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In 2018, Tim Rice joined UsefulNotes/TheEGOTs, after Creator/{{NBC}}'s ''Jesus Christ Superstar Live in Concert'' won an Emmy for Outstanding Variety Special (Live). A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell.
to:
In 2018, Tim Rice joined UsefulNotes/TheEGOTs, MediaNotes/TheEGOTs, after Creator/{{NBC}}'s ''Jesus Christ Superstar Live in Concert'' won an Emmy for Outstanding Variety Special (Live). A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell.
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* ''Theatre/{{Chess}}'' (with [[Music/{{ABBA}} Benny Andersson & Bjorn Ulvaeus]])
to:
* ''Theatre/{{Chess}}'' ''Music/{{Chess|1984}}'' (with [[Music/{{ABBA}} Benny Andersson & Bjorn Ulvaeus]])
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Some edits.
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A winner of three Oscars, all for Best Original Song, but shares them with Music/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[WesternAnimation/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
to:
A winner of three Oscars, all for Best Original Song, but shares them with Music/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[WesternAnimation/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. [[Music/TheLionKing1994 "Can You Feel The the Love Tonight" Tonight"]] relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
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He also did the lyrics for the new songs in the stage version and the [[Film/BeautyAndTheBeast2017 live-action remake]] of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida|JohnRice}}'' and ''Disney/TheLionKing'' both on screen and stage.
A winner of three Oscars, all for Best Original Song, but shares them with Music/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
A winner of three Oscars, all for Best Original Song, but shares them with Music/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
to:
He also did the lyrics for the new songs in the stage version and the [[Film/BeautyAndTheBeast2017 live-action remake]] of ''Disney/BeautyAndTheBeast'', ''WesternAnimation/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida|JohnRice}}'' and ''Disney/TheLionKing'' ''WesternAnimation/{{The Lion King|1994}}'' both on screen and stage.[[Theatre/TheLionKing stage]].
A winner of three Oscars, all for Best Original Song, but shares them with Music/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one,[[Disney/{{Aladdin}} [[WesternAnimation/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
A winner of three Oscars, all for Best Original Song, but shares them with Music/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one,
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In 2018, Tim Rice joined TheEGOTs, after Creator/{{NBC}}'s ''Jesus Christ Superstar Live in Concert'' won an Emmy for Outstanding Variety Special (Live). A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell.
to:
In 2018, Tim Rice joined TheEGOTs, UsefulNotes/TheEGOTs, after Creator/{{NBC}}'s ''Jesus Christ Superstar Live in Concert'' won an Emmy for Outstanding Variety Special (Live). A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell.
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A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell, unlikely to come out anytime soon.
to:
In 2018, Tim Rice joined TheEGOTs, after Creator/{{NBC}}'s ''Jesus Christ Superstar Live in Concert'' won an Emmy for Outstanding Variety Special (Live). A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell, unlikely to come out anytime soon.
DevelopmentHell.
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This could also become dated too
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A winner of three Oscars, all for Best Original Song, but shares them with Creator/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
Apart from writing one new song for the recent ''Joseph'' revival, he hasn't got any huge projects underway at the moment. A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell, unlikely to come out anytime soon.
Apart from writing one new song for the recent ''Joseph'' revival, he hasn't got any huge projects underway at the moment. A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell, unlikely to come out anytime soon.
to:
A winner of three Oscars, all for Best Original Song, but shares them with Creator/AlanMenken, Music/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
Apart from writing one new song for the recent ''Joseph'' revival, he hasn't got any huge projects underway at the moment. A film adaptation of ''Aida'' was set to be released in 2010, but fell into DevelopmentHell, unlikely to come out anytime soon.
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He also did the lyrics for the new songs in the stage version of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida|JohnRice}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so Creator/{{Disney}} may ask him back for their next venture.
to:
He also did the lyrics for the new songs in the stage version and the [[Film/BeautyAndTheBeast2017 live-action remake]] of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida|JohnRice}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so Creator/{{Disney}} may ask him back for their next venture.
stage.
