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Catchphrase has been disambiguated.
Changed line(s) 57 (click to see context) from:
* CatchPhrase: Edith's "[[SeenItAll Ive seen worse.]]". Though, given her job (pathologist) and her nationality ([[UsefulNotes/TheYugoslavWars Bosnian]]), that's not too hard to believe.
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* CatchPhrase: CharacterCatchphrase: Edith's "[[SeenItAll Ive seen worse.]]". Though, given her job (pathologist) and her nationality ([[UsefulNotes/TheYugoslavWars Bosnian]]), that's not too hard to believe.
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Changed line(s) 162 (click to see context) from:
* SuspiciouslyAproposMusic: Just as Edith and Pierre drive through the evacuation of Ponyville, his cell phone goes off, and the ringtone turns out to be the haunting ''[[https://tinyurl.com/lakk3hk For What It's Worth]]'' by [[Creator/NeilYoung Buffalo Springfield]]. Pierre [[LampshadeHanging lampshades]] it, even opting to let the music play out.
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* SuspiciouslyAproposMusic: Just as Edith and Pierre drive through the evacuation of Ponyville, his cell phone goes off, and the ringtone turns out to be the haunting ''[[https://tinyurl.com/lakk3hk For What It's Worth]]'' by [[Creator/NeilYoung [[Music/NeilYoung Buffalo Springfield]]. Pierre [[LampshadeHanging lampshades]] it, even opting to let the music play out.
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Changed line(s) 151 (click to see context) from:
** Dries the turnkey nicknamed Chrysalis "[[Music/{{Queen}} the Killer Queen, dynamite and gelatine]]".
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** Dries the turnkey nicknamed Chrysalis "[[Music/{{Queen}} "[[Music/QueenBand the Killer Queen, dynamite and gelatine]]".
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Changed line(s) 123 (click to see context) from:
* NoSenseOfPersonalSpace: Chrysalis becomes increasingly (literally, physically) clingy in her interactions with her lawyer Estermann. The implications that these are the actions of [[HornyDevils the G-rated succubus that she was in the show]] are rather plain.
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* NoSenseOfPersonalSpace: Chrysalis becomes increasingly (literally, physically) clingy in her interactions with her lawyer Estermann. The implications that these are the actions of [[HornyDevils [[SuccubiAndIncubi the G-rated succubus that she was in the show]] are rather plain.
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Do NOT correct US/Commonwealth spelling.
Changed line(s) 168 (click to see context) from:
* TranquillizerDart: The first resort against Chrysalis consists of tranquillizer rifles, filled what seem to be absurdly lethal amounts of sedative.
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* TranquillizerDart: The first resort against Chrysalis consists of tranquillizer tranquiliser rifles, filled what seem to be absurdly lethal amounts of sedative.
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Stun Guns has been disambiguated. All examples are being moved to the appropriate subtrope.
Deleted line(s) 149 (click to see context) :
* StunGun: The first resort against Chrysalis consists of tranquiliser rifles, filled what seem to be absurdly lethal amounts of sedative.
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* TranquillizerDart: The first resort against Chrysalis consists of tranquillizer rifles, filled what seem to be absurdly lethal amounts of sedative.
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Deleted line(s) 28,29 (click to see context) :
* ArtisticLicenseLaw: WordOfGod states that there is a quite bit of it, ostensibly to ensure that the story stays “readable”.
** In-universe, Lexy Fori is called out on it by Estermann, who is angered by her unprofessional attitude.
** In-universe, Lexy Fori is called out on it by Estermann, who is angered by her unprofessional attitude.
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* HollywoodLaw: WordOfGod states that there is a quite bit of it, ostensibly to ensure that the story stays “readable”.
