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Eventually, Kimball became a director in his own right, earning the UsefulNotes/AcademyAwardForBestAnimatedShortFilm for just his second film, ''[[WesternAnimation/AdventuresInMusicDuology Toot, Whistle, Plunk and Boom]]''. Despite the acclaim his films had gotten, Walt disliked their UPA-esque stylized animation and demoted Kimball back to animator until the mid-60’s, where he created more hilarious and experimental shorts, culminating in a second Animated Short Oscar for ''WesternAnimation/ItsToughToBeABird''. He retired from Disney in 1973, but worked as an Imagineer for attractions at [[Ride/DisneyThemeParks EPCOT]] in the 80’s.

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Eventually, Kimball became a director in his own right, earning the UsefulNotes/AcademyAwardForBestAnimatedShortFilm MediaNotes/AcademyAwardForBestAnimatedShortFilm for just his second film, ''[[WesternAnimation/AdventuresInMusicDuology Toot, Whistle, Plunk and Boom]]''. Despite the acclaim his films had gotten, Walt disliked their UPA-esque stylized animation and demoted Kimball back to animator until the mid-60’s, where he created more hilarious and experimental shorts, culminating in a second Animated Short Oscar for ''WesternAnimation/ItsToughToBeABird''. He retired from Disney in 1973, but worked as an Imagineer for attractions at [[Ride/DisneyThemeParks EPCOT]] in the 80’s.
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** ''[[https://www.youtube.com/watch?v=8iVf0pPHvjc Toot, Whistle, Plunk and Boom]]'' - The first cartoon created in [[WidescreenShot CinemaScope]], winner of the Academy Award for Best Animated Short and ranked #29 on The50GreatestCartoons.

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** ''[[https://www.youtube.com/watch?v=8iVf0pPHvjc Toot, Whistle, Plunk and Boom]]'' - The first cartoon created in [[WidescreenShot CinemaScope]], winner of the Academy Award for Best Animated Short and ranked #29 on The50GreatestCartoons.Short.
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Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he graduated to working on feature-length efforts. Because two fully-animated sequences of his in ''WesternAnimation/{{Snow White|AndTheSevenDwarves}}'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''WesternAnimation/{{Pinocchio}}''.

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Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he graduated to working on feature-length efforts. Because two fully-animated sequences of his in ''WesternAnimation/{{Snow White|AndTheSevenDwarves}}'' White|AndTheSevenDwarfs}}'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''WesternAnimation/{{Pinocchio}}''.
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Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he graduated to working on feature-length efforts. Because two fully-animated sequences of his in ''[[Disney/SnowWhiteAndTheSevenDwarves Snow White]]'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''Disney/{{Pinocchio}}''.

Jimmy became the first of many star characters Kimball animated and supervised, which include the crows in ''Disney/{{Dumbo}}'', the title song in ''Disney/TheThreeCaballeros'', Jaq, Gus and Lucifer in ''Disney/{{Cinderella}}'', at least half of the characters in ''Disney/AliceInWonderland'', and many more.

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Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he graduated to working on feature-length efforts. Because two fully-animated sequences of his in ''[[Disney/SnowWhiteAndTheSevenDwarves Snow White]]'' ''WesternAnimation/{{Snow White|AndTheSevenDwarves}}'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''Disney/{{Pinocchio}}''.

''WesternAnimation/{{Pinocchio}}''.

Jimmy became the first of many star characters Kimball animated and supervised, which include the crows in ''Disney/{{Dumbo}}'', ''WesternAnimation/{{Dumbo}}'', the title song in ''Disney/TheThreeCaballeros'', ''WesternAnimation/TheThreeCaballeros'', Jaq, Gus and Lucifer in ''Disney/{{Cinderella}}'', ''WesternAnimation/{{Cinderella}}'', at least half of the characters in ''Disney/AliceInWonderland'', ''WesternAnimation/AliceInWonderland'', and many more.



