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History Film / DiaryOfAMadBlackWoman

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* AnAesop:
** People can change for the worst and there's little to nothing you can do about it.
** You can't ignore red flags just because you love someone. If people show you who they are, you have to believe them.
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Helen (Creator/KimberlyElise) and Charles [=McCarter=] (Steve Harris) had everything: fine home, beautiful clothes and success. In public, they were the perfect match. But behind the scenes was another matter. On what should have been the end of the happiest day of their lives, Charles evicts Helen, his wife of 18 years, from their house in the presence of his mistress. She moves in with her grandmother, Madea (Tyler Perry). Helen then goes from meek and mild to mad, starts a diary and a new life, and meets a new man, Orlando (Creator/ShemarMoore).

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Helen (Creator/KimberlyElise) and Charles [=McCarter=] (Steve Harris) (Creator/SteveHarris) had everything: fine home, beautiful clothes and success. In public, they were the perfect match. But behind the scenes was another matter. On what should have been the end of the happiest day of their lives, Charles evicts Helen, his wife of 18 years, from their house in the presence of his mistress. She moves in with her grandmother, Madea (Tyler Perry). Helen then goes from meek and mild to mad, starts a diary and a new life, and meets a new man, Orlando (Creator/ShemarMoore).

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* LoveRedeems: [[spoiler:Debra finds the strength to go into rehab and kick her addiction for good when she realizes she wants to be in her kids' lives.]]



** RecoverySequence

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** RecoverySequenceRecoverySequence: [[spoiler:Helen caring for Charles and getting him through physio.]]


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* NotWithThemForTheMoney: To prove this to Charles, Helen signed a prenup when his career was still getting off the ground. Madea doesn't hesitate to tell Helen how stupid it was. [[spoiler:Little did Charles realize, Helen was the ''only'' person who wasn't putting up with him for a handout. When he's paralyzed and his mistress takes all his money, his so-called friends and house staff leave him to rot.]]
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* ScrewThisImOuttaHere:Brenda takes off with the money and kids the second she realizes that Charles is going to be disabled and she'd be expected to take care of him.

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* ScrewThisImOuttaHere:Brenda ScrewThisImOuttaHere: Brenda takes off with the money and kids the second she realizes that Charles is going to be disabled and she'd be expected to take care of him.
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* ScrewThisImOuttaHere:Brenda takes off with the money and kids the second she realizes that Charles is going to be disabled and she'd be expected to take care of him.

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Armor Piercing Slap is no longer a trope


* ArmorPiercingSlap: [[spoiler:Helen gives Charles a well deserved one in the climax of the film]].



** Charles also orders Helen out of his house [[RuleOfThree three times:]] first when he dragged her out, again later on when Madea was with her and after his frustration with her being unable to locate some legal documents. Fortunately, by the third time [[ArmorPiercingSlap Helen wasn't]] [[TheReasonYouSuckSpeech having it.]]

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** Charles also orders Helen out of his house [[RuleOfThree three times:]] first when he dragged her out, again later on when Madea was with her and after his frustration with her being unable to locate some legal documents. Fortunately, by the third time [[ArmorPiercingSlap Helen wasn't]] wasn't [[TheReasonYouSuckSpeech having it.]]
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* NiceJobFixingItVillain: Helen [[LampshadeHanging even admits]] that if Charles wasn't such a [[DomesticAbuse bad husband to her]], she wouldn't have found a more loving and supporting man in [[NiceGuy Orlando.]]
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* EvenEvilHasStandards: Subverted; Madea isn't evil by any means, just a ''huge'' entitled jerkass with anger issues, but even she was shocked and disgusted that Joe propositioned his own family member.[[note]]Even worse is that while Joe defends himself by saying that Helen, Madea's granddaughter, is "her dead husband's family", presumably she and Madea are blood-relatives, then '''so are she and Joe.'''[[/note]]
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* MoneySlap: After Charles orders Helen, who he kicked out of their home to make room for Brenda and who had snuck in with Madea to retrieve some money to live on, to get out or he'll call the police, Helen calls him out on what a greedy bastard he has become and throws his money back into his face. Madea, [[ScrewPolitenessImASenior being Madea,]] calls her crazy and tries to pick some of it up as she tells her not to out of principle.
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-->'''Helen''':September 19th. Dear '''Diary''', as I sit here thinking about picking up the pieces of what used to be my life, I realized something. Every room in this house holds a painful memory for me. Even though he's suffering, something somewhere in me wants him to suffer more. A few months and a divorce can take you through just as many emotions as 18 years in a marriage. And I'm starting to feel all of them at once. But the one that is clear is rage. Signed, '''a Mad Black Woman'''.

