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The opening audition sequence, set to George Benson's rendition of "On Broadway," has been endlessly imitated (''Staying Alive'', the film version of ''Theatre/AChorusLine'', etc., etc., etc.). One of Paula Abdul's music videos paid homage to "Airotica," the second half of the "NY/LA" number.

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The opening audition sequence, set to George Benson's rendition of "On Broadway," Broadway", has been endlessly imitated (''Staying Alive'', the film version of ''Theatre/AChorusLine'', etc., etc., etc.). One of Paula Abdul's Music/PaulaAbdul's music videos paid homage to "Airotica," the second half of the "NY/LA" number.
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''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: the period in the mid-'70s when he was directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''Lenny''. Fosse's AuthorAvatar, Joe Gideon (Roy Scheider), spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death (Creator/JessicaLange). The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''[[ShowWithinAShow The Stand-Up]]'', and choreographs some brilliant musical numbers.

to:

''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: the period in the mid-'70s when he was directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''Lenny''. Fosse's AuthorAvatar, Joe Gideon (Roy Scheider), spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death (Creator/JessicaLange). The (Creator/JessicaLange), while the various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''[[ShowWithinAShow The Stand-Up]]'', and choreographs some brilliant musical numbers.
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[[caption-width-right:280:''"It's showtime, folks!"'']]

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[[caption-width-right:280:''"It's
->''"It's
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folks!"''
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Written by Fosse and Robert Alan Aurthur, directed and choreographed by Fosse. It won {{Academy Award}}s for Editing, Art Direction, Costume Design, and Score. It was also nominated for Best Picture, Director, Original Screenplay, Cinematography (Giuseppe Rotunno), and Actor (Scheider).

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Written by Fosse and Robert Alan Aurthur, directed and choreographed by Fosse. It won {{Academy Award}}s for Editing, Art Direction, Costume Design, and Score. It was also nominated for Best Picture, Director, Original Screenplay, Cinematography (Giuseppe Rotunno), Cinematography, and Actor (Scheider).
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Written by Fosse and Robert Alan Aurthur, directed and choreographed by Fosse. It won Academy Awards for Editing, Art Direction, Costume Design, and Score. It was also nominated for Best Picture, Director (Fosse), Original Screenplay, Cinematography, and Actor (Roy Scheider as Gideon).

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Written by Fosse and Robert Alan Aurthur, directed and choreographed by Fosse. It won Academy Awards {{Academy Award}}s for Editing, Art Direction, Costume Design, and Score. It was also nominated for Best Picture, Director (Fosse), Director, Original Screenplay, Cinematography, Cinematography (Giuseppe Rotunno), and Actor (Roy Scheider as Gideon).
(Scheider).
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''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: the period in the mid-'70s when he was directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''Lenny''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''[[ShowWithinAShow The Stand-Up]]'', and choreographs some brilliant musical numbers.

to:

''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: the period in the mid-'70s when he was directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''Lenny''. Fosse's AuthorAvatar, Joe Gideon, Gideon (Roy Scheider), spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death.Death (Creator/JessicaLange). The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''[[ShowWithinAShow The Stand-Up]]'', and choreographs some brilliant musical numbers.
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''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''Lenny''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''[[ShowWithinAShow The Stand-Up]]'', and choreographs some brilliant musical numbers.

to:

''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: the period in the mid-'70s when he was directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''Lenny''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''[[ShowWithinAShow The Stand-Up]]'', and choreographs some brilliant musical numbers.
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/all_that_jazz.jpeg]]
[[caption-width-right:300:''"It's showtime, folks!"'']]

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[[caption-width-right:300:''"It's [[caption-width-right:280:''"It's showtime, folks!"'']]
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/x4ppwrgh3pfvmesbnc8uhvzvswd.jpg]]
[[caption-width-right:300:''It's showtime, folks!'']]

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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/x4ppwrgh3pfvmesbnc8uhvzvswd.jpg]]
[[caption-width-right:300:''It's
org/pmwiki/pub/images/all_that_jazz.jpeg]]
[[caption-width-right:300:''"It's
showtime, folks!'']]
folks!"'']]


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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/x4ppwrgh3pfvmesbnc8uhvzvswd.jpg]]
[[caption-width-right:350:''It's showtime, folks!'']]

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[[quoteright:350:http://static.[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/x4ppwrgh3pfvmesbnc8uhvzvswd.jpg]]
[[caption-width-right:350:''It's [[caption-width-right:300:''It's showtime, folks!'']]
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* GallowsHumor: [[spoiler: A dying Joe stumbles into the morgue, where he's met by a couple of confused morticians. He turns to them, smirks, and says "I'll be back" before turning and walking out]]

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* CorruptCorporateExecutive: The producers seem more interested in profits than anything else, and, when [[spoiler: Joe is hospitalized, they start betting on him dying for an insurance payoff, while courting [[Creator/JohnLithgow Joseph Sargent, another director]], as a contingency]].

