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* Tashi in ''Film/{{Challengers}}'' isn't above using her sexuality to manipulate the men in her life to do her bidding. [[spoiler:Best demonstrated when she outright tells Patrick she'll sleep with him in order to get him to throw the match to Art.]]
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* Summer in ''Film/DefinitelyMaybe'' is the sexually adventurous "bitch" that destroyed her boyfriend's career to advance her own.

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* Summer in ''Film/DefinitelyMaybe'' is the sexually adventurous "bitch" that destroyed her boyfriend's career to advance her own. That said, her boyfriend was working for a CorruptPolitician.
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* In ''Film/UpTheFront'', UsefulNotes/MataHari seduces British men in order to get information for the German army.
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* Marian Stevens in ''Film/RobinAndTheSevenHoods'' who, in turn, seduces or attempts to seduce Robbo, Little John, Guy Gisborne, Deputy Potts and finally [[spoiler:Allan A. Dale]] in order to control the Chicago mobs from behind the scenes.
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* ''Film/ThreeDaysToKill'': Vivi is a very beautiful, sultry young woman with a constant air of menace who offers Ethan money he needs in return for him taking out several dangerous criminals. She's clearly pretty dangerous herself, urging Ethan to take ruthless action when he's hesitant.
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* In ''Film/MurderByProxy'', the glamorous heiress Phyllis Brunner approaches the down-and-out Casey Morrow in the bar of his hotel and inveigles herself into conversation with him before offing him £500 for a simple job: marrying her.
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* In ''Film/TheCocoanuts'', Penelope is accustomed to using her feminine charms to get unsuspecting men to do her bidding. Unfortunately, she's now up against the Creator/MarxBrothers...

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* Jessica from ''Film/WhoFramedRogerRabbit''. She's a toon clearly created by some artist to be the perfect example, from her dangerous good looks and sultry voice to the slinky way she moves. Even her smile is suspicious. [[spoiler: It turns out that she's the RedHerring and was telling the truth all along. She really isn't bad! Just drawn that way.]]

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* Jessica from ''Film/WhoFramedRogerRabbit''. She's a toon clearly created by some artist to be the perfect example, from her dangerous good looks and sultry voice to the slinky way she moves. Even her smile is suspicious. [[spoiler: It turns out that She's actually a [[SubvertedTrope subversion of the trope]]: she's the a RedHerring and was telling the truth all along. She really isn't bad! Just Jessica loves her husband Roger dearly, and does everything she can to protect him, even if it ends up backfiring on her in the long run. When she says, "I'm not bad... I'm just drawn that way.way," she's absolutely right.]]

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* Madelline Linscott from ''Film/TheBlackDahlia'' is the [[LightFeminineAndDarkFeminine Dark Feminine]] to the sweet angelic Kay's Light Feminine, hangs around seedy lesbian bars, and has affairs behind her rich parents' back. It's in constant doubt as to whether she can be trusted. [[spoiler: Turns out she can't, and she's the one who murders Dwight while dressed as a man.]]

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* Madelline Linscott from ''Film/TheBlackDahlia'' is the [[LightFeminineAndDarkFeminine Dark Feminine]] to the sweet sweet, angelic Kay's Light Feminine, hangs around seedy lesbian bars, and has affairs behind her rich parents' back. It's in constant doubt as to whether she can be trusted. [[spoiler: Turns out she can't, and she's the one who murders Dwight while dressed as a man.]]


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* ''Film/TheWhiteOrchid'': [[spoiler:The White Orchid]] is a very beautiful woman who had used her good looks to seduce both men and women, [[HoneyTrap using this]] to rob or murder them.
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* Myra is ''Film/PleaseMurderMe''. She married Joe for his money, then manipulates Joe's best friend Craig into falling in love with her, before murdering Joe and claiming it was self-defence, and relying on Craig's legal expertise to get her of the murder charge.

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* Brigid O'Shaughnessy from ''Film/{{The Maltese Falcon|1941}}'' is one of the earliest examples in noir fiction. She's directly involved in betrayal, theft, and several murders all while trying to play innocent to (not to mention seduce) the lead character throughout most of the film and the book.
* Kathie Moffat ([[Creator/StevenMoffat no relation]]) from ''Film/OutOfThePast'' is the quintessential film noir example. She lies, steals, kills at least three people, and conspires to commit another murder, uses sex to ensnare men to do what she wants, and looks great in a cocktail dress.

