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** Gong Gong was disappointed that his daughter Evelyn is a girl, [[IHaveNoSon abandoned her]] when she chose Waymond, and continues to criticize and belittle her in the present ''despite her already breaking her back to take care of him.'' [[spoiler:It's heavily implied Alpha Gong Gong wasn't much different and nagged Evelyn to keep running experiments, which resulted in Jobu Tupaki mass-murdering the multiverse.]]

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** Gong Gong was disappointed that his daughter Evelyn is a girl, [[IHaveNoSon abandoned her]] when she chose Waymond, and continues to criticize and belittle her in the present ''despite her already breaking her back to take care of him.'' He is rightfully being [[CallingTheOldManOut called out]] during the film's climax. [[spoiler:It's heavily implied Alpha Gong Gong wasn't much different and nagged Evelyn to keep running experiments, which resulted in Jobu Tupaki mass-murdering the multiverse.]]

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** The scene where Jobu Tupaki channels a number of alternate selves and brutally dispatches a number of guards while wearing outlandish costumes and basically acting like a cartoon character can be seen as a dark parody of ''Film/TheMask'', or even a nod to the much more violent original comic books. One part of the scene is even underscored by zany cartoon sound effects.

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** The scene where Jobu Tupaki channels a number of alternate selves and brutally dispatches a number of guards while wearing outlandish costumes and basically acting like a cartoon character can be seen as a dark parody of ''Film/TheMask'', or even a nod to the much more violent original comic books. One part of the scene is even underscored by zany cartoon sound effects. The same scene also breifly utilizes some music commonly used in ''Series/ItsAlwaysSunnyInPhiladelphia''.


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** [=Wrestler!Deirdre=] attempts to perform [[Franchise/{{Batman}} Bane's]] iconic [[ComicBook/{{Knightfall}} Backbreaker]] move on Waymond, which he blocks by placing an Exit sign underneath him, similar to the Creator/AdamWest version in the ''ComicBook/Batman66'' comic using a Batarang for the same purpose.
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** In the universe where people have hotdogs for fingers and use their feet to play piano, pianos still look the same as in our universe, and Music/ClaudeDebussy still composed "Clair de Lune." Evelyn also somehow still owns the same laundromat and lives in the same apartment above it.

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** In Most present in the universe where people have hotdogs for fingers fingers. Despite this radical change in the course of human evolution, Evelyn and use their feet to play piano, pianos Deirdre were still look the same as in our universe, and born, Music/ClaudeDebussy was not only born, he still composed "Clair de Lune." Lune", pianos were still invented and look the same as in our universe despite being played with the feet, and Evelyn also somehow still owns the same laundromat and lives in the same apartment above it.
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* PronounTrouble: Early on Evelyn absentmindedly refers to Joy's butch girlfriend Becky with he/him pronouns. When Joy calls her on it, she tries to deflect that the difference does not exist in Chinese, but nobody's buying it.

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* PronounTrouble: Early on Evelyn absentmindedly refers to Joy's butch girlfriend Becky with he/him pronouns. When Joy calls her on it, she tries to deflect that the difference does not exist in Chinese, but nobody's buying it.[[note]]In Mandarin Chinese, the third-person singular pronoun always has the same pronounciation (''tā''), but it has different written forms according to the subject's gender.[[/note]]

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moved references to the more appropriate Pre Ending Credits


* DownerEnding: InUniverse. [[spoiler:The second act ends with Evelyn's mind overloading, causing her to have a fatal seizure as Waymond desperately shouts for help. The film then fades out, and [[FakeOutFadeOut begins displaying credits]]... which are then revealed to belong to a film inside the universe where Evelyn is a movie star. As the audience begins to applaud, the Waymond of that reality [[LampshadeHanging comments that the ending was bold but quite sad]].]] That said, it's implied that [[ExpendableAlternateUniverse that was the fate of that universe]], as the third act follows other timelines where Deirdre wasn't punched in the face.

