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* SelfDisposingVillain: Carey Elwes' character catches the IdiotBall in the most blatant ([[RuleOfFunny yet]] [[LargeHam hilarious]]) manner possible when he [[spoiler:puts on the crown he himself had previously poisoned in order to murder his nephew at the coronation.]]
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* SelfDisposingVillain: Carey Elwes' character Sir Edgar catches the IdiotBall in the most blatant ([[RuleOfFunny yet]] [[LargeHam hilarious]]) manner possible when he [[spoiler:puts on the crown he himself had previously poisoned in order to murder his nephew at the coronation.]]
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** ShoutOutToShakespeare: Sir Edgar shares heavy similarities with King Claudius from ''Theatre/{{Hamlet}}'', who also poisoned his brother just so he could obtain the throne. This also makes Char in effect, similar to Hamlet, but with less tragic results.
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** The film changes how [[spoiler:Ella breaks her curse. Here, she breaks it by by ordering herself to no longer be obedient]]. This only raises the question of how and why Ella apparently never [[spoiler:tried giving herself an order]] before.
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** The film changes how [[spoiler:Ella breaks her curse. Here, she breaks it by by ordering herself to no longer be obedient]]. This only raises the question of how and why Ella apparently never [[spoiler:tried giving herself an order]] before.
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* ForTheEvulz: When Ella asks Sir Edgar why he would kill his own brother, he simply replies that he wanted to be king. While jealously is implied, Sir Edgar is pretty much, in a sense to say, "pure evil", seeing as he has no FreudianExcuse for any those actions.
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* ForTheEvulz: When Ella asks Sir Edgar why he would kill his own brother, he simply replies that he wanted to be king. While jealously jealousy is implied, Sir Edgar is pretty much, in a sense to say, "pure evil", seeing as he has no FreudianExcuse for any those actions.
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* GainingConfidenceSong: While at a bar, Ella ends up having to sing [[Music/{{Queen}} "Somebody To Love"]] for everyone. She's at first uncomfortable and isn't really into it, jerking around each time someone asks her to dance. However, by the end of the song she's enjoying herself and getting into it, going above and beyond.
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* GainingConfidenceSong: While at a bar, Ella ends up having to sing [[Music/{{Queen}} [[Music/QueenBand "Somebody To Love"]] for everyone. She's at first uncomfortable and isn't really into it, jerking around each time someone asks her to dance. However, by the end of the song she's enjoying herself and getting into it, going above and beyond.
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* AdaptationInducedPlotHole: In the book, Hattie orders Ella to end her friendship with Areida while they are at finishing school when no one aware of the curse is there to reverse the order on Ella. Here, however, Olga orders Ella to stop being friends with Areida in front of Mandy who makes no attempt to reverse the order on Ella despite being well aware of the curse.
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* AdaptationInducedPlotHole: AdaptationInducedPlotHole:
** The film changes how [[spoiler:Ella breaks her curse. Here, she breaks it by by ordering herself to no longer be obedient]]. This only raises the question of how and why Ella apparently never [[spoiler:tried giving herself an order]] before.
** In the book, Hattie orders Ella to end her friendship with Areida while they are at finishing school when no one aware of the curse is there to reverse the order on Ella. Here, however, Olga orders Ella to stop being friends with Areida in front of Mandy who makes no attempt to reverse the order on Ella despite being well aware of the curse.
** The film changes how [[spoiler:Ella breaks her curse. Here, she breaks it by by ordering herself to no longer be obedient]]. This only raises the question of how and why Ella apparently never [[spoiler:tried giving herself an order]] before.
** In the book, Hattie orders Ella to end her friendship with Areida while they are at finishing school when no one aware of the curse is there to reverse the order on Ella. Here, however, Olga orders Ella to stop being friends with Areida in front of Mandy who makes no attempt to reverse the order on Ella despite being well aware of the curse.
