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* GenreProlificCreator: He's had success in several genres, be it historical dramas, science fiction or psychological thriller.
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* {{Euroshlock}}: Most of his Dutch productions, the only major exceptions being ''Film/SoldierOfOrange'' and possibly ''Film/{{Zwartboek}}''.

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* {{Euroshlock}}: Most of his Dutch productions, the only major exceptions being ''Film/SoldierOfOrange'' and possibly ''Film/{{Zwartboek}}''.''Film/BlackBook''.
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* HitlerAteSugar: His absolutely scathing treatment of ''Literature/StarshipTroopers'' is built on the idea that nationalism, militarism and propaganda are all evil things because the Nazis used them, despite how the Allied forces relied on these exact same things in their war effort to ''defeat'' Nazi Germany and Imperial Japan.

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* HitlerAteSugar: His absolutely scathing treatment of ''Literature/StarshipTroopers'' is built on the idea that nationalism, militarism and propaganda are all evil things because the Nazis used them, despite how even though [[OlderThanTheyThink none of these concepts were invented by Nazi Germany by a long shot]], and the Allied forces relied on these exact same things in their war effort to ''defeat'' Nazi Germany and Imperial Japan.the Axis powers.
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* HitlerAteSugar: His absolutely scathing treatment of ''Literature/StarshipTroopers'' is built on the idea that nationalism, militarism and propaganda are all evil things because the Nazis used them, despite how the Allied forces relied on these exact same things in their war effort to ''defeat'' Nazi Germany and Imperial Japan.
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His work on the 1992 erotic thriller ''Film/BasicInstinct'' reunited him with ''Total Recall'''s Sharon Stone, and started a short period of working with screenwriter Joe Ezterhas. The film was partially a remake of his 1983 Dutch movie ''De Vierde Man'' (''Film/TheFourthMan''), and was controversial in the States, with feminist and gay rights groups protesting against the film's alleged misogyny and homophobia, which puzzled Verhoeven. His career reached a low point in 1995 with the widely panned ''Film/{{Showgirls}}'', for which he won a Razzie for Worst Director. Showing that he's not a sore loser, Verhoeven collected the award in person, becoming the first director to do so. He claimed to have had more fun at the award ceremony than reading the reviews.

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His work on the 1992 erotic thriller ''Film/BasicInstinct'' reunited him with Creator/SharonStone, who had played a smaller role in ''Total Recall'''s Sharon Stone, Recall'', and started a short period of working with screenwriter Joe Ezterhas. The film was partially a remake of his 1983 Dutch movie ''De Vierde Man'' (''Film/TheFourthMan''), and was controversial in the States, with feminist and gay rights groups protesting against the film's alleged misogyny and homophobia, which puzzled Verhoeven. His career reached a low point in 1995 with the widely panned ''Film/{{Showgirls}}'', for which he won a Razzie for Worst Director. Showing that he's not a sore loser, Verhoeven collected the award in person, becoming the first director to do so. He claimed to have had more fun at the award ceremony than reading the reviews.
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In the 1980s he branched out into making English-language films, starting with ''Film/FleshAndBlood1985''. Since then he has became best known to American audiences for his sci-fi action films, although he admits not being a fan of the genre. He became attached to direct the script for the first ''Film/RoboCop1987'' movie after initially rejecting it. His wife eventually convinced him that there was more to the story than he initially thought (drawing parallels to UsefulNotes/JesusChrist's death and resurrection), and [[AwesomeDearBoy he liked the extreme violence]]. The film proved a major hit that helped jumpstart the SuperHero film genre, while also being hailed as a brilliant BlackComedy satire of 1980s America.

