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** Meanwhile, every Harkonnen is ugly save Sting as Feyd. Heck, his introduction has him slathered in ''oil'', with his ''father'' lusting after him.

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** Meanwhile, every Harkonnen is ugly save Sting as Feyd. Heck, his introduction one scene has him slathered in ''oil'', ''oil'' (wearing a winged speedo), with his ''father'' ''uncle'' lusting after him.
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* CreepyUncle: The movie plays up the HoYay between Baron Harkonnen and Feyd Rautha even more than the books.

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* CreepyUncle: The movie plays up the HoYay between Baron Harkonnen and Feyd Rautha Feyd-Rautha even more than the books.
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* CreatorCameo: Lynch, as the radio operator on the spice harvester that Baron Leto rescues.

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* CreatorCameo: Lynch, as the radio operator on the spice harvester that Baron Duke Leto rescues.
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The producers turned to a hot new director who had been considered for ''Film/ReturnOfTheJedi'', mostly because of Creator/GeorgeLucas' [[WhatCouldHaveBeen still-intense passion for experimental film]], mostly on the strength of his classic [[Film/{{Eraserhead}} first film]] and a critically and commercially successful [[Film/TheElephantMan biopic]] that made him a true commodity in the industry. That man's name: DavidLynch, who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[AllThereInTheManual printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue (narrated by WordOfGod himself). Lynch was incensed that the studio had [[ExecutiveMeddling recut his movie]] behind his back (one of the easiest ways to spot the lost footage restored in the extended version is that the Fremen lose the unnaturally vivid "blue within blue eyes" effects); he had himself credited for director as AlanSmithee and as ''[[BitingTheHandHumor Judas Booth]]''[[note]](as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)[[/note]] for his screenwriting credit - and Lynch didn't even have final cut on the theatrical version of the film, editing duties takena way from him by the studio, which also left him very unhappy. The 1984 Lynch version of ''Dune'' is the most memorable (and notorious) for its Freudian imagery, [[SceneryPorn elaborate set design]] (containing some holdovers from the Jodorowsky version, including Giger's designs), and AllStarCast. Subsequent recut and extended versions have inspired [[BrokenBase varying]] degrees of critical [[LoveItOrHateIt reappraisal]]. It was a complete flop at the box office and has become both a CultClassic, and an example of how ''not'' to make a blockbuster.


to:

The producers turned to a hot new director who had been considered for ''Film/ReturnOfTheJedi'', mostly because of Creator/GeorgeLucas' [[WhatCouldHaveBeen still-intense passion for experimental film]], mostly on the strength of his classic [[Film/{{Eraserhead}} first film]] and a critically and commercially successful [[Film/TheElephantMan biopic]] that made him a true commodity in the industry. That man's name: DavidLynch, who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[AllThereInTheManual printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue (narrated by WordOfGod himself). Lynch was incensed that the studio had [[ExecutiveMeddling recut his movie]] behind his back (one of the easiest ways to spot the lost footage restored in the extended version is that the Fremen lose the unnaturally vivid "blue within blue eyes" effects); he had himself credited for director as AlanSmithee and as ''[[BitingTheHandHumor Judas Booth]]''[[note]](as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)[[/note]] for his screenwriting credit - and Lynch didn't even have final cut on the theatrical version of the film, editing duties takena way taken away from him by the studio, which also left him very unhappy. The 1984 Lynch version of ''Dune'' is the most memorable (and notorious) for its Freudian imagery, [[SceneryPorn elaborate set design]] (containing some holdovers from the Jodorowsky version, including Giger's designs), and AllStarCast. Subsequent recut and extended versions have inspired [[BrokenBase varying]] degrees of critical [[LoveItOrHateIt reappraisal]]. It was a complete flop at the box office and has become both a CultClassic, and an example of how ''not'' to make a blockbuster.

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From the early 1970's on, attempts were made to produce a theatrical film. Cult director Creator/AlejandroJodorowsky (known for incredibly bizarre films such as ''Film/ElTopo'' and ''Film/TheHolyMountain'' and equally strange or stranger comic books) came to the project after having a bizarre dream almost identical to the broader plot of the first novel and then hearing about a book of almost exactly the same story. Convinced that there was something more here he resolved to make '''a movie based on his dream,''' with bits of the book itself thrown in (that's not hyperbole, that's his stated agenda). Comic artist Moebius and fellow HeavyMetal writer/artist Dan O'Bannon (also responsible for the concept art and a decent chunk of the screenplay for ''Film/{{Alien}}'') worked on concept art and designs, as well as ''Film/{{Aliens}}'' designer Creator/HRGiger, whose work actually ended up in the final film in small doses. Salvador Dali was cast as the Emperor (which is not nearly as ridiculous as it sounds to non-''Dune'' fans) and PinkFloyd had agreed to provide the score. [[WhatCouldHaveBeen Sadly, and inevitably, it fell apart.]] The 2014 documentary ''Alejandro Jodorowsky's Dune'' is a look into what might have been.

to:

