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* ButtMonkey: Dinky Duck in "It's a Living"; the poor duckling can't catch a break when he's at the butt of the many commercials jokes!


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* GrassIsGreener: In "It's a Living", Dinky Duck gets tired of working in the same theatrical cartoons over and over, quits by jumping out of his cartoon and walks off to get a job working in TV commercials. He quickly finds out that it's not all that it's cracked up to he, so he quickly returns back to his theatrical cartoon career.
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* ArtEvolution: The studio initially stuck to a drawing and timing style similar to cartoons from the Silent Age of Animation, but by the mid to late 30's, the studio gradually began upgrading its animation, resulting in a peculiar mix of west coast style animation drawing and movement with rough, staccato techniques held over from the Silent Age.

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* ArtEvolution: The studio initially stuck to a drawing and timing style similar to cartoons from the Silent Age of Animation, but by the mid to late 30's, the studio gradually began upgrading its animation, resulting in a peculiar mix of west coast style animation drawing and movement with rough, staccato techniques held over from the Silent Age. The Gene Deitch era took the studios house style into a heavily stylized art direction in tune with the then-hot UPA style of the 50's.
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* FakeOutOpening: "It's a Living", a CinemaScope Dinky Duck short, starts out as a typical Dinky Duck short with a chase scene (complete with standard theatrical cartoon ratio aspect), but then Dinky gets tired of working in these kind of cartoons and stops the film, leaving the theater in a huff to get a job on tv. When that doesn't go through, he runs back to the theater and resumes the film where it left off.

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* FakeOutOpening: "It's a Living", a CinemaScope Dinky Duck short, starts out as a typical Dinky Duck short with a chase scene (complete with standard theatrical cartoon ratio aspect), but then Dinky gets tired of working in these kind of cartoons and stops the film, leaving the theater in a huff to get a job on tv. tv as the film as the film switches to CinemaScope. When that his tv career doesn't go through, turn out well for him, he runs back to the theater and resumes the film where it left off.

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The animation was crude, but it had its merits: from the beginning it was [[BuffySpeak cartoony]] and lively, and the cartoons had good pacing and crisp visual jokes. Jim Tyer and Carlo Vinci in particular made some creative, wild animation in these shorts, which helped contribute to their popularity back when they were popular.

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The animation was crude, helter skelter, but it had its merits: from the beginning it was [[BuffySpeak cartoony]] and lively, and the cartoons had good pacing and crisp visual jokes. Jim Tyer and Carlo Vinci in particular made some creative, wild animation in these shorts, which helped contribute to their popularity back when they were popular.


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* AnimatedActor: Dinky Duck in "It's a Living", where he quits theatrical cartoons to star in TV commercials. It doesn't last.


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* FakeOutOpening: "It's a Living", a CinemaScope Dinky Duck short, starts out as a typical Dinky Duck short with a chase scene (complete with standard theatrical cartoon ratio aspect), but then Dinky gets tired of working in these kind of cartoons and stops the film, leaving the theater in a huff to get a job on tv. When that doesn't go through, he runs back to the theater and resumes the film where it left off.
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** In "Carmen's Viranda", Gandy Goose, of all characters, pulls this!

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** In "Carmen's Viranda", Veranda", Gandy Goose, of all characters, pulls this!
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* BigDamnHeroes: Their headlining star, MightyMouse, makes this his stock and trade.
** In "Carmen's Viranda", Gandy Goose, of all characters, pulls this!
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** The Gene Deitch retool is perhaps the ultimate example. Suddenly, what were once the worst cartoons on the market became the most artistic and innovative. Sadly, it was TooGoodToLast, and once Deitch left the studio once again sank into mediocrity.

