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* ''Bigger Than Life'' (1956)

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* ''Bigger Than Life'' ''Film/BiggerThanLife'' (1956)
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--> '''Nicholas Ray''': "My heroes are no more neurotic than the audience. Unless you can feel that a hero is just as fucked up as you are, that you would make the same mistakes that he would make, you can have no satisfaction when he does commit a heroic act. Because then you can say, ‘Hell, I could have done that too.’ And that’s the obligation of the filmmaker — of the theater-worker — to give a heightened sense of experience to the people who pay to come see his work."

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--> '''Nicholas Ray''': "My heroes are no more neurotic than the audience. Unless you can feel that a hero is just [[PrecisionFStrike as fucked up up]] as you are, that you would make the same mistakes that he would make, you can have no satisfaction when he does commit a heroic act. Because then you can say, ‘Hell, I could have done that too.’ And that’s the obligation of the filmmaker — of the theater-worker — to give a heightened sense of experience to the people who pay to come see his work."

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---* ShoutOut:
** Creator/JeanLucGodard famously dedicated his film ''Made in USA'' to "Nick and [[Creator/SamuelFuller Sam]] who raised me to respect image and sound."
** Music/BobDylan wrote his song "The Mighty Quinn" after seeing his film ''The Savage Innocents''.

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* RomanticismVersusEnlightenment: Ray is generally Enlightened (socially progressive and leftist in inclination) and left-Romantic (a la Shelley, Keats and Byron) drawn to strong passions, turbulent ByronicHero, social outsiders and alternative cultures.
** Many noted that his movies have an ethnological quality focusing on Poachers (''Wind Across the Everglades''), Teen Gangs (''Rebel Without A Cause''), Rodeo Performers (''The Lusty Men''), Gypsies (''Hot Blood'') and Inuit (''The Savage Innocents'').
** He was admired by the New Wave and by Martin Scorsese for bringing documentary elements to his movies, as seen in his use of handheld cameras in ''The Lusty Men'' and ''Film/OnDangerousGround'' and even his film on Jesus, ''Film/KingOfKings'' is considered interesting for its attempt to situate the Gospel narrative in a strongly researched historical backdrop, with the opening section compared by Martin Scorsese to a newsreel about the Ancient World.
* PerspectiveFlip: His film on Inuit, called ''The Savage Innocents'', is considered to be a rare successful example in portraying First Nations-Settler conflicts. It's heavily compromised (with Creator/AnthonyQuinn playing the main Inuit role) but it's also unusually successful for its point of view:
--> '''Tag Gallagher''': ''The Savage Innocents'' possibly comes closest to a non-white point of view of any film by an important filmmaker (Nicholas Ray); it goes out of its way to render the strange and bizarre as normal, and succeeds so well in inducting us into the alien sensibilities of its Eskimos that, by the time a white man shows up, we feel him as the abnormal one.



* ShortLivedBigImpact: He did live a long life, but his most prolific period in the film industry was a mere ten or thirteen years during which he made films that were admired by the likes of Creator/JeanLucGodard, Creator/FrancoisTruffaut, Creator/MartinScorsese and Creator/JimJarmusch among others.

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* ShortLivedBigImpact: ShortLivedBigImpact:[[invoked]] He did live a long life, but his most prolific period in the film industry was a mere ten or thirteen years during which he made films that were admired by the likes of Creator/JeanLucGodard, Creator/FrancoisTruffaut, Creator/MartinScorsese and Creator/JimJarmusch among others.
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--> '''Nicholas Ray''': "My heroes are no more neurotic than the audience. Unless you can feel that a hero is just as fucked up as you are, that you would make the same mistakes that he would make, you can have no satisfaction when he does commit a heroic act. Because then you can say, ‘Hell, I could have done that too.’ And that’s the obligation of the filmmaker — of the theater-worker — to give a heightened sense of experience to the people who pay to come see his work."
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Nicholas Ray (1911–1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of Creator/JohnFord, Creator/AlfredHitchcock, Creator/EliaKazan or Creator/BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.

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Nicholas Ray (1911–1979) (August 7, 1911 – June 16, 1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of Creator/JohnFord, Creator/AlfredHitchcock, Creator/EliaKazan or Creator/BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.
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* BrokenAce: A repeated theme in his films is people, adults, who were once top of their game but because of their trauma, DarkAndTroubledPast or other frustration are not entirely functional. Creator/HumphreyBogart in ''Film/InALonelyPlace'' is a notable example. As is Robert Ryan in ''On Dangerous Ground'' and James Mason in ''Bigger Than Life''.

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* BrokenAce: A repeated theme in his films is people, adults, who were once top of their game but because of their trauma, DarkAndTroubledPast or other frustration are not entirely functional. Creator/HumphreyBogart in ''Film/InALonelyPlace'' is a notable example. As is Robert Ryan in ''On Dangerous Ground'' ''Film/OnDangerousGround'' and James Mason in ''Bigger Than Life''.