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* FantasticRacism: All non-human creatures, except Fairies, are forcefully relocated and enslaved, in order to do jobs that fit their stereotypes.
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* FantasticRacism: All non-human creatures, except Fairies, creatures are forcefully relocated (such as ogres) and/or enslaved (such as elves and enslaved, giants) in order to do jobs that fit their stereotypes.stereotypes. House fairies seem to fall under this as well, but it's unclear if this is an oppressive social convention, as the only one we meet is Mandy, who doesn't seem to mind the job she was born with.
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* YouKilledMyFather
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* CanonForeigner: Sir Edgar and his pet snake Heston.
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* ForTheEvulz: When Ella asks Sir Edgar why he would kill his own brother, he simply replies that he wanted to be king. While jealously is implied, Sir Edgar is pretty much, in a sense to say, "pure evil", seeing as he has no FreudianExcuse for any those actions.
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* DidntThinkThisThrough: Mandy and Ella could have left any time after Ella's father left for his work so Ella would be saved from Dame Olga's family. After all, Ella wasn't ordered to ''not'' run away from her new life and Dame Olga wouldn't bother looking for her new stepdaughter, since Ella has come of age to marry, and Peter is pretty neglectful as a father. They would only care if Ella had another GoldDigger opportunity. They also have friends who were servants for Ella’s family so with Ella's experience as a scullery maid (and her skills from finishing school) and Mandy's talents and fairy abilities, they would get hired easily. Ella even says she would prefer the life of being an actual servant since she'd actually have a choice about it, not to mention she'd likely be treated better and would be paid for her work. Instead, they stay put and resign themselves to Ella's curse being unbreakable when Lucinda apologetically says that she can't undo it after her HeelRealization. Mandy only reveals this option in the climax, when it is much too late for either of them to sneak into the night.
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* CinderellaPlot: The film involves a girl named Ella, cursed with obedience. Once her stepfamily discovers this, they take advantage of it to make her life miserable, such as ordering her into stealing shoes and insulting her only friend. The plot diverges a bit from both the original story and the book, as she eventually leaves to find the FairyGodmother and becomes friends with Prince Char on the journey, then gets caught by his EvilUncle, the ''true'' villain of the movie.
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* CantTakeCriticism: Lucinda gets very offended when someone isn't interested in her gifts.
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The basic premise is the same as in the novel: At birth, Ella (Creator/AnneHathaway), the protagonist, is given the "gift" of obedience by Lucinda, a fairy. Thus is Ella BlessedWithSuck. She is forced to obey every direct order given to her, no matter what.
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The basic premise is the same as in the novel: At at birth, Ella (Creator/AnneHathaway), the protagonist, is given the "gift" of obedience by Lucinda, a fairy. Thus is Ella BlessedWithSuck. She is forced to obey every direct order given to her, no matter what.
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* ColorCodedCharacters: The {{color motif}}s of some of the characters
** Ella - Blue
** Prince Char - Blue
** Slannen - Green
** Hattie - Orange
** Olive - Purple
** Sir Edgar - Red and Black
** Dame Olga - Black
** Ella - Blue
** Prince Char - Blue
** Slannen - Green
** Hattie - Orange
** Olive - Purple
** Sir Edgar - Red and Black
** Dame Olga - Black
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* ColorCodedCharacters: The {{color motif}}s of some of the characters
**characters include Ella - Blue
**and Prince Char - Blue
**being associated with blue, Slannen - Green
**with green, Hattie - Orange
**with orange, Olive - Purple
**with purple, Sir Edgar - Red with red and Black
**black, and Dame Olga - Blackwith black.
**
**
**
**
**
**
**
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* DeadpanSnarker: Ella.
--> '''Hattie:''' (about Char) It's ''me'' he's going to have at the coronation.
--> '''Ella:''' Yeah, in the middle of a table with an apple in your mouth.
** Slannen and Benny too.
* TheDitz: Mandy and Olive.