From the early 1970's on, attempts were made to produce a theatrical film. Cult director Creator/AlejandroJodorowsky (known for incredibly bizarre films such as ''Film/ElTopo'' and ''Film/TheHolyMountain'' and equally strange or stranger comic books) came to the project after having a bizarre dream almost identical to the broader plot of the first novel and then hearing about a book of almost exactly the same story. Convinced that there was something more here he resolved to make '''a movie based on his dream,''' with bits of the book itself thrown in (that's not hyperbole, that's his stated agenda). Comic artist Moebius and fellow HeavyMetal writer/artist Dan O'Bannon (also responsible for the concept art and a decent chunk of the screenplay for ''Film/{{Alien}}'') worked on concept art and designs, as well as ''Film/{{Aliens}}'' ''Film/{{Alien}}'' designer Creator/HRGiger, whose work actually ended up in the final film in small doses. Salvador Dali was cast as the Emperor (which is not nearly as ridiculous as it sounds to non-''Dune'' fans) and PinkFloyd had agreed to provide the score. [[WhatCouldHaveBeen Sadly, and inevitably, it fell apart.]] The 2014 documentary ''Alejandro Jodorowsky's Dune'' is a look into what might have been.
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* AdvertisedExtra: Sting as Feyd-Rautha, who only has a small part in the film, was advertised heavily.
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----
-->''"And how can this be? For he '''is''' the Kwisatz Haderach!"''
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Just expanding the page

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* SceneryPorn: The deserts of Arrakis and the sets in general are very striking.
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Just expanding the page


The producers turned to a hot new director who had been considered for ''Film/ReturnOfTheJedi'', mostly because of Creator/GeorgeLucas' [[WhatCouldHaveBeen still-intense passion for experimental film]], mostly on the strength of his classic [[Film/{{Eraserhead}} first film]] and a critically and commercially successful [[Film/TheElephantMan biopic]] that made him a true commodity in the industry. That man's name: DavidLynch, who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[AllThereInTheManual printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue (narrated by WordOfGod himself). Lynch was incensed that the studio had [[ExecutiveMeddling recut his movie]] behind his back; he had himself credited for director as AlanSmithee and as ''[[BitingTheHandHumor Judas Booth]]''[[note]](as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)[[/note]] for his screenwriting credit. The 1984 Lynch version of ''Dune'' is the most memorable (and notorious) for its Freudian imagery, [[SceneryPorn elaborate set design]] (containing some holdovers from the Jodorowsky version, including Giger's designs), and AllStarCast. Subsequent recut and extended versions have inspired [[BrokenBase varying]] degrees of critical [[LoveItOrHateIt reappraisal]]. It was a complete flop at the box office and has become both a CultClassic, and an example of how ''not'' to make a blockbuster.


to:

The producers turned to a hot new director who had been considered for ''Film/ReturnOfTheJedi'', mostly because of Creator/GeorgeLucas' [[WhatCouldHaveBeen still-intense passion for experimental film]], mostly on the strength of his classic [[Film/{{Eraserhead}} first film]] and a critically and commercially successful [[Film/TheElephantMan biopic]] that made him a true commodity in the industry. That man's name: DavidLynch, who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[AllThereInTheManual printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue (narrated by WordOfGod himself). Lynch was incensed that the studio had [[ExecutiveMeddling recut his movie]] behind his back; back (one of the easiest ways to spot the lost footage restored in the extended version is that the Fremen lose the unnaturally vivid "blue within blue eyes" effects); he had himself credited for director as AlanSmithee and as ''[[BitingTheHandHumor Judas Booth]]''[[note]](as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)[[/note]] for his screenwriting credit.credit - and Lynch didn't even have final cut on the theatrical version of the film, editing duties takena way from him by the studio, which also left him very unhappy. The 1984 Lynch version of ''Dune'' is the most memorable (and notorious) for its Freudian imagery, [[SceneryPorn elaborate set design]] (containing some holdovers from the Jodorowsky version, including Giger's designs), and AllStarCast. Subsequent recut and extended versions have inspired [[BrokenBase varying]] degrees of critical [[LoveItOrHateIt reappraisal]]. It was a complete flop at the box office and has become both a CultClassic, and an example of how ''not'' to make a blockbuster.

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* ActorAllusion: Siân Phillips has some experience playing [[Series/IClaudius a scheming matriarch]].

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* ActorAllusion: Siân Phillips has some experience playing [[Series/IClaudius a scheming matriarch]].
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* ActorAllusion: Siân Phillips has some experience playing [[Series/IClaudius a scheming matriarch]].
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* WhamShot: [[spoiler: It starts raining on Arrakis.]]

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* PrettyBoy: Paul Atreides is portrayed by the strikingly pretty Kyle [=MacLachlan=].

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* PrettyBoy: PrettyBoy:
**
Paul Atreides is portrayed by the strikingly pretty Kyle [=MacLachlan=].[=MacLachlan=].
** Meanwhile, every Harkonnen is ugly save Sting as Feyd. Heck, his introduction has him slathered in ''oil'', with his ''father'' lusting after him.
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** WorldOfHam: He's only the biggest pig in this ham-fest, however, followed by Patrick Stewart, Sting, and Siân Phillips.
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* DracoInLeatherPants: Creator/{{Sting}} as Feyd. Oh dear yes.
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* DracoInLeatherPants: Creator/{{Sting}} as Feyd. Oh dear yes.