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** The Gene Deitch retool {{retool}} is perhaps the ultimate example. Suddenly, what were once the worst cartoons on the market became the most artistic and innovative. Sadly, it was TooGoodToLast, and once Deitch left the studio once again sank into mediocrity.
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* OffModel: Terrytoons turned this into an art form, especially when Jim Tyer was at the studio. The characters rarely stayed consistent in appearance and movement. Fortunately, [[TropesAreNotBad this ends up adding to the eccentric, fun nature of the cartoons.]]
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* ArtEvolution: The studio initially stuck to a drawing and timing style similar to cartoons from the Silent Age of Animation, but by the mid to late 30's, the studio gradually began upgrading its animation, resulting in a peculiar mix of west coast style animation drawing and movement with rough, staccato techniques held over from the Silent Age.

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* AmbiguouslyGay: Gandy Goose. This was even parodied in ''MightyMouseTheNewAdventures''.

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* AmbiguouslyGay: Gandy Goose. Goose, mainly due to his giddy, childish personality and for hanging around with the cantankerous Sourpuss, even sharing the same bed bunk in several cartoons. This element of the duo was even recognized enough to be parodied in ''MightyMouseTheNewAdventures''.


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* MeaningfulName: Mighty Mouse, who name matches his prowess, Heckle the Magpie, who is unmistakably [[ScrewySquirrel a heckler]] (although it's not clear if the same applies to Jeckle the Magpie), and Sourpuss, a grumpy, cantankerous feline. Subverted with Gandy, whose name ironically contrasts his childish personality.
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* SceneryPorn: TerryToons, surprisingly, have some of the most beautiful background art of all the Golden Age cartoons, with gorgeous composition, and beautiful rendering and color styling. Even their B&W films have slick, attractive looking backdrops, but the stunning backgrounds ''really'' become obvious once the studio started making color cartoons ("String Bean Jack", their first color cartoon in 1938, perfectly demonstrates this, with very atmospheric, rich backdrops, and amazing perspective work).

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* AnimationBump: Scenes animated by Carlo Vinci, Jim Tyer and Bill Tytla tended to have much better, distinct animation than the rest of the cartoons,

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* AnimationBump: Scenes animated by Carlo Vinci, Jim Tyer and Bill Tytla tended to have much better, distinct animation than the rest of the cartoons, cartoons.
** In [[http://www.youtube.com/watch?v=f-D0IvxHxVI&list=UUx-rxWV1D8RxuHgexsrda1g "An Arrow Escape"]], there's an impressively staircase sequence, tightly animated in perspective.
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* WesternAnimation/{{Hashimotosan}}

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* WesternAnimation/{{Hashimotosan}}WesternAnimation/HashimotoSan
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Animation historians and modern animators (with occasional exceptions like Leonard Maltin and Creator/JohnKricfalusi) are hostile towards this studio and its output, writing off these cartoons as cheaply produced garbage only worth a footnote in their books. This is HilariousInHindsight because Paul Terry was considered the ''Dean of Animation'' in the 20's and 30's period of animation; even ''Creator/WaltDisney'' looked up to him and hoped to make cartoons as good and funny as his. Also, thanks to an online resurgance of the cartoons, not only on youtube but many classic animation blogs and websites, the cartoons are slowly gaining a loyal fan following, particularly among modern animators.

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Animation historians and modern animators (with occasional exceptions like Leonard Maltin Creator/LeonardMaltin and Creator/JohnKricfalusi) are hostile towards this studio and its output, writing off these cartoons as cheaply produced garbage only worth a footnote in their books. This is HilariousInHindsight because Paul Terry was considered the ''Dean of Animation'' in the 20's and 30's period of animation; even ''Creator/WaltDisney'' looked up to him and hoped to make cartoons as good and funny as his. Also, thanks to an online resurgance of the cartoons, not only on youtube but many classic animation blogs and websites, the cartoons are slowly gaining a loyal fan following, particularly among modern animators.

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* AnimationBump: The Gene Deitch retool is perhaps the ultimate example. Suddenly, what were once the worst cartoons on the market became the most artistic and innovative. Sadly, it was TooGoodToLast, and once Deitch left the studio once again sank into mediocrity.

