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!! Conversational Troping Alexandre Cabanel engaged in:
* TechnicianVersusPerformer: After having his ''Art/TheFallenAngel'' harshly criticized and rejected by the Salon of Paris art judges, Cabanel commented to his patron that such was his reward for trying to be a performer instead of the technician that the Academists demanded of him.
--> "That’s my reward for all the trouble I gave myself not to submit an average piece of work [...]"
!! Conversational Troping Alexandre Cabanel engaged in:
* TechnicianVersusPerformer: After having his ''Art/TheFallenAngel'' harshly criticized and rejected by the Salon of Paris art judges, Cabanel commented to his patron that such was his reward for trying to be a performer instead of the technician that the Academists demanded of him.
--> "That’s my reward for all the trouble I gave myself not to submit an average piece of work [...]"
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!! Conversational Troping Alexandre Cabanel engaged in:
* TechnicianVersusPerformer:
--> "That’s my reward for all the trouble I gave myself not to submit an average piece of work"
* TechnicianVersusPerformer:
--> "That’s my reward for all the trouble I gave myself not to submit an average piece of work"
to:
* TechnicianVersusPerformer:
--> "That’s my reward for all the trouble I gave myself not to submit an average piece of work"
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[[index]]
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[[/index]]
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%% !! Conversational Troping Alexandre Cabanel engaged in:
%%
%% ----
%%
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%%
--> "That’s my reward for all the trouble I gave myself not to submit an average piece of work"
----
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When Cabanel was a pupil, he faced a tough public in his fellow Academic artists. Paintings like ''The Fallen Angel'' were called sloppy and too {{Romanticis|m}}t in style due to, respectively, not yet following perfect proportions (just near perfect, mind you) and displaying emotions too raw. It was only after he perfected his technique that he was acknowledged by the Academy as a proper artist and his art to be coveted by notable figures of his time.
to:
When Cabanel was a pupil, he faced a tough public in his fellow Academic artists. Paintings like ''The Fallen Angel'' were called sloppy and too {{Romanticis|m}}t in style due to, respectively, not yet following perfect proportions (just near perfect, mind you) and displaying emotions too raw. This, despite always having submitted very by-the-rules works. It was only after he perfected his technique that he was acknowledged by the Academy as a proper artist and his art to be coveted by notable figures of his time.
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[[AC: Allegorical Paintings]]
* ''[[Art/TheBirthOfVenusCabanel The Birth of Venus]]'' (1863)
* ''Art/NymphAbductedByAFaun'' (1860)
* ''Art/{{Ophelia}}'' (1883)
* ''Art/{{Phaedra}}'' (1880)
* ''[[Art/TheBirthOfVenusCabanel The Birth of Venus]]'' (1863)
* ''Art/NymphAbductedByAFaun'' (1860)
* ''Art/{{Ophelia}}'' (1883)
* ''Art/{{Phaedra}}'' (1880)
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[[AC: Mythological Paintings]]
* ''[[Art/TheBirthOfVenusCabanel The Birth of Venus]]'' (1863)
* ''Art/NymphAbductedByAFaun'' (1860)
* ''Art/{{Ophelia}}'' (1883)
* ''Art/{{Phaedra}}'' (1880)
* ''[[Art/TheBirthOfVenusCabanel The Birth of Venus]]'' (1863)
* ''Art/NymphAbductedByAFaun'' (1860)
* ''Art/{{Ophelia}}'' (1883)
* ''Art/{{Phaedra}}'' (1880)
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When he was a pupil, he faced a tough public in his fellow Academic artists. Paintings like ''The Fallen Angel'' were called sloppy and too {{Romanticis|m}}t in style due to, respectively, not yet following perfect proportions (just near perfect, mind you) and displaying emotions too raw. It was only after he perfected his technique that he was acknowledged by the Academy as a proper artist and his art to be coveted by notable figures of his time.
to:
When he Cabanel was a pupil, he faced a tough public in his fellow Academic artists. Paintings like ''The Fallen Angel'' were called sloppy and too {{Romanticis|m}}t in style due to, respectively, not yet following perfect proportions (just near perfect, mind you) and displaying emotions too raw. It was only after he perfected his technique that he was acknowledged by the Academy as a proper artist and his art to be coveted by notable figures of his time.