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cleaning





From the early 1970's on, attempts were made to produce a theatrical film. Cult director Creator/AlejandroJodorowsky (known for incredibly bizarre films such as ''ElTopo'' and ''TheHolyMountain'' and equally strange or stranger comic books) came to the project after having a bizarre dream almost identical to the broader plot of the first novel and then hearing about a book of almost exactly the same story. Convinced that there was something more here he resolved to make '''a movie based on his dream,''' with bits of the book itself thrown in (that's not hyperbole, that's his stated agenda). Comic artist Moebius and fellow HeavyMetal writer/artist Dan O'Bannon (also responsible for the concept art and a decent chunk of the screenplay for ''Film/{{Alien}}'') worked on concept art and designs, as well as ''Film/{{Aliens}}'' designer Creator/HRGiger, whose work actually ended up in the final film in small doses. Salvador Dali was cast as the Emperor (which is not nearly as ridiculous as it sounds to non-''Dune'' fans) and PinkFloyd had agreed to provide the score. [[WhatCouldHaveBeen Sadly, and inevitably, it fell apart.]] The 2014 documentary ''Alejandro Jodorowsky's Dune'' is a look into what might have been.

to:

From the early 1970's on, attempts were made to produce a theatrical film. Cult director Creator/AlejandroJodorowsky (known for incredibly bizarre films such as ''ElTopo'' ''Film/ElTopo'' and ''TheHolyMountain'' ''Film/TheHolyMountain'' and equally strange or stranger comic books) came to the project after having a bizarre dream almost identical to the broader plot of the first novel and then hearing about a book of almost exactly the same story. Convinced that there was something more here he resolved to make '''a movie based on his dream,''' with bits of the book itself thrown in (that's not hyperbole, that's his stated agenda). Comic artist Moebius and fellow HeavyMetal writer/artist Dan O'Bannon (also responsible for the concept art and a decent chunk of the screenplay for ''Film/{{Alien}}'') worked on concept art and designs, as well as ''Film/{{Aliens}}'' designer Creator/HRGiger, whose work actually ended up in the final film in small doses. Salvador Dali was cast as the Emperor (which is not nearly as ridiculous as it sounds to non-''Dune'' fans) and PinkFloyd had agreed to provide the score. [[WhatCouldHaveBeen Sadly, and inevitably, it fell apart.]] The 2014 documentary ''Alejandro Jodorowsky's Dune'' is a look into what might have been.



The producers turned to a hot new director who had been considered for ''[[StarWars Return of the Jedi]],'' mostly because of George Lucas' [[WhatCouldHaveBeen still-intense passion for experimental film]], mostly on the strength of his classic [[Film/{{Eraserhead}} first film]] and a critically and commercially successful [[Film/TheElephantMan biopic]] that made him a true commodity in the industry. That man's name: DavidLynch, who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[AllThereInTheManual printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue (narrated by WordOfGod himself). Lynch was incensed that the studio had [[ExecutiveMeddling recut his movie]] behind his back; he had himself credited for director as AlanSmithee and as ''[[BitingTheHandHumor Judas Booth]]''[[note]](as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)[[/note]] for his screenwriting credit. The 1984 Lynch version of ''Dune'' is the most memorable (and notorious) for its Freudian imagery, [[SceneryPorn elaborate set design]] (containing some holdovers from the Jodorowsky version, including Giger's designs), and AllStarCast. Subsequent recut and extended versions have inspired [[BrokenBase varying]] degrees of critical [[LoveItOrHateIt reappraisal]]. It was a complete flop at the box office and has become both a CultClassic, and an example of how ''not'' to make a blockbuster.


to:

The producers turned to a hot new director who had been considered for ''[[StarWars Return of the Jedi]],'' ''Film/ReturnOfTheJedi'', mostly because of George Lucas' Creator/GeorgeLucas' [[WhatCouldHaveBeen still-intense passion for experimental film]], mostly on the strength of his classic [[Film/{{Eraserhead}} first film]] and a critically and commercially successful [[Film/TheElephantMan biopic]] that made him a true commodity in the industry. That man's name: DavidLynch, who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[AllThereInTheManual printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue (narrated by WordOfGod himself). Lynch was incensed that the studio had [[ExecutiveMeddling recut his movie]] behind his back; he had himself credited for director as AlanSmithee and as ''[[BitingTheHandHumor Judas Booth]]''[[note]](as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)[[/note]] for his screenwriting credit. The 1984 Lynch version of ''Dune'' is the most memorable (and notorious) for its Freudian imagery, [[SceneryPorn elaborate set design]] (containing some holdovers from the Jodorowsky version, including Giger's designs), and AllStarCast. Subsequent recut and extended versions have inspired [[BrokenBase varying]] degrees of critical [[LoveItOrHateIt reappraisal]]. It was a complete flop at the box office and has become both a CultClassic, and an example of how ''not'' to make a blockbuster.