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* AnimationBump: Scenes animated by Carlo Vinci, Jim Tyer and Bill Tytla tended to have much better, distinct animation than the rest of the cartoons,
**
The Gene Deitch retool is perhaps the ultimate example. Suddenly, what were once the worst cartoons on the market became the most artistic and innovative. Sadly, it was TooGoodToLast, and once Deitch left the studio once again sank into mediocrity.


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* DependingOnTheArtist: The shorts fast production schedule and low budgets ironically allowed the animators much more leeway in getting their individual styles into the cartoons. Jim Tyer's scenes in particular are so distinct from the other animators that they can be spotted in a heartbeat.
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Whoops


* TheMightyHeroes (created by RalphBakshi)
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* The Mighty Heroes (directed by RalphBakshi)

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* The Mighty Heroes (directed TheMightyHeroes (created by RalphBakshi)
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* The Mighty Heroes (directed by RalphBakshi)
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* AnimationBump: The Gene Deitch retool is perhaps the ultimate example. Suddenly, what were once the worst cartoons on the market became the most artistic and innovative. Sadly, it was TooGoodToLast, and once Deitch left the studio once again sank into mediocrity.
Is there an issue? Send a MessageReason:
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Animation historians and modern animators (with occasional exceptions like Leonard Maltin and JohnKricfalusi) are hostile towards this studio and its output, writing off these cartoons as cheaply produced garbage only worth a footnote in their books. This is HilariousInHindsight because Paul Terry was considered the ''Dean of Animation'' in the 20's and 30's period of animation; even ''Creator/WaltDisney'' looked up to him and hoped to make cartoons as good and funny as his. Also, thanks to an online resurgance of the cartoons, not only on youtube but many classic animation blogs and websites, the cartoons are slowly gaining a loyal fan following, particularly among modern animators.

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Animation historians and modern animators (with occasional exceptions like Leonard Maltin and JohnKricfalusi) Creator/JohnKricfalusi) are hostile towards this studio and its output, writing off these cartoons as cheaply produced garbage only worth a footnote in their books. This is HilariousInHindsight because Paul Terry was considered the ''Dean of Animation'' in the 20's and 30's period of animation; even ''Creator/WaltDisney'' looked up to him and hoped to make cartoons as good and funny as his. Also, thanks to an online resurgance of the cartoons, not only on youtube but many classic animation blogs and websites, the cartoons are slowly gaining a loyal fan following, particularly among modern animators.
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Natter. Not relevant to Terrytoons.


-->--'''Paul Terry''' summing up Terrytoons in a nutshell. ([[SpiritualSuccessor Does that make]] Creator/MattGroening [[Creator/TwentiethCenturyFox and]] Creator/SethMacFarlane the UsefulNotes/{{Walmart}}?)

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-->--'''Paul Terry''' summing up Terrytoons in a nutshell. ([[SpiritualSuccessor Does that make]] Creator/MattGroening [[Creator/TwentiethCenturyFox and]] Creator/SethMacFarlane the UsefulNotes/{{Walmart}}?)
nutshell.
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-->--'''Paul Terry''' summing up Terrytoons in a nutshell. ([[SpiritualSuccessor Does that make]] Creator/MattGroening [[Creator/TwentiethCenturyFox and]] Creator/SethMacFarlane the {{Walmart}}?)

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-->--'''Paul Terry''' summing up Terrytoons in a nutshell. ([[SpiritualSuccessor Does that make]] Creator/MattGroening [[Creator/TwentiethCenturyFox and]] Creator/SethMacFarlane the {{Walmart}}?)
UsefulNotes/{{Walmart}}?)
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-->--'''Paul Terry''' summing up Terrytoons in a nutshell. ([[SpiritualSuccessor Does that make]] Creator/MattGroening [[Creator/TwentiethCenturyFox and]] Creator/SethMacFarlane]] the {{Walmart}}?)

