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* ItsPersonal: [[spoiler: Fender in a flashback caused the death of Gibson's love interest along with her little brother and took away her sister Hayley with him to serve him as a slave. This explains why Gibson is so obsessed with killing Fender.]]

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* ItsPersonal: [[spoiler: Fender in a flashback caused the death of Gibson's love interest along with her little brother and took away her sister Hayley with him to serve him as a slave. This explains why He had them ThrownDownAWell and as a sadistic twist, Hayley was given a chance to stop them falling, but she's nowhere near strong enough and they're tied together with barbed wire that cuts her hands, forcing her to let them go. Only Gibson is so obsessed with killing Fender.was tough enough to survive and crawl out of the well.]]
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* NeverTrustATitle: The first movie (1989). The titular cyborg Pearl is merely a {{MacGuffin}} whose capabilities are not at all the main focus of the movie. Without her, the cyberpunk theme wouldn't be applicable to this film at all - The entire movie is actually a revenge tale in an post-apocalyptic world.

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* NeverTrustATitle: The first movie (1989). The titular cyborg Pearl is merely a {{MacGuffin}} whose capabilities are not at all the main focus of the movie. Without her, the cyberpunk theme wouldn't be applicable to this film at all - The entire movie is actually a revenge tale in an post-apocalyptic world.world, outside of modern-looking guns there's no other technology used.
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* NeverTrustATitle: The first movie (1989). The titular cyborg Pearl is merely a {{MacGuffin}} whose capabilities are not at all the main focus of the movie. Without her, the cyberpunk theme wouldn't be applicable to this film at all - The entire movie is actually a revenge tale in an post-apocalyptic world.
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* PowerWalk: The shots of Fender and his pirates.
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* DystopiaJustifiesTheMeans: Fender lives in a post-apocalyptic wasteland, an Earth that has been so ravaged by plague that civilisation has collapsed and vicious gangs of marauders (like his own) RapePillageAndBurn at their leisure...and in the opening narration, he makes it clear that he ''likes'' the way the world is, and [[EvilCannotComprehendGood is baffled]] that there are people who want to fix it.
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* TroubledBackstoryFlashback

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* %%* TroubledBackstoryFlashback

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IUEO now


''Cyborg'' is a 1989 post-apocalyptic action film starring Creator/JeanClaudeVanDamme as [[AwesomeMcCoolName Gibson Rickenbacker]]. Rickenbacker battles a gang of marauding thugs led by Fender Tremolo, played by professional-surfer-turned-actor and co-star Vincent Klyn on his debut.

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''Cyborg'' is a 1989 post-apocalyptic action film starring Creator/JeanClaudeVanDamme as [[AwesomeMcCoolName Gibson Rickenbacker]].Rickenbacker. Rickenbacker battles a gang of marauding thugs led by Fender Tremolo, played by professional-surfer-turned-actor and co-star Vincent Klyn on his debut.



* AwesomeMcCoolname: Gibson Rickenbacker and Fender Tremolo, our main protagonist and antagonist respectively.

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disambig Knife Nut per TRS


* BladeEnthusiast: EVERYONE. Aside from Pearl and Gibson's family in the flashback, literally every character, male or female, carries at least one knife. Gibson stands out though, carrying a [[KukrisAreKool Kukri]], a big Bowie knife, a boot knife that he likes to throw, and even a spring loaded knife in his shoe.



* KnifeNut: EVERYONE. Aside from Pearl and Gibson's family in the flashback, literally every character, male or female, carries at least one knife. Gibson stands out though, carrying a [[KukrisAreKool Kukri]], a big Bowie knife, a boot knife that he likes to throw, and even a spring loaded knife in his shoe.
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Directed by Creator/AlbertPyun and produced by Creator/TheCannonGroup, it is considered one of Pyun's most mainstream and commercially successful films. Had two sequels, but InNameOnly. The first sequel marks [[Creator/AngelinaJolie Angelina Jolie's]] debut.

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Directed by Creator/AlbertPyun and produced by Creator/TheCannonGroup, it is considered one of Pyun's most mainstream and commercially successful films. Had two sequels, but InNameOnly. The first sequel marks [[Creator/AngelinaJolie Angelina Jolie's]] Creator/AngelinaJolie's debut.

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Some minor grammatical fixes and rewriting trope descriptions.


* CrucifiedHeroShot: After being chased down and defeated by a large group of Fender's pirate, an injured and exhausted Gibson is put into a hopeless fight against Fender himself, who proceeds to give Gibson a [[CurbstompBattle nasty beatdown]]. Afterwards Fender and company crucify Gibson on the mast of a wrecked ship and leave him there to die.

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* CrucifiedHeroShot: After being chased down and defeated by a large group of Fender's pirate, pirates, an injured and exhausted Gibson is put into a hopeless fight against Fender himself, who proceeds to give Gibson a [[CurbstompBattle nasty beatdown]]. Afterwards Fender and company crucify Gibson on the mast of a wrecked ship and leave him there to die.



* HollywoodHealing: Fender crucifies Gibson, puncturing his wrists all the through. Apparently all it took was some bandages and a few days of traveling for those wrists to heal up perfectly with nothing but a small scar. Gibson shows no loss in, say, his range of motion, sensitivity, or ability to use his hands afterward either.

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* HollywoodHealing: Gibson gets shot, chased until he's exhausted, beaten up by about half a dozen of Fender's pirates and then Fender beats and crucifies Gibson, puncturing his Gibson's wrists all the way through. Apparently all it took was some bandages and a few days of traveling for those wrists wounds to heal up perfectly with nothing but a small scar. scars on the wrists. Gibson shows no lingering pain or injuries from the previous fights or any loss in, say, in his range of motion, sensitivity, or ability to use his hands afterward either.



* LeaveYourQuestTest: Flashbacks show that Gibson once intended to give up his life as a slinger, hung up his arsenalm and settled down with a family he helped escape from the hell of a post-apocalyptic city. As for how that turned out for him... well, lets just say there's a reason he's already hunting the villain when Pearl Prophet runs into him...

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* LeaveYourQuestTest: Flashbacks show that Gibson once intended to give up his life as a slinger, hung up his arsenalm arsenal, and settled down with a family he helped escape from the hell of a post-apocalyptic city. As for how that turned out for him... well, lets just say there's a reason he's already hunting the villain when Pearl Prophet runs into him...



* OnceMoreWithClarity: There are several short flashbacks throughout the film, showing how Gibson met his love interest and briefly retired from his life as a mercenary who fights bandits and pirates. Each one of these flashbacks, however, ends on an ominous note, hinting at something awful Fender did Gibson that caused him to go after Fender in a RoaringRampageOfRevenge. When Gibson is in the middle of his DarkestHour, the prior flashbacks get played again, all together this time to form a narrative instead of disjointed hints and implications, with some new scenes added on and we finally get to see exactly what Fender did.

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* OnceMoreWithClarity: There are several short flashbacks throughout the film, showing how Gibson met his love interest and briefly retired from his life as a mercenary who fights bandits and pirates. Each one of these flashbacks, however, ends on an ominous note, hinting at something awful Fender did to Gibson that caused him to go after Fender in a RoaringRampageOfRevenge. When Gibson is in the middle of his DarkestHour, the prior flashbacks get played again, all together this time to form a narrative instead of disjointed hints and implications, with some new scenes added on and we finally get to see exactly what Fender did.


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* WorfHadTheFlu: At the end of the film's second act, Gibson and Fender fight and Fender beats Gibson completely senseless while Gibson can barely fight back. This came, however, shortly after Gibson has been shot, chased by Fender's pirate band until exhausted, and finally overwhelmed and pummeled by a whole group of them. (And he took down multiple pirates along the way at every step). Before the fight even began Fender has to instruct his followers to "Stand him up." because Gibson was barely capable of getting up on his own after all that. When they face in the climax Gibson is not hurt or tired from other fights (despite the fact that [[HollywoodHealing he should still be recovering from his wounds]]), so the fight goes differently. Although Gibson does still need UnstoppableRage and a HeroicSecondWind to overcome Fender.
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Simple Staff has been disambiguated


** Played straight in one scene where Gibson has a one on one fight against a pirate with a SimpleStaff who gives him much more trouble than most of the other opponents he faces throughout the movie. Then the guy hits a button that makes a hidden blade come out, turning the staff into a spear, and Gibson immediately seizes control of the fight.

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** Played straight in one scene where Gibson has a one on one fight against a pirate with a SimpleStaff staff who gives him much more trouble than most of the other opponents he faces throughout the movie. Then the guy hits a button that makes a hidden blade come out, turning the staff into a spear, and Gibson immediately seizes control of the fight.
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Up To Eleven is a defunct trope


* ScreamingWarrior: Fender and Gibson turn it UpToEleven in the movie's climatic battle, but it's there throughout. Screaming happens consistently in fight scenes, or with bad guys chasing the good guys, or vice versa, etc. Special note goes to the first female pirate that Nady fights one on one, who seems to communicate in nothing but screams.

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* ScreamingWarrior: Fender and Gibson turn it UpToEleven up to eleven in the movie's climatic battle, but it's there throughout. Screaming happens consistently in fight scenes, or with bad guys chasing the good guys, or vice versa, etc. Special note goes to the first female pirate that Nady fights one on one, who seems to communicate in nothing but screams.
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The film starts AfterTheEnd, in a world that has been shattered by war, the collapse of civilization, and just for fun, a plague ravaging the survivors. The titular cyborg, Pearl, has been sent from Atlanta to [[BigApplesauce New York City]] to retrieve information for a group of scientists and doctors looking to both cure the plague and start restoring society. Unfortunately, Fender learns of the mission and moves to intercept Pearl and her bodyguard. The bodyguard is killed, letting Pearl escape just long enough to encounter Gibson for the first time. Gibson is a "slinger", a mercenary who normally fights bandits like Fender's gang only for the money, but when Pearl encounters him Gibson is already hunting Fender for personal reasons.

Gibson and Pearl get separated by a couple of Fender's mooks, and Fender offers to escort Pearl back to Atlanta, where he plans to steal the cure for the plague and kill the holdouts. Pearl agrees to travel together, hoping that the resources of her superiors will enable them to defeat Fender's group when they arrive, and in the meantime Gibson tracks Fender for revenge and is joined by Nady, a survivor of one of Fender's raids who has lost many loved ones to the plague, and whose primary goal is to help Pearl get the cure to the scientists.

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The film starts AfterTheEnd, in a world that has been shattered by war, the collapse of civilization, and just for fun, a plague ravaging the survivors. The titular cyborg, Pearl, has been sent from Atlanta to [[BigApplesauce New York City]] to retrieve information for a group of scientists and doctors looking to both cure the plague and start restoring society. Unfortunately, Fender [[BigBad Fender]] and his deadly gang of marauders learns of the mission and moves to intercept Pearl and her bodyguard. The bodyguard is killed, letting Pearl escape just long enough to encounter Gibson [[TheHero Gibson]] for the first time. Gibson is a "slinger", a mercenary who normally fights bandits like Fender's gang only for the money, but when Pearl encounters him Gibson is already hunting Fender for personal reasons.

Gibson and Pearl get separated by a couple of Fender's mooks, and Fender Pearl is brought to Fender, who offers to escort Pearl her back to Atlanta, where he plans to steal the cure for the plague and kill the holdouts. Pearl agrees to travel together, hoping that the resources of her superiors will enable them to defeat Fender's group when they arrive, and in the meantime Gibson tracks Fender for revenge and is joined by Nady, a survivor of one of Fender's raids who has lost many loved ones to the plague, and whose primary goal is to help Pearl get the cure to the scientists.



* BigBad: Fender.