** In-universe, Lexy Fori is called out on it by Estermann, who is angered by her unprofessional attitude.
** In-universe, Lexy Fori is called out on it by Estermann, who is angered by her unprofessional attitude.
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Changed line(s) 1 (click to see context) from:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/chryssy_and_scheveningen.png]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/chryssy_and_scheveningen.org/pmwiki/pub/images/cvth_8.png]]
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Removed a Useful Note from the trope list
Changed line(s) 15,16 (click to see context) from:
'''''[[http://www.fimfiction.net/story/62981/chrysalis-visits-the-hague Chrysalis Visits The Hague]]''''', written by one [[http://www.fimfiction.net/user/Dan+The+Man Dan The Man]], is not your typical ''MyLittlePonyFriendshipIsMagic'' fanfic, but a uniquely weird amalgamation of courtroom drama, political thriller and fantasy adventure that places Queen Chrysalis and Equestria as a whole in a war crimes tribunal procedural plot, exploring the issues that might arise when a cynical human judicial system designed to prosecute war offences and crimes against humanity is abruptly forced to arbitrate in an ever-lasting battle between good and evil inside a magical and ''painfully'' idealistic CrapsaccharineWorld.
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Deleted line(s) 179 (click to see context) :
* UsefulNotes/YanksWithTanks: Chrysalis is brought to the Netherlands in a US Air Force plane, and guided through her extradition by US Military Police.
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Deleted line(s) 104 (click to see context) :
* TheJudge: There's three of them on the pre-trial panel: Lexy Fori (who's Equestrian, vengeful and entirely backing the prosecution), Jessica Suruma (who's Ugandan, phlegmatic and indecisively neutral) and Colm Mullan (who's Irish, jovial and well-disposed to the defence).
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* NiceMeanAndInBetween: There's three judges on the pre-trial panel: Lexy Fori (who's Equestrian, vengeful and entirely backing the prosecution), Jessica Suruma (who's Ugandan, phlegmatic and indecisively neutral) and Colm Mullan (who's Irish, jovial and well-disposed to the defence).
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* BlackAndGrayMorality: Seems to be very much in effect. Both the Equestrians and humans are in equal parts jaundiced, smarmy and secretive (though nominally well-intentioned), and Chrysalis is... Chrysalis.
Deleted line(s) 91 (click to see context) :
* GreyAndBlackMorality: Seems to be very much in effect. Both the Equestrians and humans are in equal parts jaundiced, smarmy and secretive (though nominally well-intentioned), and Chrysalis is... Chrysalis.
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Changed line(s) 13,14 (click to see context) from:
The story follows Alexander Estermann, a Swiss lawyer tasked with defending the queen, and Edith Saric, a Bosnian forensic investigator working for the prosecution, as they dig their way through "a quagmire of vengeance, racism, manipulation, lies, hearsay and self-deception" to find out who the changeling monarch really is and what her role was during the worst chapters of Equestrian history.
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The story follows Alexander Estermann, a Swiss lawyer tasked with defending the queen, and Edith Saric, Šarić, a Bosnian forensic investigator working for the prosecution, as they dig their way through "a quagmire of vengeance, racism, manipulation, lies, hearsay and self-deception" to find out who the changeling monarch really is and what her role was during the worst chapters of Equestrian history.
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Now has an [[https://www.fimfiction.net/story/62981/30/chrysalis-visits-the-hague/xxvi-functional-immunity officially-sanctioned]][[note]]Check the Author's Note.[[/note]] comic-book adaptation by N4 [[https://www.deviantart.com/n4-official/gallery/65773813/CVtH-K0 on DeviantArt]].
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Changed line(s) 152 (click to see context) from:
** Lauren ''[[Main/{{Faust}} Mephisto]]'' is alluding to... well, [[Creator/LaurenFaust guess]].
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** Lauren ''[[Main/{{Faust}} ''[[Myth/{{Faust}} Mephisto]]'' is alluding to... well, [[Creator/LaurenFaust guess]].
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Changed line(s) 142 (click to see context) from:
* SpottingTheThread: Edith realizes almost immediately that [[spoiler: the so-called UN official she meets in the changeling hive ''isn't'' one. He has a rank that doesn't exist in the UN, has a surname that isn't a surname, can't pronounce the UN's full name correctly, doesn't know the full name of Bosnia and Herzegovina, is under the impression that the place is another kingdom. But what really seems to give it away for Edit is when he offers her a glass of vodka with a bread slice on top (a sort of thing done in Russia to ''honour the dead''). Lastly, he tries to pass off a crown cork as an order of merit]].