* ''Disney/SnowWhiteAndTheSevenDwarves'': The Soup Eating Sequence ([[http://mentalfloss.com/article/88595/watch-lost-soup-sequence-snow-white-and-seven-dwarfs scenes deleted]]), Vultures
* ''Disney/{{Pinocchio}}'': Jiminy Cricket
* ''Disney/{{Fantasia}}'': Bacchus and Jacchus
* ''Disney/{{Dumbo}}'': The Crows (When I See an Elephant Fly), Casey Junior, and a few short scenes of Dumbo and Timothy
* ''Disney/TheThreeCaballeros'': [[https://www.youtube.com/watch?v=6R53S0VHQ1s The Title Song]]
* ''Disney/MakeMineMusic'': Peter, The Wolf, Sasha, Sonia, Ivan, The Hunters, and Willy The Whale
* ''Disney/MelodyTime'': Pecos Bill, Widowmaker, desert animals, and bandits
* ''Disney/FunAndFancyFree'': Bongo, Lumpjaw, Lulabelle, Bird, and a few early scenes of Mickey, Donald, and Goofy
* ''Disney/TheAdventuresOfIchabodAndMrToad'': Train Chase, Ichabod Crane & his horse
* ''Disney/{{Cinderella}}'': Lucifer, Jaq, Gus and the Mice
* ''Disney/AliceInWonderland'': The White Rabbit, Mad Hatter, March Hare, The Doormouse, Cheshire Cat, Tweedledee and Tweedledum, the Walrus and the Carpenter, the Oysters
* ''Disney/PeterPan'': John, Michael, The Lost Boys, Indian Chief, Indians, and a few short scenes of Captain Hook

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* ''Disney/SnowWhiteAndTheSevenDwarves'': ''WesternAnimation/SnowWhiteAndTheSevenDwarfs'': The Soup Eating Sequence ([[http://mentalfloss.com/article/88595/watch-lost-soup-sequence-snow-white-and-seven-dwarfs scenes deleted]]), Vultures
* ''Disney/{{Pinocchio}}'': ''WesternAnimation/{{Pinocchio}}'': Jiminy Cricket
* ''Disney/{{Fantasia}}'': ''WesternAnimation/{{Fantasia}}'': Bacchus and Jacchus
* ''Disney/{{Dumbo}}'': ''WesternAnimation/{{Dumbo}}'': The Crows (When I See an Elephant Fly), Casey Junior, and a few short scenes of Dumbo and Timothy
* ''Disney/TheThreeCaballeros'': ''WesternAnimation/TheThreeCaballeros'': [[https://www.youtube.com/watch?v=6R53S0VHQ1s The Title Song]]
* ''Disney/MakeMineMusic'': ''WesternAnimation/MakeMineMusic'': Peter, The Wolf, Sasha, Sonia, Ivan, The Hunters, and Willy The Whale
* ''Disney/MelodyTime'': ''WesternAnimation/MelodyTime'': Pecos Bill, Widowmaker, desert animals, and bandits
* ''Disney/FunAndFancyFree'': ''WesternAnimation/FunAndFancyFree'': Bongo, Lumpjaw, Lulabelle, Bird, and a few early scenes of Mickey, Donald, and Goofy
* ''Disney/TheAdventuresOfIchabodAndMrToad'': ''WesternAnimation/TheAdventuresOfIchabodAndMrToad'': Train Chase, Ichabod Crane & his horse
* ''Disney/{{Cinderella}}'': ''WesternAnimation/{{Cinderella}}'': Lucifer, Jaq, Gus and the Mice
* ''Disney/AliceInWonderland'': ''WesternAnimation/AliceInWonderland'': The White Rabbit, Mad Hatter, March Hare, The Doormouse, Cheshire Cat, Tweedledee and Tweedledum, the Walrus and the Carpenter, the Oysters
* ''Disney/PeterPan'': ''WesternAnimation/PeterPan'': John, Michael, The Lost Boys, Indian Chief, Indians, and a few short scenes of Captain Hook
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By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, [[https://www.youtube.com/watch?v=YBORMx3nOmY here's a reel of his Disney animation]] and then head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Blog/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell. Despite Disney putting the kibosh on the initial release, [[https://www.cartoonbrew.com/wardkimball/definitive-biography-animation-icon-ward-kimball-published-2018-152305.html Amidi's book will be released by 2019]].