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* DownerEnding: InUniverse. [[spoiler:The second act ends with Evelyn's mind overloading, causing her to have a fatal seizure as Waymond desperately shouts for help. The film then fades out, and [[FakeOutFadeOut [[PreEndingCredits begins displaying credits]]... which are then revealed to belong to a film inside the universe where Evelyn is a movie star. As the audience begins to applaud, the Waymond of that reality [[LampshadeHanging comments that the ending was bold but quite sad]].]] That said, it's implied that [[ExpendableAlternateUniverse that was the fate of that universe]], as the third act follows other timelines where Deirdre wasn't punched in the face.



* FakeOutFadeOut: [[spoiler:The second act ends with one, depicting Evelyn having a fatal seizure from her mind being overloaded by her alternate realities as Waymond screams for help. It's particularly effective since it happens at the 90-minute mark and actually starts playing credits, which are then revealed to belong to a film in the universe where Evelyn is a movie star.]]



* FiveSecondForeshadowing: [[spoiler:The FakeOutFadeOut lasts ''just'' long enough to fool some people, but those who notice that Evelyn is credited as a producer will realize the movie isn't over yet.]]

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* FiveSecondForeshadowing: [[spoiler:The FakeOutFadeOut PreEndingCredits lasts ''just'' long enough to fool some people, but those who notice that Evelyn is credited as a producer will realize the movie isn't over yet.]]



* NegatedMomentOfAwesome: By the end of the first act, Evelyn thinks she has it all figured out and is ready to face [[spoiler:Jobu Tupaki. Instead, [[MySkullRunnethOver her mind quite literally overloads]] and she gets a fatal seizure, ''which kills her'' and causes a FakeOutFadeOut. However, this actually turns out to be the beginning of Evelyn gaining control of multiverse jumping equal to Jobu Tupaki.]]

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* NegatedMomentOfAwesome: By the end of the first act, Evelyn thinks she has it all figured out and is ready to face [[spoiler:Jobu Tupaki. Instead, [[MySkullRunnethOver her mind quite literally overloads]] and she gets a fatal seizure, ''which kills her'' and causes a FakeOutFadeOut.PreEndingCredits. However, this actually turns out to be the beginning of Evelyn gaining control of multiverse jumping equal to Jobu Tupaki.]]



* PreEndingCredits: The film begins to roll the credits after [[spoiler:Evelyn appears to die]]. However, it turns out that when [[spoiler:Evelyn appeared to die]], we were watching [[RecursiveReality another version of the film]] that exists in an AlternateUniverse where Evelyn is an actress and her character is TheDanza. The film then continues from Evelyn's perspective.

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* PreEndingCredits: The film begins to roll the credits at the end of the second act after [[spoiler:Evelyn appears to die]].die by having a fatal seizure from her mind being overloaded by her alternate realities as Waymond screams for help]]. However, it turns out that when [[spoiler:Evelyn appeared to die]], we were watching [[RecursiveReality another version of the film]] that exists in an AlternateUniverse where Evelyn is an actress and her character is TheDanza. The film then continues from Evelyn's perspective.



** During the FakeOutFadeOut, [[spoiler:Jobu Tupaki is wearing a costume heavily based on ''[[Franchise/SailorMoon Black Lady]]'']].

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** During the FakeOutFadeOut, PreEndingCredits, [[spoiler:Jobu Tupaki is wearing a costume heavily based on ''[[Franchise/SailorMoon Black Lady]]'']].
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Crosswicking

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* PreEndingCredits: The film begins to roll the credits after [[spoiler:Evelyn appears to die]]. However, it turns out that when [[spoiler:Evelyn appeared to die]], we were watching [[RecursiveReality another version of the film]] that exists in an AlternateUniverse where Evelyn is an actress and her character is TheDanza. The film then continues from Evelyn's perspective.
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* AsianRudeness: Zigzagged. Evelyn is a very grumpy, disgruntled person to her family and customers. This mostly comes from her ongoing existential crisis and dissatisfaction with her own life choices. Over the film as she confronts her relationship with the world, she softens to those around her. Her father Gong Gong is also generally a [[{{Jerkass}} mean bastard]]. But he even he is [[spoiler: surprisingly accepting of his granddaughter's sexuality.]] Completely averted with [[TheAntiNihilist Waymond]], Evelyn's AllLovingHero husband.