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* ''On Dangerous Ground'' (1951)


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* ''Film/OnDangerousGround'' (1952)
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* BrokenAce: A repeated theme in his films is people, adults, who were once top of their game but because of their trauma, DarkAndTroubledPast or other frustration are not entirely functional. Creator/HumphreyBogart in Film/InALonelyPlace is a notable example. As is Robert Ryan in ''On Dangerous Ground'' and James Mason in ''Bigger Than Life''.
* DysfunctionJunction: A favored theme in his movies is to show people trying to form communities but not cohering because they are too different or have different issues. Film/RebelWithoutACause is a notable example.

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* BrokenAce: A repeated theme in his films is people, adults, who were once top of their game but because of their trauma, DarkAndTroubledPast or other frustration are not entirely functional. Creator/HumphreyBogart in Film/InALonelyPlace ''Film/InALonelyPlace'' is a notable example. As is Robert Ryan in ''On Dangerous Ground'' and James Mason in ''Bigger Than Life''.
* DysfunctionJunction: A favored theme in his movies is to show people trying to form communities but not cohering because they are too different or have different issues. Film/RebelWithoutACause ''Film/RebelWithoutACause'' is a notable example.




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-->--'''Creator/JeanLucGodard'''

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-->--'''Creator/JeanLucGodard'''
-->-- '''Creator/JeanLucGodard'''
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no bolding for creators


'''Nicholas Ray''' (1911–1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of Creator/JohnFord, Creator/AlfredHitchcock, Creator/EliaKazan or Creator/BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.

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'''Nicholas Ray''' Nicholas Ray (1911–1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of Creator/JohnFord, Creator/AlfredHitchcock, Creator/EliaKazan or Creator/BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.
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* ''Johnny Guitar'' (1954)

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* ''Johnny Guitar'' ''Film/JohnnyGuitar'' (1954)

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Oh and that one exception! That was ''RebelWithoutACause'' starring JamesDean. You may remember the final shot, a man walking up to the Observatory with a briefcase, that was [[CreatorCameo the director himself]]. In his lifetime, he worked with the likes of Farley Granger, Robert Ryan, Robert Mitchum, HumphreyBogart, James Mason, Christopher Plummer, Burl Ives, Sterling Hayden, Joan Crawford in addition to the cast of Rebel. As critic Robin Wood remarked, "no one gives a bad performance in a Ray film."

Ray's Hollywood career ended with the UsefulNotes/FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was Creator/JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''Film/InALonelyPlace'' on DVD.

to:

Oh and that one exception! That was ''RebelWithoutACause'' starring JamesDean. You may remember the final shot, a man walking up to the Observatory with a briefcase, that was [[CreatorCameo the director himself]]. In his lifetime, he worked with the likes of Farley Granger, Robert Ryan, Robert Mitchum, HumphreyBogart, Creator/RobertMitchum, Creator/HumphreyBogart, James Mason, Christopher Plummer, Burl Ives, Sterling Hayden, Joan Crawford Creator/JoanCrawford in addition to the cast of Rebel. As critic Robin Wood remarked, "no one gives a bad performance in a Ray film."

Ray's Hollywood career ended with the UsefulNotes/FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was Creator/JimJarmusch. The German director Creator/WimWenders was another fan and he and Ray collaborated on ''Lightning Over Water'' as Ray was on his deathbed, the film becoming finally a documentary about his final days. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''Film/InALonelyPlace'' on DVD.



* ''Lightning Over Water'' (1980)

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* ''Lightning Over Water'' (1980)
(1980) (Documentary by Creator/WimWenders showing Ray's final days).





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* FaceDeathWithDignity: Wenders' documentary on Ray, ''Lightning Over Water'' shows Ray in his final days, dying from cancer trying vainly to continue living by working on many projects (which both he and Wenders know won't get made), giving talks at universities about his films and conducting various theatre productions. Ray even goes as far as to fictionally dramatize hospital visits by various people.
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Nicholas Ray (1911-1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of Creator/JohnFord, Creator/AlfredHitchcock, Creator/EliaKazan or Creator/BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.

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Nicholas Ray (1911-1979) '''Nicholas Ray''' (1911–1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of Creator/JohnFord, Creator/AlfredHitchcock, Creator/EliaKazan or Creator/BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.