--> '''Hattie:''' (about Char) It's ''me'' he's going to have at the coronation.
--> '''Ella:''' Yeah, in the middle of a table with an apple in your mouth.
** Slannen and Benny too.
* TheDitz: Mandy and Olive.
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--> '''Hattie:'''
%%** Ella.%%Quotes aren't context.
%%--->'''Hattie:''' (about Char) It's ''me'' he's going to have at the
--> '''Ella:'''
%%'''Ella:''' Yeah, in the middle of a table with an apple in your mouth.
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* FantasticRacism: Any non-human creature, except Fairies, are forcefully relocated and enslaved, in order to do jobs that fit their stereotypes.
* TheFilmOfTheBook
* TheFilmOfTheBook
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* FantasticRacism: Any All non-human creature, creatures, except Fairies, are forcefully relocated and enslaved, in order to do jobs that fit their stereotypes.
* %%* TheFilmOfTheBook
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* IllegalGuardian: Sir Edgar.
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* OurGiantsAreDifferent: The giants in this story look like regular (albeit scaled-up) humans. Even the ogres, significantly smaller creatures, have larger facial features than they do!
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* OurElvesAreDifferent: Elves are child-sized, pointy-eared humanoids who have been forced into serving as entertainers and running resort villages.
* OurGiantsAreDifferent: The giants in this story look like regular (albeit scaled-up) humans. Even the ogres, significantly smaller creatures, have larger facial features than theydo!do.
* OurOgresAreDifferent: ogres are big, rough-featured humanoids who have been driven out of their lands and into the wilderness, forcing them to become bandits and prey on travelers -- both metaphorically and literally -- to survive. By the movie's time, they've become very used to the idea of eating other people.
* OurGiantsAreDifferent: The giants in this story look like regular (albeit scaled-up) humans. Even the ogres, significantly smaller creatures, have larger facial features than they
* OurOgresAreDifferent: ogres are big, rough-featured humanoids who have been driven out of their lands and into the wilderness, forcing them to become bandits and prey on travelers -- both metaphorically and literally -- to survive. By the movie's time, they've become very used to the idea of eating other people.
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* PrettyBoy: Prince Char.
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* PrimitiveClubs: The ogres, who have been driven out of their land and have to resort to anthropophagy and banditry to survive, fight with nailed clubs.
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* RegentForLife: Sir Edgar.
to:
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* HumiliationConga: Edgar, enjoying the power he has over Ella thanks to her curse, decides to torment her by making her touch her toes, tub her tummy and pat her head at the same time, jump up and down on the spot, dance the Hokey-Pokey and [[ShakingTheRump vigorously shake her butt]].
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* OurGiantsAreDifferent: The giants in this story look like regular (albeit scaled-up) humans as opposed to humanoids with large facial features.
* PlayingWithPuppets: When Edgar demonstrates to Ella that he's aware of her curse, he makes her touch her toes, jump up and down on the spot, and dance the Hokey-Cokey before getting on with his actual plan.
* PlayingWithPuppets: When Edgar demonstrates to Ella that he's aware of her curse, he makes her touch her toes, jump up and down on the spot, and dance the Hokey-Cokey before getting on with his actual plan.
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* OurGiantsAreDifferent: The giants in this story look like regular (albeit scaled-up) humans as opposed to humanoids with large humans. Even the ogres, significantly smaller creatures, have larger facial features.
features than they do!
* PlayingWithPuppets: When Edgar demonstrates to Ella that he's aware of her curse, he makes hertouch her toes, jump up and down on the spot, and dance the Hokey-Cokey perform various silly acts before getting on with his actual plan.
* PlayingWithPuppets: When Edgar demonstrates to Ella that he's aware of her curse, he makes her
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* OurGiantsAreDifferent: The giants in this story look like regular (albeit scaled-up) humans as opposed to humanoids with large facial features.