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In the 1980s he branched out into making English-language films, starting with ''Film/FleshAndBlood1985''. Since then he has became best known to American audiences for his sci-fi action films, although he admits not being a fan of the genre. He became attached to direct the script for the first ''Film/RoboCop1987'' movie after initially rejecting it. His wife eventually convinced him that there was more to the story than he initially thought (drawing parallels to UsefulNotes/JesusChrist's the death and resurrection), resurrection of UsefulNotes/JesusChrist), and [[AwesomeDearBoy he liked the extreme violence]]. The film proved a major hit that helped jumpstart the SuperHero film genre, while also being hailed as a brilliant BlackComedy satire of 1980s America.
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His work on the 1992 erotic thriller ''Film/BasicInstinct'' reunited him with ''Total Recall'''s Sharon Stone, and started a short period of working with screenwriter Joe Ezterhas. The film was partially a remake of his 1983 Dutch movie ''De Vierde Man'' (''The Fourth Man''), and was controversial in the States, with feminist and gay rights groups protesting against the film's alleged misogyny and homophobia, which puzzled Verhoeven. His career reached a low point in 1995 with the widely panned ''Film/{{Showgirls}}'', for which he won a Razzie for Worst Director. Showing that he's not a sore loser, Verhoeven collected the award in person, becoming the first director to do so. He claimed to have had more fun at the award ceremony than reading the reviews.

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His work on the 1992 erotic thriller ''Film/BasicInstinct'' reunited him with ''Total Recall'''s Sharon Stone, and started a short period of working with screenwriter Joe Ezterhas. The film was partially a remake of his 1983 Dutch movie ''De Vierde Man'' (''The Fourth Man''), (''Film/TheFourthMan''), and was controversial in the States, with feminist and gay rights groups protesting against the film's alleged misogyny and homophobia, which puzzled Verhoeven. His career reached a low point in 1995 with the widely panned ''Film/{{Showgirls}}'', for which he won a Razzie for Worst Director. Showing that he's not a sore loser, Verhoeven collected the award in person, becoming the first director to do so. He claimed to have had more fun at the award ceremony than reading the reviews.
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trope was cut/disambiguated due to cleanup


* {{Gorn}}: His action films were excessively violent [[SeinfeldIsUnfunny for their time]]. ''Film/RoboCop1987'' in particular had to be re-edited for the scene where an OCP rookie exec is blasted to bits by the ED-209 robot in the conference room, and the use of {{Human Shield}}s in ''Film/TotalRecall1990'' received a lot of complaints. This is referenced as part of a gag in ''Film/HotShotsPartDeux'' where the body count of the ''Franchise/{{Rambo}}'' spoof action scene increases until it surpasses both ''[=RoboCop=]'' and ''Total Recall''. His use of this trope actually makes sense: Verhoeven grew up during the Nazi takeover of his home country of Holland in the onset of World War II, when he would walk to school at a very young age and come across decaying bodies of soldiers, fighter pilots and so on.

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* {{Gorn}}: His action films were excessively violent [[SeinfeldIsUnfunny for their time]].time. ''Film/RoboCop1987'' in particular had to be re-edited for the scene where an OCP rookie exec is blasted to bits by the ED-209 robot in the conference room, and the use of {{Human Shield}}s in ''Film/TotalRecall1990'' received a lot of complaints. This is referenced as part of a gag in ''Film/HotShotsPartDeux'' where the body count of the ''Franchise/{{Rambo}}'' spoof action scene increases until it surpasses both ''[=RoboCop=]'' and ''Total Recall''. His use of this trope actually makes sense: Verhoeven grew up during the Nazi takeover of his home country of Holland in the onset of World War II, when he would walk to school at a very young age and come across decaying bodies of soldiers, fighter pilots and so on.
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He is often regarded as one of the best film directors in UsefulNotes/TheNetherlands, and certainly one of the most notable--having won various Golden Calves (the highest award in the national film award ceremony) for his contributions to Dutch cinema. He was a frequent collaborator of the late Dutch actor Creator/RutgerHauer.