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Ironically enough, the "uneducated" public, still adores some of his paintings, if only because modern art has gotten increasingly abstract and less straightforward since then. In other words, the beauty and message of a Cabanel are easier to interpret than those of a Mondrian.
to:
Ironically enough, the "uneducated" public, adored (and still adores some adores) several of his paintings, if only because modern art has gotten increasingly abstract and less straightforward since then. In other words, the beauty and message of a Cabanel are easier to interpret than those of a Mondrian.
Mondrian. At least, to the average person.
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%% Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh. When he submitted it to an art contest, the judges accused the painting of being too [[{{Romanticism}} Romantic]] in style and sloppy.
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Alexandre Cabanel was a French painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic movement which, in other words, means he was a technician. And a virtuoso, at that, painting an extremely realistic self-portrait at thirteen.
to:
Alexandre Cabanel was a French oil painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic movement which, in other words, means he was a technician. And a virtuoso, at that, painting an extremely realistic self-portrait at thirteen.
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* ConceptArt: As Academicism heavily encouraged, Cabanel drew lots of sketches (today known as Master Studies) before working on the actual oil painting. Some are pose references while others are mock paintings to figure the color palette. Most of them are available online or compiled in the 1989 art exposition "Déssins d'Alexandre Cabanel 1823-1889" of the Musée Fabre, France.
* SlidingScaleOfShinyVersusGritty: Idealism is an artistic aesthetic featured in Academic, and therefore in Cabanel's, paintings. As [[ExactlyWhatItSaysOnTheTin its name indicates]], it's about idealizing reality to a standard of perfection and beauty that can only be found inside one's imagination. This means the artworks depicted no blood or dirt even when the scene would have required them and the textures were clean, smooth, and even outright shiny sometimes (in the case of metal surfaces and skin). Furthermore, the characters had always an air of heroicness in the Greek sense even if they were evil.
* SlidingScaleOfShinyVersusGritty: Idealism is an artistic aesthetic featured in Academic, and therefore in Cabanel's, paintings. As [[ExactlyWhatItSaysOnTheTin its name indicates]], it's about idealizing reality to a standard of perfection and beauty that can only be found inside one's imagination. This means the artworks depicted no blood or dirt even when the scene would have required them and the textures were clean, smooth, and even outright shiny sometimes (in the case of metal surfaces and skin). Furthermore, the characters had always an air of heroicness in the Greek sense even if they were evil.
to:
* ConceptArt: As Academicism heavily encouraged, Cabanel drew lots of sketches (today known as Master Studies) Studies or études) before working on the actual oil painting. Some are pose references while others are mock paintings to figure the color palette. Most of them are available online or compiled in the 1989 art exposition "Déssins d'Alexandre Cabanel 1823-1889" of the Musée Fabre, France.
* SlidingScaleOfShinyVersusGritty: Idealism is an artistic aesthetic featured in Academic, and therefore in Cabanel's, paintings. As [[ExactlyWhatItSaysOnTheTin its name indicates]], it's about idealizing reality to a standard of perfection and beauty that can only be found inside one's imagination. This means the artworks depicted no blood or dirt even when the scene would have required them and the textures were clean, smooth, and even outright shiny sometimes (in the case of metal surfaces and skin). Furthermore, the characters had always an air of heroicness in the Greek sense even if they were evil.
* SlidingScaleOfShinyVersusGritty: Idealism is an artistic aesthetic featured in Academic, and therefore in Cabanel's, paintings. As [[ExactlyWhatItSaysOnTheTin its name indicates]], it's about idealizing reality to a standard of perfection and beauty that can only be found inside one's imagination. This means the artworks depicted no blood or dirt even when the scene would have required them and the textures were clean, smooth, and even outright shiny sometimes (in the case of metal surfaces and skin).