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-->'''Helen''':September 19th. Dear '''Diary''', as I sit here thinking about picking up the pieces of '''of''' what used to be my life, I realized something. Every room in this house holds a painful memory for me. Even though he's suffering, something somewhere in me wants him to suffer more. A few months and a divorce can take you through just as many emotions as 18 years in a marriage. And I'm starting to feel all of them at once. But the one that is clear is rage. Signed, '''a Mad Black Woman'''.
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This error is the entire reason I made an account. There was further implied abuse during the scene where Madea calculates how much she believes Helen is owed from her marriage with Charles. One Helen says, “And I didn’t tell you that he hit me” which does not necessarily refer to the slap, given that Helen was itemizing events from their entire marriage.


* DomesticAbuse: Downplayed: Charles slaps Helen in the face when trying to kick her out of his house, but no other physical abuse is seen or implied. Furthermore, the shot of him doing this is so fast, one wouldn't know about it if they didn't mention it. He also grabs and briefly shakes her in anger when she and Madea break into his house to get her money.

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* DomesticAbuse: Downplayed: Charles slaps Helen in the face when trying to kick her out of his house, but no other physical abuse is seen or implied. Furthermore, the house. The shot of him doing this is so fast, one wouldn't know about it if they didn't mention it. He also grabs and briefly shakes her in anger when she and Madea break into his house to get her money.
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* {{Diary}}: Helen's diary is used a narration device for the movie.

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* SassyBlackWoman: Madea
* SingleWomanSeeksGoodMan

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* %%* SassyBlackWoman: Madea
* SexlessMarriage: Charles mentions that he and Helen haven't had sex in a long time. That was one of the red flags that Helen overlooked due to her being in denial that their marriage was coming to an end.
%%*
SingleWomanSeeksGoodMan

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* ForgivenButNotForgotten: Even though [[spoiler:Charles apologizes to Helen for his actions and starts treating her better, Helen still divorces Charles due to the fact that she already moved on and found another man. Also, Charles changing into a better person won't nullify his past actions]].



* RealityEnsues: Even though [[spoiler:Charles apologizes to Helen for his actions and starts treating her better, Helen still divorces Charles due to the fact that she already moved on and found another man. Also, Charles changing into a better person won't nullify his past actions]].
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* NeverTrustATitle: In this case, the title is accurate, but also very easily misinterpreted. The "mad black woman" it refers to is the angry Helen, not the insane and gun-toting Madea so prominently featured on the poster.

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* NeverTrustATitle: In this case, the title is accurate, but also very easily misinterpreted. The "mad black woman" it refers to is the angry Helen, not the insane and gun-toting Madea so prominently featured on the poster.
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* NeverTrustATitle: In this case, the title is accurate, but also very easily misinterpreted. The "mad black woman" it refers to is the angry Helen, not the insane, gun-toting Madea so prominently featured on the poster.

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* NeverTrustATitle: In this case, the title is accurate, but also very easily misinterpreted. The "mad black woman" it refers to is the angry Helen, not the insane, insane and gun-toting Madea so prominently featured on the poster.
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* NeverTrustATitle: In this case, the title is accurate, but also very easily misinterpreted. The "mad black woman" it refers to is the angry Helen, not the insane, gun-toting Madea so prominently featured on the poster.
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No longer a trope.


* YourCheatingHeart: Charles, who not only cheated with a mistress (and possible other women), but had children with said mistress.
** It's even his motive for kicking Helen out "I can't keep doing this to my kids."
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Helen (Kimberly Elise) and Charles [=McCarter=] (Steve Harris) had everything: fine home, beautiful clothes and success. In public, they were the perfect match. But behind the scenes was another matter. On what should have been the end of the happiest day of their lives, Charles evicts Helen, his wife of 18 years, from their house in the presence of his mistress. She moves in with her grandmother, Madea (Tyler Perry). Helen then goes from meek and mild to mad, starts a diary and a new life, and meets a new man, Orlando (Creator/ShemarMoore).

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Helen (Kimberly Elise) (Creator/KimberlyElise) and Charles [=McCarter=] (Steve Harris) had everything: fine home, beautiful clothes and success. In public, they were the perfect match. But behind the scenes was another matter. On what should have been the end of the happiest day of their lives, Charles evicts Helen, his wife of 18 years, from their house in the presence of his mistress. She moves in with her grandmother, Madea (Tyler Perry). Helen then goes from meek and mild to mad, starts a diary and a new life, and meets a new man, Orlando (Creator/ShemarMoore).
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Deleting a ZCE and misuse of Berserk Button.


* BaldOfEvil: Charles.
* BerserkButton: Lay a hand on Madea or her family and she will not hesitate to shoot. Not even for a second.
* BewareTheNiceOnes



* BreakTheCutie: Helen at the beginning.
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* InsaneTrollLogic: Brenda angrily shouts at Helen that she is a woman who "knows how to get and keep her man." Despite this, Brenda was the one sleeping with a married man rather than finding a man for herself.

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* EstablishingCharacterMoment: The moment the audience is first introduced to Madea[[note]]about roughly 20 minutes into the film[[/note]] has her brandishing a handgun onto her ''granddaughter'' Helen (albeit she had no idea that she would be at her door in the middle of the night).



* GetOut: Joe attempts to order Helen out of their house, citing how she needs to look for a [[{{Malaproper}} department]] and even doing a ShoutOut to ''Film/TheAmityvilleHorror1979''. She does eventually leave, but because she found a place to live instead of by his orders.

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* GetOut: GetOut:
**
Joe attempts to order Helen out of their house, Madea's home, citing how she needs to look for a [[{{Malaproper}} department]] and even doing a ShoutOut to ''Film/TheAmityvilleHorror1979''. She does eventually leave, but because she found a place to live instead of by his orders.orders.
** Brian orders Debra out of their home after he allows her to eat a meal when she came to him in the middle of the night.
** Charles also orders Helen out of his house [[RuleOfThree three times:]] first when he dragged her out, again later on when Madea was with her and after his frustration with her being unable to locate some legal documents. Fortunately, by the third time [[ArmorPiercingSlap Helen wasn't]] [[TheReasonYouSuckSpeech having it.]]
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* AccidentalMisnaming: Upon appearing before Judge Mablean Ephriam, Madea calls her "Judge Maybelline".
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This doesn't apply to the film. Where in the film is she presented to be the "hot" to his alleged "ugly"?


* UglyGuyHotWife: Charles and Helen. Helen looks very attractive, while Charles has a bald head and thuggish facial features.
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* GetOut: Joe attempts to order Helen out of their house, citing how she needs to look for a [[{{Malaproper}} department]] and even doing a ShoutOut to ''Film/TheAmityvilleHorror1979''. She does eventually leave, but because she found a place to live instead of by his orders.


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** Same with Joe. He's pretty much hostile to everyone else in the film, but he does love his two young grandchildren.


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* TheWorldMocksYourLoss: A downplayed version occurs when Helen is dining alone in a restaurant and she sees a younger couple happily getting engaged in front of her. This drives her to tears and then promptly leaves.
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* DomesticAbuser: Downplayed: Charles slaps Helen in the face when trying to kick her out of his house, but no other physical abuse is seen or implied. Furthermore, the shot of him doing this is so fast, one wouldn't know about it if they didn't mention it. He also grabs and briefly shakes her in anger when she and Madea break into his house to get her money.