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* TheRunaway: The Abused Runaway. Abused by her step-mother.
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* RejectedMarriageProposal: Played with. When Char proposes to Ella at midnight, she bursts into tears and utters a RapidFireNo, which he understandably takes as a rejection. He tries to reassure her he loves her and doesn't care about her humble background; however Ella's reaction is actually because [[spoiler:Edgar had ordered her to murder Char at midnight, and she's unable to disobey or warn Char because she's cursed to be obedient. In the end when Char proposes to Ella again, she happily accepts. Her stepsister tries to order her to reject him out of spite and Ella initially plays along, only to gleefully reveal she's broken the curse]].
* TheRunaway:The Ella becomes this, of the Abused Runaway. Abused Runaway variety. She runs away after being abused by her step-mother.stepfamily and to try break her curse.
* TheRunaway:
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* ManBitesMan: Played with. Because of Ella's "gift of obedience" which forces her to obey every direct order given to her, when the leader of a group of girls who are picking on Areida tells Ella "bite me", Ella has to do exactly that.
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* GainingConfidenceSong: While at a bar, Ella ends up having to sing [[Music/{{Queen}} "Somebody To Love"]] for everyone. She's at first uncomfortable and isn't really into it, jerking around each time someone asks her to dance. However, by the end of the song she's enjoying herself and getting into it, going above and beyond.
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* IncapableOfDisobeying: The premise of the "gift of obedience" soon after her birth. This "gift" forces Ella to obey any direct order given to her, no matter what. The film takes this to the point that if Ella is ordered to "freeze", she will stop in midair and remain there until the ordered otherwise.
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* AdaptationalAttractiveness: Dame Olga, Hattie, and Olive aren't as ugly, overweight, or bald as they are in the books.
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* AdaptationalAttractiveness: AdaptationalAttractiveness:
** Dame Olga, Hattie, and Olive aren't as ugly, overweight, or bald as they are in thebooks.books.
** Combined with AgeLift, Mandy, who was described as an elderly woman in the book is played by the younger and more attractive Creator/MinnieDriver.
** Dame Olga, Hattie, and Olive aren't as ugly, overweight, or bald as they are in the
** Combined with AgeLift, Mandy, who was described as an elderly woman in the book is played by the younger and more attractive Creator/MinnieDriver.
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* AgeLift: Mandy, who is described as an elderly women in the book is ([[Really700YearsOld physically]]) significantly younger here.
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* AdaptationalJerkass: Unlike her book counterpart, Lucinda never undergoes a HeelRealization about how harmful her “gifts” are.
* AgeLift: Mandy, who is described as an elderly women in the book is ([[Really700YearsOld physically]])significantly much younger here.
* AgeLift: Mandy, who is described as an elderly women in the book is ([[Really700YearsOld physically]])
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* HardTruthAesop: When Ella begs Lucinda to take the gift back, Lucinda refuses, insisting everyone loves her gifts. She ultimately says "You don't like my gift? Fine. Get rid of it yourself. Don't blame me for your problems." It illustrates a harsh moral: some people just won't take responsibility for their actions, so the problems they created are now '''your problem'''. You have to pick up the pieces yourself.
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* AdaptationInducedPlotHole: In the book, Hattie orders Ella to end her friendship with Areida while they are at finishing school when there is no one aware of the curse present to reverse it. Here, however, Olga orders Ella to stop being friends with Areida in front of Mandy who is well aware of the curse, but makes no attempt to reverse the order on her.
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* AdaptationInducedPlotHole: In the book, Hattie orders Ella to end her friendship with Areida while they are at finishing school when there is no one aware of the curse present is there to reverse it. the order on Ella. Here, however, Olga orders Ella to stop being friends with Areida in front of Mandy who is well aware of the curse, but makes no attempt to reverse the order on her.Ella despite being well aware of the curse.