* AdaptationExpansion: The Lynch film introduced many elements that influenced later works in the Dune universe. Examples include the Mentat Mantra ("It is by will alone that I set my mind in motion" sounds similar enough to the Litany Against Fear that it feels like a line from the book, but never appeared there), the Atreides research into sound-based weaponry (again, never mentioned in the book. Sonic tanks and the like have turned up in subsequent works), heart-plugs (only briefly mentioned in the book as some sort of filtration device, but turned into something entirely more sinister by the Harkonen), the Baron Harkonen's skin conditions (never mentioned in the book, the Baron is only ever described as morbidly obese with no references made to skin problems), and many elements of the film's "look and feel" are aped by the works that followed (It's very rare to see the Emperor depicted without a neat little beard these days, for example, and Bene Gesserit are often depicted as bald).

to:

* AdaptationExpansion: The Lynch film introduced many elements that influenced later works in the Dune ''Franchise/{{Dune}}'' universe. Examples include the Mentat Mantra ("It is by will alone that I set my mind in motion" sounds similar enough to the Litany Against Fear that it feels like a line from the book, but never appeared there), the Atreides research into sound-based weaponry (again, never mentioned in the book. Sonic tanks and the like have turned up in subsequent works), heart-plugs (only briefly mentioned in the book as some sort of filtration device, but turned into something entirely more sinister by the Harkonen), the Baron Harkonen's skin conditions (never mentioned in the book, the Baron is only ever described as morbidly obese with no references made to skin problems), and many elements of the film's "look and feel" are aped by the works that followed (It's very rare to see the Emperor depicted without a neat little beard these days, for example, and Bene Gesserit are often depicted as bald).



* AlanSmithee: David Lynch had his name removed from the extended cut of the '84 film, replacing it with this. And then had his script credit changed to "[[NamesToRunAwayFromReallyFast Judas Booth]]", in case anyone didn't get the message.
* AttackItsWeakPoint: In the film, the population of Giedi Prime all wear 'heart plugs' that are prominently displayed and quite easy to yank out. Hawat is fitted with one once he's captured; Kenneth [=McMillian=]'s line, "[[HandWave Everyone gets one here]].", is so delightfully deadpan.
* AStormIsComing: "A storm is coming... our storm." -- ''Dune'' (1984 Version).
* BigOlEyebrows: Thufir Hawat and Piter deVries in the '84 Lynch film have big bushy eyebrows, possibly to denote them as Mentats.

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* AlanSmithee: David Lynch had his name removed from the extended cut of the '84 film, replacing it with this. And then had his script credit changed to "[[NamesToRunAwayFromReallyFast Judas Booth]]", in case anyone didn't get the message.
* AttackItsWeakPoint: In the film, the The population of Giedi Prime all wear 'heart plugs' that are prominently displayed and quite easy to yank out. Hawat is fitted with one once he's captured; Kenneth [=McMillian=]'s line, "[[HandWave Everyone gets one here]].", is so delightfully deadpan.
* AStormIsComing: "A storm is coming... our storm." -- ''Dune'' (1984 Version).
* BigOlEyebrows: Thufir Hawat and Piter deVries in the '84 Lynch film have big bushy eyebrows, possibly to denote them as Mentats.



* CompellingVoice: The Voice is clearly heard as the VoiceOfTheLegion. In the film, it can be heard playing over and over in the target's mind, forcing him to comply.

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* CompellingVoice: The Voice is clearly heard as the VoiceOfTheLegion. In the film, it It can be heard playing over and over in the target's mind, forcing him to comply.



* CreatorCameo: Lynch, as the radio operator on the spice harvester in the movie.

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* CreatorCameo: Lynch, as the radio operator on the spice harvester in the movie.that Baron Leto rescues.



* DidYouActuallyBelieve: The '84 film has a heroic example, where Thufir Hawat (the Atreides mentat) betrays the Emperor and Harkonnens by refusing to kill Paul:

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* DidYouActuallyBelieve: The '84 film has a A heroic example, where Thufir Hawat (the Atreides mentat) betrays the Emperor and Harkonnens by refusing to kill Paul:



* ErmineCapeEffect: In the film's prologue, José Ferrer flamboyantly shrugs off his cape before meeting with the Navigator. He wears standard military attire in all other scenes.
* EvilRedhead: Almost all of the Harkonnens we see in the movie have red or orange hair.
* ExoticEntree: The movie has an inexplicable throwaway scene of Rabban crushing a live mouse-like creature in a small device and then drinking the resulting mess with a straw.

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* ErmineCapeEffect: In the film's prologue, José Ferrer flamboyantly shrugs off his cape before meeting with the Navigator. He wears standard military attire in all other scenes.
* EvilRedhead: Almost all of the Harkonnens we see in the movie have red or orange hair.
* ExoticEntree: The movie has There's an inexplicable throwaway scene of Rabban crushing a live mouse-like creature in a small device and then drinking the resulting mess with a straw.



* FisherKing: The movie has Paul Atreides taking up his place as the Kwisatz Haderach, at which point Arrakis, a planet defined by its absurd dearth of water, is consumed by a torrential downpour of rain. In the book, it took years of {{Terraform}}ing. Perhaps the filmmakers subconsciously realised there weren't going to be any sequels and they had better get it over with?

to:

* FisherKing: The movie has After Paul Atreides taking takes up his place as the Kwisatz Haderach, at which point Arrakis, a planet defined by its absurd dearth of water, is consumed by a torrential downpour of rain. In the book, it took years of {{Terraform}}ing. Perhaps the filmmakers subconsciously realised there weren't going to be any sequels and they had better get it over with?