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* SlidingScaleOfShinyVersusGritty: Idealism is an artistic aesthetic featured in Academic, and therefore in Cabanel's, paintings. As [[ExactlyWhatItSaysOnTheTin its name indicates]], it's about idealizing reality to a standard of perfection and beauty that can only be found inside one's imagination.
to:
* SlidingScaleOfShinyVersusGritty: Idealism is an artistic aesthetic featured in Academic, and therefore in Cabanel's, paintings. As [[ExactlyWhatItSaysOnTheTin its name indicates]], it's about idealizing reality to a standard of perfection and beauty that can only be found inside one's imagination. This means the artworks depicted no blood or dirt even when the scene would have required them and the textures were clean, smooth, and even outright shiny sometimes (in the case of metal surfaces and skin). Furthermore, the characters had always an air of heroicness in the Greek sense even if they were evil.
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Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]; i.e., those huge [[UsefulNotes/TheRenaissance Renaissance]] allegorical (religious, classic, or historical) murals. And that explains why he was [[UsefulNotes/RevolutionsOf1848 Napoleon III's]] preferred artist and the public's favorite.
to:
Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]; i.e., those huge [[UsefulNotes/TheRenaissance Renaissance]] allegorical (religious, classic, [[Myth/ClassicalMythology classic]], or historical) murals. And that explains why he was [[UsefulNotes/RevolutionsOf1848 Napoleon III's]] preferred artist and the public's favorite.
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* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh. When he submitted it to an art contest, the judges accused the painting of being too [[{{Romanticism}} Romantic]] in style and sloppy.
to:
* ''Art/TheFallenAngel'' (1847): (1847)
%% Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh. When he submitted it to an art contest, the judges accused the painting of being too [[{{Romanticism}} Romantic]] in style and sloppy.
%% Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh. When he submitted it to an art contest, the judges accused the painting of being too [[{{Romanticism}} Romantic]] in style and sloppy.
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* SlidingScaleOfShinyVersusGritty: Idealism is an artistic aesthetic featured in Academic, and therefore in Cabanel's, paintings. As [[ExactlyWhatItSaysOnTheTin its name indicates]], it's about idealizing reality to a standard of perfection and beauty that can only be found inside one's imagination.
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-->-- '''Jean Nougaret''', art historian from the Montpellier Academy of Sciences and Letters.
to:
-->-- '''Jean Nougaret''', an art historian from the Montpellier Academy of Sciences and Letters.
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Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]; i.e., those huge [[UsefulNotes/TheRenaissance Renaissance]] allegorical or historical murals. And that explains why he was [[UsefulNotes/RevolutionsOf1848 Napoleon III's]] preferred artist and the public's favorite.
As a fun fact, he had a lot of pupils. You can count those who also made a name of their own by the dozens.
As a fun fact, he had a lot of pupils. You can count those who also made a name of their own by the dozens.
to:
Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]; i.e., those huge [[UsefulNotes/TheRenaissance Renaissance]] allegorical (religious, classic, or historical historical) murals. And that explains why he was [[UsefulNotes/RevolutionsOf1848 Napoleon III's]] preferred artist and the public's favorite.
As a fun fact, he had a lot of pupils. You can count those who also made a name of their own by thedozens.
dozens, never mind those who didn't.
As a fun fact, he had a lot of pupils. You can count those who also made a name of their own by the
!! Relationship with art critics:
When he was a pupil, he faced a tough public in his fellow Academic artists. Paintings like ''The Fallen Angel'' were called sloppy and too {{Romanticis|m}}t in style due to, respectively, not yet following perfect proportions (just near perfect, mind you) and displaying emotions too raw. It was only after he perfected his technique that he was acknowledged by the Academy as a proper artist and his art to be coveted by notable figures of his time.
Several years after his death, the TechnicianVersusPerformer debate between academic and modern art ensured he was put to the wringer by exponents and defendants of the latter. His art was deemed lifeless, monotone, and too lacking in the "conveying emotion" department. He was used as the scapegoat representative of Academicism which, in turn, was regarded as everything wrong with the period's art.
