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* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. And it's probably for the best.
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* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. [[MST3KMantra And it's probably for the best.best]].
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''[[InAWorld In a world]] where [[BMovie B-Movies]] end up on the nadir of video store shelves... one rich man... dares to make them awesome.''
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[[MST3KMantra MSTK3 Mantra]] is in full effect here. Don't try thinking about inconsistencies, [[FridgeLogic internal]] and external, in his movies; you'll enjoy them more that way.
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Changed line(s) 46 (click to see context) from:
* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. And it's probably for the best. ** One very notable exception was ''Film/{{Midway|2019}}'', which goes to almost painstaking detail on the historical events leading up to, and part of the titular event.
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* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. And it's probably for the best.
** One very notable exception was ''Film/{{Midway|2019}}'', which goes to almost painstaking detail on the historical events leading up to, and part of the titular event.
** One very notable exception was ''Film/{{Midway|2019}}'', which goes to almost painstaking detail on the historical events leading up to, and part of the titular event.
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Changed line(s) 46 (click to see context) from:
* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. And it's probably for the best.
to:
* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. And it's probably for the best. ** One very notable exception was ''Film/{{Midway|2019}}'', which goes to almost painstaking detail on the historical events leading up to, and part of the titular event.
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In TheNineties, he traveled to Hollywood to direct his first blockbuster: ''Film/UniversalSoldier''. While it received less-than-kind reviews, the film made a decent amount of money in the USA, and made over twice the amount of money overseas. After this, he directed ''Film/{{Stargate}}'', which later kicked off its own [[Series/StargateSG1 TV series]] and [[Franchise/StargateVerse franchise]], and opened him the door to direct bigger and bigger films, with his most notable box office hit being ''Film/IndependenceDay''.
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In TheNineties, The90s, he traveled to Hollywood to direct his first blockbuster: ''Film/UniversalSoldier''. While it received less-than-kind reviews, the film made a decent amount of money in the USA, and made over twice the amount of money overseas. After this, he directed ''Film/{{Stargate}}'', which later kicked off its own [[Series/StargateSG1 TV series]] and [[Franchise/StargateVerse franchise]], and opened him the door to direct bigger and bigger films, with his most notable box office hit being ''Film/IndependenceDay''.
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* PlayingAgainstType: While known mainly for his disaster films, Emmerich has also done thrillers as well, such as ''Film/{{Anonymous}}'', a pseudo-historical mystery-thriller about William Shakespeare, and later a dramatic retelling of the Stonewall riots.
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* PlayingAgainstType: While known mainly for his disaster films, Emmerich has also done thrillers as well, such as ''Film/{{Anonymous}}'', ''Film/{{Anonymous|2011}}'', a pseudo-historical mystery-thriller about William Shakespeare, and later a dramatic retelling of the Stonewall riots.
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Changing wick per disambiguation.
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* ''Film/{{Anonymous}}'' (2011)
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* ''Film/{{Anonymous}}'' ''Film/{{Anonymous|2011}}'' (2011)
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* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. [[RuleOfCool And it's probably [[MST3KMantra for the best]].
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* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining]]. [[RuleOfCool And it's probably [[MST3KMantra for the best]].best.
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''InAWorld... where [[BMovie B-Movies]] end up on the nadir of video store shelves... one rich man... dares to make them awesome.''
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* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, feeling that the action in his movies don't need to be completely accurate to be entertaining. [[AcceptableBreaksFromReality And it's]] [[RuleOfCool probably for]] [[MST3KMantra the best]].
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* ArtisticLicense: His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, [[AcceptableBreakFromReality feeling that the action in his movies don't need to be completely accurate to be entertaining. [[AcceptableBreaksFromReality And it's]] entertaining]]. [[RuleOfCool And it's probably for]] [[MST3KMantra for the best]].
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* DisasterMovie[-/-]EpicMovie: Usually in tandem.
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* DisasterMovie[-/-]EpicMovie: Usually in tandem.CreatorBacklash: Of a sort. Emmerich regretted that [[ChristmasRushed he rushed Godzilla for a Memorial Day release]]. He still defends the film, though.
* PlayingAgainstType: While known mainly for his disaster films, Emmerich has also done thrillers as well, such as ''Film/{{Anonymous}}'', a pseudo-historical mystery-thriller about William Shakespeare, and later a dramatic retelling of the Stonewall riots.
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* WhatCouldHaveBeen:
** He said that he and Dean Devlin were planning a movie about an asteroid crash before being roped into ''Godzilla''. And then that very year came ''Film/Armageddon1998'' and ''Film/DeepImpact'' to make him cancel the project.
** In 2011, Columbia purchased a spec script from him named ''Singularity''. It entered DevelopmentHell [[https://collider.com/roland-emmerich-singularity-failed-blockbuster-what-happened/ during the following years, and doesn't seem to be leaving any time soon.]]
** He said that he and Dean Devlin were planning a movie about an asteroid crash before being roped into ''Godzilla''. And then that very year came ''Film/Armageddon1998'' and ''Film/DeepImpact'' to make him cancel the project.
** In 2011, Columbia purchased a spec script from him named ''Singularity''. It entered DevelopmentHell [[https://collider.com/roland-emmerich-singularity-failed-blockbuster-what-happened/ during the following years, and doesn't seem to be leaving any time soon.]]
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* ''Film/ThePatriot'' (2000)
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* ''Film/ThePatriot'' ''Film/{{The Patriot|2000}}'' (2000)
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* ArtisticLicense: He justifies the silly logical inconsistencies with this, feeling that the action in his movies don't need to be completely accurate to be entertaining. [[AcceptableBreaksFromReality This is probably]] [[MST3KMantra for the best]].
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* ArtisticLicense: He His films are known to have this in spades, and Emmerich himself justifies the silly logical inconsistencies with this, feeling that the action in his movies don't need to be completely accurate to be entertaining. [[AcceptableBreaksFromReality This is probably]] And it's]] [[RuleOfCool probably for]] [[MST3KMantra for the best]].
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* ArtisticLicense: He justifies the silly logical inconsistencies with this, feeling that the action in his movies don't need to be completely accurate to be entertaining. [[AcceptableBreaksFromReality This is probably for the best]].
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* ArtisticLicense: He justifies the silly logical inconsistencies with this, feeling that the action in his movies don't need to be completely accurate to be entertaining. [[AcceptableBreaksFromReality This is probably probably]] [[MST3KMantra for the best]].
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Roland Emmerich (born November 10, 1955) is a German director and producer who is known as the undisputed king of American [[DisasterMovie disaster movies]], a title he's held for the past thirty years or so. [[CriticProof Although his films have a tendency to get mixed reviews, they usually kill at the box office.]]
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Roland Emmerich (born November 10, 1955) is a German director and producer who is known as the undisputed king of American [[DisasterMovie disaster movies]], a title he's held for the past thirty years or so. [[CriticProof Although his films have a tendency to get mixed reviews, if not horrible reviews from critics, they usually kill at the box office.]]