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He is often regarded as one of the best film directors in UsefulNotes/TheNetherlands, and certainly one of the most notable--having won various Golden Calves (the highest award in the national film award ceremony) for his contributions to Dutch cinema. He was a frequent collaborator of the late Dutch actor Creator/RutgerHauer.
Creator/RutgerHauer, mostly before Hauer started working in Hollywood.
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* ''Film/FleshAndBlood1985''

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* ''Film/FleshAndBlood1985''''[[Film/FleshAndBlood1985 Flesh+Blood]]'' (1985)
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Moved from subpage, see What Goes Where On The Wiki

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!! Trivia about Verhoeven
* AuthorAppeal: Verhoeven has never been afraid of dark, complex and morally ambiguous women characters. [[spoiler: Women characters in films of his that are written by Joe Eszterhas tend to be aversions, however: Catherine Tramell from ''Film/BasicInstinct'' is unambiguously a murderous sociopath, while most of the women in ''Film/{{Showgirls}}'' are almost ludicrously two-dimensional.]]
* AwesomeDearBoy: This is part of the reason why he did the first ''Film/RoboCop1987''. He initially rejected the opportunity to direct it when he read the script and thought it was silly and stupid. He changed his mind when his wife convinced him that there were more layers to the story than he initially thought, and because the writers pointed out the amount of {{Gorn}} there was, to which he responded "Well, I've never seen the hero [[{{Fingore}} get his hand blown off]]!"
* FlipFlopOfGod: He has gone back and forth on the issue of whether the events of ''Film/TotalRecall1990'' were real or all in Quaid's mind. His position seems to depend on whether there are hopes of getting a sequel made at the time he is asked that question.
* HeAlsoDid: He was a member of the Jesus Seminar, an international group of religious and Biblical scholars who studied the Gospels and tried to determine which parts actually reflected what they believed to be the "historical" UsefulNotes/{{Jesus}} (i.e. [[{{Demythification}} a mere peasant preacher in ancient Judea]]), and which parts were the later reinterpretations of Jesus as the son of God or God in human form (as the early Christians who compiled the Gospels viewed him). He even wrote a book about his views on the matter. A ''movie'' about his version of Jesus has been in DevelopmentHell for some time too.
* HostilityOnTheSet: Creator/PeterWeller's MethodActing (wanting to be addressed as "Murphy" or "Robo", depending on the scene, while on set) during the first few weeks of ''Film/RoboCop1987'' resulted in annoying Verhoeven, and co-stars Creator/KurtwoodSmith (Clarence Boddicker) and Creator/MiguelFerrer (Bob Morton). Verhoeven found it silly and told Weller he couldn't bring himself to indulge it, a middle ground between Smith's reaction (who simply chose to ignore Weller during that time) and Ferrer's (who actively ignored it and addressed Weller by his real name, anyway).
* ProductionPosse: Verhoeven's films up to and including his first American one, ''Film/FleshAndBlood1985'', as well as the preceding Dutch TV series ''Floris'' and the later Dutch production ''Film/BlackBook'', were all written by the Dutch screenwriter Gerard Soeteman. Also, ''Floris'' and many of his early films, including ''Film/TurkishDelight'', ''Film/SoldierOfOrange'' and ''Spetters'', starred a young, pre-fame Creator/RutgerHauer.
* MagnumOpusDissonance: He has stated that science fiction is not his favourite genre. Ironically, some of his most popular movies, ''Film/RoboCop1987'' (a film he almost turned down), ''Film/TotalRecall1990'' and ''Film/StarshipTroopers'', are science fiction, while his American non-sci-fi movies are generally not as popular or well known with the exception of ''Film/BasicInstinct''.
* WhatCouldHaveBeen: He planned to do a movie about UsefulNotes/TheCrusades with Creator/ArnoldSchwarzenegger, but it didn't pan out.
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* ''The Fourth Man'' (1983)