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By far the strangest most eccentric of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, [[https://www.youtube.com/watch?v=YBORMx3nOmY here's a reel of his Disney animation]] and then head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Blog/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell. Despite Disney putting the kibosh on the initial release, [[https://www.cartoonbrew.com/wardkimball/definitive-biography-animation-icon-ward-kimball-published-2018-152305.html Amidi's book will be released by 2019]].
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** The few short scenes he animated on Mickey and the Beanstalk for Fun and Fancy Free are surprisingly restrained, the craziest he gets is when Mickey reacts to Donald taking the axe to try and kill the cow.
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* ''Disney/FunAndFancyFree'': Bongo, Lumpjaw, Lulabelle, Bird, and a few early scenes of Mickey, Donald, and Goofy

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* ''Disney/{{Dumbo}}'': The Crows (When I See an Elephant Fly) and Casey Junior

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* ''Disney/{{Dumbo}}'': The Crows (When I See an Elephant Fly) and Fly), Casey JuniorJunior, and a few short scenes of Dumbo and Timothy


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* ''Disney/MakeMineMusic'': Peter, The Wolf, Sasha, Sonia, Ivan, The Hunters, and Willy The Whale
* ''Disney/MelodyTime'': Pecos Bill, Widowmaker, desert animals, and bandits


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* ''Disney/PeterPan'': John, Michael, The Lost Boys, Indian Chief, Indians, and a few short scenes of Captain Hook
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Ward Kimball (1914 - 2002) is best known as one of Creator/DisneysNineOldMen of animators, as well as an Oscar-winning director, writer, painter, illustrator, jazz trombonist, railroad enthusiast and Imagineer.

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Ward Walrath Kimball (1914 - (March 4, 1914 – July 8, 2002) is best known as one of Creator/DisneysNineOldMen of animators, as well as an Oscar-winning director, writer, painter, illustrator, jazz trombonist, railroad enthusiast and Imagineer.
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'''Ward Kimball''' (1914 - 2002) is best known as one of Creator/DisneysNineOldMen of animators, as well as an Oscar-winning director, writer, painter, illustrator, jazz trombonist, railroad enthusiast and Imagineer.

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'''Ward Kimball''' Ward Kimball (1914 - 2002) is best known as one of Creator/DisneysNineOldMen of animators, as well as an Oscar-winning director, writer, painter, illustrator, jazz trombonist, railroad enthusiast and Imagineer.
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* RenaissanceMan: Oscar-winning animator, director of live-action and animation, gagman, screenwriter, illustrator, painter (ranging from realistic to abstract), jazz bandleader, trombone player, Imagineer, gag cartoonist, photographer, railroad historian/engineer, automotive historian, television host, collector of Americana and socialite, with friends like Creator/LouisArmstrong, Creator/SalvadorDali and Creator/RobertCrumb.

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* RenaissanceMan: Oscar-winning animator, director of live-action and animation, gagman, screenwriter, illustrator, painter (ranging from realistic to abstract), jazz bandleader, trombone player, Imagineer, gag cartoonist, photographer, railroad historian/engineer, automotive historian, television host, collector of Americana and socialite, with friends like Creator/LouisArmstrong, Music/LouisArmstrong, Creator/SalvadorDali and Creator/RobertCrumb.
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* He co-wrote the remake of ''Film/BabesInToyland''. He was originally tapped to direct, but was replaced before shooting could commence.