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* DomesticAbuser: DomesticAbuse: Downplayed: Charles slaps Helen in the face when trying to kick her out of his house, but no other physical abuse is seen or implied. Furthermore, the shot of him doing this is so fast, one wouldn't know about it if they didn't mention it. He also grabs and briefly shakes her in anger when she and Madea break into his house to get her money.

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* AdaptationalAlternateEnding: In the original play, [[spoiler:Helen gets back together with Charles after his HeelFaceTurn. Though at the same time, Charles was ''considerably'' less of a {{Jerkass}} in the play.]]



* RevisedEnding: [[spoiler: In the original play, Helen gets back together with Charles after his HeelFaceTurn. Though at the same time, Charles was ''considerably'' less of a {{Jerkass}} in the play.]]
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* UglyGuyHotWife: Charles and Helen. Helen looks very attractive, while Charles has a bald head and exaggerated facial features.

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* UglyGuyHotWife: Charles and Helen. Helen looks very attractive, while Charles has a bald head and exaggerated thuggish facial features.

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* BrokenAesop: You know the moral about loving God and trusting Him with your life and problems and worshiping only Him that this movie tries to preach? Well, that gets broken by Madea of all people who told a tale about a man who used to abuse her who she was so angry with that even when she was at his ''funeral,'' she beat him down an extra two feet (from the six feet he was under already), all while proclaiming that she did it because sometimes "God waits too long" to answer our prayers or get revenge on those who we feel deserve it.

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* BrokenAesop: You know the moral about loving God and trusting Him with your life and problems and worshiping only Him that this movie tries to preach? Well, that gets broken by Madea of all people who told a tale about a man who used to abuse her who she was so angry with that even when she was at his ''funeral,'' she beat him down an extra two feet (from the six feet he was under already), all while proclaiming that she did it because sometimes "God waits too long" to answer our prayers or get revenge on those who we feel deserve it. This may even double as EarlyInstallmentWeirdness given Perry's faith and respect in God and that his later films would have Madea encouraging forgiveness.



* DefeatMeansFriendship: Implied with Charles and Helen in the end; he apologizes to her, she forgives him and she even says [[spoiler: before handing him signed the divorce papers]] that they'll always be friends.



* DomesticAbuser: Guess.

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* DomesticAbuser: Guess.Downplayed: Charles slaps Helen in the face when trying to kick her out of his house, but no other physical abuse is seen or implied. Furthermore, the shot of him doing this is so fast, one wouldn't know about it if they didn't mention it. He also grabs and briefly shakes her in anger when she and Madea break into his house to get her money.



* TheFirstCutIsTheDeepest
* FoodSlap: Helen eats a salad in front of Charles, knowing he can't get food for himself, and when she is almost done throws the plate at him.

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** Also, when Charles tells Helen that the marriage is over and she desperately says to him "You are ''not'' leaving [me]!", he said she was right. ''[[GetOut She's]]'' [[GetOut the one who has to leave.]]
* TheFirstCutIsTheDeepest
TheFirstCutIsTheDeepest: Helen plays with this; she was initially very reluctant to start a relationship with Orlando due to how much Charles had hurt her, but she eventually gives in.
* FoodSlap: Helen eats a salad in front of Charles, knowing he can't get food for himself, and when she is almost done throws the plate at him. She also threw a glass of lemonade in Orlando's face after he called her bitter and brought up how Charles dragged her out of the house.



* HugeGuyTinyGirl: Brian and Debra. Then again, Tyler Perry is this with everyone being 6'4'' and all.

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* HugeGuyTinyGirl: Brian and Debra. Then again, Tyler Perry is this with everyone being 6'4'' 6'5'' and all.



* ItsAllAboutMe

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* ItsAllAboutMeItsAllAboutMe: Charles and Brenda separately. The former is driven by {{Greed}} and his hedonistic ways that allows him to repeatedly cheat on and mistreat Helen during their marriage while the latter is a GoldDigger who [[spoiler: felt that after he was shot that Charles had no quality of life as a paraplegic and was willing to let him ''die'' on the operating table.]]
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* EasilyForgiven: Subverted. Helen takes her time to let her hurt from Charles go. While forgiveness is a huge theme in this film, it doesn’t mean that one should forgive others easily.

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