* They Live by Night (1948)
* Film/InALonelyPlace (1950)
* On Dangerous Ground (1951)
* The Lusty Men (1952)
* Johnny Guitar (1954)
* Film/RebelWithoutACause (1955)
* Bigger Than Life (1956)
* Bitter Victory (1957)
* Wind Across the Everglades (1958)
* Party Girl (1958)
* The Savage Innocents (1960)
* Film/KingOfKings (1961)
* 55 Days at Peking (1963)
* We Can't Go Home Again (1973)
* Lightning Over Water (1980)

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* They ''They Live by Night Night'' (1948)
* Film/InALonelyPlace ''Film/InALonelyPlace'' (1950)
* On ''On Dangerous Ground Ground'' (1951)
* The ''The Lusty Men Men'' (1952)
* Johnny Guitar ''Johnny Guitar'' (1954)
* Film/RebelWithoutACause ''Film/RebelWithoutACause'' (1955)
* Bigger ''Bigger Than Life Life'' (1956)
* Bitter Victory ''Bitter Victory'' (1957)
* Wind ''Wind Across the Everglades Everglades'' (1958)
* Party Girl ''Party Girl'' (1958)
* The ''The Savage Innocents Innocents'' (1960)
* Film/KingOfKings ''Film/KingOfKings'' (1961)
* 55 Days at Peking ''Film/FiftyFiveDaysAtPeking'' (1963)
* We ''We Can't Go Home Again Again'' (1973)
* Lightning ''Lightning Over Water Water'' (1980)
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/nicholas_ray_2668.jpg]]
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--> "There was theatre ([[Creator/DWGriffith Griffith]]), poetry ([[Creator/FriedrichWilhelmMurnau Murnau]]), painting ([[Creator/RobertoRossellini Rossellini]]), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[Creator/JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]."
-->-- '''Creator/JeanLucGodard'''

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--> "There ->''"There was theatre ([[Creator/DWGriffith Griffith]]), poetry ([[Creator/FriedrichWilhelmMurnau Murnau]]), painting ([[Creator/RobertoRossellini Rossellini]]), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[Creator/JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]."
-->-- '''Creator/JeanLucGodard'''
"''
-->--'''Creator/JeanLucGodard'''



Ray's Hollywood career ended with the FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was Creator/JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''InALonelyPlace'' on DVD.

to:

Ray's Hollywood career ended with the FallOfTheStudioSystem UsefulNotes/FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was Creator/JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''InALonelyPlace'' ''Film/InALonelyPlace'' on DVD.



* King of Kings (1961)

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* King of Kings Film/KingOfKings (1961)

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Ray's Hollywood career ended with the FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was Creator/JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''InALonelyPlace'' on DVD.

But still SugarWiki/NeedsMoreLove!

to:

Ray's Hollywood career ended with the FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was Creator/JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''InALonelyPlace'' on DVD.

But still SugarWiki/NeedsMoreLove!
DVD.
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But still NeedsMoreLove!

to:

But still NeedsMoreLove!
SugarWiki/NeedsMoreLove!
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--> "There was theatre ([[Creator/DWGriffith Griffith]]), poetry ([[Creator/FriedrichWilhelmMurnau Murnau]]), painting ([[Creator/RobertoRossellini Rossellini]]), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[Creator/JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - Creator/JeanLucGodard

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--> "There was theatre ([[Creator/DWGriffith Griffith]]), poetry ([[Creator/FriedrichWilhelmMurnau Murnau]]), painting ([[Creator/RobertoRossellini Rossellini]]), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[Creator/JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - Creator/JeanLucGodard
"
-->-- '''Creator/JeanLucGodard'''
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--> "There was theatre ([[Creator/DWGriffith Griffith]]), poetry ([[Creator/FWMurnau Murnau]]), painting ([[Creator/RobertoRossellini Rossellini]]), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[Creator/JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - Creator/JeanLucGodard

to:

--> "There was theatre ([[Creator/DWGriffith Griffith]]), poetry ([[Creator/FWMurnau ([[Creator/FriedrichWilhelmMurnau Murnau]]), painting ([[Creator/RobertoRossellini Rossellini]]), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[Creator/JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - Creator/JeanLucGodard
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None


--> "There was theatre ([[DWGriffith Griffith]]), poetry (Murnau), painting (Rossellini), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - Creator/JeanLucGodard

to:

--> "There was theatre ([[DWGriffith ([[Creator/DWGriffith Griffith]]), poetry (Murnau), ([[Creator/FWMurnau Murnau]]), painting (Rossellini), ([[Creator/RobertoRossellini Rossellini]]), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[JeanRenoir ([[Creator/JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - Creator/JeanLucGodard
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None


--> "There was theatre ([[DWGriffith Griffith]]), poetry (Murnau), painting (Rossellini), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - JeanLucGodard

to:

--> "There was theatre ([[DWGriffith Griffith]]), poetry (Murnau), painting (Rossellini), dance ([[Creator/SergeiEisenstein Eisenstein]]), music ([[JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - JeanLucGodard
Creator/JeanLucGodard
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None