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* ''The Fourth Man'' ''Film/TheFourthMan'' (1983)
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* TakeThat: His [[Film/StarshipTroopers film adaptation]] of Creator/RobertAHeinlein's ''Literature/StarshipTroopers'' was described by Creator/BobChipman as "without a doubt one of the most staggeringly mean-spirited things that an artist has ever done to another artist or their work", recasting a straightforward heroic sci-far war story as a brutal deconstruction where the human [[DesignatedHero "heroes"]] are brutal, unthinking, and very dumb fascists. Which is what you'd expect when you allow a director who nearly became "collateral damage" when he was a boy in WWII to adapt a story promoting the concept that WarIsGlorious. Verhoeven himself admitted to only reading the first two chapters of the source material before he simply couldn't stomach any more of it.
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Paul Verhoeven (born 18 July 1938 in Amsterdam) is a Dutch film director, probably best known for his international works made in the United States.

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Paul Verhoeven (born 18 July 1938 in Amsterdam) is a Dutch film director, probably best known for his international works made in the United States. \n His films (particularly his sci-fi outings) are typically brutally violent, satirical, [[FreudWasRight and often contain heavy sexual themes]].



His films (particularly his sci-fi outings) are typically brutally violent, satirical, [[FreudWasRight and often contain heavy sexual themes]].

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His films (particularly his sci-fi outings) are typically brutally violent, satirical, [[FreudWasRight and often contain heavy sexual themes]].

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Verhoeven was born before the onset of UsefulNotes/WorldWarII and the Nazi occupation of the Netherlands, which shaped his outlook on life. After completing the film academy, he started out small in the film community before moving on to full-length features. In the 1970s he cooperated with producer Rob Houwer on several highly acclaimed Dutch movies such as the erotic/romantic drama ''Turks Fruit'' (''Film/TurkishDelight'') and the World War II epic ''Soldaat van Oranje'' (''Film/SoldierOfOrange'').

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Verhoeven was born before the onset of UsefulNotes/WorldWarII and the Nazi occupation of the Netherlands, which shaped his outlook on life. After completing the film academy, he started out small in the film community before moving on to full-length features. In the late 1960s, he directed ''Floris'', a TV series about a 16th century KnightErrant that aired on Dutch public TV. In the 1970s he cooperated with producer Rob Houwer on several highly acclaimed Dutch movies such as the erotic/romantic drama ''Turks Fruit'' (''Film/TurkishDelight'') and the World War II epic ''Soldaat van Oranje'' (''Film/SoldierOfOrange'').


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* ''Floris'' (1969)[[note]]TV series; directed all 12 episodes that aired[[/note]]

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In the 1980s he branched out into making English-language films, starting with ''Film/FleshAndBlood1985''. Since then he has became best known to American audiences for his sci-fi action films, although he admits not being a fan of the genre. He became attached to direct the script for the first ''Film/RoboCop1987'' movie after initially rejecting it. His wife eventually convinced him that there was more to the story than he initially thought (drawing parallels to UsefulNotes/JesusChrist's death and resurrection), and [[AwesomeDearBoy he liked the extreme violence]]. The film proved a major hit that helped jumpstart the SuperHero film genre, while it was hailed as a brilliant BlackComedy satire of 1980s America.

to:

In the 1980s he branched out into making English-language films, starting with ''Film/FleshAndBlood1985''. Since then he has became best known to American audiences for his sci-fi action films, although he admits not being a fan of the genre. He became attached to direct the script for the first ''Film/RoboCop1987'' movie after initially rejecting it. His wife eventually convinced him that there was more to the story than he initially thought (drawing parallels to UsefulNotes/JesusChrist's death and resurrection), and [[AwesomeDearBoy he liked the extreme violence]]. The film proved a major hit that helped jumpstart the SuperHero film genre, while it was also being hailed as a brilliant BlackComedy satire of 1980s America.