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* Brigid O'Shaughnessy from ''Film/{{The Maltese Falcon|1941}}'' is one %%
%%
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%% This list
of the earliest examples has been alphabetized. Please add your example in noir fiction. She's directly involved in betrayal, theft, and several murders all while trying to play innocent to (not to mention seduce) the lead character throughout most of the film and the book.
* Kathie Moffat ([[Creator/StevenMoffat no relation]]) from ''Film/OutOfThePast'' is the quintessential film noir example. She lies, steals, kills at least three people, and conspires to commit another murder, uses sex to ensnare men to do what she wants, and looks great in a cocktail dress.
proper place. Thanks!
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%%
%%
%%



* The eponymous ''Film/{{Nikita}}'' is alongside aforementioned Catherine when it comes to modern iconic examples of this and Nikita managed to inspire other examples listed here such as Ada Wong from ''Franchise/ResidentEvil''. A professional assassin who uses her sex appeal to murder for the French government, Nikita is actually a subversion and deeply sympathetic example being a BrokenBird who’s drug addiction was used against her by her government handlers and is torn between her work and genuine {{Love Interest|s}} Marco who wants to try and help Nikita escape from the system.

to:

* The eponymous ''Film/{{Nikita}}'' Vivian, from noir classic ''Film/TheBigSleep,'' is alongside aforementioned Catherine when it comes set up to modern iconic examples of this and Nikita managed to inspire other examples listed here be the typical Femme Fatale, such as Ada Wong from ''Franchise/ResidentEvil''. A professional assassin who uses her sex appeal to murder for the French government, Nikita is actually a subversion and deeply sympathetic example being a BrokenBird who’s drug addiction was used against her by her government handlers involved in several shady deals, gambling, and is torn between her work and genuine {{Love Interest|s}} Marco who wants [[spoiler:admitting to try and help Nikita escape cover up a murder]] all while trying to manipulate detective Marlowe into doing what she wants. Where the novel plays the trope completely straight, the film changes up the game by making her turn heroic halfway through the picture instead.
* Madelline Linscott
from ''Film/TheBlackDahlia'' is the system. [[LightFeminineAndDarkFeminine Dark Feminine]] to the sweet angelic Kay's Light Feminine, hangs around seedy lesbian bars, and has affairs behind her rich parents' back. It's in constant doubt as to whether she can be trusted. [[spoiler: Turns out she can't, and she's the one who murders Dwight while dressed as a man.]]
* In ''Film/BruteForce1947'', Spencer tells the story of a woman he met in an illegal gambling place that stole his money and his car at gunpoint. He still can’t forget her.



* ''Film/DeadlyPickup'' has Breezy Johnson, who [[DepravedBisexual seduces men and women alike]], kills them while having sex with them, and steals their valuables.



* ''Film/{{Detour}}'': Vera sees through Roberts' ruse and blackmails him. She insists that they should milk the situation for all they can, instead of trying to distance themselves from it.



* Another great noir performance by Creator/BarbaraStanwyck as Martha Ivers in ''Film/TheStrangeLoveOfMarthaIvers''. She kills her aunt as a young child and stops at nothing to make sure no one finds out.
* ''Film/PiratesOfTheCaribbeanOnStrangerTides'': Angelica is very flirtatious towards Jack and tends to manipulate him to do her father's bidding. The mermaids use their charms to lure sailors to their deaths.
* Europa trilogy by Creator/LarsVonTrier has two examples. Because these are Lars Von Trier movies, both characters are examples of ruthless deconstruction of the Femme Fatale trope, both utterly fail their agenda and turn out to be extreme versions of JerkassWoobie trope.

to:

* Another great noir performance by Creator/BarbaraStanwyck as Martha Ivers in ''Film/TheStrangeLoveOfMarthaIvers''. She kills ''Film/TheDreamers'' evokes this trope with Isabelle - who is comfortable [[IncestSubtext being naked around her aunt brother and watching him masturbate]]. There's something very erotically dangerous about her - so it's no surprise that when the movie turns out to be happening during the 1968 Paris riots that Isabelle and her brother immediately get involved. Isabelle's actress Creator/EvaGreen nearly got typecast as Femme Fatales after this.
* Barbara Matthews in ''Film/DriveACrookedRoad''. Her boyfriend Steve sends her to act
as a young child and stops at nothing HoneyTrap to make sure no one finds out.
recruit Eddie into being the gang's GetawayDriver.
* ''Film/PiratesOfTheCaribbeanOnStrangerTides'': Angelica is very flirtatious towards Jack and tends to manipulate him to do her father's bidding. The mermaids use their charms to lure sailors to their deaths.
* Europa
''Europa'' trilogy by Creator/LarsVonTrier has two examples. Because these are Lars Von Trier movies, both characters are examples of ruthless deconstruction of the Femme Fatale trope, both utterly fail their agenda and turn out to be extreme versions of JerkassWoobie trope.



* In ''Film/ExMachina'', regardless of what Ava's motivations were, she does use her charm to manipulate Caleb. In fact, this is even invoked as a TuringTest by her creator.
-->'''Nathan:''' Ava was a rat in a maze. And I gave her one way out. To escape, she’d have to use self-awareness, imagination, manipulation, sexuality, empathy, and she did. Now if that isn’t true AI, then what the fuck is?
* In the classic noir, ''Film/{{Fallen Angel|1945}}'', Linda Darnell plays Stella who doesn't care about double-crossing romantic partners or stealing.
* ''Film/FemmeFatale2002'' naturally has as its main character a female thief like this, played by Creator/RebeccaRomijn.
* ''Film/AForeignAffair'' has Creator/MarleneDietrich as a woman with Nazi affiliations who has an American Captain lusting for her.



* Tae-ju in ''Film/Thirst2009'', who seduces Sang-hyun, [[spoiler:convinces him to murder her husband and turn her into a vampire, then turns into a gleeful killer]].
* Jessica from ''Film/WhoFramedRogerRabbit''. She's a toon clearly created by some artist to be the perfect example, from her dangerous good looks and sultry voice to the slinky way she moves. Even her smile is suspicious. [[spoiler: It turns out that she's the RedHerring and was telling the truth all along. She really isn't bad! Just drawn that way.]]
* Viper from ''Film/TheWolverine'', kills with a kiss… [[KissOfDeath literally]]. She does know how to use her considerable sexuality as a weapon.
%% * Emma Frost in ''Film/XMenFirstClass'', who is then replaced by Angel. Mystique also [[StartOfDarkness starts to blossom into one]].
* ''Film/NakedWeapon'' is all about a MurderInc organization that kidnaps and trains young Asian girls to seduce and kill their male targets. Their favorite method of killing the target is to ''rip out the spinal cord'', which they can do in the blink of an eye. Often, they will first have sex with the mark and then offer a massage. Cue the spine attack.



* Vivian, from noir classic ''Film/TheBigSleep,'' is set up to be the typical Femme Fatale, such as being involved in several shady deals, gambling, and [[spoiler:admitting to help cover up a murder]] all while trying to manipulate detective Marlowe into doing what she wants. Where the novel plays the trope completely straight, the film changes up the game by making her turn heroic halfway through the picture instead.
* In the classic noir, ''Film/{{Fallen Angel|1945}}'', Linda Darnell plays Stella who doesn't care about double-crossing romantic partners or stealing.
* ''Film/TooLateForTears'': Jane (played by Lizabeth Scott) is the cruelest, most without principle femme fatale ever put to screen.
* ''Film/AForeignAffair'' has Creator/MarleneDietrich as a woman with Nazi affiliations who has an American Captain lusting for her.
* In ''Film/ExMachina'', regardless of what Ava's motivations were, she does use her charm to manipulate Caleb. In fact, this is even invoked as a TuringTest by her creator.
-->'''Nathan:''' Ava was a rat in a maze. And I gave her one way out. To escape, she’d have to use self-awareness, imagination, manipulation, sexuality, empathy, and she did. Now if that isn’t true AI, then what the fuck is?
* Katherine "Kitty" March from ''Film/ScarletStreet'', '''and how'''. A model turned amateur scam artist, she wraps the main character around her finger with lies, faux sweetness, and alleged helplessness. Meanwhile, she and her ''real'' boyfriend completely ruin the lead's life in the process.



* ''Film/{{Detour}}'': Vera sees through Roberts' ruse and blackmails him. She insists that they should milk the situation for all they can, instead of trying to distance themselves from it.
* The German movie ''Der Staat gegen Fritz Bauer'' has a rare example where the Femme Fatale is UsefulNotes/{{transgender}}. She is a [[TheChanteuse nightclub singer]] who seduces a closeted public prosecutor so that he can then be blackmailed by political opponents. Previously the singer's boyfriend had been arrested by the authorities for public indecency (homosexuality being illegal at that point in time in the 1950s) and she was offered a reduction to his sentence in return.
* Madelline Linscott from ''Film/TheBlackDahlia'' is the [[LightFeminineAndDarkFeminine Dark Feminine]] to the sweet angelic Kay's Light Feminine, hangs around seedy lesbian bars, and has affairs behind her rich parents' back. It's in constant doubt as to whether she can be trusted. [[spoiler: Turns out she can't, and she's the one who murders Dwight while dressed as a man.]]
* ''Film/TheDreamers'' evokes this trope with Isabelle - who is comfortable [[IncestSubtext being naked around her brother and watching him masturbate]]. There's something very erotically dangerous about her - so it's no surprise that when the movie turns out to be happening during the 1968 Paris riots that Isabelle and her brother immediately get involved. Isabelle's actress Creator/EvaGreen nearly got typecast as Femme Fatales after this.

to:

* ''Film/{{Detour}}'': Vera sees through Roberts' ruse Brigid O'Shaughnessy from ''Film/{{The Maltese Falcon|1941}}'' is one of the earliest examples in noir fiction. She's directly involved in betrayal, theft, and blackmails him. She insists that they should milk the situation for several murders all they can, instead of while trying to distance themselves from it.
* The German movie ''Der Staat gegen Fritz Bauer'' has a rare example where
play innocent to (not to mention seduce) the Femme Fatale is UsefulNotes/{{transgender}}. She is a [[TheChanteuse nightclub singer]] who seduces a closeted public prosecutor so that he can then be blackmailed by political opponents. Previously lead character throughout most of the singer's boyfriend had been arrested by film and the authorities for public indecency (homosexuality being illegal at that point in time in the 1950s) and she was offered a reduction to his sentence in return.
* Madelline Linscott from ''Film/TheBlackDahlia'' is the [[LightFeminineAndDarkFeminine Dark Feminine]] to the sweet angelic Kay's Light Feminine, hangs around seedy lesbian bars, and has affairs behind her rich parents' back. It's in constant doubt as to whether she can be trusted. [[spoiler: Turns out she can't, and she's the one who murders Dwight while dressed as a man.]]
* ''Film/TheDreamers'' evokes this trope with Isabelle - who is comfortable [[IncestSubtext being naked around her brother and watching him masturbate]]. There's something very erotically dangerous about her - so it's no surprise that when the movie turns out to be happening during the 1968 Paris riots that Isabelle and her brother immediately get involved. Isabelle's actress Creator/EvaGreen nearly got typecast as Femme Fatales after this.
book.



* ''Film/NakedWeapon'' is all about a MurderInc organization that kidnaps and trains young Asian girls to seduce and kill their male targets. Their favorite method of killing the target is to ''rip out the spinal cord'', which they can do in the blink of an eye. Often, they will first have sex with the mark and then offer a massage. Cue the spine attack.
* The eponymous ''Film/{{Nikita}}'' is alongside aforementioned Catherine when it comes to modern iconic examples of this and Nikita managed to inspire other examples listed here such as Ada Wong from ''Franchise/ResidentEvil''. A professional assassin who uses her sex appeal to murder for the French government, Nikita is actually a subversion and deeply sympathetic example being a BrokenBird who’s drug addiction was used against her by her government handlers and is torn between her work and genuine {{Love Interest|s}} Marco who wants to try and help Nikita escape from the system.
* Kathie Moffat ([[Creator/StevenMoffat no relation]]) from ''Film/OutOfThePast'' is the quintessential film noir example. She lies, steals, kills at least three people, and conspires to commit another murder, uses sex to ensnare men to do what she wants, and looks great in a cocktail dress.
* ''Film/PiratesOfTheCaribbeanOnStrangerTides'': Angelica is very flirtatious towards Jack and tends to manipulate him to do her father's bidding. The mermaids use their charms to lure sailors to their deaths.
* Vera in ''Film/{{Quicksand}}'' is a low-rent version of this. It is implied that a lot has happened in her life before she started working as a cashier in Dan's favourite diner. She latches on to Dan as shortcut to getting her longed-for [[PrettyInMink mink coat]]. She doesn't tell him to steal for her--he does that off his own bat--but once she finds out, she is happy to encourage him. And, when things go south, she rats him out to the cops in an attempt to save her own skin.



* Katherine "Kitty" March from ''Film/ScarletStreet'', '''and how'''. A model turned amateur scam artist, she wraps the main character around her finger with lies, faux sweetness, and alleged helplessness. Meanwhile, she and her ''real'' boyfriend completely ruin the lead's life in the process.



* ''Film/FemmeFatale2002'' naturally has as its main character a female thief like this, played by Creator/RebeccaRomijn.
* ''Film/DeadlyPickup'' has Breezy Johnson, who [[DepravedBisexual seduces men and women alike]], kills them while having sex with them, and steals their valuables.
* Barbara Matthews in ''Film/DriveACrookedRoad''. Her boyfriend Steve sends her to act as a HoneyTrap to recruit Eddie into being the gang's GetawayDriver.

to:

* ''Film/FemmeFatale2002'' naturally The German movie ''Film/{{Der Staat gegen Fritz Bauer}}'' has as its main character a female thief like this, played by Creator/RebeccaRomijn.
* ''Film/DeadlyPickup'' has Breezy Johnson,
rare example where the Femme Fatale is UsefulNotes/{{transgender}}. She is a [[TheChanteuse nightclub singer]] who [[DepravedBisexual seduces men and women alike]], kills them while having sex with them, and steals their valuables.
* Barbara Matthews in ''Film/DriveACrookedRoad''. Her
a closeted public prosecutor so that he can then be blackmailed by political opponents. Previously the singer's boyfriend Steve sends her to act as a HoneyTrap to recruit Eddie into had been arrested by the authorities for public indecency (homosexuality being illegal at that point in time in the gang's GetawayDriver.1950s) and she was offered a reduction to his sentence in return.
* Another great noir performance by Creator/BarbaraStanwyck as Martha Ivers in ''Film/TheStrangeLoveOfMarthaIvers''. She kills her aunt as a young child and stops at nothing to make sure no one finds out.
* Tae-ju in ''Film/Thirst2009'', who seduces Sang-hyun, [[spoiler:convinces him to murder her husband and turn her into a vampire, then turns into a gleeful killer]].
* ''Film/TooLateForTears'': Jane (played by Lizabeth Scott) is the cruelest, most without principle femme fatale ever put to screen.



* Vera in ''Film/{{Quicksand}}'' is a low-rent version of this. It is implied that a lot has happened in her life before she started working as a cashier in Dan's favourite diner. She latches on to Dan as shortcut to getting her longed-for [[PrettyInMink mink coat]]. She doesn't tell him to steal for her--he does that off his own bat--but once she finds out, she is happy to encourage him. And, when things go south, she rats him out to the cops in an attempt to save her own skin.

to:

* Vera in ''Film/{{Quicksand}}'' is Jessica from ''Film/WhoFramedRogerRabbit''. She's a low-rent version of this. It is implied that a lot has happened in toon clearly created by some artist to be the perfect example, from her life before she started working as a cashier in Dan's favourite diner. She latches on to Dan as shortcut to getting her longed-for [[PrettyInMink mink coat]]. She doesn't tell him to steal for her--he does that off his own bat--but once she finds out, she is happy to encourage him. And, when things go south, she rats him out dangerous good looks and sultry voice to the cops in an attempt to save slinky way she moves. Even her own skin.smile is suspicious. [[spoiler: It turns out that she's the RedHerring and was telling the truth all along. She really isn't bad! Just drawn that way.]]
* Viper from ''Film/TheWolverine'', kills with a kiss… [[KissOfDeath literally]]. She does know how to use her considerable sexuality as a weapon.
%% * Emma Frost in ''Film/XMenFirstClass'', who is then replaced by Angel. Mystique also [[StartOfDarkness starts to blossom into one]].
----
Is there an issue? Send a MessageReason:
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* The eponymous ''Film/{{Nikita}}'' is alongside aforementioned Catherine when it comes to modern iconic examples of this and Nikita managed to inspire other examples listed here such as Ada Wong from ''Franchise/ResidentEvil''. A professional assassin who uses her sex appeal to murder for the French government, Nikita is actually a more subverted and deeply sympathetic example being a BrokenBird who’s drug addiction was used against her by her government handlers and who’s torn between her work and genuine {{Love Interest|s}} Marco who wants help try and escape from the system.

to:

* The eponymous ''Film/{{Nikita}}'' is alongside aforementioned Catherine when it comes to modern iconic examples of this and Nikita managed to inspire other examples listed here such as Ada Wong from ''Franchise/ResidentEvil''. A professional assassin who uses her sex appeal to murder for the French government, Nikita is actually a more subverted subversion and deeply sympathetic example being a BrokenBird who’s drug addiction was used against her by her government handlers and who’s is torn between her work and genuine {{Love Interest|s}} Marco who wants help to try and help Nikita escape from the system.
Is there an issue? Send a MessageReason:
None


* Dr. Elsa Schneider in ''Film/IndianaJonesAndTheLastCrusade''. She seduces both Indiana and his father to gain vital information for the Nazi’s mission to find the Holy Grail. Like most femme fatales, she couldn’t overcome her biggest FatalFlaw - {{greed}}. In a LiteralCliffhanger, she thought she could reach the grail with a free hand in time for Indiana to pull her up. Unfortunately, he can’t hold her slippery gloved hand and [[DisneyVillainDeath she falls to her death]].

to:

* Dr. Elsa Schneider in ''Film/IndianaJonesAndTheLastCrusade''. She seduces both Indiana and his father to gain vital information for the Nazi’s mission to find the Holy Grail. Like most femme fatales, she couldn’t overcome her biggest FatalFlaw - {{greed}}. In a LiteralCliffhanger, she thought she could reach the grail with a free hand in time for Indiana to pull her up. Unfortunately, he can’t hold her slippery gloved hand and [[DisneyVillainDeath [[DeathByMaterialism she falls to her death]].
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* Brigid O'Shaughnessy from ''Film/{{The Maltese Falcon|1941}}'' is one of the earliest examples in noir fiction. She's directly involved in betrayal, theft, and several murders all while trying to play innocent to (not to mention seduce) the lead character throughout most of the film and the book.
* Kathie Moffat ([[Creator/StevenMoffat no relation]]) from ''Film/OutOfThePast'' is the quintessential film noir example. She lies, steals, kills at least three people, and conspires to commit another murder, uses sex to ensnare men to do what she wants, and looks great in a cocktail dress.
* Catherine Tramell in ''Film/BasicInstinct'' is one of the most iconic examples in modern filmmaking. No surprise, seeing as how the entire film is a '90s update on the FilmNoir genre. She seduces both men [[DepravedBisexual and women]] to attain her goals, tempts Nick with her emotional vulnerability after [[spoiler:Roxy]]'s death, [[spoiler:and probably committed all the murders]].
* The eponymous ''Film/{{Nikita}}'' is alongside aforementioned Catherine when it comes to modern iconic examples of this and Nikita managed to inspire other examples listed here such as Ada Wong from ''Franchise/ResidentEvil''. A professional assassin who uses her sex appeal to murder for the French government, Nikita is actually a more subverted and deeply sympathetic example being a BrokenBird who’s drug addiction was used against her by her government handlers and who’s torn between her work and genuine {{Love Interest|s}} Marco who wants help try and escape from the system.
* [[Characters/CatwomanSelinaKyle Selina Kyle]] has always been a classic example, but the way Creator/AnneHathaway portrays her in ''Film/TheDarkKnightRises'' takes it to a whole new level. Suffering from a major case of HeelFaceRevolvingDoor, her tough, street-smart cat burglar is as elegant as she is dangerous, something Bruce Wayne both notices and forgets when he's in her presence. Director Creator/ChristopherNolan claims that he has always envisioned Catwoman as an "old-school femme fatale".
* Summer in ''Film/DefinitelyMaybe'' is the sexually adventurous "bitch" that destroyed her boyfriend's career to advance her own.
* Phyllis Dietrichson from the classic noir ''Film/DoubleIndemnity''. She starts an affair with Walter Neff, an insurance agent. Together, they convince her husband to take out a life insurance policy, then kill him and MakeItLookLikeAnAccident so they could collect the money.
* Another great noir performance by Creator/BarbaraStanwyck as Martha Ivers in ''Film/TheStrangeLoveOfMarthaIvers''. She kills her aunt as a young child and stops at nothing to make sure no one finds out.
* ''Film/PiratesOfTheCaribbeanOnStrangerTides'': Angelica is very flirtatious towards Jack and tends to manipulate him to do her father's bidding. The mermaids use their charms to lure sailors to their deaths.