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* CorruptCorporateExecutive: The producers seem more interested in profits than anything else, and, when [[spoiler: Joe is hospitalized, they start betting on him dying for an insurance payoff, while courting [[Creator/JohnLithgow Joseph Lucas Sargent, another director]], as a contingency]].


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*PrimaDonnaDirector: Lucas Sargent has shades of this, especially during one scene in the diner - he's approached by a fan, who tells him "Next to Joe Gideon you're my favourite director. I'm sorry your show was a flop". He [[SmallNameBigEgo bitterly signs her autograph, before violently insisting that he'll get the cheque]].


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* TheRival: Lucas Sargent is this for Joe Gideon. Overlaps a bit with UnknownRival, since Joe doesn't seem to pay him much mind.
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--> '''Dancer #1''': "Fuck him, he never picks me!"
--> '''Dancer #2''': "I did fuck him, and he never picks me either''
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* CorruptCorporateExecutive: The producers seem more interested in profits than anything else, and, when [[spoiler: Joe is hospitalized, they start betting on him dying for an insurance payoff, while courting [[Creator/JohnLithgow Joseph Sargent, another director]], as a contingency]].


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* JukeboxMusical: The soundtrack is made up of a mix of popular songs and showtunes ("On Broadway", "Everything Old Is New Again"), classical pieces ("''Concerto Alla Rustica''") and new arrangements of songs sung by the stars ("Some Of These Days", "After You've Gone", or "Bye Bye Life") with new lyrics or music. The only original numbers on the soundtrack are "Take Off With Us", the "Airotica" sequence, and the sort-of song "Hospital Hop".
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* AmicableExes: Joe and Audrey seem to get along quite well - he's directing [[ShowWithinAShow NY/LA]] so that she can star in it, and while they have a sort of a combative relationship, it's Audrey who [[spoiler: stays with Joe in the hospital and takes care of him until his death.]]
--> [[spoiler: '''DyingDream!Joe''': At least I won't have to lie to you anymore!]]


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--> '''Joe Gideon''': (''to Audrey'') If I die, I'm sorry for all the bad things I did to you. {''to Kate'') And if I live, I'm sorry for all the bad things I'm gonna do to you.
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** Near the end, it's revealed that [[spoiler: Kate started having an affair]]. It's implied in the final number that this is the reason [[spoiler: Joe lost the will to live]]
--> '''O'Connor Flood''': "And here's the reason / That he's so free / [[spoiler: his loving baby]]
--> '''Joe Gideon''': [[spoiler: She's through with me]]
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* JerkWithAHeartOfGold: Joe doesn't seem like it at first, but as the movie goes on, you see he does genuinely care deeply for [[MoralityPet his daughter, Michelle]]. This even comes to play with Audrey (his ex-wife), who he [[AmicableExes has taken on directing]] [[ShowWithinAShow NY/LA]] [[AmicableExes for]], and Kate (his current-girlfriend), at least a little, despite his [[YourCheatingHeart constant unfaithfulness]]. It's even implied in the final number that [[spoiler: the reason Joe finally did die is that Kate had left him for someone else, and didn't love him anymore.]]

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* MoralityPet: Michelle is this for Joe.



* ReasonableAuthorityFigure: Dr. Ballinger, the doctor who first diagnoses and looks after Gideon, and who, exasperated by Joe's antics, is constantly explaining to him that his lifestyle and behaviour will lead to his death.

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* ReasonableAuthorityFigure: Dr. Ballinger, the doctor who first diagnoses and looks after Gideon, and who, exasperated by Joe's antics, is constantly explaining to him that his lifestyle and behaviour will lead to his death. Doubles as an IgnoredExpert
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* DeadpanSnarker: Dr. Ballinger has shades of this
--> '''Dr. Ballinger''': ''Mr. Gideon is having severe attacks of angina, they could possibly lead to a massive coronary.''
--> '''Joe Gideon''': ''Aw shit, I've gotta get back to rehearsals! I'm fine! What do doctors know?''
--> '''Dr. Ballinger''': ''[[SnarkToSnarkCombat About angina? Just a little more than show-people, Mr. Gideon]]. Now if you wanna leave that's fine, but I think you'll die if you do.''
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* ReasonableAuthorityFigure: Dr. Ballinger, the doctor who first diagnoses and looks after Gideon, and who, exasperated by Joe's antics, is constantly explaining to him that his lifestyle and behaviour will lead to his death.


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* TitleDrop:
--> '''O'Connor Flood''': "This cat allowed himself to be adored, but not loved, and his success in showbusiness was matched by failure in his personal relationship bag, now that's where he really bombed. And he came to believe that work, showbusiness, love, his whole life, even himself, and '''all that jazz''', was bullshit"
* TooDumbToLive: Joe still keeps up his hard-drinking, chain-smoking, womanizing lifestyle, despite having a ''heart attack''. [[EnforcedTrope Enforced]], as Joe's unwillingness to accept his own mortality ("[[RuleOfSymbolism flirting with death]]") is a key theme of the film.
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* SceneryPorn: The sets are all exquisitely designed. It's telling that it won the Oscars for both Art and Costuming.