Verhoeven's last two American films, 1997's ''Film/StarshipTroopers'' and 2000's ''Film/HollowMan'' received mixed receptions. Fans of the Creator/RobertHeinlein [[Literature/StarshipTroopers novel]] considered the movie a betrayal of the source material[[note]]Which was totally intentional in Verhoeven's part. He completely disliked the book, because its militaristic and jingoistic overtones reminded him of the Nazi occupation of his country when he was young.[[/note]], while others appreciated it either as a straight-up action movie or for the StealthParody it aimed to be.

His next cinematic effort in 2006 returned Verhoeven to his Dutch roots, to direct the World War II thriller ''Film/{{Zwartboek}}'' (''Black Book''). It offers a morally grey account of the Dutch resistance during the last year of the war, with Creator/CariceVanHouten as an undercover Jew involved in the anti-German resistance. His 2016 film ''Film/{{Elle}}'' was his first film in the French language and told the story of Michèle (Creator/IsabelleHuppert), a French businesswoman who is raped in her home and who stalks her attacker. By far the most critically acclaimed film of Verhoeven's career, it got a seven-minute standing ovation at Cannes (and was nominated for the Palme d'Or), is the French entry for the Best Foreign Language film at the 2017 Oscars, and has earned a bunch of awards, most of them for star Isabelle Huppert, who is a huge Verhoeven fan.

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Verhoeven's last two American films, 1997's ''Film/StarshipTroopers'' and 2000's ''Film/HollowMan'' received mixed receptions. Fans of the Creator/RobertHeinlein [[Literature/StarshipTroopers novel]] considered the movie a betrayal of the source material[[note]]Which was totally intentional in Verhoeven's part. He completely disliked the book, because its militaristic and jingoistic overtones reminded him of the Nazi occupation of his country when he was young.[[/note]], while others appreciated it either as a straight-up action movie or for the StealthParody [[StealthParody satire of military sci-fi]] that it aimed to be.

His next cinematic effort in 2006 returned Verhoeven to his Dutch roots, to direct the World War II thriller ''Film/{{Zwartboek}}'' (''Black Book''). It offers a morally grey account of the Dutch resistance during the last year of the war, with Creator/CariceVanHouten as an undercover Jew involved in the anti-German resistance. His 2016 film ''Film/{{Elle}}'' was his first film in the French language and told the story of Michèle (Creator/IsabelleHuppert), a French businesswoman who is raped in her home and who stalks her attacker. By far the most critically acclaimed film of Verhoeven's career, it got a seven-minute standing ovation at Cannes (and was nominated for the Palme d'Or), is the French entry for the Best Foreign Language film at the 2017 Oscars, and has earned a bunch of awards, most of them for star Isabelle Huppert, who is a huge Verhoeven fan.
fan.

Despite being long dismissed in the English-speaking world as an uncomplicated "blockbuster" filmmaker, his Hollywood films have gotten considerable critical attention in recent years for subtly satirizing American culture's obsession with sex and violence--while also ''containing'' enough sex and violence to make them highly appealing to the same people whom they were intended to mock. This has led to Verhoeven developing something of a reputation as a master of StealthParody, known for delivering a peculiar breed of satire that [[PoesLaw straddles the line between straight-faced sincerity and abject mockery]], yet still manages to entertain the portion of the audience that doesn't get the joke. Even ''Showgirls'' continues to inspire debates about whether it was ''supposed'' to be funny.
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* {{Fanservice}}: He has directed several films with strong erotic themes, and even his other works feature a lot of nudity.

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* {{Fanservice}}: He has directed several films with strong erotic themes, and even his other works feature a lot of nudity. Notably, while filming the co-ed shower scene in ''Starship Troopers'', several of the actors joked with Verhoeven that ''he'' should be naked as well. Verhoeven, being Dutch and thus much more casual about nudity than the nearly all-American cast, obliged and proceeded to direct the scene without a stitch on, along with the cameraman and director of photography.

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