--> "There was theatre ([[DWGriffith Griffith]]), poetry (Murnau), painting (Rossellini), dance ([[SergeiEisenstein Eisenstein]]), music ([[JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - JeanLucGodard

to:

--> "There was theatre ([[DWGriffith Griffith]]), poetry (Murnau), painting (Rossellini), dance ([[SergeiEisenstein ([[Creator/SergeiEisenstein Eisenstein]]), music ([[JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - JeanLucGodard
Is there an issue? Send a MessageReason:
None


Ray's Hollywood career ended with the FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''InALonelyPlace'' on DVD.

to:

Ray's Hollywood career ended with the FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was JimJarmusch.Creator/JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''InALonelyPlace'' on DVD.
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!! Filmography

* They Live by Night (1948)
* Film/InALonelyPlace (1950)
* On Dangerous Ground (1951)
* The Lusty Men (1952)
* Johnny Guitar (1954)
* Film/RebelWithoutACause (1955)
* Bigger Than Life (1956)
* Bitter Victory (1957)
* Wind Across the Everglades (1958)
* Party Girl (1958)
* The Savage Innocents (1960)
* King of Kings (1961)
* 55 Days at Peking (1963)
* We Can't Go Home Again (1973)
* Lightning Over Water (1980)

!! Some of the Tropes appearing in Ray's works:

* BrokenAce: A repeated theme in his films is people, adults, who were once top of their game but because of their trauma, DarkAndTroubledPast or other frustration are not entirely functional. Creator/HumphreyBogart in Film/InALonelyPlace is a notable example. As is Robert Ryan in ''On Dangerous Ground'' and James Mason in ''Bigger Than Life''.
* DysfunctionJunction: A favored theme in his movies is to show people trying to form communities but not cohering because they are too different or have different issues. Film/RebelWithoutACause is a notable example.
* GenreBusting: Never one to set truck by conventional genres. His western ''Johnny Guitar'' is one of the most complex, intelligent and ironic takes on the genre, one which doesn't feel entirely ''western'' either.
* StepfordSuburbia: His films ''Film/RebelWithoutACause'' and ''Bigger Than Life'' tackled both concepts.
* ShortLivedBigImpact: He did live a long life, but his most prolific period in the film industry was a mere ten or thirteen years during which he made films that were admired by the likes of Creator/JeanLucGodard, Creator/FrancoisTruffaut, Creator/MartinScorsese and Creator/JimJarmusch among others.

Is there an issue? Send a MessageReason:
Namespace


Nicholas Ray (1911-1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of JohnFord, AlfredHitchcock, EliaKazan or BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.

to:

Nicholas Ray (1911-1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of JohnFord, AlfredHitchcock, EliaKazan Creator/JohnFord, Creator/AlfredHitchcock, Creator/EliaKazan or BillyWilder.Creator/BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.
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Nicholas Ray is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of JohnFord, AlfredHitchcock, EliaKazan or BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.

to:

Nicholas Ray (1911-1979) is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of JohnFord, AlfredHitchcock, EliaKazan or BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.
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--> "There was theatre ([[DWGriffith Griffith]]), poetry (Murnau), painting (Rossellini), dance ([[SergeiEisenstein Eisenstein]]), music ([[JeanRenoir Jean Renoir]]). Henceforth there is cinema. And [[IAmTheNoun the cinema is Nicholas Ray]]." - JeanLucGodard

Nicholas Ray is the original cult director. With one solid exception, his films never became box-office hits and he never attained the fame or cultural and institutional appeal of JohnFord, AlfredHitchcock, EliaKazan or BillyWilder. His films were more popular among a circle of admirers in France, Europe and independent-minded young adults. He made films in all kinds of genres, including FilmNoir, TheWestern, TheMusical and EpicMovie but created a distinct visual style and tone that made him one-of-a-kind.

Oh and that one exception! That was ''RebelWithoutACause'' starring JamesDean. You may remember the final shot, a man walking up to the Observatory with a briefcase, that was [[CreatorCameo the director himself]]. In his lifetime, he worked with the likes of Farley Granger, Robert Ryan, Robert Mitchum, HumphreyBogart, James Mason, Christopher Plummer, Burl Ives, Sterling Hayden, Joan Crawford in addition to the cast of Rebel. As critic Robin Wood remarked, "no one gives a bad performance in a Ray film."

Ray's Hollywood career ended with the FallOfTheStudioSystem which led to a long period in Europe. He returned to America at the height of TheSixties and was thrilled at seeing a culture heralded by his most famous film. He became a beloved teacher in New York University, one of his students was JimJarmusch. He worked with his students in making an experimental film that was finally released and completed in 2012, years after his death. He's coming back into focus in the 21st Century especially with the popularity of his lesser known titles like ''InALonelyPlace'' on DVD.

But still NeedsMoreLove!

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