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** Anime/PerfectBlue: GreyAndGrayMorality
** Anime/MillenniumActress: NoAntagonist
** Anime/ParanoiaAgent: GreyAndGrayMorality / BlackAndGrayMorality
** Anime/TokyoGodfathers: WhiteAndGreyMorality
** Literature/{{Paprika}}: BlackAndGrayMorality

to:

** Anime/PerfectBlue: ''Anime/PerfectBlue'': GreyAndGrayMorality
** Anime/MillenniumActress: ''Anime/MillenniumActress'': NoAntagonist
** Anime/ParanoiaAgent: ''Anime/ParanoiaAgent'': GreyAndGrayMorality / BlackAndGrayMorality
** Anime/TokyoGodfathers: ''Anime/TokyoGodfathers'': WhiteAndGreyMorality
** Literature/{{Paprika}}: ''Literature/{{Paprika}}'': BlackAndGrayMorality

Changed: 300

Removed: 199

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* AuthorExistenceFailure: At the time of his death, he was working on a film about robots called ''The Dream Machine'' which would have been his first project aimed at a younger audience. [[invoked]]



* FamousLastWords: [[ButNowIMustGo "Now, if you'll excuse me, I have to go."]] The wording is said to be a specific phrase you'd use if you were, say, at work and called away, having to leave your coworkers to finish a project without you.

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* FamousLastWords: [[ButNowIMustGo "Now, if you'll excuse me, I have to go."]] The wording is said to be DiedDuringProduction: At the time of his death, he was working on a specific phrase you'd use if you were, say, at work and film about robots called away, having to leave your coworkers to finish a ''The Dream Machine'' which would have been his first project without you.aimed at a younger audience. [[invoked]]
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* ''The Dream Machine'' ([[AuthorExistenceFailure Event]][[DevelopmentHell ually]])

to:

* ''The Dream Machine'' ([[AuthorExistenceFailure Event]][[DevelopmentHell ually]])(Indefinitely delayed following his death)



* FourIsDeath: Rather eerily, his fourth film, ''Paprika'', was his final theatrical film...[[DevelopmentHell to be released anyway]].
* GenreBusting: Most of his films have [[ThisIsYourPremiseOnDrugs strange or unconventional premises]].
* HeAlsoDid: Wrote, storyboarded and directed the fifth episode of the original ''{{Manga/JoJos Bizarre Adventure Stardust Crusaders}}'' OVA for {{Creator/APPP}} (the episode with the [[MemeticMutation memetic scene]] where DIO stares up at a 7UP sign). He died before Creator/DavidProduction animated the more well-known (nowadays) version of the anime, so we'll never know what he might have thought of their take on it.

to:

* FourIsDeath: Rather eerily, his fourth film, ''Paprika'', was his final theatrical film...[[DevelopmentHell film to be released anyway]].
released.
* GenreBusting: Most of his films have [[ThisIsYourPremiseOnDrugs strange or unconventional premises]].
premises.
* HeAlsoDid: Wrote, storyboarded and directed the fifth episode of the original ''{{Manga/JoJos Bizarre Adventure Stardust Crusaders}}'' OVA for {{Creator/APPP}} (the episode with the [[MemeticMutation memetic scene]] scene where DIO stares up at a 7UP sign). He died before Creator/DavidProduction animated the more well-known (nowadays) version of the anime, so we'll never know what he might have thought of their take on it.
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None


** Literature/Paprika: BlackAndGrayMorality

to:

** Literature/Paprika: Literature/{{Paprika}}: BlackAndGrayMorality
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** Anime/Paprika: BlackAndGrayMorality

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** Anime/Paprika: Literature/Paprika: BlackAndGrayMorality
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** Paprika: GreyAndGrayMorality

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** Paprika: GreyAndGrayMoralityAnime/Paprika: BlackAndGrayMorality
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* MagicRealism: Two of his works,''Anime/TokyoGodfathers'' and ''Anime/ParanoiaAgent'' have elements of this trope: in the former, the plot is driven by a series of incredibly fortunate coincidences, giving it a very "Christmas magic" vibe (And also,[[spoiler: the intervention of a supernatural force ends saving the life of one of the main characters ]] while in the latter a seemingly mundane mystery ends becoming a supernatural SurrealHorror story, but never losing a certain down-to-earth tone for the most part.

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* MagicRealism: Two of his works,''Anime/TokyoGodfathers'' and ''Anime/ParanoiaAgent'' have elements of this trope: in the former, the plot is driven by a series of incredibly fortunate coincidences, giving it a very "Christmas magic" vibe (And also,[[spoiler: the intervention of a supernatural force ends saving the life of one of the main characters ]] ]]) while in the latter a seemingly mundane mystery ends becoming a supernatural SurrealHorror story, but never losing a certain down-to-earth tone for the most part.
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* MagicRealism: Two of his works,''Anime/TokyoGodfathers'' and ''Anime/ParanoiaAgent'' have elements of this trope: in the former, the plot is driven by a series of incredibly fortunate coincidences, giving it a very "Christmas magic" vibe (And also,[[spoiler: the intervention of a supernatural force ends saving the life of one of the main characters ]] while in the latter a seemingly mundane mystery ends becoming a SurrealHorror story, but never losing a certain down-to-earth tone for the most part.

to:

* MagicRealism: Two of his works,''Anime/TokyoGodfathers'' and ''Anime/ParanoiaAgent'' have elements of this trope: in the former, the plot is driven by a series of incredibly fortunate coincidences, giving it a very "Christmas magic" vibe (And also,[[spoiler: the intervention of a supernatural force ends saving the life of one of the main characters ]] while in the latter a seemingly mundane mystery ends becoming a supernatural SurrealHorror story, but never losing a certain down-to-earth tone for the most part.
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%% * MagicRealism

to:

%% * MagicRealismMagicRealism: Two of his works,''Anime/TokyoGodfathers'' and ''Anime/ParanoiaAgent'' have elements of this trope: in the former, the plot is driven by a series of incredibly fortunate coincidences, giving it a very "Christmas magic" vibe (And also,[[spoiler: the intervention of a supernatural force ends saving the life of one of the main characters ]] while in the latter a seemingly mundane mystery ends becoming a SurrealHorror story, but never losing a certain down-to-earth tone for the most part.
Tabs MOD

Removed: 97

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* ConspicuousCG: Being visually innovative apparently makes you bet on the wrong horse sometimes.
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* ''Anime/TheDreamMachine'' ([[AuthorExistenceFailure Event]][[DevelopmentHell ually]])

to:

* ''Anime/TheDreamMachine'' ''The Dream Machine'' ([[AuthorExistenceFailure Event]][[DevelopmentHell ually]])



* AuthorExistenceFailure: At the time of his death, he was working on a film about robots called ''Anime/TheDreamMachine'' which would have been his first project aimed at a younger audience. [[invoked]]

to:

* AuthorExistenceFailure: At the time of his death, he was working on a film about robots called ''Anime/TheDreamMachine'' ''The Dream Machine'' which would have been his first project aimed at a younger audience. [[invoked]]
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Added DiffLines:

* SceneryPorn
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Relatively unbeknownest to most, he also drew several manga before moving into animation, many of which were eventually released in English in 2013-2015.

to:

Relatively unbeknownest unknown to most, he also drew several manga before moving into animation, many of which were eventually released in English in 2013-2015.
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ZCE cleanup


* CastOfSnowflakes

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%% * CastOfSnowflakes



* HumansAreSpecial
* MagicRealism

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%% * HumansAreSpecial
%% * MagicRealism
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-->--'''Satoshi Kon''' closing out his final message to the world.

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-->--'''Satoshi -->-- '''Satoshi Kon''' closing out his final message to the world.
world

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Changed: 217

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* SomethingCompletelyDifferent: The last project he worked on was a kid-friendly robot movie called ''Anime/TheDreamMachine''.

to:

* SomethingCompletelyDifferent: His third movie, ''Anime/TokyoGodfathers'' is a straight forward comedy-drama with a more traditional three act structure firmly set in a realistic world rather than his usual style.
**
The last project he worked on was a kid-friendly robot movie called ''Anime/TheDreamMachine''.
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* ConspicuousCGI: Being visually innovative apparently makes you bet on the wrong horse sometimes.
* FamousLastWords: [[ButNowIMustGo "Now excuse me, I have to go."]] The wording is said to be a specific phrase you'd use if you were, say, at work and called away, having to leave your coworkers to finish a project without you.
* FourIsDeath: Rather eerily, his fourth film,''Paprika'', was his final theatrical film...[[DevelopmentHell to be released anyway]].
* GenreBusting: Most of his films have [[ThisIsYourPremiseOnDrugs strange or unconventional premises.]]
* HeAlsoDid: Wrote, storyboarded and directed the fifth episode of the original ''{{Manga/JoJos Bizarre Adventure Stardust Crusaders}}'' OVA for {{Creator/APPP}} (the episode with the [[{{MemeticMutation}} memetic scene]] where DIO stares up at a 7UP sign). He died before {{Creator/David Production}} animated the more well-known (nowadays) version of the anime, so we'll never know what he might have thought of their take on it.

to:

* ConspicuousCGI: ConspicuousCG: Being visually innovative apparently makes you bet on the wrong horse sometimes.
* FamousLastWords: [[ButNowIMustGo "Now "Now, if you'll excuse me, I have to go."]] The wording is said to be a specific phrase you'd use if you were, say, at work and called away, having to leave your coworkers to finish a project without you.
* FourIsDeath: Rather eerily, his fourth film,''Paprika'', film, ''Paprika'', was his final theatrical film...[[DevelopmentHell to be released anyway]].
* GenreBusting: Most of his films have [[ThisIsYourPremiseOnDrugs strange or unconventional premises.]]
premises]].
* HeAlsoDid: Wrote, storyboarded and directed the fifth episode of the original ''{{Manga/JoJos Bizarre Adventure Stardust Crusaders}}'' OVA for {{Creator/APPP}} (the episode with the [[{{MemeticMutation}} [[MemeticMutation memetic scene]] where DIO stares up at a 7UP sign). He died before {{Creator/David Production}} Creator/DavidProduction animated the more well-known (nowadays) version of the anime, so we'll never know what he might have thought of their take on it.



* PromotedFanboy: Kon was a fan of Yasutaka Tsutsui and Yoshikazu Takeuchi, and adapted works from the both of them [[Literature/{{Paprika}} into]] [[Anime/{{PerfectBlue}} films.]] He was also a fan of Susumu Hirasawa long before he first worked with him. [[invoked]]

to:

* PromotedFanboy: Kon was a fan of Yasutaka Tsutsui and Yoshikazu Takeuchi, and adapted works from the both of them [[Literature/{{Paprika}} into]] [[Anime/{{PerfectBlue}} films.]] [[Anime/PerfectBlue films]]. He was also a fan of Susumu Hirasawa long before he first worked with him. [[invoked]]



** Anime/PerfectBlue: GrayAndGreyMorality

to:

** Anime/PerfectBlue: GrayAndGreyMoralityGreyAndGrayMorality



** Anime/ParanoiaAgent: GreyAndGrayMorality / BlackAndGreyMorality
** Anime/TokyoGodfathers: WhiteAndGrayMorality

to:

** Anime/ParanoiaAgent: GreyAndGrayMorality / BlackAndGreyMorality
BlackAndGrayMorality
** Anime/TokyoGodfathers: WhiteAndGrayMoralityWhiteAndGreyMorality



* SignatureStyle: Satoshi Kon was known and loved for combining imagination with realism. Also, very smooth editing that involved a lot of [[MatchCut match cuts]]; when the editing was not smooth, he was quickly cutting to a shot that only lasted a few frames.

to:

* SignatureStyle: Satoshi Kon was known and loved for combining imagination with realism. Also, very smooth editing that involved a lot of [[MatchCut match cuts]]; {{match cut}}s; when the editing was not smooth, he was quickly cutting to a shot that only lasted a few frames.



** Creator/{{Madhouse}} has thankfully confirmed [[http://www.animenewsnetwork.com/news/2010-11-11/satoshi-kon-last-film-to-officially-resume-production the film is back in production.]] In Satoshi Kon's final message, he said he was assured by Madhouse founder Masao Maruyama that the studio would do "whatever it takes" to finish it.

to:

** Creator/{{Madhouse}} has thankfully confirmed [[http://www.animenewsnetwork.com/news/2010-11-11/satoshi-kon-last-film-to-officially-resume-production the film is back in production.]] production]]. In Satoshi Kon's final message, he said he was assured by Madhouse founder Masao Maruyama that the studio would do "whatever it takes" to finish it.
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** Anime/PerfectBlue: BlackAndGreyMorality

to:

** Anime/PerfectBlue: BlackAndGreyMoralityGrayAndGreyMorality



** Anime/ParanoiaAgent: GreyAndGrayMorality

to:

** Anime/ParanoiaAgent: GreyAndGrayMoralityGreyAndGrayMorality / BlackAndGreyMorality
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None

Added DiffLines:

* HeAlsoDid: Wrote, storyboarded and directed the fifth episode of the original ''{{Manga/JoJos Bizarre Adventure Stardust Crusaders}}'' OVA for {{Creator/APPP}} (the episode with the [[{{MemeticMutation}} memetic scene]] where DIO stares up at a 7UP sign). He died before {{Creator/David Production}} animated the more well-known (nowadays) version of the anime, so we'll never know what he might have thought of their take on it.
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None


* CentralTheme: Systems, humanity, surrealism, morality, mental illnesses, imagination vs realism.

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* CentralTheme: Systems, humanity, human psyche, social stigmas, surrealism, morality, mental illnesses, imagination vs realism.
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Added DiffLines:

* CentralTheme: Systems, humanity, surrealism, morality, mental illnesses, imagination vs realism.
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* AuthorExistenceFailure: At the time of his death, he was working on a film about robots called ''Anime/TheDreamMachine'' which would have been his first project aimed at a younger audience.

to:

* AuthorExistenceFailure: At the time of his death, he was working on a film about robots called ''Anime/TheDreamMachine'' which would have been his first project aimed at a younger audience. [[invoked]]



* PromotedFanboy: Kon was a fan of Yasutaka Tsutsui and Yoshikazu Takeuchi, and adapted works from the both of them [[Literature/{{Paprika}} into]] [[Anime/{{PerfectBlue}} films.]] He was also a fan of Susumu Hirasawa long before he first worked with him.

to:

* PromotedFanboy: Kon was a fan of Yasutaka Tsutsui and Yoshikazu Takeuchi, and adapted works from the both of them [[Literature/{{Paprika}} into]] [[Anime/{{PerfectBlue}} films.]] He was also a fan of Susumu Hirasawa long before he first worked with him. [[invoked]]



* SignatureStyle: Satoshi Kon 's was known and loved for combining the imagination with realism.

to:

* SignatureStyle: Satoshi Kon 's was known and loved for combining the imagination with realism. Also, very smooth editing that involved a lot of [[MatchCut match cuts]]; when the editing was not smooth, he was quickly cutting to a shot that only lasted a few frames.



** Unfortunately the movie has slipped back into DevelopmentHell again.

to:

** Unfortunately the movie has slipped back into DevelopmentHell again. [[invoked]]
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** Anime/TokyoGodfathers: WhiteAndGrayMoraloty

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** Anime/TokyoGodfathers: WhiteAndGrayMoralotyWhiteAndGrayMorality
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** Anime/TokyoGodfathers: WhiteAndGreyMoraloty

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** Anime/TokyoGodfathers: WhiteAndGreyMoralotyWhiteAndGrayMoraloty
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** Anime/MillenniumActress: WhiteAndGreyMorality

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** Anime/MillenniumActress: WhiteAndGreyMoralityNoAntagonist



** Anime/TokyoGodfathers: GoodVsGood

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** Anime/TokyoGodfathers: GoodVsGoodWhiteAndGreyMoraloty
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* SlidingScaleOfRealisticVsFantastic

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* SlidingScaleOfRealisticVsFantasticSlidingScaleOfRealisticVersusFantastic: Going back to SignatureStyle, his films were known for brilliantly mixing in the two together.
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Added DiffLines:

* SlidingScaleOfRealisticVsFantastic
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Added DiffLines:

* SignatureStyle: Satoshi Kon 's was known and loved for combining the imagination with realism.
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** Literature/Paprika: GreyAndGrayMorality

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** Literature/Paprika: Paprika: GreyAndGrayMorality

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