* IWasNeverHere: The Guild Navigator from Lynch's movie, after telling the Emperor to kill Paul Atreides. "I did not say this, I am not here."



* IWasNeverHere: The Guild Navigator from Lynch's movie, after telling the Emperor to kill Paul Atreides. "I did not say this, I am not here."
* KickTheDog: Baron Vladimir Harkonnen in the '84 film when he pulls the heart plug from one of his slaves and then does something [[{{squick}} too gruesome to describe here]].

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* IWasNeverHere: The Guild Navigator from Lynch's movie, after telling the Emperor to kill Paul Atreides. "I did not say this, I am not here."
* KickTheDog: When Baron Vladimir Harkonnen in the '84 film when he pulls the heart plug from one of his slaves and then does something [[{{squick}} too gruesome to describe here]].



* MonochromaticEyes[=/=]TechnicolorEyes: A result of high-level Spice addiction, when enough ingestion saturates the blood stream and stains the eyes. Turned into GlowingEyesOfDoom in both live-action adaptations.
* MrFanservice: Feyd's utterly gratuitous speedo scene in the film. Sting's running five miles a day really paid off.

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* MonochromaticEyes[=/=]TechnicolorEyes: A result of high-level Spice addiction, when enough ingestion saturates the blood stream and stains the eyes. Turned into GlowingEyesOfDoom in both live-action adaptations.
here.
* MrFanservice: Feyd's utterly gratuitous speedo scene in the film.scene. Sting's running five miles a day really paid off.



* NonActorVehicle: TheMovie by DavidLynch, with Sting.
* NotableOriginalMusic: Brian Eno and Toto's score .
* OpeningMonologue: "A beginning is a very delicate time. Know then that it is the year ten-thousand, one-ninety-one..." Narration was used to insane levels in the movie, although being Dune it needed it.

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* NonActorVehicle: TheMovie by DavidLynch, Creator/DavidLynch, with Sting.
* NotableOriginalMusic: Brian Eno and Toto's score .
score.
* OpeningMonologue: "A beginning is a very delicate time. Know then that it is the year ten-thousand, one-ninety-one..." Narration was used to insane levels in the movie, levels, although being Dune ''Dune'', it needed it.



* PimpedOutDress: The movie has dresses based on renaissance gowns.

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* PimpedOutDress: The movie has There are dresses based on renaissance gowns.



* PrettyBoy: Paul Atriedes in the movie is portrayed by the strikingly pretty Kyle [=MacLachlan=].

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* PrettyBoy: Paul Atriedes in the movie Atreides is portrayed by the strikingly pretty Kyle [=MacLachlan=].



* PsychicNosebleed: The movie has a scene in which several Bene Gesserit cry blood when Paul drinks the Water of Life. Although the movie doesn't make it clear, those who read the books will know that [[spoiler:all of them are his relatives]], and the identity of two of them makes guessing the significance of the third reasonably easy.
* RealityWarper: Contrary to the books, the Guild Navigators in the film fold spacetime with their minds.

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* PsychicNosebleed: The movie has There's a scene in which several Bene Gesserit cry blood when Paul drinks the Water of Life. Although the movie doesn't make it clear, those who read the books will know that [[spoiler:all of them are his relatives]], and the identity of two of them makes guessing the significance of the third reasonably easy.
* RealityWarper: Contrary to the books, the Guild Navigators in the film fold spacetime with their minds.



* SpaceClothes: The 'film portrays the various peoples wearing European Renaissance-style military uniforms and court regalia with an early nineteenth-century feel. This comes off remarkably well.
* TrainingMontage: a short one is used in TheMovie to show Paul Muad'dib training the Fremen to fight against the Harkonnens.
* WhatCouldHaveBeen: At one point, the David Lynch film was going to include incestuous themes between Paul and his mother.
* WordsCanBreakMyBones: The 1984 film turns the Weirding Way into a martial art and turns "My name is a killing word" into something much more literal. In fact, Paul is nearly flattened by rocks when a hapless Fremen utters the word "Muad'Dib".









to:

* SpaceClothes: The 'film film portrays the various peoples wearing European Renaissance-style military uniforms and court regalia with an early nineteenth-century feel. This comes off remarkably well.
* AStormIsComing: "A storm is coming... our storm."
* TrainingMontage: a A short one is used in TheMovie to show Paul Muad'dib training the Fremen to fight against the Harkonnens.
* WhatCouldHaveBeen: At one point, the David Lynch film was going to include incestuous themes between Paul and his mother.
*
WordsCanBreakMyBones: The 1984 film turns the Weirding Way from the novel into a martial art and turns "My name is a killing word" into something much more literal. In fact, Paul is nearly flattened by rocks when a hapless Fremen utters the word "Muad'Dib".