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* He co-wrote the remake of ''Film/BabesInToyland''. ''Film/BabesInToyland'' [[note]] He was originally tapped to direct, but was replaced before shooting could commence.commence [[/note]].
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By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, [[https://www.youtube.com/watch?v=YBORMx3nOmY here's a reel of his Disney animation]] and then head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Website/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell. Despite Disney putting the kibosh on the initial release, [[https://www.cartoonbrew.com/wardkimball/definitive-biography-animation-icon-ward-kimball-published-2018-152305.html Amidi's book will be released by 2019]].

to:

By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, [[https://www.youtube.com/watch?v=YBORMx3nOmY here's a reel of his Disney animation]] and then head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Website/CartoonBrew [[Blog/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell. Despite Disney putting the kibosh on the initial release, [[https://www.cartoonbrew.com/wardkimball/definitive-biography-animation-icon-ward-kimball-published-2018-152305.html Amidi's book will be released by 2019]].
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* RailEnthusiast: [[https://www.youtube.com/watch?v=t7Sa_DvvLYk That's]] [[https://www.youtube.com/watch?v=IpA0-SPFrqc putting it]] [[https://en.wikipedia.org/wiki/Grizzly_Flats_Railroad lightly.]]

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* RailEnthusiast: [[https://www.youtube.com/watch?v=t7Sa_DvvLYk That's]] [[https://www.youtube.com/watch?v=IpA0-SPFrqc putting it]] [[https://en.wikipedia.org/wiki/Grizzly_Flats_Railroad lightly.]]]] His enthusiasm was infectious; it was while operating one of Ward's trains that Walt decided to include a railroad in his plans for Disneyland. One of the locomotives of the Disneyland Railroad is named in his honour.
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* ''Disney/{{Dumbo}}'': The Crows (When I See an Elephant Fly)

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* ''Disney/{{Dumbo}}'': The Crows (When I See an Elephant Fly)Fly) and Casey Junior
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By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, [[https://www.youtube.com/watch?v=YBORMx3nOmY here's a reel of his Disney animation]] and then head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Website/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell.

to:

By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, [[https://www.youtube.com/watch?v=YBORMx3nOmY here's a reel of his Disney animation]] and then head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Website/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell.
DevelopmentHell. Despite Disney putting the kibosh on the initial release, [[https://www.cartoonbrew.com/wardkimball/definitive-biography-animation-icon-ward-kimball-published-2018-152305.html Amidi's book will be released by 2019]].



* ''Asinine Alley'' - Gag cartoons for the Horseless Carriage Gazette, a magazine for pre-1916 car collectors, where Kimball experimented with collage, photography, multiple ArtShifts and humor.

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* ''Asinine Alley'' - Gag cartoons for the Horseless Carriage Gazette, a magazine for pre-1916 car collectors, where Kimball experimented with collage, photography, multiple ArtShifts [[ArtShift art shifts]] and humor.



* He co-wrote the remake of ''Film/BabesInToyland''.

to:

* He co-wrote the remake of ''Film/BabesInToyland''. He was originally tapped to direct, but was replaced before shooting could commence.
Is there an issue? Send a MessageReason:
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Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he worked on feature-length efforts. Despite two fully-animated sequences of his in ''[[Disney/SnowWhiteAndTheSevenDwarves Snow White]]'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''Disney/{{Pinocchio}}''.

to:

Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he worked graduated to working on feature-length efforts. Despite Because two fully-animated sequences of his in ''[[Disney/SnowWhiteAndTheSevenDwarves Snow White]]'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''Disney/{{Pinocchio}}''.



Eventually, Kimball became a director in his own right, earning the UsefulNotes/AcademyAwardForBestAnimatedShortFilm for just his second film, ''[[WesternAnimation/AdventuresInMusicDuology Toot, Whistle, Plunk and Boom]]''. Despite the acclaim his films had gotten, Walt disliked their UPA-esque stylized animation and demoted Kimball back to animator until the 60’s, where he created more hilarious and experimental shorts, culminating in a second Oscar for Best Animated Short for ''WesternAnimation/ItsToughToBeABird''. He retired from Disney in 1973, but worked as an Imagineer for attractions at [[Ride/DisneyThemeParks EPCOT]] in the 80’s.

to:

Eventually, Kimball became a director in his own right, earning the UsefulNotes/AcademyAwardForBestAnimatedShortFilm for just his second film, ''[[WesternAnimation/AdventuresInMusicDuology Toot, Whistle, Plunk and Boom]]''. Despite the acclaim his films had gotten, Walt disliked their UPA-esque stylized animation and demoted Kimball back to animator until the 60’s, mid-60’s, where he created more hilarious and experimental shorts, culminating in a second Oscar for Best Animated Short Oscar for ''WesternAnimation/ItsToughToBeABird''. He retired from Disney in 1973, but worked as an Imagineer for attractions at [[Ride/DisneyThemeParks EPCOT]] in the 80’s.
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* RailEnthusuast: [[https://www.youtube.com/watch?v=t7Sa_DvvLYk That's]] [[https://www.youtube.com/watch?v=IpA0-SPFrqc putting it]] [[https://en.wikipedia.org/wiki/Grizzly_Flats_Railroad lightly.]]

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* RailEnthusuast: RailEnthusiast: [[https://www.youtube.com/watch?v=t7Sa_DvvLYk That's]] [[https://www.youtube.com/watch?v=IpA0-SPFrqc putting it]] [[https://en.wikipedia.org/wiki/Grizzly_Flats_Railroad lightly.]]
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* RailEnthusuast: [[https://www.youtube.com/watch?v=t7Sa_DvvLYk That's]] [[https://www.youtube.com/watch?v=IpA0-SPFrqc putting it]] [[https://en.wikipedia.org/wiki/Grizzly_Flats_Railroad lightly.]]

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There's no evidence outside of unreliable sources that he worked on Bambi.


* ''Disney/{{Bambi}}'': Faline



** Despite being known for his bombastic, comedic animation, his work on Jiminy Cricket and Faline from ''Disney/{{Bambi}}'' prove that he could handle subtle acting and technical craftsmanship just as well as his peers.

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** Despite being known for his bombastic, comedic animation, his work on Jiminy Cricket and Faline from ''Disney/{{Bambi}}'' prove proves that he could handle subtle acting and technical craftsmanship just as well as his peers.
Is there an issue? Send a MessageReason:
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By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Website/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell.

to:

By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, [[https://www.youtube.com/watch?v=YBORMx3nOmY here's a reel of his Disney animation]] and then head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]], initially a promotional tool for [[Website/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell.



* ''Disney/SnowWhiteAndTheSevenDwarves'': The Dwarves (scenes deleted), Vultures

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* ''Disney/SnowWhiteAndTheSevenDwarves'': The Dwarves (scenes deleted), Soup Eating Sequence ([[http://mentalfloss.com/article/88595/watch-lost-soup-sequence-snow-white-and-seven-dwarfs scenes deleted]]), Vultures



* ''Disney/TheThreeCaballeros'': The Title Song

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* ''Disney/TheThreeCaballeros'': [[https://www.youtube.com/watch?v=6R53S0VHQ1s The Title SongSong]]
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* RenaissanceMan: Oscar-winning animator, director of live-action and animation, gagman, illustrator, painter (ranging from realistic to abstract), jazz bandleader, trombone player, Imagineer, gag cartoonist, photographer, railroad historian/engineer, automotive historian, collector of Americana and socialite, with friends like Creator/LouisArmstrong, Creator/SalvadorDali and Creator/RobertCrumb.

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* RenaissanceMan: Oscar-winning animator, director of live-action and animation, gagman, screenwriter, illustrator, painter (ranging from realistic to abstract), jazz bandleader, trombone player, Imagineer, gag cartoonist, photographer, railroad historian/engineer, automotive historian, television host, collector of Americana and socialite, with friends like Creator/LouisArmstrong, Creator/SalvadorDali and Creator/RobertCrumb.

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* ArtShift: Searching through his personal work, you can see how adept Kimball was at changing up his form, going from classical Disney-style designs to realism to hyper-flat 50’s abstraction.

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* ArtShift: Searching through his personal work, you can see how adept Kimball was at changing up his form, going from classical Disney-style designs to realism to hyper-flat 50’s abstraction.



** Despite being known for his comedic, surrealistic animation, his work on Jiminy Cricket and Faline from ''Disney/{{Bambi}}'' prove that he could handle subtle acting and technical craftsmanship just as well as his peers.

to:

** Despite being known for his comedic, surrealistic bombastic, comedic animation, his work on Jiminy Cricket and Faline from ''Disney/{{Bambi}}'' prove that he could handle subtle acting and technical craftsmanship just as well as his peers.


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* RenaissanceMan: Oscar-winning animator, director of live-action and animation, gagman, illustrator, painter (ranging from realistic to abstract), jazz bandleader, trombone player, Imagineer, gag cartoonist, photographer, railroad historian/engineer, automotive historian, collector of Americana and socialite, with friends like Creator/LouisArmstrong, Creator/SalvadorDali and Creator/RobertCrumb.
Is there an issue? Send a MessageReason:
None


Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he worked on feature-length efforts. Despite two of his fully-animated sequence of his in ''[[Disney/SnowWhiteAndTheSevenDwarves Snow White]]'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''Disney/{{Pinocchio}}''.

to:

Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he worked on feature-length efforts. Despite two of his fully-animated sequence sequences of his in ''[[Disney/SnowWhiteAndTheSevenDwarves Snow White]]'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''Disney/{{Pinocchio}}''.
Is there an issue? Send a MessageReason:
None


By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]] Tumblr, initially a promotional tool for a biography of the man, but stuck in DevelopmentHell.

to:

By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]] Tumblr, Kimball]], initially a promotional tool for a [[Website/CartoonBrew Amid Amidi's]] biography of the man, but stuck in DevelopmentHell.

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* ''Disney/{{Bambi}}'': Faline



* ''Disney/TheAdventuresOfIchabodAndMrToad'': Train Chase, Ichabod & his horse

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* ''Disney/TheAdventuresOfIchabodAndMrToad'': Train Chase, Ichabod Crane & his horse
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Eventually, Kimball became a director in his own right, earning the Academy Award for Best Animated Short for just his second film, ''[[WesternAnimation/AdventuresInMusicDuology Toot, Whistle, Plunk and Boom]]''. Despite the acclaim his films had gotten, Walt disliked their UPA-esque stylized animation and demoted Kimball back to animator until the 60’s, where he created more hilarious and experimental shorts, culminating in a second Oscar for Best Animated Short for ''WesternAnimation/ItsToughToBeABird''. He retired from Disney in 1973, but worked as an Imagineer for attractions at [[Ride/DisneyThemeParks EPCOT]] in the 80’s.

to:

Eventually, Kimball became a director in his own right, earning the Academy Award for Best Animated Short UsefulNotes/AcademyAwardForBestAnimatedShortFilm for just his second film, ''[[WesternAnimation/AdventuresInMusicDuology Toot, Whistle, Plunk and Boom]]''. Despite the acclaim his films had gotten, Walt disliked their UPA-esque stylized animation and demoted Kimball back to animator until the 60’s, where he created more hilarious and experimental shorts, culminating in a second Oscar for Best Animated Short for ''WesternAnimation/ItsToughToBeABird''. He retired from Disney in 1973, but worked as an Imagineer for attractions at [[Ride/DisneyThemeParks EPCOT]] in the 80’s.

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!!Films & Other Projects by Ward Kimball Include:

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!!Films

!!Directorial Efforts
& Other Projects by Ward Kimball Include:include:


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* He co-wrote the remake of ''Film/BabesInToyland''.
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-> Ward Kimball is one man who works for me that I'm willing to call a genius.
-->-- Creator/WaltDisney

'''Ward Kimball''' (1914 - 2002) is best known as one of Creator/DisneysNineOldMen of animators, as well as an Oscar-winning director, writer, painter, illustrator, jazz trombonist, railroad enthusiast and Imagineer.

Initially wanting to become a painter, Kimball joined Disney in 1934 as an inbetweener, eventually working his way up to a regular animator by 1936. After working on many WesternAnimation/SillySymphonies and WesternAnimation/MickeyMouse shorts, he worked on feature-length efforts. Despite two of his fully-animated sequence of his in ''[[Disney/SnowWhiteAndTheSevenDwarves Snow White]]'' were cut, Walt gave him the task of designing and animating Jiminy Cricket in ''Disney/{{Pinocchio}}''.

Jimmy became the first of many star characters Kimball animated and supervised, which include the crows in ''Disney/{{Dumbo}}'', the title song in ''Disney/TheThreeCaballeros'', Jaq, Gus and Lucifer in ''Disney/{{Cinderella}}'', at least half of the characters in ''Disney/AliceInWonderland'', and many more.

Eventually, Kimball became a director in his own right, earning the Academy Award for Best Animated Short for just his second film, ''[[WesternAnimation/AdventuresInMusicDuology Toot, Whistle, Plunk and Boom]]''. Despite the acclaim his films had gotten, Walt disliked their UPA-esque stylized animation and demoted Kimball back to animator until the 60’s, where he created more hilarious and experimental shorts, culminating in a second Oscar for Best Animated Short for ''WesternAnimation/ItsToughToBeABird''. He retired from Disney in 1973, but worked as an Imagineer for attractions at [[Ride/DisneyThemeParks EPCOT]] in the 80’s.

Unlike most of his coworkers at the Mouse House, Kimball was just as prolific during his off-hours, working as a jazz trombonist for the Dixieland Jazz Band ''The Firehouse Five (Plus Two)'', an enthusiastic railroad engineer, historian and preservationist (with multiple fully-functioning railroads in his yard), a gag cartoonist, collector of early Americana, painter and TV host.

By far the strangest of the Nine Old Men, Ward’s work is noted for it’s bounciness, sharp comic timing and detailed character acting that keeps inspiring animators to this very day. If you want to get a good glimpse of Ward’s diverse output, head over to the [[http://wardkimball.tumblr.com/ 365 Days of Ward Kimball]] Tumblr, initially a promotional tool for a biography of the man, but stuck in DevelopmentHell.

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!!Noteworthy Films Ward Kimball Animated On Include:
* ''Disney/SnowWhiteAndTheSevenDwarves'': The Dwarves (scenes deleted), Vultures
* ''Disney/{{Pinocchio}}'': Jiminy Cricket
* ''Disney/{{Fantasia}}'': Bacchus and Jacchus
* ''Disney/{{Dumbo}}'': The Crows (When I See an Elephant Fly)
* ''Disney/TheThreeCaballeros'': The Title Song
* ''Disney/TheAdventuresOfIchabodAndMrToad'': Train Chase, Ichabod & his horse
* ''Disney/{{Cinderella}}'': Lucifer, Jaq, Gus and the Mice
* ''Disney/AliceInWonderland'': The White Rabbit, Mad Hatter, March Hare, The Doormouse, Cheshire Cat, Tweedledee and Tweedledum, the Walrus and the Carpenter, the Oysters
* ''[[Series/WaltDisneyPresents Walt Disney’s Wonderful World of Color]]'': Ludwig von Drake
* ''Film/MaryPoppins'': The Pearly Band
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!!Films & Other Projects by Ward Kimball Include:
* ''WesternAnimation/AdventuresInMusicDuology'': Two films known for their catching music, edutainment vibe and stylized, UPA-inspired layout.
** ''Melody'' - The first cartoon to use 3-D technology.
** ''[[https://www.youtube.com/watch?v=8iVf0pPHvjc Toot, Whistle, Plunk and Boom]]'' - The first cartoon created in [[WidescreenShot CinemaScope]], winner of the Academy Award for Best Animated Short and ranked #29 on The50GreatestCartoons.
* ''Asinine Alley'' - Gag cartoons for the Horseless Carriage Gazette, a magazine for pre-1916 car collectors, where Kimball experimented with collage, photography, multiple ArtShifts and humor.
* ''The Firehouse Five (Plus Two)'' - Kimball’s Dixieland jazz band of fellow Disney animators where he played the trombone and de facto bandleader, releasing thirteen albums from 1949 to 1972.
*A trilogy of hour-long TV specials Kimball wrote and directed about space exploration - ''[[https://www.youtube.com/watch?v=omWRxonewL4 Man in Space]]'', ''[[https://www.youtube.com/watch?v=1ZImSTxbglI Man on the Moon]]'' and ''[[https://www.youtube.com/watch?v=E0sbqqYo97s Mars and Beyond]]''. Combining live-action and animation, these shows were consulted by actual Space Age scientists (including Werner von Braun), sparked public interest in space travel and were endorsed by none other than UsefulNotes/DwightDEisenhower.
* ''[[https://www.youtube.com/watch?v=2Q1k_NGgCv4 It’s Tough to be a Bird]]'' - A comical, {{Edutainment}} short about the study of birds which won the Academy Award for Best Animated Short (this time, going home with Kimball)
* ''[[https://www.youtube.com/watch?v=qsAv5akyi5A Dad…Can I Borrow the Car?]]'' - A surrealistic, satirical live-action short that pokes fun at American car-culture.
* ''[[https://www.youtube.com/watch?v=_PZBtWNxlQs Escalation]]'' - A satirical, independent short (emphasis on short) about President Johnson’s increasing involvement in the Vietnam War.
* The animation sequences for ''Film/BedknobsAndBroomsticks''.
* ''Series/TheMouseFactory'' - a surreal series Ward directed the entire run of that combined celebrity guest stars with classic Disney clips.
* ''Art Afterpieces'' - Two volumes of parodies of famous paintings.
* ''Grizzly Flats Railroad'' - Ward’s personal railroad in his backyard that served as an early inspiration for Disneyland.
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!!Tropes Associated with Ward Kimball include:
*AuthorAppeal:
** Experimenting with different styles.
** Jazz music
** A huge railroad enthusiast, collecting memorabilia and even entire working trains in his collection.
** Americana from the 1800’s through the early 1900’s.
** Hyper stylization and abstraction
** Multiple gags and funny drawings going on at once.
*ArtShift: Searching through his personal work, you can see how adept Kimball was at changing up his form, going from classical Disney-style designs to realism to hyper-flat 50’s abstraction.
*BreakingTheFourthWall: His edutainment shorts do this especially.
*DerangedAnimation: As far as Disney goes, his work was really out there.
*DisneyAcidSequence: Was responsible for some of Disney’s best, most notably the title song for The Three Caballeros.
*{{Edutainment}}: Most of his directorial efforts are surprisingly educational, using stylized, experimental animation and satirical comedy to document subjects ranging from music theory to ornithology.
*UsefulNotes/TheGoldenAgeOfAnimation
*LimitedAnimation: Despite being beloved for his fluid personality animation, Kimball was an innovator in using minimalistic movement in his directorial work, often for comic effect.
*MediumBlending: His directorial efforts, combining animation of all kinds (hand-drawn, stop-motion, cut-out, pixilation), live-action and stock footage with avant-garde editing techniques.
*PlayingAgainstType:
** Despite being known for his comedic, surrealistic animation, his work on Jiminy Cricket and Faline from ''Disney/{{Bambi}}'' prove that he could handle subtle acting and technical craftsmanship just as well as his peers.
** ''Escalation'' has a strange spot in his filmography, as it's his only film made outside the studio, as well as his most overtly political work.
*RapidFireComedy: Ward's style of comedy could be described as throwing as much as he can at the wall and seeing what sticks.
*StockFootage: His later efforts incorporate such footage, primarily for ironic effect. ''The Mouse Factory'' is even structured around classic clips from Disney cartoons.
*VisualPun

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