* Europa trilogy by Creator/LarsVonTrier has two examples. Because these are Lars Von Trier movies, both characters are examples of ruthless deconstruction of the Femme Fatale trope, both utterly fail their agenda and turn out to be extreme versions of JerkassWoobie trope.
** In ''Film/TheElementOfCrime'', there is Kim, an Asian prostitute who slept with SerialKiller the protagonist is looking out for, and she tries to misguide the protagonist, but fails and, in the end, she can do nothing but cry when he watches [[spoiler:how the man who was, in fact, her real lover and father of her child is hanged by himself]].
** The other example is Katharina Hartmann from ''Film/{{Europa}}'', who seduces the hero, makes him fall in love with her and marry her, exploiting her image of InnocentBystander who merely got involved with Nazi underground, [[spoiler: while in fact she was a HoneyTrap for the hero, and she drove her father to suicide and tried to make the hero commit bombing killing many allied officers]]. She utterly fails at the end, [[spoiler:and is killed along with every major character in the movie by suicidal bombing of the train by the protagonist]].
* The shade of Mal in ''Film/{{Inception}}''. She killed or tried to kill someone in about every other scene she was in, but she still gave the hero pause when he was faced with stopping her.
* Tae-ju in ''Film/Thirst2009'', who seduces Sang-hyun, [[spoiler:convinces him to murder her husband and turn her into a vampire, then turns into a gleeful killer]].
* Jessica from ''Film/WhoFramedRogerRabbit''. She's a toon clearly created by some artist to be the perfect example, from her dangerous good looks and sultry voice to the slinky way she moves. Even her smile is suspicious. [[spoiler: It turns out that she's the RedHerring and was telling the truth all along. She really isn't bad! Just drawn that way.]]
* Viper from ''Film/TheWolverine'', kills with a kiss… [[KissOfDeath literally]]. She does know how to use her considerable sexuality as a weapon.
%% * Emma Frost in ''Film/XMenFirstClass'', who is then replaced by Angel. Mystique also [[StartOfDarkness starts to blossom into one]].
* ''Film/NakedWeapon'' is all about a MurderInc organization that kidnaps and trains young Asian girls to seduce and kill their male targets. Their favorite method of killing the target is to ''rip out the spinal cord'', which they can do in the blink of an eye. Often, they will first have sex with the mark and then offer a massage. Cue the spine attack.
* Dr. Elsa Schneider in ''Film/IndianaJonesAndTheLastCrusade''. She seduces both Indiana and his father to gain vital information for the Nazi’s mission to find the Holy Grail. Like most femme fatales, she couldn’t overcome her biggest FatalFlaw - {{greed}}. In a LiteralCliffhanger, she thought she could reach the grail with a free hand in time for Indiana to pull her up. Unfortunately, he can’t hold her slippery gloved hand and [[DisneyVillainDeath she falls to her death]].
* Vivian, from noir classic ''Film/TheBigSleep,'' is set up to be the typical Femme Fatale, such as being involved in several shady deals, gambling, and [[spoiler:admitting to help cover up a murder]] all while trying to manipulate detective Marlowe into doing what she wants. Where the novel plays the trope completely straight, the film changes up the game by making her turn heroic halfway through the picture instead.
* In the classic noir, ''Film/{{Fallen Angel|1945}}'', Linda Darnell plays Stella who doesn't care about double-crossing romantic partners or stealing.
* ''Film/TooLateForTears'': Jane (played by Lizabeth Scott) is the cruelest, most without principle femme fatale ever put to screen.
* ''Film/AForeignAffair'' has Creator/MarleneDietrich as a woman with Nazi affiliations who has an American Captain lusting for her.
* In ''Film/ExMachina'', regardless of what Ava's motivations were, she does use her charm to manipulate Caleb. In fact, this is even invoked as a TuringTest by her creator.
-->'''Nathan:''' Ava was a rat in a maze. And I gave her one way out. To escape, she’d have to use self-awareness, imagination, manipulation, sexuality, empathy, and she did. Now if that isn’t true AI, then what the fuck is?
* Katherine "Kitty" March from ''Film/ScarletStreet'', '''and how'''. A model turned amateur scam artist, she wraps the main character around her finger with lies, faux sweetness, and alleged helplessness. Meanwhile, she and her ''real'' boyfriend completely ruin the lead's life in the process.
* Danique of ''Film/TheLastWitchHunter'' has this trope down the pat -- she's rich, beautiful in crime noir style, [[SmokingIsGlamorous smokes from a cigarelle]], talks in an elegant and sensual manner, and ''of course'' tries to have Kaulder killed.
* ''Film/{{Detour}}'': Vera sees through Roberts' ruse and blackmails him. She insists that they should milk the situation for all they can, instead of trying to distance themselves from it.
* The German movie ''Der Staat gegen Fritz Bauer'' has a rare example where the Femme Fatale is UsefulNotes/{{transgender}}. She is a [[TheChanteuse nightclub singer]] who seduces a closeted public prosecutor so that he can then be blackmailed by political opponents. Previously the singer's boyfriend had been arrested by the authorities for public indecency (homosexuality being illegal at that point in time in the 1950s) and she was offered a reduction to his sentence in return.
* Madelline Linscott from ''Film/TheBlackDahlia'' is the [[LightFeminineAndDarkFeminine Dark Feminine]] to the sweet angelic Kay's Light Feminine, hangs around seedy lesbian bars, and has affairs behind her rich parents' back. It's in constant doubt as to whether she can be trusted. [[spoiler: Turns out she can't, and she's the one who murders Dwight while dressed as a man.]]
* ''Film/TheDreamers'' evokes this trope with Isabelle - who is comfortable [[IncestSubtext being naked around her brother and watching him masturbate]]. There's something very erotically dangerous about her - so it's no surprise that when the movie turns out to be happening during the 1968 Paris riots that Isabelle and her brother immediately get involved. Isabelle's actress Creator/EvaGreen nearly got typecast as Femme Fatales after this.
* ''Film/MulhollandFalls'': Interestingly, subverted with Creator/JenniferConnelly's character Alison despite the setting being ripe for it. While she *did* have a torrid affair with the main character, a married Sergeant in the LAPD, it's never established that she was evil or manipulative in any way. [[spoiler:She's even killed early on and becomes his motive for revenge against the real villains.]]
* ''Film/RocknRolla'' has Stella, who deconstructs the archetype: She has the looks (which allows her to play all sides in order to obtain a whole lot of money stolen from TheMafiya (twice!)), but unfortunately she doesn't really have the smarts to go with it (she became a ''way'' too obvious suspect for the person who did the InsideJob and the only reason she's not found early on is that her boss (the leader of said Mafiya) likes her too much to really listen to [[TheDragon his Dragon]])... [[spoiler:and what does her in is that she accepts a painting that she should have known her boss liked a lot (had she actually bothered to listen to him in details other than what she cared about), and in fact was berserk about it having been stolen, and placed it in her home in a place where he would see it the moment he walked in. Whatever he did to her in retaliation, [[FridgeHorror we were probably better off not seeing]].]]
* ''Film/{{Solo}}'' has Qi'ra, Han Solo's FirstLove, who is even described as such in pre-release material. She's an [[MsFanservice attractive and flirtatious]] young woman who serves as [[TheDon Dryden]] [[BigBad Vos]]' top lieutenant and is a capable DarkActionGirl, though she prefers to use [[TheCharmer honeyed words]] or [[ManipulativeBitch trickery]] to get what she wants. It's not entirely clear whose side she's on or what her motives are, and Tobias Beckett straight-up warns Han he can't trust her (Han being Han, he doesn't pay much attention). As it turns out, [[spoiler: Beckett's concerns are partially right, as while she does save Han’s life over Dryden's, Qi'ra pursues her own self-interests above all else and leaves Han behind to [[KlingonPromotion take Vos' position]]]]. Creator/LawrenceKasdan actually stated he drew inspiration for Qi'ra from Kathie Moffat.
* ''Film/FemmeFatale2002'' naturally has as its main character a female thief like this, played by Creator/RebeccaRomijn.
* ''Film/DeadlyPickup'' has Breezy Johnson, who [[DepravedBisexual seduces men and women alike]], kills them while having sex with them, and steals their valuables.
* Barbara Matthews in ''Film/DriveACrookedRoad''. Her boyfriend Steve sends her to act as a HoneyTrap to recruit Eddie into being the gang's GetawayDriver.
* ''Film/Troll2'': Creedence in her younger human form seduces Brent in this manner.
* Vera in ''Film/{{Quicksand}}'' is a low-rent version of this. It is implied that a lot has happened in her life before she started working as a cashier in Dan's favourite diner. She latches on to Dan as shortcut to getting her longed-for [[PrettyInMink mink coat]]. She doesn't tell him to steal for her--he does that off his own bat--but once she finds out, she is happy to encourage him. And, when things go south, she rats him out to the cops in an attempt to save her own skin.

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