"Muad'Dib".
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->''"A secret report within the Guild. Four planets have come to our attention ... regarding a plot which could jeopardize spice production. Planet Arrakis, source of the spice. Planet Caladan, home of House Atreides. Planet Giedi Prime, home of House Harkonnen. Planet Kaitain, home of the Emperor of the Known Universe. Send a third stage Guild Navigator to Kaitain to demand details from the Emperor. The spice must flow... "''

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->''"A secret report within the Guild. Four planets have come to our attention ... regarding a plot which could jeopardize spice production. Planet Arrakis, source of the spice. Planet Caladan, home of House Atreides. Planet Giedi Prime, home of House Harkonnen. Planet Kaitain, home of the Emperor of the Known Universe. Send a third stage Guild Navigator to Kaitain to demand details from the Emperor. The '''The spice must flow... flow...''' "''
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* ErmineCapeEffect: In the film's prologue, José Ferrer flamboyantly shrugs off his cape before meeting with the Navigator. He wears standard military attire in all other scenes.
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* AlanSmithee: David Lynch had his name removed from the extended cut of the '84 film, replacing it with this. And then had his script credit changed to "[[NamesToRunAwayFromReallyFast Judas Booth]]", in case anyone didn't get the message.
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* AdaptationInducedPlotHole: "Weirding" is a Fremen word meaning "foreign", so it's unlikely that House Atreides, while they were still based on Caladan, would name a weapon they invented the "weirding module" in Lynch's film. Even though Jessica didn't have a weirding module when she subdued Stilgar on their first meeting, Stilgar calls her Bene Gesserit martial arts technique "the weirding way of fighting", which is the same as the novel; however, the way of fighting that Paul eventually teaches the Fremen mainly involves the use of the weirding module.
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* AdaptationExpansion: The Lynch film introduced many elements that influenced later works in the Dune universe. Examples include the Mentat Mantra ("It is by will alone that I set my mind in motion" sounds similar enough to the Litany Against Fear that it feels like a line from the book, but never appeared there), the Atreides research into sound-based weaponry (again, never mentioned in the book. Sonic tanks and the like have turned up in subsequent works), heart-plugs (only briefly mentioned in the book as some sort of filtration device, but turned into something entirely more sinister by the Harkonen), the Baron Harkonen's skin conditions (never mentioned in the book, the Baron is only ever described as morbidly obese with no references made to skin problems), and many elements of the film's "look and feel" are aped by the works that followed (It's very rare to see the Emperor depicted without a neat little beard these days, for example, and Bene Gesserit are often depicted as bald).

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\n\n\n\n\n\n\n* IWasNeverHere: The Guild Navigator from Lynch's movie, after telling the Emperor to kill Paul Atreides. "I did not say this, I am not here."
* KickTheDog: Baron Vladimir Harkonnen in the '84 film when he pulls the heart plug from one of his slaves and then does something [[{{squick}} too gruesome to describe here]].
* LargeHam: Baron Harkonnen, with an emphasis on [[LargeAndInCharge large]].
-->"I'm alive, eh?! '''I'M ALIVE!!!''' I'M...'''''ALIVE!!!''''' I'M ALIVE!!! HAHAHAHAHAHAHA!!!"
* MonochromaticEyes[=/=]TechnicolorEyes: A result of high-level Spice addiction, when enough ingestion saturates the blood stream and stains the eyes. Turned into GlowingEyesOfDoom in both live-action adaptations.
* MrFanservice: Feyd's utterly gratuitous speedo scene in the film. Sting's running five miles a day really paid off.
* NiceJobBreakingItHero: The final scene of the film shows Paul using his incredible psychic powers as the Kwisatz Haderach to make it rain on Arrakis for the first time in eons. However, the film omits a key plot point from the novel: water is highly toxic to sandworms, which are the source of the spice. In the novel, Paul instead blackmails the Spacing Guild into surrendering to him; he threatens to pour the Water of Life into a pre-spice mass, which would cause an extinction chain reaction that would destroy all spice production forever and throw the galaxy into a new dark age. Had Paul actually made it rain in the novel, it would have obliterated the life cycle on Arrakis, having the same net effect; in fact, it isn't until ''Children of Dune'' that the disruption of the ecological balance by the terraforming effort is fully explored. The film completely ignores this.
* NonActorVehicle: TheMovie by DavidLynch, with Sting.
* NotableOriginalMusic: Brian Eno and Toto's score .
* OpeningMonologue: "A beginning is a very delicate time. Know then that it is the year ten-thousand, one-ninety-one..." Narration was used to insane levels in the movie, although being Dune it needed it.
* PeopleOfHairColor: In the movie, nearly all of the Harkonnens have orange hair.
* PimpedOutDress: The movie has dresses based on renaissance gowns.
* PreciousPuppy: In the book, there is no mention of a specific dog, but the film showed several pugs (owned by the Atreides and Corrinos).
* PrettyBoy: Paul Atriedes in the movie is portrayed by the strikingly pretty Kyle [=MacLachlan=].
* ProperLady: Lady Jessica behaves like one even though she's technically not part of the nobility.
* PsychicNosebleed: The movie has a scene in which several Bene Gesserit cry blood when Paul drinks the Water of Life. Although the movie doesn't make it clear, those who read the books will know that [[spoiler:all of them are his relatives]], and the identity of two of them makes guessing the significance of the third reasonably easy.
* RealityWarper: Contrary to the books, the Guild Navigators in the film fold spacetime with their minds.
* ReCut: The 1984 theatrical version was not direct or DavidLynch's Director's Cut--the producers not only made him cut a lot of material from his script, they also cut a lot of scenes that had been shot out as well--but it's the only one he's very happy with. Then in 1988, an Extended Cut was made to be shown on TV, referred to as The AlanSmithee Cut. It used deleted scenes, but reused more footage than ''Series/{{Battlestar Galactica|Classic}}''. David Lynch hated it, demanding his name be removed from the writer and director credit. ''Then'', in 1992, a San Francisco TV station made a mix of a cut between the original theatrical version of the movie and the Alan Smithee cut, which kept the new scenes but also put the violence back in. Finally, a cut known as the Extended Edition came out on DVD, which was a 177-minute edit of the Alan Smithee version. David Lynch is now a bitter arthouse director. Go figure.
* RuleOfSexy: Sting in a rubber g-string. If you've made it this far into the film, you've probably learned to let this kind of stuff go. Both Sting and Lynch would have preferred to shoot the scene with MaleFrontalNudity, but they couldn't because the movie had to be rated PG.
* ShirtlessScene: Paul has one when he's in bed with Chani.
* SpaceClothes: The 'film portrays the various peoples wearing European Renaissance-style military uniforms and court regalia with an early nineteenth-century feel. This comes off remarkably well.
* TrainingMontage: a short one is used in TheMovie to show Paul Muad'dib training the Fremen to fight against the Harkonnens.
* WhatCouldHaveBeen: At one point, the David Lynch film was going to include incestuous themes between Paul and his mother.
* WordsCanBreakMyBones: The 1984 film turns the Weirding Way into a martial art and turns "My name is a killing word" into something much more literal. In fact, Paul is nearly flattened by rocks when a hapless Fremen utters the word "Muad'Dib".