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* SpottingTheThread: Edith realizes almost immediately that [[spoiler: the so-called UN official she meets in the changeling hive ''isn't'' one. He has a rank that doesn't exist in the UN, has a surname that isn't a surname, can't pronounce the UN's full name correctly, doesn't know the full name of (Edith's home country) Bosnia and Herzegovina, and even is under the impression that the place is another kingdom. But what really seems to give it away for Edit Edith is when he offers her a glass of vodka with a bread slice on top (a sort of thing done in Russia to ''honour the dead''). Lastly, he tries to pass off a crown cork bottle cap as an order of merit]].
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* SpottingTheThread: Edith realizes almost immediately that [[spoiler: the so-called UN official she meets in the changeling hive ''isn't'' one. He has a rank that doesn't exist in the UN, has a surname that isn't a surname, can't pronounce the UN's full name correctly, doesn't know the full name of Bosnia and Herzegovina, is under the impression that the place is another kingdom. But what really seems to give it away for Edit is when he offers her a glass of vodka with a bread slice on top (a sort of thing done in Russia to ''honour the dead''). Lastly, he tries to pass off a crown cork as an order of merit]].
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* PinballProtagonist: Edith has all but become one. The story starts with her being dragged by Fighting Fit into an impromptu SAR mission, which leads to her [[spoiler:being injured, forcefully reprimanded by Pierre, fired by the UN, recruited by Equestria, sent hunting after a mysterious piece of intel by Golden Dirk, locked in a burning building, and be kidnapped by the Changelings]].
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Changed line(s) 166 (click to see context) from:
* VictimisedBystander: Considering Chrysalis' brutality and long past, only a handful of her countless Equestrian victims have survived to speak for themselves. And her human victims (particularly the cops and soldiers she brutalised in the plane) only get a glancing mention before disappearing from the narrative altogether.
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* VictimisedBystander: VictimizedBystander: Considering Chrysalis' brutality and long past, only a handful of her countless Equestrian victims have survived to speak for themselves. And her human victims (particularly the cops and soldiers she brutalised in the plane) only get a glancing mention before disappearing from the narrative altogether.
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* VictimisedBystander: Considering Chrysalis' brutality and long past, only a handful of her countless Equestrian victims have survived to speak for themselves. And her human victims (particularly the cops and soldiers she brutalised in the plane) only get a glancing mention before disappearing from the narrative altogether.
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Changed line(s) 125 (click to see context) from:
* OpenMouthInsertFoot: Estermann, unsurprisingly, runs into this territory while talking to Lyra. He ends up apologizing straight away.
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* OpenMouthInsertFoot: Estermann, unsurprisingly, runs into this territory while talking to Lyra. He ends up (sort of) apologizing straight away.
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Changed line(s) 126 (click to see context) from:
--> "Because as far as I’m concerned, a pony's only good to be ridden and sliced up for sausage. How the hell am I supposed to make myself a picture of one's 'inner workings'?"
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--> "Because '''Estermann:''' Because as far as I’m concerned, a pony's only good to be ridden and sliced up for sausage. How the hell am I supposed to make myself a picture of one's 'inner workings'?"
Changed line(s) 128,129 (click to see context) from:
--> ''Chrysalis'': Ah, yes... These jokes… they’re a little like changelings.
--> ''Estermann'': Yep. They never get old.
--> ''Estermann'': Yep. They never get old.
to:
--> ''Chrysalis'': '''Chrysalis:''' Ah, yes... These jokes… they’re a little like changelings.
-->''Estermann'': '''Estermann:''' Yep. They never get old.
-->
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** Another time, he and Chrysalis talk about dark jokes, only for Estermann inadvertedly trigger an awkward silence.
--> ''Chrysalis'': Ah, yes... These jokes… they’re a little like changelings.