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He also did the lyrics for the new songs in the stage version of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so Creator/{{Disney}} may ask him back for their next venture.
to:
He also did the lyrics for the new songs in the stage version of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida}}'' ''Theatre/{{Aida|JohnRice}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so Creator/{{Disney}} may ask him back for their next venture.
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Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. Timothy Miles Bindon Rice (born 10 November 1944) is a lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with Creator/AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''Music/{{Evita}}'' was his idea although Lloyd-Webber is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big UsefulNotes/{{Cricket}} fan.
He has written the lyrics and book for these musicals. In chronological order:
He has written the lyrics and book for these musicals. In chronological order:
to:
Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. [[UsefulNotes/KnightFever Sir]] Timothy Miles Bindon Rice (born 10 November 1944) is a lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with Creator/AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''Music/{{Evita}}'' was his idea although Lloyd-Webber is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big UsefulNotes/{{Cricket}} fan.
He has written the lyrics and book for thesemusicals. In musicals.
!!In chronologicalorder:
order:
He has written the lyrics and book for these
!!In chronological
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* ''Theatre/{{Chess}}'' (with [[Music/{{Abba}} Benny Andersson & Bjorn Ulvaeus]])
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* ''Theatre/{{Chess}}'' (with [[Music/{{Abba}} [[Music/{{ABBA}} Benny Andersson & Bjorn Ulvaeus]])
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A winner of three Oscars, all for Best Original Song, but shares them with AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
to:
A winner of three Oscars, all for Best Original Song, but shares them with AlanMenken, Creator/AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing depressing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
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Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. A lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with Creator/AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''Music/{{Evita}}'' was his idea although Lloyd-Webber is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big UsefulNotes/{{Cricket}} fan.
to:
Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. A Timothy Miles Bindon Rice (born 10 November 1944) is a lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with Creator/AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''Music/{{Evita}}'' was his idea although Lloyd-Webber is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big UsefulNotes/{{Cricket}} fan.
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Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. A lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''{{Evita}}'' was his idea and that [[AndrewLloydWebber Lloyd Webber]] is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big cricket fan.
to:
Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. A lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with AndrewLloydWebber Creator/AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''{{Evita}}'' ''Music/{{Evita}}'' was his idea and that [[AndrewLloydWebber Lloyd Webber]] although Lloyd-Webber is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big cricket UsefulNotes/{{Cricket}} fan.
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* ''{{Evita}}''
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* ''{{Evita}}''''Music/{{Evita}}''
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* ''Theatre/{{Chess}}'' (with Benny Andersson & Bjorn Ulvaeus)
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* ''Theatre/{{Chess}}'' (with [[Music/{{Abba}} Benny Andersson & Bjorn Ulvaeus)
Ulvaeus]])
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A winner of three Oscars, all for Best Original Song, but shares them with Alan Menken, Elton John and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
to:
A winner of three Oscars, all for Best Original Song, but shares them with Alan Menken, Elton John AlanMenken, Music/EltonJohn and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing subject matter and a [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/tim_rice.jpg]]
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-->-- '''The American''', ''{{Theatre/Chess}}''
to:
-->-- '''The American''', ''{{Theatre/Chess}}''
''Theatre/{{Chess}}''
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Apart from writing one new song for the recent ''Joseph'' revival, he hasn't got any huge projects underway at the moment. With ''Aida'' set to be released as a film in 2010, we may see some fresh material from him then.
to:
Apart from writing one new song for the recent ''Joseph'' revival, he hasn't got any huge projects underway at the moment. With A film adaptation of ''Aida'' was set to be released as a film in 2010, we may see some fresh material from him then.but fell into DevelopmentHell, unlikely to come out anytime soon.
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He also did the lyrics for the new songs in the stage version of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so {{Disney}} may ask him back for their next venture.
to:
He also did the lyrics for the new songs in the stage version of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so {{Disney}} Creator/{{Disney}} may ask him back for their next venture.