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* AdaptedOut: The film leaves out Leto II (Paul's first son, murdered as an infant), the Fenrings and Jamis (who shows up in the Alan Smithee version).
* AttackItsWeakPoint: In the film, the population of Giedi Prime all wear 'heart plugs' that are prominently displayed and quite easy to yank out. Hawat is fitted with one once he's captured; Kenneth [=McMillian=]'s line, "[[HandWave Everyone gets one here]].", is so delightfully deadpan.
* AStormIsComing: "A storm is coming... our storm." -- ''Dune'' (1984 Version).
* BigOlEyebrows: Thufir Hawat and Piter deVries in the '84 Lynch film have big bushy eyebrows, possibly to denote them as Mentats.
* BlackAndWhiteMorality: [[LighterAndSofter In contrast with the books]], the movie tends to depict the Atreides and the Fremen as the unambiguously good guys, and the Harkonnen and the Corrino as the bad guys.
* BlasphemousBoast: "Usul, we have wormsign the likes of which even God has never seen."
* CompellingVoice: The Voice is clearly heard as the VoiceOfTheLegion. In the film, it can be heard playing over and over in the target's mind, forcing him to comply.
* CoolAndUnusualPunishment: Thufir Hawat is required to milk a cat for the antidote to the poison he has been administered by the Harkonnens.
* CrazyCulturalComparison: In the extended cut of the film, Liet is the one who spits and Leto himself recognizes its value.
* CreatorCameo: Lynch, as the radio operator on the spice harvester in the movie.
* CreepyUncle: The movie plays up the HoYay between Baron Harkonnen and Feyd Rautha even more than the books.
* CultSoundtrack: Toto and Brian Eno. This is the main reason why so many adaptations of ''Dune'' (except for the Sci-Fi channel miniseries) such as games have very similar music. Music inspired by ''Dune'' is almost invariably space music instead of more conventional thematic music.
* DidYouActuallyBelieve: The '84 film has a heroic example, where Thufir Hawat (the Atreides mentat) betrays the Emperor and Harkonnens by refusing to kill Paul:
--> '''Thufir Hawat''': [He turns to Feyd and the Emperor]... Did you actually believe, even for a moment, that I would fail my Duke ''twice''? [He commits suicide]
* DoesThisRemindYouOfAnything:
** Lady Jessica's hairstyle is a Freudian wonderment.
** The Guild Navigator (portrayed in true Lynchian fashion as a giant floating Film/{{Eraserhead}}) breathes through what can only be described as mouth-vagina.
** Har har. Okay, fine, so the worms [[NeverHeardThatOneBefore look like giant penises]], alright? David Lynch apparently wanted to lampshade the joke before we do; the rhythmic pounding of Shai Halud against the vertical slot of a cave is hard to misinterpret.
* EliteMooks: Sardaukar elite troopers.
* EvilRedhead: Almost all of the Harkonnens we see in the movie have red or orange hair.
* ExoticEntree: The movie has an inexplicable throwaway scene of Rabban crushing a live mouse-like creature in a small device and then drinking the resulting mess with a straw.
* FacialHorror: The movie is generally BloodierAndGorier.
* FedToTheBeast: Baron Harkonnen is [[spoiler:[[DestinationDefenestration shot out a window]] via Alia's mind control. He is then eaten by a worm.]]
* FisherKing: The movie has Paul Atreides taking up his place as the Kwisatz Haderach, at which point Arrakis, a planet defined by its absurd dearth of water, is consumed by a torrential downpour of rain. In the book, it took years of {{Terraform}}ing. Perhaps the filmmakers subconsciously realised there weren't going to be any sequels and they had better get it over with?
* FishPeople: ''Barlowe's Guild To Extraterrestrials'' depicts a Guild Steersman as looking like this. This depiction has become standard in adaptations since.
* HappyRain: When Muad'Dib makes the rain fall at last, the Fremen rejoice at the end of the film. It probably [[InferredHolocaust kills all of the worms]] since the Fremen had summoned them all to that spot, but oh well. (The worms did wind up going extinct in the books as a result of terraforming, but eventually came back.)
* InnerMonologue: Taken to almost ridiculous levels in the movie. A great deal of the exposition and background information is given to the audience through this.







