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''Annie Hall'' is a 1977 American romantic comedy-drama film directed by Creator/WoodyAllen, who also co-wrote the screenplay with Marshall Brickman. The cast includes Allen, Creator/DianeKeaton, Tony Roberts, Creator/CarolKane, Music/PaulSimon, Janet Margolin, Creator/ShelleyDuvall, Creator/ChristopherWalken, and Colleen Dewhurst.

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''Annie Hall'' is a 1977 American romantic comedy-drama film directed by Creator/WoodyAllen, who also co-wrote the screenplay with Marshall Brickman. The cast includes Allen, Creator/DianeKeaton, Tony Roberts, Creator/CarolKane, Music/PaulSimon, Janet Margolin, Creator/JanetMargolin, Creator/ShelleyDuvall, Creator/ChristopherWalken, and Colleen Dewhurst.
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* ShiksaGoddess: Annie the Midwestern WASP, paired with Alvy the New York Jew.
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* CrappyHolidays: The Jewish Alvy endures an awkward Easter with Annie's WASP family and a sickness-inducing Christmas in Los Angeles.

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* CrappyHolidays: The Jewish Alvy endures an awkward Easter with Annie's WASP family in Wisconsin and a sickness-inducing Christmas in Los Angeles.
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* WaxingLyrical: While rhapsodizing to Alvy about a Music/BobDylan concert she attended, Pam recites the chorus from "[[Music/BlondeOnBlonde Just Like a Woman]]".

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* WaxingLyrical: While rhapsodizing to Alvy about a Music/BobDylan concert she attended, Pam recites the chorus from "[[Music/BlondeOnBlonde Just Like a Woman]]".Woman]]", to his visible irritation.
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* SliceOfLife: It is a somewhat autobiographical slice of Alvy's life

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* SliceOfLife: It is a somewhat autobiographical slice of Alvy's lifelife.
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** The animated Woody is the AuthorAvatar of Woody Allen's comic strip that was published in newspapers at the time.

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** The animated Woody Alvy is based on the AuthorAvatar of from the ''Inside Woody Allen's Allen'' comic strip that was published in newspapers at the time.
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* WhiteGuilt: Alvy's parent's argument over firing the cleaning lady. Alvy's mother said she was stealing from them. Alvy's father said they should give her a break because she's "a colored woman from Harlem", and "The colored have enough trouble already", and "She's got a RIGHT to steal from us!"

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* WhiteGuilt: Alvy's parent's parents' argument over firing the cleaning lady. Alvy's mother said she was stealing from them. Alvy's father said they should give her a break because she's "a colored woman from Harlem", and "The colored have enough trouble already", and "She's got a RIGHT to steal from us!"
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--> '''Alvy (voice-over):''' And Ivan Ackerman. Always the wrong answer. Always.

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--> '''Alvy (voice-over):''' '''Alvy:''' ''(in voice-over)'' And Ivan Ackerman. Always the wrong answer. Always.



-->'''Young Alvy:''' ''(FacePalm)''

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-->'''Young Alvy:''' ''(FacePalm)''''*facepalm*''
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* ForegoneConclusion: We learn from Alvy's opening monologue that he and Annie have broken up.
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[[quoteright:315:https://static.tvtropes.org/pmwiki/pub/images/annie_hall.jpeg]]

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[[quoteright:315:https://static.[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/annie_hall.jpeg]]
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->''"There's an old joke. Two elderly women are at a Catskill mountain resort. One says, 'The food at this place is really terrible.' The other says, 'I know, and such small portions.' That's essentially how I feel about life: full of loneliness, misery, suffering and unhappiness...and it's all over much too quickly."''

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->''"There's an old joke. Two elderly women are at a Catskill mountain resort. One resort, and one of them says, 'The 'Boy, the food at this place is really terrible.' The other one says, 'I 'Yeah, I know, and such small portions.' That's Well, that's essentially how I feel about life: full of loneliness, misery, loneliness and misery and suffering and unhappiness...and it's all over much too quickly."''

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--> '''Separate therapists''': Do you have sex often?
--> '''Alvy''': Hardly ever. Maybe three times a week.
--> '''Annie''': Constantly. I'd say three times a week.

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--> '''Separate therapists''': Do you have sex often?
-->
often?\\
'''Alvy''': Hardly ever. Maybe three times a week.
-->
week.\\
'''Annie''': Constantly. I'd say three times a week.



* BreakingTheFourthWall: With a sledgehammer for 90 minutes.

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* %%* BreakingTheFourthWall: With a sledgehammer for 90 minutes.