Ironically enough, the "uneducated" public, still adores some of his paintings, if only because modern art has gotten increasingly abstract and less straightforward since then. In other words, the beauty and message of a Cabanel are easier to interpret than those of a Mondrian.
When he was a pupil, he faced a tough public in his fellow Academic artists. Paintings like ''The Fallen Angel'' were called sloppy and too {{Romanticis|m}}t in style due to, respectively, not yet following perfect proportions (just near perfect, mind you) and displaying emotions too raw. It was only after he perfected his technique that he was acknowledged by the Academy as a proper artist and his art to be coveted by notable figures of his time.
Several years after his death, the TechnicianVersusPerformer debate between academic and modern art ensured he was put to the wringer by exponents and defendants of the latter. His art was deemed lifeless, monotone, and too lacking in the "conveying emotion" department. He was used as the scapegoat representative of Academicism which, in turn, was regarded as everything wrong with the period's art.
Ironically enough, the "uneducated" public, still adores some of his paintings, if only because modern art has gotten increasingly abstract and less straightforward since then. In other words, the beauty and message of a Cabanel are easier to interpret than those of a Mondrian.
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%% * CriticalDissonance:
%% ** When he was a pupil, Cabanel faced a tough public in his fellow Academic artist. His art was called sloppy and too Romanticist in style. To call sloppy ''The Fallen Angel''... The public, of course, loved his paintings. His relationship with art critics remained rocky -- at times appraising him, then despising his art. It was often his most inspired and emotional-heavy works the ones receiving the second treatment.
%% ** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly abstract and less straightforward.
%% ** When he was a pupil, Cabanel faced a tough public in his fellow Academic artist. His art was called sloppy and too Romanticist in style. To call sloppy ''The Fallen Angel''... The public, of course, loved his paintings. His relationship with art critics remained rocky -- at times appraising him, then despising his art. It was often his most inspired and emotional-heavy works the ones receiving the second treatment.
%% ** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly abstract and less straightforward.
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* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh. When he submitted it to an art contest, the judges accused the painting of being too [[{{Romanticism}} Romantic]] in style.
to:
* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh. When he submitted it to an art contest, the judges accused the painting of being too [[{{Romanticism}} Romantic]] in style.
style and sloppy.
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* ArtImitatesArt: Academicism was all about this trope -- using a not-so-{{Small Reference Pool|s}} (the Classical Mythology and Christianity) following strict rules of proportion and composition, which greatly hindered creativity and caused artists to repeat the masters' artworks over and over. Cabanel, despite disagreeing with it in his youth, wins a contest by imitating Giorgione's ''Art/{{Sleeping Venus|Giorgione}}''. He later learns to give his own OriginalFlavor to such Renaissance paintings.
* ConceptArt: As Academicism heavily encouraged, Cabanel draws lots of sketches (today known as Master Studies) before working on the actual oil painting. Some are pose references while others are mock paintings to figure the color palette. Most of them are available online or compiled in the 1989 art exposition "Déssins d'Alexandre Cabanel 1823-1889" of the Musée Fabre, France.
* ConceptArt: As Academicism heavily encouraged, Cabanel draws lots of sketches (today known as Master Studies) before working on the actual oil painting. Some are pose references while others are mock paintings to figure the color palette. Most of them are available online or compiled in the 1989 art exposition "Déssins d'Alexandre Cabanel 1823-1889" of the Musée Fabre, France.
to:
* ArtImitatesArt: Academicism was all about this trope -- using a not-so-{{Small Reference Pool|s}} (the Classical Mythology and Christianity) following strict rules of proportion and composition, which greatly hindered creativity and caused artists to repeat the masters' artworks over and over. Cabanel, despite disagreeing with it in his youth, wins won a contest by imitating Giorgione's ''Art/{{Sleeping Venus|Giorgione}}''. He later learns learned to give his own OriginalFlavor to such Renaissance paintings.