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* AsianRudeness: Zigzagged. Evelyn is a very grumpy, disgruntled person to her family and customers. This mostly comes from her ongoing existential crisis and dissatisfaction with her own life choices. Over the film as she confronts her relationship with the world, she softens to those around her. Her father Gong Gong is also generally a [[{{Jerkass}} mean bastard]]. But he even he is [[spoiler: surprisingly accepting of his granddaughter's sexuality.]] Completely averted with [[TheAntiNihilist Waymond]], Evelyn's AllLovingHero husband.
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crosswicking a new trope

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* DramaticSpineInjury: Jobu Tupaki's primary henchwoman is Deidre, and her first action scene climaxes with her gaining pro-wrestling skills via Verse-Jumping. She climatically plans on taking Alpha-Waymond out of the fight via lifting him up into a dramatic slow-motion backbreaker, which he manages to defend by [[ImprovFu grabbing an exit sign and using it to shield his back]], hurting her knee [[SubvertedTrope and saving his spine]], ending the skirmish in the process.
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Meet Evelyn Wang (Yeoh), a middle-aged Chinese American laundromat owner who's trying to get her taxes done. One day, in the middle of a meeting about paperwork at the IRS office, she's suddenly whisked away and split between two alternate realities. It turns out that there's something threatening the very fate of what she discovers to be the multiverse, and she may be the only chance of stopping it. Peering into other universes, Evelyn can gain the experiences, memories, and emotions of her alternate selves and use those to her advantage. With her extraordinary new powers, she becomes an incredibly skilled -- albeit reluctant -- heroine.

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Meet Evelyn Wang (Yeoh), a middle-aged Chinese American laundromat owner who's trying to get her taxes done.survive tax season. One day, in the middle of a meeting about paperwork at the IRS office, she's suddenly whisked away and split between two alternate realities. It turns out that there's something threatening the very fate of what she discovers to be the multiverse, and she may be the only chance of stopping it. Peering into other universes, Evelyn can gain the experiences, memories, and emotions of her alternate selves and use those to her advantage. With her extraordinary new powers, she becomes an incredibly skilled -- albeit reluctant -- heroine.
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* TeenRebellion: During one of the flashback montages showing Evelyn and Joy's complex mother-daughter relationship, one brief sequence shows Joy dressed in punk/goth attire talking back to her mother. Given Joy's age in the present (an aimless 20-something), this shows her during a rebellious teenage phase versus her present apathetic stage of life.
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[[caption-width-right:350:''"The universe is so much bigger than you realize."'']]

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[[caption-width-right:350:''"The universe is so much bigger than you realize."'']]"''[[note]]From bottom to top L-R: Joy, Evelyn, Deirdre, Waymond, Jobu Tupaki, Gong Gong, and Evelyn holding a googly eye[[/note]]]]
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* CallingParentsByTheirName: In some alternate universes, Joy calls Evelyn by her first name, a signifier of her antagonistic relationship with her mother. This is ''very'' rude in Asian households, befitting Evelyn's constant nagging.