--->'''Alvy:''' I can't go into a movie that's already started, because I'm anal.
--->'''Annie:''' That's a ''polite'' word for what you are.

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--->'''Alvy:''' I can't go into a movie that's already started, because I'm anal.
--->'''Annie:'''
anal.\\
'''Annie:'''
That's a ''polite'' word for what you are.



* SexinessScore: While Alvy and Rob are at a party with his friend, Rob refers to a female guest as a 10 due to "VPL", and Rob clarifies VPL stands for "visible panty line".



* SilentCredits

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* %%* SilentCredits



-->'''Pam:''' Sex with you really is a [[Creator/FranzKafka Kafkaesque]] experience, isn't it.
-->'''Alvy:''' ''(nonplussed)'' Oh. Thank you.
-->'''Pam:''' I meant that as a compliment.

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-->'''Pam:''' Sex with you really is a [[Creator/FranzKafka Kafkaesque]] experience, isn't it.
-->'''Alvy:'''
it.\\
'''Alvy:'''
''(nonplussed)'' Oh. Thank you.
-->'''Pam:'''
you.\\
'''Pam:'''
I meant that as a compliment.

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* FacePalm: Alvy does this in a flashback to his childhood:

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* FacePalm: DubNameChange: The Hungarian version of the film replaced Alvy's reference to Creator/GrouchoMarx with Creator/BusterKeaton in the dubbing. They were afraid people might think of Creator/KarlMarx.
* {{Facepalm}}:
Alvy does this in a flashback to his childhood:
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* PensieveFlashback
* PowderGag: The coke-sniffing scene.

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* PensieveFlashback
OneBookAuthor: This was the only film role for many of the young actors in Alvy's class, including Jonathan Munk, who played the young Alvy.
* PowderGag: The coke-sniffing scene. One sneeze from Alvy and tens of thousands of dollars' worth of cocaine are scattered all over the room.
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* YourCostumeNeedsWork: Played with. Winner of the Truman Capote look-a-like contest is... Truman Capote.

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* YourCostumeNeedsWork: Played with. Winner The "winner of the Truman Capote look-a-like contest lookalike contest" is... Truman Capote.Creator/TrumanCapote.
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** To Alvy, UsefulNotes/NewYork is everything Los Angeles isn't. It's crowded, energy-filled, and full of culture… and garbage. In a word, it represents home or it's Alvy's safety blanket. It symbolizes Alvy himself. When he leaves, he gets physically sick. He can't survive without its hustle, bustle, and intellectual ambiance. And he definitely can't imagine why Annie would ever want to stray from it. She's ready for a change of location… and a change of partner. After all, Annie is well aware of the realities of both Alvy and The Big Apple—and she thinks that they're both ultimately toxic. Whether he's magically summoning Marshall [=McLuhan=] or getting relationship advice from random passersby on the street, Alvy uses New York as the playground for his fantasies, which suggests just how comfortable he is there.

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** To Alvy, Conversely, UsefulNotes/NewYork to Alvy is everything Los Angeles isn't. It's crowded, energy-filled, and full of culture… and garbage. In a word, it represents home or it's Alvy's safety blanket. It even symbolizes Alvy himself. When he leaves, he gets physically sick. He can't survive without its hustle, bustle, and intellectual ambiance. And he definitely can't imagine why Annie would ever want to stray from it. She's ready for a change of location… and a change of partner. After all, Annie is well aware of the realities of both Alvy and The Big Apple—and she thinks that they're both ultimately toxic. Whether he's magically summoning Marshall [=McLuhan=] or getting relationship advice from random passersby on the street, Alvy uses New York as the playground for his fantasies, which suggests just how comfortable he is there.
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The story centers on comedian Alvy Singer (Allen), who's trying to understand the end of his relationship with nightclub singer Annie Hall (Keaton).

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The story centers on neurotic [[BigApplesauce New York]] comedian Alvy Singer (Allen), who's trying to understand the end of his relationship with nightclub singer Annie Hall (Keaton).
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** Alvy dismisses UsefulNotes/LosAngeles as "a city where the only cultural advantage is being able to make a right turn on a red light".
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* VoxPops: Alvy discusses his relationship with Annie to various random people on the street - including a ''horse''.

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* VoxPops: Alvy discusses his relationship with Annie to various random people on the street - street... including a ''horse''.
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* WaxingLyrical: While rhapsodizing to Alvy about a Music/BobDylan concert she attended, Pam recites the chorus from "Just Like a Woman".

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* WaxingLyrical: While rhapsodizing to Alvy about a Music/BobDylan concert she attended, Pam recites the chorus from "Just "[[Music/BlondeOnBlonde Just Like a Woman".Woman]]".
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Added DiffLines:

* WaxingLyrical: While rhapsodizing to Alvy about a Music/BobDylan concert she attended, Pam recites the chorus from "Just Like a Woman".
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* SelfPlagiarism: The standup routine Alvy performs at the college is taken from his days of when he used to be a standup comedian. Also, when Alvy is describing himself becoming a comedian, we see an excerpt of Woody Allen's appearing on the Dick Cavett show, doing a bit from one of his standup routines (which is also an example of CelebrityParadox, even though Alvy is basically based on Allen).

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* SelfPlagiarism: The standup routine Alvy performs at the college is taken from his days of when he used to be a standup comedian. Also, when Alvy is describing himself becoming a comedian, we see an excerpt a clip of Woody Allen's Allen appearing on the Dick Cavett show, ''Series/TheDickCavettShow'', doing a bit from one of his standup routines (which is also an example of CelebrityParadox, even though Alvy is basically based on Allen).
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** To Alvy, UsefulNotes/NewYork is everything Los Angeles isn't. It's crowded, energy-filled, and full of culture… and garbage. In a word, it represents home or it's Alvy's safety blanket. It symbolizes Alvy himself. When he leaves, he gets physically sick. He can't survive without its hustle, bustle, and intellectual ambiance. And he definitely can't imagine why Annie would ever want to stray from it. She's ready for a change of location… and a change of partner. After all, Annie is well aware of the realities of both Alvy and The Big Apple—and she thinks that they're both ultimately toxic. Whether he's magically summoning Marshall McLuhan or getting relationship advice from random passersby on the street, Alvy uses New York as the playground for his fantasies, which suggests just how comfortable he is there.

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** To Alvy, UsefulNotes/NewYork is everything Los Angeles isn't. It's crowded, energy-filled, and full of culture… and garbage. In a word, it represents home or it's Alvy's safety blanket. It symbolizes Alvy himself. When he leaves, he gets physically sick. He can't survive without its hustle, bustle, and intellectual ambiance. And he definitely can't imagine why Annie would ever want to stray from it. She's ready for a change of location… and a change of partner. After all, Annie is well aware of the realities of both Alvy and The Big Apple—and she thinks that they're both ultimately toxic. Whether he's magically summoning Marshall McLuhan [=McLuhan=] or getting relationship advice from random passersby on the street, Alvy uses New York as the playground for his fantasies, which suggests just how comfortable he is there.

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* TakeThat: Alvy is aghast at the practice of TV laugh tracks, calling it "immoral" and saying it means the show isn't funny enough for a StudioAudience.
-->'''Alvy:''' Are there boos on that [the laugh track playback]?

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* TakeThat: TakeThat:
**
Alvy is aghast at the practice of TV laugh tracks, calling it "immoral" and saying it means the show isn't funny enough for a StudioAudience.
-->'''Alvy:''' --->'''Alvy:''' Are there boos on that [the laugh track playback]?


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** When Alvy is with Pam the ''Magazine/RollingStone'' reporter at a gathering for the Maharishi:
--->'''Pam:''' I'm a Rosicrucian myself.
--->'''Alvy:''' I can't get with any religion that advertises in ''Popular Mechanics''. (''seeing the Maharishi'') Look, there's "God" coming out of the men's room.
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* InJoke: At one point, Alvy gets a bit miffed over Annie having an issue of ''National Review''. Ten years before the movie came out, Woody Allen had William F. Buckley on his show, and they got along quite well.

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* InJoke: At one point, Alvy gets a bit miffed over Annie having an issue of ''National Review''. Ten years before the movie came out, Woody Allen had William F. Buckley interviewed Creator/WilliamFBuckleyJr on his show, a television special, and they actually got along quite well.
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** Additionally, when they're in the park making comments about passersby, the man they dub "[[YourCostumeNeedsWork winner of the Truman Capote lookalike contest]]" actually was Truman Capote.

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** Additionally, when When they're in the park and Alvy is making snarky comments about passersby, the a man they dub he dubs "[[YourCostumeNeedsWork the winner of the Truman Capote lookalike contest]]" is actually was Truman Capote.Creator/TrumanCapote.
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Allen, who had previously been known as maker of zany comedies, has described this film as "a major turning point" in bringing a new level of seriousness to his work, in addition to consolidating his signature cinematic style, which includes long, realistically written scenes of conversation--often captured using uninterrupted takes--and an equal thematic investment in both hilarity and heartbreak. It was followed the next year by his first completely serious melodrama, ''Interiors''.

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Allen, who had previously been known as maker of zany comedies, has described this film as "a major turning point" in bringing a new level of seriousness to his work, in addition to consolidating his signature cinematic style, which includes long, realistically written scenes of conversation--often captured using uninterrupted takes--and an equal thematic investment in both hilarity and heartbreak. It was followed the next year by his first completely serious melodrama, ''Interiors''.
''Film/{{Interiors}}''.
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''Annie Hall'' is a 1977 American romantic comedy-drama film directed by and starring Creator/WoodyAllen, who also co-wrote the screenplay with Marshall Brickman. The supporting cast includes Creator/DianeKeaton, Tony Roberts, Creator/CarolKane, Music/PaulSimon, Janet Margolin, Creator/ShelleyDuvall, Creator/ChristopherWalken, and Colleen Dewhurst.

to:

''Annie Hall'' is a 1977 American romantic comedy-drama film directed by and starring Creator/WoodyAllen, who also co-wrote the screenplay with Marshall Brickman. The supporting cast includes Allen, Creator/DianeKeaton, Tony Roberts, Creator/CarolKane, Music/PaulSimon, Janet Margolin, Creator/ShelleyDuvall, Creator/ChristopherWalken, and Colleen Dewhurst.

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''Annie Hall'' is a 1977 American romantic comedy-drama film directed by and starring Creator/WoodyAllen, who also co-wrote the screenplay with Marshall Brickman. The story centers on comedian Alvy Singer (Allen), who's trying to understand the end of his relationship with nightclub singer Annie Hall (Creator/DianeKeaton).

to:

''Annie Hall'' is a 1977 American romantic comedy-drama film directed by and starring Creator/WoodyAllen, who also co-wrote the screenplay with Marshall Brickman. The supporting cast includes Creator/DianeKeaton, Tony Roberts, Creator/CarolKane, Music/PaulSimon, Janet Margolin, Creator/ShelleyDuvall, Creator/ChristopherWalken, and Colleen Dewhurst.

The story centers on comedian Alvy Singer (Allen), who's trying to understand the end of his relationship with nightclub singer Annie Hall (Creator/DianeKeaton).(Keaton).



Allen, who had previously been known as maker of zany comedies, has described this film as "a major turning point", bringing a new level of seriousness to his work, in addition to consolidating his signature cinematic style, which includes long, realistically written scenes of conversation--frequently captured in uninterrupted takes--and an equal thematic investment in both hilarity and heartbreak. It was followed the next year by his first completely serious melodrama, ''Interiors''.

to:

Allen, who had previously been known as maker of zany comedies, has described this film as "a major turning point", point" in bringing a new level of seriousness to his work, in addition to consolidating his signature cinematic style, which includes long, realistically written scenes of conversation--frequently conversation--often captured in using uninterrupted takes--and an equal thematic investment in both hilarity and heartbreak. It was followed the next year by his first completely serious melodrama, ''Interiors''.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/MPW-11337_4215.jpeg]]

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[[quoteright:300:https://static.[[quoteright:315:https://static.tvtropes.org/pmwiki/pub/images/MPW-11337_4215.jpeg]]
org/pmwiki/pub/images/annie_hall.jpeg]]



''Annie Hall'' (1977) is an American romantic comedy film directed by Creator/WoodyAllen from a script co-written with Marshall Brickman. It centers on comedian Alvy Singer (Allen), who is trying to understand the end of his relationship with nightclub singer Annie Hall (Creator/DianeKeaton).

to:

''Annie Hall'' (1977) is an a 1977 American romantic comedy comedy-drama film directed by Creator/WoodyAllen from a script co-written and starring Creator/WoodyAllen, who also co-wrote the screenplay with Marshall Brickman. It The story centers on comedian Alvy Singer (Allen), who is who's trying to understand the end of his relationship with nightclub singer Annie Hall (Creator/DianeKeaton).



Allen had previously been known as a maker of zany comedies; the director has described ''Annie Hall'' as "a major turning point", as it brought a new level of seriousness to his work, in addition to consolidating his signature cinematic style, which includes long, realistically written scenes of conversation, often shot in uninterrupted takes, and an equal thematic investment in both hilarity and heartbreak. It was followed the next year by his first completely serious melodrama, ''Interiors''.

to:

Allen Allen, who had previously been known as a maker of zany comedies; the director comedies, has described ''Annie Hall'' this film as "a major turning point", as it brought bringing a new level of seriousness to his work, in addition to consolidating his signature cinematic style, which includes long, realistically written scenes of conversation, often shot conversation--frequently captured in uninterrupted takes, and takes--and an equal thematic investment in both hilarity and heartbreak. It was followed the next year by his first completely serious melodrama, ''Interiors''.

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