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* BigBad: Fender.Fender is the main villain, the leader of an evil gang of post apocalyptic raiders who savagely butchers people without even a hint of morality.



* CrucifiedHeroShot: After a CurbstompBattle by Fender, Gibson is left crucified on the mast of a wrecked ship.

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* CrucifiedHeroShot: After a CurbstompBattle being chased down and defeated by Fender, a large group of Fender's pirate, an injured and exhausted Gibson is left crucified put into a hopeless fight against Fender himself, who proceeds to give Gibson a [[CurbstompBattle nasty beatdown]]. Afterwards Fender and company crucify Gibson on the mast of a wrecked ship.ship and leave him there to die.



* GroinAttack: Nady, during one of the many occasions that she is captured, grabs one mook twice her size by the testicles (which the camera lovingly shows us in full detail). The end result of this is surprisingly realistic given how often this works flawlessly in Hollywood: he howls in pain momentarily before clobbering her around the head twice as angry as he was before. She gets a second far more effective kick on him moments later, however it was less the pain down below and more the knife between his shoulder blades that made him back down.

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* GroinAttack: Nady, during one of the many occasions that she is captured, grabs one mook twice her size by the testicles (which the camera lovingly shows us in full detail). The end result of this is surprisingly realistic given how often this works flawlessly in Hollywood: he howls in pain momentarily before clobbering and then ''clobbers'' her around with a nasty blow to the head head, now twice as angry as he was before. She gets Nady has much better luck with a second far more effective kick on him moments to the groin about a minute or two later, however it was less although the pain down below and more the fact that he got a throwing knife lodged right between his shoulder blades that made him back down.just before the kick to the groin probably helped her.



* ImpaledWithExtremePrejudice: [[spoiler:Gibson leaves Fender impaled on a large meat hook by the end of the movie's climatic fight]]

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* ImpaledWithExtremePrejudice: [[spoiler:Gibson leaves Fender impaled on a large meat hook by at the end of the movie's climatic fight]]



* LeaveYourQuestTest: Gibson gives in and hangs up his arsenal to settle down with a family he's helped escape from the hell of a post-apocalyptic city (seen in flashback). As for how that turned out for him... well, lets just say there's a reason he's already hunting the villain when Pearl Prophet runs into him...

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* LeaveYourQuestTest: Flashbacks show that Gibson gives in and hangs once intended to give up his arsenal to settle life as a slinger, hung up his arsenalm and settled down with a family he's he helped escape from the hell of a post-apocalyptic city (seen in flashback).city. As for how that turned out for him... well, lets just say there's a reason he's already hunting the villain when Pearl Prophet runs into him...



* MacGuffin: The information Pearl was sent to get. Pearl herself becomes a LivingMacGuffin.

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* MacGuffin: The information Pearl was sent to get. Pearl herself becomes a LivingMacGuffin.LivingMacGuffin after being captured by Fender.



* RoaringRampageOfRevenge: Gibson during the final act.

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* RoaringRampageOfRevenge: Gibson is on one throughout the film, but it gets turned up to the max during the final act.act when he hits true UnstoppableRage and is literally screaming and cursing with Fender all throughout their final fight.



* ScavengerWorld[=/=]SchizoTech: On the one hand, working guns are rare objects, and only Fender, Gibson and one random mook are seen wielding them, on the other hand the last scientists are able to turn Pearl from a human being into a cyborg with a mechanical brain, no sweat. And unless we assume that Fender is a fan of ''Film/BladeRunner'', then he's apparently encountered other cyborgs and expects his crew to understand what he means when he refers to her as a skin job.

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* ScavengerWorld[=/=]SchizoTech: On the one hand, working guns are rare objects, and only Fender, Gibson and one of Fender's random mook mooks are seen wielding them, on the other hand the last scientists are able to turn Pearl from a human being into a cyborg with a mechanical brain, no sweat. And unless we assume that Fender is a massive fan of ''Film/BladeRunner'', then he's apparently encountered other cyborgs and expects his crew to understand what he means when he refers to her as a skin job.

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