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* CallingParentsByTheirName: In some alternate universes, Joy calls Evelyn by her first name, a signifier of her antagonistic relationship with her mother. This name - this is ''very'' rude in Asian households, befitting Evelyn's constant nagging.and a signifier of her antagonistic relationship with her mother.
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''Everything Everywhere All at Once'' is a 2022 absurdist action sci-fi comedy-drama film written and directed by [[Creator/TheDaniels Daniel Kwan and Daniel Scheinert]] (aka DANIELS), who previously directed ''Film/SwissArmyMan''. The film stars Creator/MichelleYeoh, Creator/KeHuyQuan, Creator/StephanieHsu, Creator/JamesHong, Creator/JamieLeeCurtis, Creator/JennySlate and Creator/HarryShumJr

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''Everything Everywhere All at Once'' is a 2022 absurdist action sci-fi comedy-drama film written and directed by [[Creator/TheDaniels Daniel Kwan and Daniel Scheinert]] (aka DANIELS), who previously directed DANIELS); it is the duo's second feature film after ''Film/SwissArmyMan''. The film stars Creator/MichelleYeoh, Creator/KeHuyQuan, Creator/StephanieHsu, Creator/JamesHong, Creator/JamieLeeCurtis, Creator/JennySlate and Creator/HarryShumJr
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* CallingParentsByTheirName: In some alternate universes, Joy calls Evelyn by her first name, a signifier of her antagonistic relationship with her mother.

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* CallingParentsByTheirName: In some alternate universes, Joy calls Evelyn by her first name, a signifier of her antagonistic relationship with her mother. This is ''very'' rude in Asian households, befitting Evelyn's constant nagging.
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* AlternateSpeciesCounterpart: Some of the alternate versions of Evelyn fall under this trope, such as Evelyn the doodle, Evelyn the pinata, and Evelyn the rock.

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* AlternateSpeciesCounterpart: Some of the alternate versions of Evelyn fall under this trope, such as Evelyn the doodle, Evelyn the pinata, Evelyn the pigeon, and Evelyn the rock.
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* AlternateSpeciesCounterpart: Some of the alternate versions of Evelyn fall under this trope, such as Evelyn the doodle, Evelyn the pinata, and Evelyn the rock.

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* CallingParentsByTheirName: In some alternate universes, Joy calls Evelyn by her first name, a signifier of her antagonistic relationship with her mother.



* FirstNameBasis: In some alternate universes, Joy calls Evelyn by her first name, a signifier of her antagonistic relationship with her mother.
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* GenreMashup:
** The movie really lives up to its title's promise of ''everything''. It's an absurdist BlackComedy, a heartfelt DysfunctionalFamily drama, a sci-fi adventure, [[ExistentialHorror a cosmic horror movie]], a [[AffectionateParody parody of martial art films]], a surreal MindScrew experiment, a poignant arthouse thriller, and a fun popcorn movie all at the same time.
** The film has been more succinctly summarized as a ScienceFiction story about a potential multiversal war while at its core being a FamilyDrama about a mother trying to manage a struggling business, a failing marriage, and tense relationships with her father and daughter. And there is a strong comedic overtone, mostly of the surreal kind - the very "jump to an AlternateSelf" requires a character doing something that would be completely unexpected if not senseless.

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* GenreMashup:
**
GenreMashup: The movie really lives up to its title's promise of ''everything''. ''everything''.
**
It's an absurdist BlackComedy, a heartfelt DysfunctionalFamily drama, a sci-fi adventure, a [[ExistentialHorror a cosmic horror movie]], a [[AffectionateParody parody horror]] movie, an AffectionateParody of martial art films]], films, a surreal MindScrew experiment, a poignant arthouse thriller, and a fun popcorn movie all at the same time.
** The film has been more succinctly summarized as a ScienceFiction story about a potential multiversal war while at its core being a FamilyDrama about a mother trying to manage a struggling business, a failing marriage, and tense relationships with her father and daughter. And there is a strong comedic overtone, mostly of the surreal kind - -- the very "jump to an AlternateSelf" mechanic requires a character doing something that would be completely unexpected if not senseless.senseless for them.
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->''[[TheAntiNihilist "We can do whatever we want. Nothing matters."]]''

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->''[[TheAntiNihilist "We can do whatever we want. Nothing matters."]]''"]]''
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