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* INeverSaidItWasPoison: In "The Unmentionable Man," Mr. Pond's acquaintance Marcus, a minor French government employee, guesses that M. Louis must be a master blackmailer, since he saw an aristocratic woman beseech him late at night. Pond, in turn, surmises that M. Louis should be deported because he is a blackmailer...and yet cannot be deported, because he is a blackmailer (or rather, because of ''who'' he is blackmailing). Marcus snaps that the Prime Minister is an honest man, despite Mr. Pond saying nothing to the contrary. In short order, Marcus breaks down and admits that much of the government is corrupt, including, to his disgust, the Interior Minister, who's responsible for enforcing the laws in the first place.

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* INeverSaidItWasPoison: In "The Unmentionable Man," Mr. Pond's acquaintance Marcus, a minor French government employee, guesses that M. Louis must be a master blackmailer, since he saw an aristocratic woman beseech him late at night. Pond, in turn, surmises that M. Louis should be deported because he is a blackmailer...and yet cannot be deported, because he is a blackmailer (or rather, because of ''who'' he is blackmailing). Marcus snaps that the Prime Minister is an honest man, despite Mr. Pond saying nothing to the contrary. In short order, Marcus breaks down and admits that while the Prime Minister may be an hones tman, much of the government is corrupt, including, to his disgust, the Interior Minister, who's responsible for enforcing the laws in the first place.
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Chesterton had a great influence on many writers, especially in the early twentieth century. He was for many years president of The Detection Club, an organization for writers of MysteryFiction (the oath of which, devised by GKC, demanded that members write only [[FairPlayWhodunnit Fair Play Whodunnits]]); such writers as Creator/AgathaChristie, Fr. Ronald Knox, and Creator/DorothyLSayers were co-members. Chesterton's fellow Roman Catholics Creator/HilaireBelloc ([[{{HeterosexualLifePartners}} Chesterton and Belloc]] were collectively nicknamed the [[{{PortmanteauCoupleName}} Chesterbelloc]] by Chesterton's "friendly enemy" Creator/GeorgeBernardShaw) and Creator/JRRTolkien were admirers, and GKC's apologetic writings (especially ''Orthodoxy'' and ''The Everlasting Man'') helped inspire Creator/CSLewis to convert to Christianity.

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Chesterton had a great influence on many writers, especially in the early twentieth century. He was for many years president of The Detection Club, an organization for writers of MysteryFiction (the oath of which, devised by GKC, demanded that members write only [[FairPlayWhodunnit Fair Play Whodunnits]]); such writers as Creator/AgathaChristie, Fr. Ronald Knox, Creator/RonaldKnox (Fr. Knox credited Chesterton, who was a High-Church Anglican at the time, for being an influence that led to his conversion. Amusingly, when Chesterton converted, ''he'' credited Fr. Knox for being an influence!), and Creator/DorothyLSayers were co-members. Chesterton's fellow Roman Catholics Creator/HilaireBelloc ([[{{HeterosexualLifePartners}} Chesterton and Belloc]] were collectively nicknamed the [[{{PortmanteauCoupleName}} Chesterbelloc]] by Chesterton's "friendly enemy" Creator/GeorgeBernardShaw) and Creator/JRRTolkien were admirers, and GKC's apologetic writings (especially ''Orthodoxy'' and ''The Everlasting Man'') helped inspire Creator/CSLewis to convert to Christianity.
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* LiteralMetaphor: The subject of his poem ''The Literal Land'', PlayedForLaughs. The speaker warns about things like calling someone "an old bear" or your quarters a place to "hang out", lest that person literally turns into a bear and you find yourself hanged outside the window, respectively.
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* {{Continuation}}: Chesterton's ''The Temptation of St. Anthony'' begins right after the events of Flaubert's work of the same name.
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* ''Literature/TheParadoxesOfMrPond''
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Unfortunately, Chesterton's writings also reveal him as [[http://www.patheos.com/blogs/slacktivist/2014/11/19/g-k-chesterton-and-the-machinery-of-bigotry/ something of an anti-Semite]], although to what extent and in what contexts is hotly debated. As with [[ValuesDissonance many European intellectuals of his day]], his distrust of the Jewish minority and their supposedly disproportionate influence on the continent--in particular, his repeated suggestion that they dress in distinctive 'Arab' clothing in order to stand out more clearly as 'foreigners'--reads as a lot less excusable post-[[UsefulNotes/WorldWarII Final Solution]]. On the other hand, he never believed in racial theory (to him religion, not race, was the primary defining factor), was vigorously denouncing the immorality of [[TheSocialDarwinist eugenics]] as far back as 1922-- [[FairForItsDay well ahead of the curve]]-- with his book ''[[https://en.wikisource.org/wiki/Eugenics_and_other_Evils Eugenics and Other Evils]]'' among others, and he deeply disliked the race-baiting demagoguery of UsefulNotes/AdolfHitler.[[note]]Chesterton died shortly after the Nazis took power in Germany.[[/note]] He also had sympathies with the Zionist movement, arguing that the so-called "Jewish problem" would be solved if the Jewish people had [[UsefulNotes/{{Israel}} their own nation]]. And he actually believed Jews as a group to be superior to Christians in many regards, recognizing that it was their oppression by the latter that drove them to commercial activities he deemed dishonorable. In short, it's not totally cut-and-dried.

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Unfortunately, Chesterton's writings also reveal him as [[http://www.patheos.com/blogs/slacktivist/2014/11/19/g-k-chesterton-and-the-machinery-of-bigotry/ something of an anti-Semite]], although to what extent and in what contexts is hotly debated. As with [[ValuesDissonance many European intellectuals of his day]], his distrust of the Jewish minority and their supposedly disproportionate influence on the continent--in particular, his repeated suggestion that they dress in distinctive 'Arab' clothing in order to stand out more clearly as 'foreigners'--reads as a lot less excusable post-[[UsefulNotes/WorldWarII Final Solution]]. On the other hand, he never believed in racial theory (to him religion, not race, was the primary defining factor), was vigorously denouncing the immorality of [[TheSocialDarwinist eugenics]] as far back as 1922-- [[FairForItsDay well ahead of the curve]]-- with his book ''[[https://en.wikisource.org/wiki/Eugenics_and_other_Evils Eugenics and Other Evils]]'' among others, and he deeply disliked the race-baiting demagoguery of UsefulNotes/AdolfHitler.[[note]]Chesterton died shortly after the Nazis took power in Germany.[[/note]] He also had sympathies with the Zionist movement, arguing that the so-called "Jewish problem" would be solved if the Jewish people had [[UsefulNotes/{{Israel}} their own nation]]. And he actually believed Jews as a group to be superior to Christians in many regards, recognizing that it was their oppression by the latter that drove them to commercial activities he deemed dishonorable. In short, it's not totally cut-and-dried.
clear-cut.



GKC has received many homages and pastiches in fiction. Golden Age mystery author Creator/JohnDicksonCarr was such a strong admirer that he modeled his most famous character, Dr. Gideon Fell, on Chesterton's appearance. More recently, Creator/NeilGaiman modeled a character in ''ComicBook/TheSandman1989'' after him, got his inspiration for [[Literature/{{Neverwhere}} London Below]] from ''Literature/TheNapoleonOfNottingHill'' (as he relates [[http://www.telegraph.co.uk/expat/expatlife/6915542/Neil-Gaiman-introduces-Neverwhere.html here]]), and Gaiman and Creator/TerryPratchett dedicated ''Literature/GoodOmens'' "To G.K. Chesterton: A Man Who Knew What Was Going On." He is also a star in the steampunk Christian series ''Literature/YoungChestertonChronicles''.

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GKC Chesterton has received many homages and pastiches in fiction. Golden Age mystery author Creator/JohnDicksonCarr was such a strong admirer that he modeled his most famous character, Dr. Gideon Fell, on Chesterton's appearance. More recently, Creator/NeilGaiman modeled a character in ''ComicBook/TheSandman1989'' after him, got his inspiration for [[Literature/{{Neverwhere}} London Below]] from ''Literature/TheNapoleonOfNottingHill'' (as he relates [[http://www.telegraph.co.uk/expat/expatlife/6915542/Neil-Gaiman-introduces-Neverwhere.html here]]), and Gaiman and Creator/TerryPratchett dedicated ''Literature/GoodOmens'' "To G.K. Chesterton: A Man Who Knew What Was Going On." He is also a star in the steampunk Christian series ''Literature/YoungChestertonChronicles''.
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* ''Literature/TheNapoleonOfNottingHill''
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GKC has received many homages and pastiches in fiction. Golden Age mystery author Creator/JohnDicksonCarr was such a strong admirer that he modeled his most famous character, Dr. Gideon Fell, on Chesterton's appearance. More recently, Creator/NeilGaiman modeled a character in ''ComicBook/TheSandman1989'' after him, got his inspiration for [[Literature/{{Neverwhere}} London Below]] from ''The Napoleon of Notting Hill'' (as he relates [[http://www.telegraph.co.uk/expat/expatlife/6915542/Neil-Gaiman-introduces-Neverwhere.html here]]), and Gaiman and Creator/TerryPratchett dedicated ''Literature/GoodOmens'' "To G.K. Chesterton: A Man Who Knew What Was Going On." He is also a star in the steampunk Christian series ''Literature/YoungChestertonChronicles''.

to:

GKC has received many homages and pastiches in fiction. Golden Age mystery author Creator/JohnDicksonCarr was such a strong admirer that he modeled his most famous character, Dr. Gideon Fell, on Chesterton's appearance. More recently, Creator/NeilGaiman modeled a character in ''ComicBook/TheSandman1989'' after him, got his inspiration for [[Literature/{{Neverwhere}} London Below]] from ''The Napoleon of Notting Hill'' ''Literature/TheNapoleonOfNottingHill'' (as he relates [[http://www.telegraph.co.uk/expat/expatlife/6915542/Neil-Gaiman-introduces-Neverwhere.html here]]), and Gaiman and Creator/TerryPratchett dedicated ''Literature/GoodOmens'' "To G.K. Chesterton: A Man Who Knew What Was Going On." He is also a star in the steampunk Christian series ''Literature/YoungChestertonChronicles''.
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Chesterton had a great influence on many writers, especially in the early twentieth century. He was for many years president of The Detection Club, an organization for writers of MysteryFiction (the oath of which, devised by GKC, demanded that members write only [[FairPlayWhodunnit Fair Play Whodunnits]]); such writers as Creator/AgathaChristie, Fr. Ronald Knox, and Creator/DorothyLSayers were co-members. Chesterton's fellow Roman Catholics Hilaire Belloc ([[{{HeterosexualLifePartners}} Chesterton and Belloc]] were collectively nicknamed the [[{{PortmanteauCoupleName}} Chesterbelloc]] by Chesterton's "friendly enemy" Creator/GeorgeBernardShaw) and Creator/JRRTolkien were admirers, and GKC's apologetic writings (especially ''Orthodoxy'' and ''The Everlasting Man'') helped inspire Creator/CSLewis to convert to Christianity.

to:

Chesterton had a great influence on many writers, especially in the early twentieth century. He was for many years president of The Detection Club, an organization for writers of MysteryFiction (the oath of which, devised by GKC, demanded that members write only [[FairPlayWhodunnit Fair Play Whodunnits]]); such writers as Creator/AgathaChristie, Fr. Ronald Knox, and Creator/DorothyLSayers were co-members. Chesterton's fellow Roman Catholics Hilaire Belloc Creator/HilaireBelloc ([[{{HeterosexualLifePartners}} Chesterton and Belloc]] were collectively nicknamed the [[{{PortmanteauCoupleName}} Chesterbelloc]] by Chesterton's "friendly enemy" Creator/GeorgeBernardShaw) and Creator/JRRTolkien were admirers, and GKC's apologetic writings (especially ''Orthodoxy'' and ''The Everlasting Man'') helped inspire Creator/CSLewis to convert to Christianity.
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* CorruptChurch: Chesterton was aware that the Christian faith had its share of bad Christians, and he makes this remark in his article "Superstition and Modern Justice", echoing Creator/GiovanniBocaccio:

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* CorruptChurch: Chesterton was aware that the Christian faith had its share of bad Christians, and he makes this remark in his article "Superstition and Modern Justice", echoing Creator/GiovanniBocaccio:Creator/GiovanniBoccaccio:
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* CorruptChurch: Chesterton was aware that the Christian faith had its share of bad Christians, and he makes this remark in his article "Superstition and Modern Justice", echoing Creator/GiovanniBocaccio:
-->"I do believe in Christianity, and my impression is that a system must be divine which has survived so much insane mismanagement."

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added new example under Historical Domain Character


* HistoricalDomainCharacter: In ''Literature/TheBalladOfTheWhiteHorse,'' UsefulNotes/AlfredTheGreat and Guthrum; in his play, ''The Judgement of Dr. Johnson'', Dr. Creator/SamuelJohnson, John Boswell, Edmund Burke, ''etc.''

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* HistoricalDomainCharacter: HistoricalDomainCharacter:
**
In ''Literature/TheBalladOfTheWhiteHorse,'' UsefulNotes/AlfredTheGreat and Guthrum; in Guthrum.
** In
his play, ''The Judgement of Dr. Johnson'', Dr. Creator/SamuelJohnson, John Boswell, Edmund Burke, ''etc.''''
** In [[https://gutenberg.org/files/8092/8092-h/8092-h.htm#link2H_4_0038 "The Shop of Ghosts"]] (a chapter from ''Tremendous Trifles''), Chesterton steps into a toy shop run by Father Christmas himself, who proclaims that he is dying. Chesterton is then joined in the shop by a series of increasingly-old, Christmas-linked authors (Creator/CharlesDickens[[note]]author of ''Literature/AChristmasCarol''[[/note]], [[https://en.wikipedia.org/wiki/Richard_Steele Sir Richard Steele]][[note]]co-founder of the first version of ''Magazine/TheSpectator'' and author of [[https://gutenberg.org/cache/epub/20648/pg20648-images.html#No_269 an essay therein]] about the Christmas generosity of his character Sir Roger de Coverly, a fictional old country gentleman[[/note]], Creator/BenJonson[[note]]author of ''[[https://en.wikipedia.org/wiki/Christmas,_His_Masque Christmas, His Masque]]''[[/note]], etc.), all of whom are shocked to find Father Christmas still alive, because the old man already had one foot in the grave in ''their'' day...
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additional note under Capitalism Is Bad

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** That being said, he was not a fan of socialism or communism either; in fact, he saw capitalism and socialism as more alike than different in how they centralized economic power. He instead favored a system called [[https://en.wikipedia.org/wiki/Distributism distributism]], which could be summarized as "everybody has enough property to work for themselves instead of someone else".

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-->I also remember that it was we who invented the well-known and widespread national game of Gype. All sorts of variations and complications were invented in connection with Gype. There was Land Gype and Water Gype. I myself cut out and coloured pieces of cardboard of mysterious and significant shapes, the instruments of Table Gype; a game for the little ones. It was even duly settled what disease threatened the over-assiduous player; he tended to suffer from Gype's Ear. My friends and I introduced allusions to the fashionable sport in our articles; Bentley successfully passed one through the Daily News and I through some other paper. Everything was in order and going forward; except the game itself, which has not yet been invented.

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-->I -->''I also remember that it was we who invented the well-known and widespread national game of Gype. All sorts of variations and complications were invented in connection with Gype. There was Land Gype and Water Gype. I myself cut out and coloured pieces of cardboard of mysterious and significant shapes, the instruments of Table Gype; a game for the little ones. It was even duly settled what disease threatened the over-assiduous player; he tended to suffer from Gype's Ear. My friends and I introduced allusions to the fashionable sport in our articles; Bentley successfully passed one through the Daily News and I through some other paper. Everything was in order and going forward; except the game itself, which has not yet been invented.''



* ColourCodedForYourConvenience: A character with red hair is ''almost'' always Good in Chesterton. Less frequently, blond hair is evil -- especially if the blondness looks somehow artificial ("gilded"). This may have something to do with the fact that [[AuthorAppeal Chesterton's beloved wife was a redhead]]. There are exceptions, however:

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-->''When I say "Capitalism," I commonly mean something that may be stated thus: "That economic condition in which there is a class of capitalists roughly recognizable and relatively small, in whose possession so much of the capital is concentrated as to necessitate a very large majority of the citizens serving those capitalists for a wage."'' --''The Outline of Sanity'' (1926)
* ColourCodedForYourConvenience: A character with red hair is ''almost'' always Good in Chesterton. Less Much less frequently, blond hair is evil -- especially if the blondness looks somehow artificial ("gilded"). This may have something to do with the fact that [[AuthorAppeal Chesterton's beloved wife was a redhead]]. There are exceptions, however:Some of the exceptions include:



* DeadpanSnarker: During the UsefulNotes/FirstWorldWar: "Mr. Chesterton, why aren't you out at the front?" "Madam, if you go around to the side, you will see that I am." (in reference to his weight). Many of Chesterton's characters share this trait.

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* DeadpanSnarker: During the UsefulNotes/FirstWorldWar: "Mr. Chesterton, why aren't you out at the front?" "Madam, if you go around to the side, you will see that I am." am" (in reference to his weight). Many of Chesterton's characters share this trait.

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* WaterTowerDown: Threatened in ''The Napoleon of Notting Hill''

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* WaterTowerDown: Threatened in In ''The Napoleon of Notting Hill''Hill'', threatening to do this is how Wayne finally gets his enemies to surrender. Indeed, [[WordOfGod Chesterton]] described the use of the Waterworks as a weapon as part of the original inspiration.
-->''"In the event of your not doing so, the Lord High Provost of Notting Hill desires to announce that he has just captured the Waterworks Tower, just above you, on Campden Hill, and that within ten minutes from now, that is, on the reception through me of your refusal, he will open the great reservoir and flood the whole valley where you stand in thirty feet of water. God save King Auberon!"\\
Buck had dropped his glass and sent a great splash of wine over the road.\\
"But--but--" he said; and then by a last and splendid effort of his great sanity, looked the facts in the face.\\
"We must surrender," he said. "You could do nothing against fifty thousand tons of water coming down a steep hill, ten minutes hence. We must surrender. Our four thousand men might as well be four. Vicisti Galilaee! Perkins, you may as well get me another glass of wine."''

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* AnachronismStew: Chesterton's play/squib ''The Temptation of St. Anthony'' (1925), based on the dramatic prose poem of the same name by Creator/GustaveFlaubert. The Life-Force, the Time-Spirit, and the Lecturer are modern men who confront St. Anthony, a hermit from the 3rd-4th centuries.



--> ''Cervantes on his galley sets the sword back in the sheath''
--> (Don John of Austria rides homeward with a wreath.)
--> ''And he sees across a weary land a straggling road in Spain,''
--> ''[[Literature/DonQuixote Up which a lean and foolish knight forever rides in vain,]]''
--> ''And he smiles, but not as Sultans smile, and settles back the blade....''
--> (But Don John of Austria rides home from the Crusade.)

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--> ''Cervantes -->''Cervantes on his galley sets the sword back in the sheath''
-->
sheath''\\
(Don John of Austria rides homeward with a wreath.)
-->
)\\
''And he sees across a weary land a straggling road in Spain,''
-->
Spain,''\\
''[[Literature/DonQuixote Up which a lean and foolish knight forever rides in vain,]]''
-->
vain,]]''\\
''And he smiles, but not as Sultans smile, and settles back the blade....''
-->
''\\
(But Don John of Austria rides home from the Crusade.)



* HeelRealization: He came to realize how sinful racism is and apparently repented.



* LiteralistSnarking: Chesterton once acquired a copy of ''Platitudes in the Making'' by a Holbrook Jackson and wrote down his responses in green. One of his responses is as follows:
-->'''Jackson:''' The future will look upon man as we look upon the ichthyosaurus—as an extinct monster.
-->'''Chesterton:''' The "future" won't look upon anything. No eyes.

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* LiteralistSnarking: Chesterton once acquired a copy of ''Platitudes in the Making'' by a Holbrook Jackson and wrote down his responses in green. One of his responses is as follows:
-->'''Jackson:''' The future will look upon man as we look upon the ichthyosaurus—as an extinct monster.
-->'''Chesterton:'''
monster.\\
'''Chesterton:'''
The "future" won't look upon anything. No eyes.



* MeaningfulName: In ''The Flying Inn'', there's a chemist by the name of Crooke, who assists his customers in getting round prohibition legislation by selling alcohol as medicine.

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* MeaningfulName: In ''The Flying Inn'', there's a chemist by the name of named Crooke, who assists his customers in getting round around prohibition legislation by selling alcohol as medicine.


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* MoodWhiplash: The original ''The Temptation of St. Anthony'' by Gustave Flaubert is a serious depiction of spiritual torment, based on when St. Anthony faced severe temptations and demonic attacks in the Egyptian desert. Chesterton's "continuation" lightens the mood by introducing [[AnachronismStew anachronistic characters representing modernity]].

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