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** "HOWL if you Love Me" features werewolf characters
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** Garlic Boy (an anthropomorphic garlic)
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** Jim Jones and Jules Jenson (male-female variation, ''Howl If You Love Me'')
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* ArtShift: Although Dilworth mostly animates by hand, he gotten the hang of animating digitally as well from using [[UsefulNotes/AdobeFlash Flash]] for "Goose in High Heels" to using [[MediaNotes/ToonBoom Toon Boom Harmony]] for "Howl If You Love Me". Initially, Howl was animated by hand at first before he made the switch to directly animating in Harmony during mid-production.
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* CreatorBacklash: Although Dilworth enjoyed producing "Garlic Boy" due to the benefits of the creative-freedom he was given, he considered it a "late period disaster" as his desire to sell it as a series disorted his vision on producing it the way he wanted it, as well as trying to keep the anarchyness of his works on it which he felt "didn't work".
** Dilworth also believed that his film "Goose in High Heels" was a failure because not a lot of people understood the context of the story the film was playing out.
** Dilworth also believed that his film "Goose in High Heels" was a failure because not a lot of people understood the context of the story the film was playing out.
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* DoingItForTheArt: Dilworth revealed that making money from his art never motivates him to produce his work but understands the necessity needed for everyday living and for producing films, as production for "Howl" was troublesome due to budget constraints and real-life expenses.
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Jonathan Russell Dilworth (born February 14, 1963), known affectionally as Dilly, is a New York City-based independent animator, whose work has been featured on various different sources throughout his career, including Creator/{{Nickelodeon}}, Creator/CartoonNetwork, Creator/{{MTV}}, and Creator/{{PBS}}, as well as a number of film festivals across the globe. The name of his animation studio is Stretch Films, Inc.
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Jonathan Russell Dilworth (born February 14, 1963), known affectionally affectionately as Dilly, is a New York City-based independent animator, whose work has been featured on various different sources throughout his career, including Creator/{{Nickelodeon}}, Creator/CartoonNetwork, Creator/{{MTV}}, and Creator/{{PBS}}, as well as a number of film festivals across the globe. The name of his animation studio is Stretch Films, Inc.
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* ''Psyched For Snuppa'' (Creator/{{Nickelodeon}} pilot) (1992) [[note]] This was the original pilot for the recurring segment, ''Sniz & Fondue'' on ''WesternAnimation/KaBlam''.[[/note]]
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* ''Psyched For for Snuppa'' (Creator/{{Nickelodeon}} pilot) (1992) [[note]] This was the original pilot for the recurring segment, ''Sniz & Fondue'' on ''WesternAnimation/KaBlam''.[[/note]]
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* ''Smart Talk With Raisin'' (Creator/{{MTV}} pilot) (1994)
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* ''Smart Talk With with Raisin'' (Creator/{{MTV}} pilot) (1994)
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* ''Noodles And Nedd'' (1997)
** ''Noodles And Nedd'' (Series of shorts produced for ''Series/SesameStreet''.) (1997-2001)
** ''Catch Of The Day'' (Sequel to original film) (2000)
** ''Noodles And Nedd'' (Series of shorts produced for ''Series/SesameStreet''.) (1997-2001)
** ''Catch Of The Day'' (Sequel to original film) (2000)
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* ''Noodles And and Nedd'' (1997)
** ''NoodlesAnd and Nedd'' (Series of shorts produced for ''Series/SesameStreet''.) (1997-2001)
** ''CatchOf The of the Day'' (Sequel to original film) (2000)
** ''Noodles
** ''Catch
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* ''Hector The Get-Over Cat'' (Creator/{{Nickelodeon}} pilot) (1998)
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* ''Hector The the Get-Over Cat'' (Creator/{{Nickelodeon}} pilot) (1998)
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* ''Life In Transition'' (2005)
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* ''Life In in Transition'' (2005)
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->''"Each day I work at Stretch Films, I ask myself "why?". And then an anvil lands on my head!''"
-->-- '''John R. Dilworth'''
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* InformedSpecies: Due to Dilworth's overly cartoonish style, some of his non-human characters end up falling into this trope. Noodles, in particular, doesn't look much like a cat and instead looks more like a mouse with pointy ears.
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* InformedSpecies: Due to Dilworth's overly cartoonish style, some of his non-human characters end up falling into this trope. Noodles, in particular, doesn't even look much like a cat and instead looks more like a mouse with pointy ears.
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Up To Eleven is being dewicked.
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** The overall theme of ''The Limited Bird'', and is all cranked UpToEleven, as the whole film itself is basically a series of sequential pencil drawings that tell the story in a manner of a visual storyboard.
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** The overall theme of ''The Limited Bird'', and is all cranked UpToEleven, up to eleven, as the whole film itself is basically a series of sequential pencil drawings that tell the story in a manner of a visual storyboard.
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* WildTake: A very prominent feature of his works.
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* WildTake: A very prominent feature of his works.works.
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** ''Bunny Bashing'' blends traditional hand-drawn animation, Flash animation, live action, and puppetry all in the same short.
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** ''Bunny Bashing'' blends traditional hand-drawn animation, stopmotion, CGI, Flash animation, live action, and puppetry all in the same short.
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[[caption-width-right:300: Dilly.]]
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* InformedSpecies: Due to Dilworth's overly cartoonish style, some of his non-human characters end up falling into this trope. Noodles, in particular, doesn't look much like a cat and instead looks more like a mouse with pointy ears.
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* VanityPlate: The logo of his company features a laughing mouth with the company name written on its teeth.
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** ''WesternAnimation/CourageTheCowardlyDog'' did this on occasion; although the show overall was animated 2D, because it was computer animated, there has been a number of cases where characters or entire sequences suddenly switch to ThreeDEffectsTwoDCartoon, most notably King Ramses from the episode "King Ramses' Curse" and the episode "Hard Drive Courage", where Courage himself temporarily becomes CGI when he scans himself into the Computer. CGI is also used in the episode "Perfect" as well as stop motion.
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** ''WesternAnimation/CourageTheCowardlyDog'' did this on occasion; although the show overall was animated 2D, because it was computer animated, there has been a number of cases where characters or entire sequences suddenly switch to ThreeDEffectsTwoDCartoon, TwoDVisualsThreeDEffects, most notably King Ramses from the episode "King Ramses' Curse" and the episode "Hard Drive Courage", where Courage himself temporarily becomes CGI when he scans himself into the Computer. CGI is also used in the episode "Perfect" as well as stop motion.