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----
!! The ''Dune'' film contains examples of:
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->''"A secret report within the Guild. Four planets have come to our attention ... regarding a plot which could jeopardize spice production. Planet Arrakis, source of the spice. Planet Caladan, home of House Atreides. Planet Giedi Prime, home of House Harkonnen. Planet Kaitain, home of the Emperor of the Known Universe. Send a third stage Guild Navigator to Kaitain to demand details from the Emperor. The spice must flow... "''
-->-- '''The Spacing Guild'''

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[[quoteright:248:http://static.tvtropes.org/pmwiki/pub/images/f927442cfcf8d9f53858c793fb03bacb.jpg]]
[[caption-width-right:248:Yes, that '''is''' Sting]]
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Dune is the 1984 [[TheFilmOfTheBook feature film adaptation]] of the popular Frank Herbert novel ''{{Literature/{{Dune}}''

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Dune is the 1984 [[TheFilmOfTheBook feature film adaptation]] of the popular Frank Herbert novel ''{{Literature/{{Dune}}''
''Literature/{{Dune}}''

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[[redirect:Literature/{{Dune}}]]

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[[redirect:Literature/{{Dune}}]]Dune is the 1984 [[TheFilmOfTheBook feature film adaptation]] of the popular Frank Herbert novel ''{{Literature/{{Dune}}''

From the early 1970's on, attempts were made to produce a theatrical film. Cult director Creator/AlejandroJodorowsky (known for incredibly bizarre films such as ''ElTopo'' and ''TheHolyMountain'' and equally strange or stranger comic books) came to the project after having a bizarre dream almost identical to the broader plot of the first novel and then hearing about a book of almost exactly the same story. Convinced that there was something more here he resolved to make '''a movie based on his dream,''' with bits of the book itself thrown in (that's not hyperbole, that's his stated agenda). Comic artist Moebius and fellow HeavyMetal writer/artist Dan O'Bannon (also responsible for the concept art and a decent chunk of the screenplay for ''Film/{{Alien}}'') worked on concept art and designs, as well as ''Film/{{Aliens}}'' designer Creator/HRGiger, whose work actually ended up in the final film in small doses. Salvador Dali was cast as the Emperor (which is not nearly as ridiculous as it sounds to non-''Dune'' fans) and PinkFloyd had agreed to provide the score. [[WhatCouldHaveBeen Sadly, and inevitably, it fell apart.]] The 2014 documentary ''Alejandro Jodorowsky's Dune'' is a look into what might have been.
** Ultimately, Jodorowsky turned the script into an original graphic novel, ''[[ComicBook/TheMetabarons The Saga of the Metabarons]]''. Some elements of the plot are heavily influenced by ''Dune'', such as the [[MeaningfulName Hooker-Nuns Shabda-Oud]] for the Bene Gesserit, with the same kind of genetic agenda.

The producers turned to a hot new director who had been considered for ''[[StarWars Return of the Jedi]],'' mostly because of George Lucas' [[WhatCouldHaveBeen still-intense passion for experimental film]], mostly on the strength of his classic [[Film/{{Eraserhead}} first film]] and a critically and commercially successful [[Film/TheElephantMan biopic]] that made him a true commodity in the industry. That man's name: DavidLynch, who took the project and made it his own to only a slightly lesser extent than Jodorowsky would have. Due to his alien style and the sheer scale of the book, the already-complex narrative became nearly incomprehensible to some viewers; many theaters handed out [[AllThereInTheManual printed plot summaries]] to patrons. Ironically, the altered cut made more understandable to be commercially viable for television was ''even longer'' than the existing film, running about '''four hours''' with commercials, and included, among other things, altered narration and a lengthier prologue (narrated by WordOfGod himself). Lynch was incensed that the studio had [[ExecutiveMeddling recut his movie]] behind his back; he had himself credited for director as AlanSmithee and as ''[[BitingTheHandHumor Judas Booth]]''[[note]](as in John Wilkes; a name he has signed at least once as an autograph at the request of a fan)[[/note]] for his screenwriting credit. The 1984 Lynch version of ''Dune'' is the most memorable (and notorious) for its Freudian imagery, [[SceneryPorn elaborate set design]] (containing some holdovers from the Jodorowsky version, including Giger's designs), and AllStarCast. Subsequent recut and extended versions have inspired [[BrokenBase varying]] degrees of critical [[LoveItOrHateIt reappraisal]]. It was a complete flop at the box office and has become both a CultClassic, and an example of how ''not'' to make a blockbuster.
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[[redirect:Literature/{{Dune}}]]

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