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In 1988, Oshii returned to the mainstream when he joined anime super-group “HEADGEAR” (which included colleagues from his ''Urusei Yatsura'' days) and produced the OVA ''Anime/MobilePolicePatlaborTheEarlyDays''. He also directed ''Anime/PatlaborTheMovie'', the ''Patlabor''… [[ExactlyWhatItSaysOnTheTin well, movie]]. This was followed up in 1993 with ''Anime/Patlabor2TheMovie'', a somber film that deals with terrorism, the nature of peace vs. war, the complacency of a nation's citizens, Japan's place in the modern world, and other [[SarcasmMode fluffy topics]]. During this time he also wrote some episodes for the ''Patlabor'' TV and second OVA series.
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In 1988, Oshii returned to the mainstream when he joined anime super-group “HEADGEAR” (which included colleagues from his ''Urusei Yatsura'' days) and produced the OVA ''Anime/MobilePolicePatlaborTheEarlyDays''. He also directed ''Anime/PatlaborTheMovie'', the ''Patlabor''… [[ExactlyWhatItSaysOnTheTin well, movie]]. This was followed up in 1993 with ''Anime/Patlabor2TheMovie'', a somber film that deals with terrorism, the nature of peace vs. war, the complacency of a nation's citizens, Japan's place in the modern world, and other [[SarcasmMode fluffy topics]]. During this time time, he also wrote some episodes for the ''Patlabor'' TV and second OVA series.
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* CerebusSyndrome: He has a tendency to make TheMovie of a zany comedy or action-oriented franchise ''waaay'' more philosophically complex, to the point that the movie almost seems like a different world altogether. Case in point: ''[[Manga/UruseiYatsura Urusei Yatsura 2: Beautiful Dreamer]]'', ''[[Anime/{{Patlabor}} Patlabor 2: The Movie]]'', ''Anime/{{Ghost in the Shell|1995}}''.
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* CerebusSyndrome: He has a tendency to make TheMovie of a zany comedy or action-oriented franchise ''waaay'' more philosophically complex, to the point that the movie almost seems like a different world altogether. Case in point: ''[[Manga/UruseiYatsura Urusei Yatsura 2: Beautiful Dreamer]]'', ''[[Anime/{{Patlabor}} Patlabor 2: The Movie]]'', ''Anime/Patlabor2TheMovie'', ''Anime/{{Ghost in the Shell|1995}}''.
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In 1988, Oshii returned to the mainstream when he joined anime super-group “HEADGEAR” (which included colleagues from his ''Urusei Yatsura'' days) and produced the OVA ''Anime/{{Patlabor}}''. He also directed ''Anime/PatlaborTheMovie'', the ''Patlabor''… [[ExactlyWhatItSaysOnTheTin well, movie]]. This was followed up in 1993 with ''Anime/{{Patlabor 2|TheMovie}}'', a somber film that deals with terrorism, the nature of peace vs. war, the complacency of a nation's citizens, Japan's place in the modern world, and other [[SarcasmMode fluffy topics]]. During this time he also wrote some episodes for the ''Patlabor'' TV and second OVA series.
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In 1988, Oshii returned to the mainstream when he joined anime super-group “HEADGEAR” (which included colleagues from his ''Urusei Yatsura'' days) and produced the OVA ''Anime/{{Patlabor}}''.''Anime/MobilePolicePatlaborTheEarlyDays''. He also directed ''Anime/PatlaborTheMovie'', the ''Patlabor''… [[ExactlyWhatItSaysOnTheTin well, movie]]. This was followed up in 1993 with ''Anime/{{Patlabor 2|TheMovie}}'', ''Anime/Patlabor2TheMovie'', a somber film that deals with terrorism, the nature of peace vs. war, the complacency of a nation's citizens, Japan's place in the modern world, and other [[SarcasmMode fluffy topics]]. During this time he also wrote some episodes for the ''Patlabor'' TV and second OVA series.
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* ''Film/{{Avalon}}'' (2001)
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* ''Film/{{Avalon}}'' ''Film/{{Avalon|2001}}'' (2001)
