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''Chan Is Missing'' is a 1982 film directed by Wayne Wang.

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''Chan Is Missing'' is a 1982 film directed by Wayne Wang.
Creator/WayneWang.



Wayne Wang has since gone on to direct big-time Hollywood productions, such as ''Literature/TheJoyLuckClub'', which also deals with the Chinese-American community and ''Film/MaidInManhattan''.

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Wayne Wang Creator/WayneWang has since gone on to direct big-time Hollywood productions, such as ''Literature/TheJoyLuckClub'', which also deals with the Chinese-American community and ''Film/MaidInManhattan''.
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Made on a budget of $22,000, most of which came from a government grant. Famous as the first film made by Asian Americans to get wide distribution in the United States (1916's ''Film/TheCurseOfQuonGwon'' was only screened twice). Wayne Wang has since gone on to direct big-time Hollywood productions, such as ''Literature/TheJoyLuckClub'', which also deals with the Chinese-American community and ''Film/MaidInManhattan''.

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Made on a budget of $22,000, most of which came from a government grant. Famous as the first film made by Asian Americans to get wide distribution in the United States (1916's ''Film/TheCurseOfQuonGwon'' was only screened twice). twice).
Wayne Wang has since gone on to direct big-time Hollywood productions, such as ''Literature/TheJoyLuckClub'', which also deals with the Chinese-American community and ''Film/MaidInManhattan''.
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Made on a budget of $22,000, most of which came from a government grant. Famous as the first film made by Asian Americans to get wide distribution in the United States (1916's ''Film/TheCurseOfQuonGwon'' was only screened twice). Wayne Wang has since gone on to direct big-time Hollywood productions like ''Film/MaidInManhattan'' and ''Literature/TheJoyLuckClub''.

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Made on a budget of $22,000, most of which came from a government grant. Famous as the first film made by Asian Americans to get wide distribution in the United States (1916's ''Film/TheCurseOfQuonGwon'' was only screened twice). Wayne Wang has since gone on to direct big-time Hollywood productions like ''Film/MaidInManhattan'' productions, such as ''Literature/TheJoyLuckClub'', which also deals with the Chinese-American community and ''Literature/TheJoyLuckClub''.
''Film/MaidInManhattan''.
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I forgot these ones


* FilmNoir: The film eventually becomes this as Jo finds some evidence that Chan may have been involved with a murder that arose out of an argument between supporters of mainland China and supporters of Taiwan at a Chinatown parade. There's a gun, there's ominous music, there's a mystery woman who may be Chan's mistress. Jo becomes paranoid that he's being followed. He even gets a mysterious phone call telling him to stop asking questions about Chan. Subverted in the end when the mystery doesn't go anywhere and is never solved (see {{Anticlimax}} above).

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* FilmNoir: The film eventually becomes this as Jo finds some evidence that Chan may have been involved with a murder that arose out of an argument between supporters of mainland China and supporters of Taiwan at a Chinatown parade. There's a gun, there's ominous music, there's a mystery woman who may be Chan's mistress. Jo becomes paranoid that he's being followed. He even gets a mysterious phone call telling him to stop asking questions about Chan. [[spoiler: Subverted in the end when the mystery doesn't go anywhere and is never solved (see {{Anticlimax}} above).above)]].



* TheUnsolvedMystery: Chan's disappearance is never solved.

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* TheUnsolvedMystery: [[spoiler: Chan's disappearance is never solved.solved]].
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Not everyone has seen the movie


* {{Anticlimax}}: The mystery is never solved! Eventually Chan's daughter looks up Jo and Steve and returns their $4000, which Chan apparently gave to her. But we never find out where Chan is or why he disappeared or even if he's still alive, or whether or not Chan had any connection to the murder after the Chinese New Year parade. Jo gives up looking. Justified in-universe as the film refers often to the role of mystery and ambiguity in Chinese culture and how what is not seen is just as important as what is seen.

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* {{Anticlimax}}: [[spoiler: The mystery is never solved! Eventually Chan's daughter looks up Jo and Steve and returns their $4000, which Chan apparently gave to her. But we never find out where Chan is or why he disappeared or even if he's still alive, or whether or not Chan had any connection to the murder after the Chinese New Year parade. Jo gives up looking. Justified in-universe as the film refers often to the role of mystery and ambiguity in Chinese culture and how what is not seen is just as important as what is seen.seen]].
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* SignificantName: "Chan" is an allusion to the Film/CharlieChan franchise, which was full of Western stereotyping and had a protagonist played in {{Yellowface}} by a white man. Leads to DoubleMeaningTitle, as while Chan Hung is missing from the movie, crude stereotypes like Charlie Chan are missing from this film.

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* SignificantName: "Chan" is an allusion to the Film/CharlieChan franchise, which was is generally thought to be full of Western stereotyping and had a protagonist usually played in {{Yellowface}} by a white man.actor (although he was written as an ''anti''-racist character, based on a quite real Chinese-American police officer, and his best-known actor was part Mongolian)[[note]]Professor Yunte Huang reveals all in his book ''Charlie Chan, the Untold Story''[[/note]]. Leads to DoubleMeaningTitle, as while Chan Hung is missing from the movie, crude stereotypes like Charlie Chan are missing from this film.
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* TheUnsolvedMystery: Chan's disappearance is never solved.
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* FamiliarSoundtrackForeignLyrics: The movie opens with a cover of "Rock Around the Clock", with lyrics in Cantonese.
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* ShoutOut: A subtle one to ''Film/{{Vertigo}}'' as Jo gets paranoid while walking down the streets.
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* SignificantName: "Chan" is an allusion to the Film/CharlieChan franchise, which was full of Western stereotyping and had a protagonist played in {{Yellowface}} by a white man. Leads to DoubleMeaningTitle, as while Chan Hung is missing from the movie, crude stereotypes like Charlie Chan are missing from this film.

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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/643c3b09_9ace_4e6c_971c_aa8617607ef0.jpeg]]



* FilmNoir: The film eventually becomes this as Jo finds some evidence that Chan may have been involved with a murder that arose out of an argument between supporters of mainland China and supporters of Taiwan at a Chinatown parade. There's a gun, there's ominous music, there's a MysteryWoman who may be Chan's mistress. Jo becomes paranoid that he's being followed. He even gets a mysterious phone call telling him to stop asking questions about Chan. Subverted in the end when the mystery doesn't go anywhere and is never solved (see {{Anticlimax}} above).

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* FilmNoir: The film eventually becomes this as Jo finds some evidence that Chan may have been involved with a murder that arose out of an argument between supporters of mainland China and supporters of Taiwan at a Chinatown parade. There's a gun, there's ominous music, there's a MysteryWoman mystery woman who may be Chan's mistress. Jo becomes paranoid that he's being followed. He even gets a mysterious phone call telling him to stop asking questions about Chan. Subverted in the end when the mystery doesn't go anywhere and is never solved (see {{Anticlimax}} above).
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* FaceFramedInShadow: The film ends with Jo musing about the contradictory things he's found and the fundamental unknowability of Chan Hung. The last line of the movie is Jo saying "Here's a picture of Chan Hung, and I still can't see him." The movie then shows a Polaroid of Chan and Jo standing next to each other, with Chan's face hidden by the shadow from an awning. Then the credits roll.

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-> "This mystery is appropriately Chinese: what's not there seems to have just as much meaning as what is there."



* {{Allegory}}: Eventually it becomes clear that Chan is less an individual than a symbol for the Chinese-American community in all its variety.

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* {{Allegory}}: Eventually it becomes clear that Chan is less an individual than a symbol for the Chinese-American community in all its variety. Jo lampshades this near the end of the movie when he remarks on how the many people they talked to about Chan have differing memories about him.
--> "Steve thinks that Chan Hung is slow with it, but sly when it comes to money. Jenny thinks that her father is honest and trustworthy. Mrs. Chan thinks her husband is a failure because he isn't rich. Amy thinks he's a hard-headed political activist...Presco thinks he's an eccentric who likes mariachi music."



* FilmNoir: The film eventually becomes this as Jo finds some evidence

to:

* FilmNoir: The film eventually becomes this as Jo finds some evidence that Chan may have been involved with a murder that arose out of an argument between supporters of mainland China and supporters of Taiwan at a Chinatown parade. There's a gun, there's ominous music, there's a MysteryWoman who may be Chan's mistress. Jo becomes paranoid that he's being followed. He even gets a mysterious phone call telling him to stop asking questions about Chan. Subverted in the end when the mystery doesn't go anywhere and is never solved (see {{Anticlimax}} above).



* JumpCut:

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* JumpCut: Used for a shot at the end of the movie where a man who may or may not be Chan is seen loitering on a street, as several Jump Cuts show him in slightly different positions; the last cut shows that he has disappeared.



* ThisIsReality: Near the end Jo encounters yet another acquaintance of Chan's. He says wryly that "If this were a TV mystery, an important clue would pop up at this time and clarify everything."

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* ThisIsReality: Near the end Jo encounters yet another acquaintance of Chan's. He says wryly that "If this were a TV mystery, an important clue would pop up at this time and clarify everything."" Sure enough, the man that he talks to, while saying some interesting things, does ''not'' impart any new information that solves the mystery.
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''Chan Is Missing'' is a 1982 film directed by Wayne Wang.

A middle-aged Chinese-American man named Jo is a taxi driver in the Chinatown district of UsefulNotes/SanFrancisco. Jo and his young nephew Steve, also a taxi driver, decide to go into business for themselves by buying a taxi medallion (that is, a license to run a taxi business). They ask their friend Chan Hung to help arrange the deal, and give him $4000 for the license. Chan then disappears. Jo and Steve, who want their money but are also concerned for their friend, start searching Chinatown for him. Their detective work leads them all over Chinatown, where they meet a wide variety of characters who together form a portrait of Chinese-American life.

Made on a budget of $22,000, most of which came from a government grant. Famous as the first film made by Asian Americans to get wide distribution in the United States (1916's ''Film/TheCurseOfQuonGwon'' was only screened twice). Wayne Wang has since gone on to direct big-time Hollywood productions like ''Film/MaidInManhattan'' and ''Literature/TheJoyLuckClub''.

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!!Tropes:

* {{Allegory}}: Eventually it becomes clear that Chan is less an individual than a symbol for the Chinese-American community in all its variety.
* {{Anticlimax}}: The mystery is never solved! Eventually Chan's daughter looks up Jo and Steve and returns their $4000, which Chan apparently gave to her. But we never find out where Chan is or why he disappeared or even if he's still alive, or whether or not Chan had any connection to the murder after the Chinese New Year parade. Jo gives up looking. Justified in-universe as the film refers often to the role of mystery and ambiguity in Chinese culture and how what is not seen is just as important as what is seen.
* BilingualBonus: In the original theatrical cut none of the Chinese dialogue was subtitled. The film opens with a rollicking cover of "Rock Around the Clock" in Cantonese--except that the lyrics have the singer complaining about how the price of rice and soybeans keeps going up.
* CultureClash: A theme of the movie. Chan's lawyer, who also can't find him, recounts how Chan landed himself in court on a traffic violation. It seems an officer pulled him over for not stopping at a stop sign. The officer, a white man, asked directly "Did you stop at the stop sign?" in the Western manner. Chan replied more indirectly in the Chinese manner with a rambling story about how he came to the stop sign and where he was going. This irritated the officer, who was looking for a yes/no answer, and Chan wound up having to go to court.
* DeliberatelyMonochrome: Due to the $22,000 budget, lending the movie a gritty cinema-verite style.
* FilmNoir: The film eventually becomes this as Jo finds some evidence
* TheGhost: Chan. Much sought after, discussed at length, never seen.
* JumpCut:
* LivingMacGuffin: The whole story involves Jo and Steve trying to find the missing Chan, both to get their money back and (at least on Jo's part) also to confirm that he's all right.
* {{Narrator}}: Jo narrates the whole film in a wry tone.
* ThisIsReality: Near the end Jo encounters yet another acquaintance of Chan's. He says wryly that "If this were a TV mystery, an important clue would pop up at this time and clarify everything."
* WorthlessForeignDegree: Frank, who Steve and Jo find cooking dumplings in a restaurant kitchen, complains about how he got a degree in aeronautical engineering back in China. Later events show that Frank is being disingenuous as he actually owns that restaurant, and several others, and is quite well off.

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