62 (click to see context) from:
'''Bobby Byrd:''' [[YouAreNotAlone I think we still got]] ''[[CrowningMomentOfAwesome more]]'' [[UndyingLoyalty funk in the trunk.]]
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'''Bobby Byrd:''' [[YouAreNotAlone I think we still got]] ''[[CrowningMomentOfAwesome more]]'' ''more'' [[UndyingLoyalty funk in the trunk.]]
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Changed line(s) 53 (click to see context) from:
* TrueCompanions: James and Bobby are undoubtedly this. A perfect example of this relationship is when James' band curses him out and walks out on him, and he expects Bobby to follow them. When Bobby refuses to ever leave, this exchange shows how Bobby is always there to keep James going:
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* TrueCompanions: TrueCompanions:
** James and Bobby are undoubtedly this. A perfect example of this relationship is when James' band curses him out and walks out on him, and he expects Bobby to follow them. When Bobby refuses to ever leave, this exchange shows how Bobby is always there to keep James going:
** James and Bobby are undoubtedly this. A perfect example of this relationship is when James' band curses him out and walks out on him, and he expects Bobby to follow them. When Bobby refuses to ever leave, this exchange shows how Bobby is always there to keep James going:
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** You could also make a case for Ben, James' record manager. Even though he initially seems to fit the profile of "the white devil", he ends up sticking with James through thick and thin and at one point even tells James that he should never stop doing his own thing. [[spoiler: When he dies, James is greatly saddened.]]
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Badass is no longer a trope
Changed line(s) 15 (click to see context) from:
* BadassInANiceSuit: James can rock a suit, and when he has business to take care of, he can be exceedingly {{badass}}.
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* BadassInANiceSuit: James can rock a suit, and when he has business to take care of, he can be exceedingly {{badass}}.badass.
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* ItWillNeverCatchOn: A few minutes before a performance, Ben notifies James that there's been a change in plan: Creator/TheRollingStones will be closing the show instead of James' band. When James becomes visibly irritated (at this point in time, the Rolling Stones hadn't even performed in the United States before that night), Ben tries to pacify him by saying that within a year the Stones will probably fade into obscurity. This is especially amusing, as Music/MickJagger [[{{Irony}} was the executive producer of the film]].
to:
* ItWillNeverCatchOn: A few minutes before a performance, Ben notifies James that there's been a change in plan: Creator/TheRollingStones Music/TheRollingStones will be closing the show instead of James' band. When James becomes visibly irritated (at this point in time, the Rolling Stones hadn't even performed in the United States before that night), Ben tries to pacify him by saying that within a year the Stones will probably fade into obscurity. This is especially amusing, as Music/MickJagger [[{{Irony}} was the executive producer of the film]].
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None
Changed line(s) 62 (click to see context) from:
* WouldHitAGirl: James's reaction to his wife's AbsoluteCleavage moment in public.
to:
* WouldHitAGirl: James's reaction to his wife's AbsoluteCleavage moment in public.public at Christmas, both in Santa costumes.
-->"YOU THINK I LIKE SEEING MY WIFE DRESSED UP LIKE THAT, FOR EVERY MAN TO SEE?"
-->"YOU THINK I LIKE SEEING MY WIFE DRESSED UP LIKE THAT, FOR EVERY MAN TO SEE?"
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None
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[[quoteright:283:http://static.tvtropes.org/pmwiki/pub/images/6d408d5ebaa91e7083b66804451595ea.PNG]]
[[caption-width-right:283:We still got some tropes left in us, Mr. Byrd?]]
[[caption-width-right:283:We still got some tropes left in us, Mr. Byrd?]]
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----