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None
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A winner of three Oscars, all for Best Original Song, but shares them with Alan Menken, Elton John and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing subject matter and a [[{{Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
to:
A winner of three Oscars, all for Best Original Song, but shares them with Alan Menken, Elton John and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing subject matter and a [[{{Madonna}} [[{{Music/Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
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* ''TheLikesOfUs''
to:
* ''TheLikesOfUs''''Theatre/TheLikesOfUs''
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->''"I'm not the kind to be vindictive,\\
holding some childish grudge.\\
How could I be? I'm in the spotlight - half of the world, my judge.\\
All I demand is those I work for, those I give all my skills, all my time and pain,\\
those that I entertain,\\
give me the same compassion in return.\\
But the fools never learn."''
-->-- '''The American''', ''{{Theatre/Chess}}''
Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. A lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''{{Evita}}'' was his idea and that [[AndrewLloydWebber Lloyd Webber]] is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big cricket fan.
He has written the lyrics and book for these musicals. In chronological order:
* ''TheLikesOfUs''
* ''Theatre/JosephAndTheAmazingTechnicolorDreamcoat''
* ''Music/JesusChristSuperstar''
* ''{{Evita}}''
* ''Blondel'' (with Stephen Oliver)
* ''Theatre/{{Chess}}'' (with Benny Andersson & Bjorn Ulvaeus)
He also did the lyrics for the new songs in the stage version of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so {{Disney}} may ask him back for their next venture.
A winner of three Oscars, all for Best Original Song, but shares them with Alan Menken, Elton John and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing subject matter and a [[{{Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
Apart from writing one new song for the recent ''Joseph'' revival, he hasn't got any huge projects underway at the moment. With ''Aida'' set to be released as a film in 2010, we may see some fresh material from him then.
----
holding some childish grudge.\\
How could I be? I'm in the spotlight - half of the world, my judge.\\
All I demand is those I work for, those I give all my skills, all my time and pain,\\
those that I entertain,\\
give me the same compassion in return.\\
But the fools never learn."''
-->-- '''The American''', ''{{Theatre/Chess}}''
Not a composer, but his work falls into this category of the rest of a {{Theater}} creator, and plus, he deserves his own page. A lyricist/writer/broadcaster, closely associated with, and all too often overshadowed by, with AndrewLloydWebber (so much so, that his ex(ish) wife wrote a letter of complaint to the The Daily Telegraph to clarify that the whole concept of ''{{Evita}}'' was his idea and that [[AndrewLloydWebber Lloyd Webber]] is given all the credit) but also a critically acclaimed writer of musicals in his own right. He's also a big cricket fan.
He has written the lyrics and book for these musicals. In chronological order:
* ''TheLikesOfUs''
* ''Theatre/JosephAndTheAmazingTechnicolorDreamcoat''
* ''Music/JesusChristSuperstar''
* ''{{Evita}}''
* ''Blondel'' (with Stephen Oliver)
* ''Theatre/{{Chess}}'' (with Benny Andersson & Bjorn Ulvaeus)
He also did the lyrics for the new songs in the stage version of ''Disney/BeautyAndTheBeast'', as well as all the lyrics for ''Theatre/{{Aida}}'' and ''Disney/TheLionKing'' both on screen and stage. Since they recruited a new lyricist to beef up ''Disney/TheLittleMermaid'' for Broadway, it looks unlikely that he will do any more work with them. That said, a lot of critics specifically targeted the new songs as being sub-par, so {{Disney}} may ask him back for their next venture.
A winner of three Oscars, all for Best Original Song, but shares them with Alan Menken, Elton John and Lloyd Webber respectively. Only the first one, [[Disney/{{Aladdin}} "A Whole New World"]] falls squarely into [[AwardBaitSong Award Bait]] territory. "Can You Feel The Love Tonight" relies more on the cool chords, orchestrations and lyrics than any [[LargeHam Ham]] and "You Must Love Me" has a depresssing subject matter and a [[{{Madonna}} performer]] who doesn't have the voice for an AwardBaitSong anyway.
Apart from writing one new song for the recent ''Joseph'' revival, he hasn't got any huge projects underway at the moment. With ''Aida'' set to be released as a film in 2010, we may see some fresh material from him then.
----