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* AdaptationInducedPlotHole: In the book, Hattie orders Ella to end her friendship with Areida while they are at finishing school when there is no one aware of the curse present to reverse it. Here, however, Olga orders Ella to stop being friends with Areida in front of Mandy who is well aware of the curse, but makes no attempt to reverse the order on her.
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Changed line(s) 115 (click to see context) from:
-->'''Narrator:''' Such is the tale of Ella of Frell, a spunky young woman once under a spell. If there's one thing it to learn it's you just can't go wrong, if you follow your heart and end with a song.
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-->'''Narrator:''' Such is the tale of Ella of Frell, a spunky young woman once under a spell. If there's one thing it to learn it's you just can't go wrong, if you follow your heart and end with a song.
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* TheDitz: Mandy.
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* TheDitz: Mandy.Mandy and Olive.
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* LoopholeAbuse: Ella has to obey ''any'' command given to her, even if she is the one giving it. She escapes the curse this way at the end by commanding herself to stop being obedient. Apparently, it had never occurred to her to try this before; possibly it wasn't an option before Lucinda, after Ella begged her to remove the curse, told her, "Get out of it yourself", or possibly it had to be given while looking at herself in a mirror.
to:
* LoopholeAbuse: LoopholeAbuse:
** Ella has to obey ''any'' command given to her, even if she is the one giving it. She escapes the curse this way at the end by commanding herself to stop being obedient. Apparently, it had never occurred to her to try this before; possibly it wasn't an option before Lucinda, after Ella begged her to remove the curse, told her, "Get out of it yourself", or possibly it had to be given while looking at herself in amirror.mirror.
** Dame Olga tells Ella to pick flowers for her and the girls. She doesn't specify not to include poison ivy.
** Ella has to obey ''any'' command given to her, even if she is the one giving it. She escapes the curse this way at the end by commanding herself to stop being obedient. Apparently, it had never occurred to her to try this before; possibly it wasn't an option before Lucinda, after Ella begged her to remove the curse, told her, "Get out of it yourself", or possibly it had to be given while looking at herself in a
** Dame Olga tells Ella to pick flowers for her and the girls. She doesn't specify not to include poison ivy.
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* EnslavedTongue: If someone tells Ella to say something, she has no choice but to say it.
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The film also stars Creator/HughDancy as Prince Charmont, Creator/VivicaAFox as Lucinda, Creator/MinnieDriver as Ella's household fairy Mandy, Creator/CaryElwes as the prince's scheming uncle Edgar, Creator/LucyPunch as Ella's stepsister Hattie, and Creator/AidenMcArdle as the elf Slannen.
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* FairyDevilmother: Lucinda not only [[BlessedWithSuck "blesses" Ella with the "gift of obedience"]], but when Ella pleads and begs for her to remove the "gift", Lucinda is offended and refuses, declaring arrogantly "everybody loves my gifts." She not only shows no interest in why Ella would want it removed, but while Ella chained herself to a tree to try and avoid obeying Edgar's order to [[spoiler:kill Char]], Lucinda frees her and orders her to go to the ball. This is [[TookALevelInJerkass in contrast]] to her [[Literature/EllaEnchanted original novel]] counterpart, who designs her gifts to help children develop into proper adults, only to realize the error of her ways when she experiences her gifts first-hand.
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* AgeLift: Mandy, who is described as an elderly women in the book is ([[Really700YearsOld physically]]) significantly younger here.
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* YouKilledMyFather
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x-wicking
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* GardenOfLove: Char takes Ella to the castle's hall of mirrors in order to propose to her, just as his father had done to his mother. Although indoors, it's covered in plant life, making the room look like a garden. The moment is subverted, however: during the scene Ella struggles to not stab him as she was ordered to, and cannot agree to the proposal despite being in love with him.
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Toilet Humo(u)r
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* ToiletHumour: A few instances, such as baby Ella peeing on Lucinda not long after getting her "gift", or Slannen being blown away by a giant's fart.