--> ''Estermann'': Yep. They never get old.
--> ''Chrysalis'': Ah, yes... These jokes… they’re a little like changelings.
--> ''Estermann'': Yep. They never get old.
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Deleted line(s) 60,61 (click to see context) :
* CrossesTheLineTwice: InUniverse. At one point, Chrysalis and Estermann are locked in an increasingly dark joke-telling competition, which culminates in Chrysalis telling him a [[BlackComedyRape very off-color rape joke]], only for Estermann to beat her to the punchline. Naturally, this leads to the two bonding.
--> '''Estermann:''' What? ...Too much?
--> '''Estermann:''' What? ...Too much?
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* VulgarHumor: InUniverse. At one point, Chrysalis and Estermann are locked in an increasingly dark joke-telling competition, which culminates in Chrysalis telling a [[BlackComedyRape very off-color rape joke]]... only for Estermann to beat her to the punchline. Naturally, [[CrossesTheLineTwice this leads to the two bonding]].
--> '''Estermann:''' What? ...Too much?
--> '''Estermann:''' What? ...Too much?
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Changed line(s) 61 (click to see context) from:
--> “What? ...Too much?”
to:
--> “What? ...'''Estermann:''' What? ...Too much?”much?
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Deleted line(s) 51 (click to see context) :
* BlackComedyRape: In-universe; At one point, Chrysalis and Estermann get locked in an increasingly-darkening joke-telling competition, which culminates in Chrysalis telling a ''[[CrossesTheLineTwice very]]'' off-color rape joke, only for Estermann to beat her to the punchline. Naturally, this leads to the two bonding.
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* CrossesTheLineTwice: InUniverse. At one point, Chrysalis and Estermann are locked in an increasingly dark joke-telling competition, which culminates in Chrysalis telling him a [[BlackComedyRape very off-color rape joke]], only for Estermann to beat her to the punchline. Naturally, this leads to the two bonding.
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Added DiffLines:
* BlackComedyRape: In-universe; At one point, Chrysalis and Estermann get locked in an increasingly-darkening joke-telling competition, which culminates in Chrysalis telling a ''[[CrossesTheLineTwice very]]'' off-color rape joke, only for Estermann to beat her to the punchline. Naturally, this leads to the two bonding.
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Changed line(s) 42 (click to see context) from:
--> “You see, that was a metaphor.” she explained on, “I have nothing against bugs. There are differences between them and you. One is a mindless, parasitic kind that takes over what does not belong to them and does nothing in return but spreading their disgusting, poisonous filth all over to make it theirs. And the others... are bugs.”
to:
--> “You see, that was a metaphor.” she explained on, “I have nothing against bugs. There are differences between them and you. [ponies]. One is a mindless, parasitic kind that takes over infests what does not belong to them and does nothing in return but spreading their spreads its disgusting, poisonous filth essence all over to make it theirs.their own. And the others... are bugs.”
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Changed line(s) 42 (click to see context) from:
--> “You see, that was a metaphor.” she explained on, “I have nothing against bugs. There are differences between them and [ponies]. One is a mindless, parasitic kind that takes over what does not belong to them and down nothing in return but spread disgusting, poisonous filth all over to make it theirs. And the others... are bugs.
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--> “You see, that was a metaphor.” she explained on, “I have nothing against bugs. There are differences between them and [ponies]. you. One is a mindless, parasitic kind that takes over what does not belong to them and down does nothing in return but spread spreading their disgusting, poisonous filth all over to make it theirs. And the others... are bugs.”
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Changed line(s) 41 (click to see context) from:
** BaitAndSwitchComment: Also courtesy of Chrysalis:
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** BaitAndSwitchComment: BaitAndSwitchComparison: Also courtesy of Chrysalis:
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Changed line(s) 41 (click to see context) from:
** Another bait-and-switch statement, also courtesy of Chrysalis:
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** Another bait-and-switch statement, also BaitAndSwitchComment: Also courtesy of Chrysalis: