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* SharedUniverse: While ''Throne of Glass'', ''Crescent City'', and ''A Court of Thorns and Roses'' are all set on different worlds with different types of beings and magic systems, they all exist in the same universe - different planets or planes of existence, but shown to be linked. Specific examples include:
to:
* SharedUniverse: While ''Throne of Glass'', ''Crescent City'', and Glass'', ''A Court of Thorns and Roses'' and ''Crescent City'' are all set on different worlds with different types of beings and magic systems, they all exist in the same universe - different planets or planes of existence, but shown to be linked.linked (the fanbase collectively refers to it as the "[[TheVerse Maasverse]]"). Specific examples include:
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** [[spoiler:Rhysand]] from ''A Court of Thorns and Roses'' appears at the end of ''House of Sky and Breath'' (the second installment of ''Crescent City'') and is implied to be related to Ruhn given their strong resemblance.
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** [[spoiler:Rhysand]] [[spoiler:The Inner Circle]] from ''A Court of Thorns and Roses'' appears appear at the end of ''House of Sky and Breath'' (the second installment of ''Crescent City'') and [[spoiler:Rhysand]] is implied to be related to Ruhn given their strong resemblance.resemblance.
** The early chapters of ''House of Flame and Shadow'' (book three of ''Crescent City'') take place in Prythian (the setting of ACOTAR), which Bryce had travelled to from her own world at the end of the previous book.
** The early chapters of ''House of Flame and Shadow'' (book three of ''Crescent City'') take place in Prythian (the setting of ACOTAR), which Bryce had travelled to from her own world at the end of the previous book.
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* ''Literature/CrescentCity'' (2020 -)
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* ''Literature/CrescentCity'' (2020 -)
- 2024)
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* ''The Starkillers Cycle'' (2014): a free online story co-authored with Creator/SusanDennard
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* ''The Starkillers Cycle'' (2014): (2014 - 2017): a free online story co-authored with Creator/SusanDennard
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Names The Same is no longer a trope
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* NamesTheSame: Not to be confused with Sarah Maas, the protagonist of the ''Literature/{{Goosebumps}}'' book ''Literature/TheCurseOfCampColdLake''.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/sarah_j_maas.jpg]]
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* ''Literature/ThroneOfGlass'' (2012-2018)
* ''Literature/ACourtOfThornsAndRoses'' (2015-2021)
* ''Literature/ACourtOfThornsAndRoses'' (2015-2021)
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* ''Literature/ThroneOfGlass'' (2012-2018)
(2012 - 2018)
* ''Literature/ACourtOfThornsAndRoses''(2015-2021)(2015 - 2021)
* ''Literature/ACourtOfThornsAndRoses''
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* ''Literature/CrescentCity'' (2020-)
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* ''Literature/CrescentCity'' (2020-)
(2020 -)
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** Fairytale retellings, or stories inspired by fairytales and folktales. ''Throne of Glass'' started out as a darker, more action-packed "Cinderella" retelling (though it had drifted further from this by the final draft), while ''A Court of Thorns and Roses'' draws inspiration from "Beauty and the Beast", "Tam Lin", "East of the Sun and West of the Moon", "Snow White" and the Greek myths of Eros and Psyche and Hades and Persephone.
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Bastard Boyfriend is no longer a trope
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* FeministFantasy: A lot of her books have been considered this: all her series star powerful and strong-minded women as the protagonists, with lots of female supporting characters too. Some of her books also have themes around women overcoming or standing up to sexism, escape and recovery from domestic abuse and/or sexual violence, and finding romantic partners who empower them and treat them as equals. That being said, there has been some controversy over whether ''all'' of Maas' books can be considered good examples of Feminist Fantasy (especially with the ''A Court of Thorns and Roses'' series) due to the inclusion of certain plot developments and tropes (namely the use of the BastardBoyfriend trope and extremely vitriolic examples of BelligerentSexualTension and/or SlapSlapKiss, among other issues).
to:
* FeministFantasy: A lot of her books have been considered this: all her series star powerful and strong-minded women as the protagonists, with lots of female supporting characters too. Some of her books also have themes around women overcoming or standing up to sexism, escape and recovery from domestic abuse and/or sexual violence, and finding romantic partners who empower them and treat them as equals. That being said, there has been some controversy over whether ''all'' of Maas' books can be considered good examples of Feminist Fantasy (especially with the ''A Court of Thorns and Roses'' series) due to the inclusion of certain plot developments and tropes (namely the use of the BastardBoyfriend FetishizedAbuser trope and extremely vitriolic examples of BelligerentSexualTension and/or SlapSlapKiss, among other issues).
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* SharedUniverse: While ''Throne of Glass'', ''Crescent City'', and ''A Court of Thorns and Roses'' are all set on different worlds with different types of beings and different magics, they all exist in the same universe - different planets or planes of existence, but shown to be linked. Specific examples include:
to:
* SharedUniverse: While ''Throne of Glass'', ''Crescent City'', and ''A Court of Thorns and Roses'' are all set on different worlds with different types of beings and different magics, magic systems, they all exist in the same universe - different planets or planes of existence, but shown to be linked. Specific examples include:
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** [[spoiler:Rhysand]] from ''A Court of Thorns and Roses'' appears at the end of ''House of Sky and Breath'' (the second installment of ''Crescent City'') and is implied to be related to Ruhn given their strong resemblance.
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* AttentionDeficitCreatorDisorder: Midway through writing ''Throne of Glass'', Maas began co-writing ''The Starkillers Cycle'' (which was abandoned by 2017) and started work on ''A Court of Thorns and Roses''. And then immediately after finishing ''Throne of Glass'' in 2018, she began writing the ''Crescent City'' series alongside ACOTAR. The same year the last TOG book came out she also published ''Catwoman Soulstealer''; in 2018 she in fact released ''three'' books, and ''Kingdom of Ashes'' wasn't a short book either.
to:
* AttentionDeficitCreatorDisorder: Midway through writing ''Throne of Glass'', Maas began co-writing ''The Starkillers Cycle'' (which was abandoned by 2017) and started work on ''A Court of Thorns and Roses''. And then immediately after finishing ''Throne of Glass'' in 2018, she began writing the ''Crescent City'' series alongside ACOTAR. The same year the last TOG book came out she also published ''Catwoman Soulstealer''; in 2018 she in fact released ''three'' books, and ''Kingdom of Ashes'' Ash'' wasn't a short book either.
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* AttentionDeficitCreatorDisorder: Midway through writing ''Throne of Glass'', Maas began co-writing ''The Starkillers Cycle'' (which was abandoned by 2017) and started work on ''A Court of Thorns and Roses''. And then immediately after finishing ''Throne of Glass'' in 2018, she began writing the ''Crescent City'' series alongside ACOTAR. The same year the last TOG book came out she also published ''Catwoman Soulstealer''; in 2018 she in fact released ''three'' books, and ''Kingdom of Ashes'' and ''A Court of Wings and Ruin'' aren't short books either.
to:
* AttentionDeficitCreatorDisorder: Midway through writing ''Throne of Glass'', Maas began co-writing ''The Starkillers Cycle'' (which was abandoned by 2017) and started work on ''A Court of Thorns and Roses''. And then immediately after finishing ''Throne of Glass'' in 2018, she began writing the ''Crescent City'' series alongside ACOTAR. The same year the last TOG book came out she also published ''Catwoman Soulstealer''; in 2018 she in fact released ''three'' books, and ''Kingdom of Ashes'' and ''A Court of Wings and Ruin'' aren't wasn't a short books book either.