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-->--'''Paul Terry''' summing up Terrytoons in a nutshell. ([[SpiritualSuccessor Does that make]] Creator/MattGroening [[Creator/TwentiethCenturyFox and]] Creator/SethMacFarlane]] Creator/SethMacFarlane the {{Walmart}}?)

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-->--'''Paul Terry''' summing up Terrytoons in a nutshell.

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-->--'''Paul Terry''' summing up Terrytoons in a nutshell. \n ([[SpiritualSuccessor Does that make]] Creator/MattGroening [[Creator/TwentiethCenturyFox and]] Creator/SethMacFarlane]] the {{Walmart}}?)

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TRUFAX.


One of the more obscure studios from TheGoldenAgeOfAnimation, '''''Terrytoons''''' was the animation division of Creator/TwentiethCenturyFox. It was founded by former Creator/{{Van Beuren|Studios}} employee Paul Terry. It produced classic cartoon serials such as WesternAnimation/MightyMouse and WesternAnimation/HeckleAndJeckle.

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One of the more obscure yet prolific studios from TheGoldenAgeOfAnimation, '''''Terrytoons''''' was the animation division of Creator/TwentiethCenturyFox. It was founded by former Creator/{{Van Beuren|Studios}} employee Paul Terry. It produced classic cartoon serials such as WesternAnimation/MightyMouse and WesternAnimation/HeckleAndJeckle.


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** Even by the standards of Terrytoons, Farmer Al Falfa had an especially long run; his first cartoon short was released in 1916, his last in 1954.


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* WartimeCartoon: The paring of Gandy Goose and Sourpuss came from a series of these, where the two were paired up as bunkmates in the Army
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art babbitt says hi


This was the debut studio of ''three'' major animation stars: [[NoteworthyDisneyStaff Bill Tytla of Disney fame]], Joseph Barbera of HannaBarbera before he went to {{MGM}}, and Creator/RalphBakshi, who joined the studio in [[TheDarkAgeOfAnimation its twilight years.]]

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This was the debut studio of ''three'' ''four'' major animation stars: [[NoteworthyDisneyStaff Bill Tytla and Art Babbitt of Disney fame]], Joseph Barbera of HannaBarbera before he went to {{MGM}}, and Creator/RalphBakshi, who joined the studio in [[TheDarkAgeOfAnimation its twilight years.]]
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* LongRunner: Despite the low budgets, total reliance on formula, and rushed animation, the Terrytoons enjoyed a ''very'' long, healthy lifespan, lasting from 1929 all the way up to 1968, where they were finally forced to close up shop on account of theatrical cartoons becoming all but completely unprofitable by that point--only the WalterLantz cartoon studio was able to outlast Terrytoons with their shorts, by four measly years. And even that wasn't enough to kill them--the Terrytoons enjoyed an equally healthy lifespan on TV for decades, with Mighty Mouse Playhouse pioneering the concept of [[AnimatedAnthology recycling old theatrical cartoons for reairing on TV.]]

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* LongRunner: Despite the low budgets, total reliance on formula, and rushed animation, the Terrytoons enjoyed a ''very'' long, healthy lifespan, lasting from 1929 all the way up to 1968, where they were finally forced to close up shop on account of theatrical cartoons becoming all but completely unprofitable by that point--only the WalterLantz Creator/WalterLantz cartoon studio was able to outlast Terrytoons with their shorts, by four measly years. And even that wasn't enough to kill them--the Terrytoons enjoyed an equally healthy lifespan on TV for decades, with Mighty Mouse Playhouse pioneering the concept of [[AnimatedAnthology recycling old theatrical cartoons for reairing on TV.]]
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One of the more obscure studios from TheGoldenAgeOfAnimation, '''''Terrytoons''''' was the animation division of Creator/TwentiethCenturyFox. It was founded by former {{Van Beuren|Studios}} employee Paul Terry. It produced classic cartoon serials such as WesternAnimation/MightyMouse and WesternAnimation/HeckleAndJeckle.

to:

One of the more obscure studios from TheGoldenAgeOfAnimation, '''''Terrytoons''''' was the animation division of Creator/TwentiethCenturyFox. It was founded by former {{Van Creator/{{Van Beuren|Studios}} employee Paul Terry. It produced classic cartoon serials such as WesternAnimation/MightyMouse and WesternAnimation/HeckleAndJeckle.
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-->--Paul Terry summing up Terrytoons in a nutshell.

One of the more obscure studios from TheGoldenAgeOfAnimation, '''''Terry Toons''''' was the animation division of [[TwentiethCenturyFox 20th Century Fox]]. It was founded by former {{Van Beuren|Studios}} employee Paul Terry. It produced classic cartoon serials such as WesternAnimation/MightyMouse and {{Heckle and Jeckle}}.

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-->--Paul Terry -->--'''Paul Terry''' summing up Terrytoons in a nutshell.

One of the more obscure studios from TheGoldenAgeOfAnimation, '''''Terry Toons''''' '''''Terrytoons''''' was the animation division of [[TwentiethCenturyFox 20th Century Fox]].Creator/TwentiethCenturyFox. It was founded by former {{Van Beuren|Studios}} employee Paul Terry. It produced classic cartoon serials such as WesternAnimation/MightyMouse and {{Heckle and Jeckle}}.
WesternAnimation/HeckleAndJeckle.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/197813_1020_A_4295.jpg]]
[[caption-width-right:350:Serving up a fresh, tasty dish of hastily prepared Classic Cartoons!]]

->"[[SelfDeprecation Disney is the Tiffany's in this business, and I am the Woolworth's.]]"
-->--Paul Terry summing up Terrytoons in a nutshell.

One of the more obscure studios from TheGoldenAgeOfAnimation, '''''Terry Toons''''' was the animation division of [[TwentiethCenturyFox 20th Century Fox]]. It was founded by former {{Van Beuren|Studios}} employee Paul Terry. It produced classic cartoon serials such as WesternAnimation/MightyMouse and {{Heckle and Jeckle}}.

Animation historians and modern animators (with occasional exceptions like Leonard Maltin and JohnKricfalusi) are hostile towards this studio and its output, writing off these cartoons as cheaply produced garbage only worth a footnote in their books. This is HilariousInHindsight because Paul Terry was considered the ''Dean of Animation'' in the 20's and 30's period of animation; even ''Creator/WaltDisney'' looked up to him and hoped to make cartoons as good and funny as his. Also, thanks to an online resurgance of the cartoons, not only on youtube but many classic animation blogs and websites, the cartoons are slowly gaining a loyal fan following, particularly among modern animators.

The animation was crude, but it had its merits: from the beginning it was [[BuffySpeak cartoony]] and lively, and the cartoons had good pacing and crisp visual jokes. Jim Tyer and Carlo Vinci in particular made some creative, wild animation in these shorts, which helped contribute to their popularity back when they were popular.

Terry himself didn't care how these cartoons were drawn or animated as long as the animators met their quota. There were and are many, many cartoons from this studio, but most of them (even the good ones) haven't gotten much airtime since the end of TheDarkAgeOfAnimation.

This was the debut studio of ''three'' major animation stars: [[NoteworthyDisneyStaff Bill Tytla of Disney fame]], Joseph Barbera of HannaBarbera before he went to {{MGM}}, and Creator/RalphBakshi, who joined the studio in [[TheDarkAgeOfAnimation its twilight years.]]

These cartoons were also a big influence on anime legend OsamuTezuka.