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* SceneryPorn: The sets of Gideon's dream sequences are all exquisitely designed.designed with prominent Vaudeville theater motifs. It's telling that it won the Oscars for both Art and Costuming.
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--> '''Executive''': "[[OhCrap Uh-oh]], i think we just lost the family audience."

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--> '''Executive''': "[[OhCrap [[OhCrap Uh-oh]], i think we just [[{{Understatement}} lost the family audience."audience]].
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** Fosse's producers said that everyone he mocked in the film took it with a grain of salt because the person Fosse was hardest and most cynical towards was himself, WartsAndAll.
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** The opening is effectively Bob Fosse declaring that he can do ''Theatre/AChorusLine'' better than it can.

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** [[https://www.youtube.com/watch?v=L2e9acreKmQ The opening opening]] is effectively Bob Fosse declaring that he can do ''Theatre/AChorusLine'' better than it can.Creator/MarvinHamlisch could.

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* ChessWithDeath: Sort of. [[spoiler:As flirty as he does to Angel of Death, he sometimes can be seen rejecting her intimate advances as he struggles to live.]] Especially after [[spoiler:the "Hospital Hallucination" sequence, where he desperately asks if he's still alive, while being caressed by Angel of Death.]]



--> "Ladies and gentlemen, let me lay on you a so-so entertainer, not much of a humanitarian, and this cat was never *nobody's* friend. In his final appearance on the great stage of life - uh, you can applaud if you want to - Mr. Joe Gideon!"

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--> '''O'Connor Flood''': "Ladies and gentlemen, let me lay on you a so-so entertainer, not much of a humanitarian, and this cat was never *nobody's* friend. In his final appearance on the great stage of life - uh, you can applaud if you want to - Mr. Joe Gideon!"
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* DawsonCasting: InUniverse, Audrey is probably close to Joe Gideon's age (40s), but plays the 24 year-old main character of ''NY/LA''.

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* TheCasanova: Joe Gideon.
--> '''Kate Jagger''': "You can [[ReallyGetsAround go out]] with any girl, ''any'' girl in town!"
--> '''Joe Gideon''': "[points to Kate] That's right. I go out with any girl in town! [silence], I stay in with you."



* MatingDance: The "Airotica" ballet. "I think we just lost the family audience."

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* MatingDance: The "Airotica" ballet. "I ballet.
--> '''Executive''': "[[OhCrap Uh-oh]], i
think we just lost the family audience."
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[[quoteright:220:http://static.tvtropes.org/pmwiki/pub/images/allthatjazz1_6496.jpg]]

''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''{{Lenny}}''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''The Stand-Up'', and choreographs some brilliant musical numbers.

to:

[[quoteright:220:http://static.[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/allthatjazz1_6496.jpg]]

org/pmwiki/pub/images/x4ppwrgh3pfvmesbnc8uhvzvswd.jpg]]
[[caption-width-right:350:''It's showtime, folks!'']]

''All That Jazz'' (1979) is Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''{{Lenny}}''.''Lenny''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''The Stand-Up'', ''[[ShowWithinAShow The Stand-Up]]'', and choreographs some brilliant musical numbers.



Written by Fosse and Robert Alan Aurthur, directed and choreographed by Fosse. It won Academy Awards for Editing, Art Direction, Costume Design, and Score. It was also nominated for Best Picture, Director (Fosse), Original Screenplay, Cinematography, and Actor (RoyScheider as Gideon).

Compare/contrast Film/EightAndAHalf.

to:

Written by Fosse and Robert Alan Aurthur, directed and choreographed by Fosse. It won Academy Awards for Editing, Art Direction, Costume Design, and Score. It was also nominated for Best Picture, Director (Fosse), Original Screenplay, Cinematography, and Actor (RoyScheider (Roy Scheider as Gideon).

Compare/contrast Film/EightAndAHalf.''Film/EightAndAHalf'' and ''Film/SynecdocheNewYork''.
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''All That Jazz'' (1979) is BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''{{Lenny}}''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''The Stand-Up'', and choreographs some brilliant musical numbers.

to:

''All That Jazz'' (1979) is BobFosse's Creator/BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''{{Lenny}}''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''The Stand-Up'', and choreographs some brilliant musical numbers.
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'''''All That Jazz''''' (1979) is BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''{{Lenny}}''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''The Stand-Up'', and choreographs some brilliant musical numbers.

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'''''All ''All That Jazz''''' Jazz'' (1979) is BobFosse's gimlet-eyed take on an especially hectic moment in his creative life: directing and choreographing the Broadway musical ''Theatre/{{Chicago}}'' while also directing the film version of ''{{Lenny}}''. Fosse's AuthorAvatar, Joe Gideon, spends the film smoking, drinking, womanizing, and popping pills, all the while flirting with the Angel of Death. The various women in his life look on with love, helplessness, or just plain exasperation. Between bouts of indulgence, he tirelessly works on his film, ''The Stand-Up'', and choreographs some brilliant musical numbers.

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