Now has a [[Characters/TerryToons Character Sheet.]]
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!!Series Made By This Studio:
[[index]]
* Farmer Alfalfa
* WesternAnimation/MightyMouse
* Gandy Goose and Sourpuss
* WesternAnimation/HeckleAndJeckle
* WesternAnimation/TomTerrific
* Dinky Duck
* Deputy Dawg
* WesternAnimation/{{Hashimotosan}}
* Hector Heathcote
* WesternAnimation/SidneyTheElephant
* WesternAnimation/JamesHound
* Oil Can Harry
[[/index]]
-----------------------------------
!!Tropes Related to This Studio:
* AmbiguouslyGay: Gandy Goose. This was even parodied in ''MightyMouseTheNewAdventures''.
* AnimatedAnthology: "Mighty Mouse Playhouse" is potentially the TropeMaker for WesternAnimation clip show re-airings of old cartoons.
* DeadHorseTrope: The shorts would frequently parody melodramas of the day, a genre that is only remembered ''because'' of its many parodies.
* DerangedAnimation: Any scene done by Jim Tyer, arguably Terry's top animator.
* HighOnCatnip: One oneshot short, "Catnip Capers", is about a cat who goes through a DisneyAcidSequence after sniffing some catnip.
* LimitedAnimation: One of the most prominent and early users of this.
* LongRunner: Despite the low budgets, total reliance on formula, and rushed animation, the Terrytoons enjoyed a ''very'' long, healthy lifespan, lasting from 1929 all the way up to 1968, where they were finally forced to close up shop on account of theatrical cartoons becoming all but completely unprofitable by that point--only the WalterLantz cartoon studio was able to outlast Terrytoons with their shorts, by four measly years. And even that wasn't enough to kill them--the Terrytoons enjoyed an equally healthy lifespan on TV for decades, with Mighty Mouse Playhouse pioneering the concept of [[AnimatedAnthology recycling old theatrical cartoons for reairing on TV.]]
* RecycledScript: A lot of the shorts.
* {{Retool}}: After Paul Terry sold the studio to CBS they hired Gene Deitch to take over as the creative director. Deitch, who himself had very low opinion of Terry's outputs, proceeded to change everything, from getting rid of the old characters in favor of the new (removing the likes of ''Mighty Mouse'' and ''Heckle and Jeckle'' in favor of ''Clint Clobber'' and ''Sidney the Elephant''), changing the design style to a more contemporary UPA style, hiring new personnel (WITHOUT firing old ones, amazingly enough), and more. It's agreed that the cartoons produced during this era are genuinely good.
** It didn't last long. Bill Weiss took over the studio after Terry sold it to CBS, and he wasn't warm to the idea of Terrytoons becoming a rennaisance animation house. It was said he wanted Deitch fired from day one, so after Deitch did leave, Weiss chose to fall back on the same old same old, only on TV budgets.
** After the studio shut its doors, Bill Weiss commissioned two pilots for CBS: ''Sally Sargent'' and ''The Ruby Eye Of The Monkey God,'' both farmed out to the Fred Calvert studio. Neither pilot sold, but the Calvert studio did animate two commercials with Mighty Mouse hawking Zestabs children's vitamins.
* StrictlyFormula: Paul Terry was the kind of guy who liked to play it safe and cared little to nothing for innovation, with his shorts often relying on plots, jokes and formulas long after other cartoons had stopped using them. One short with Gandy and Sourpuss even had a plot very similar to "Mickey's Trailer," ''a full decade'' after that cartoon had been aired in theaters! Worse yet, he waited till 1938 to switch to color, and if it hadn't been for Fox forcing him to raise the quality of his cartoons in the late 30s and 40s, he would have stuck to making cartoons as simple as early 30s cartoons.
** As Creator/RalphBakshi once quipped: "Why do you need another Terrytoons, with a cat chasing a mouse, in 1956?"
* WithFriendsLikeThese: The relationship between Gandy Goose and Sourpuss the Cat. Animator Creator/JohnKricfalusi claimed that their relationship was part of what inspired the relationship between WesternAnimation/RenAndStimpy.
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