* ConceptArt: As Academicism heavily encouraged, Cabaneldraws drew lots of sketches (today known as Master Studies) before working on the actual oil painting. Some are pose references while others are mock paintings to figure the color palette. Most of them are available online or compiled in the 1989 art exposition "Déssins d'Alexandre Cabanel 1823-1889" of the Musée Fabre, France.
* ConceptArt: As Academicism heavily encouraged, Cabanel
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Changed line(s) 39,41 (click to see context) from:
* ArtImitatesArt: Academicism was all about this trope -- using a not-so-{{Small Reference Pool|s}} (the Classical Mythology and Christianity) following strict rules of proportion and composition, which greatly hindered creativity and caused artists to repeat the masters' artworks over and over. Cabanel, despite disagreeing with it in his youth, wins a contest by imitating Giorgione's gives ''Art/SleepingVenus|Giorgione''. He later learns to give his own OriginalFlavor to such Renaissance paintings.
* ConceptArt
* {{Putto}}
* ConceptArt
* {{Putto}}
to:
* ArtImitatesArt: Academicism was all about this trope -- using a not-so-{{Small Reference Pool|s}} (the Classical Mythology and Christianity) following strict rules of proportion and composition, which greatly hindered creativity and caused artists to repeat the masters' artworks over and over. Cabanel, despite disagreeing with it in his youth, wins a contest by imitating Giorgione's gives ''Art/SleepingVenus|Giorgione''.''Art/{{Sleeping Venus|Giorgione}}''. He later learns to give his own OriginalFlavor to such Renaissance paintings.
*ConceptArt
* {{Putto}}ConceptArt: As Academicism heavily encouraged, Cabanel draws lots of sketches (today known as Master Studies) before working on the actual oil painting. Some are pose references while others are mock paintings to figure the color palette. Most of them are available online or compiled in the 1989 art exposition "Déssins d'Alexandre Cabanel 1823-1889" of the Musée Fabre, France.
*
* {{Putto}}
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* ArtImitatesArt: Academicism was all about this trope -- using a not-so-SmallReferencePool (the Classical Mythology and Christianity) following strict rules of proportion and composition, which greatly hindered creativity and caused artists to repeat the masters' artworks over and over. Cabanel, despite disagreeing with it in his youth, wins a contest by imitating Giorgione's gives ''Art/SleepingVenus|Giorgione''. He later learns to give his own OriginalFlavor to such Renaissance paintings.
to:
* ArtImitatesArt: Academicism was all about this trope -- using a not-so-SmallReferencePool not-so-{{Small Reference Pool|s}} (the Classical Mythology and Christianity) following strict rules of proportion and composition, which greatly hindered creativity and caused artists to repeat the masters' artworks over and over. Cabanel, despite disagreeing with it in his youth, wins a contest by imitating Giorgione's gives ''Art/SleepingVenus|Giorgione''. He later learns to give his own OriginalFlavor to such Renaissance paintings.
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* ArtImitatesArt
to:
* ArtImitatesArtArtImitatesArt: Academicism was all about this trope -- using a not-so-SmallReferencePool (the Classical Mythology and Christianity) following strict rules of proportion and composition, which greatly hindered creativity and caused artists to repeat the masters' artworks over and over. Cabanel, despite disagreeing with it in his youth, wins a contest by imitating Giorgione's gives ''Art/SleepingVenus|Giorgione''. He later learns to give his own OriginalFlavor to such Renaissance paintings.
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* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh.
to:
* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh.
fresh. When he submitted it to an art contest, the judges accused the painting of being too [[{{Romanticism}} Romantic]] in style.
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%% !! Tropes found throughout Alexandre Cabanel's paintings:
%% * ArtImitatesArt
%% * ConceptArt
%% * {{Putto}}
%% * ArtImitatesArt
%% * ConceptArt
%% * {{Putto}}
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%% ----
%%
%%
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%% ** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly abstract.
to:
%% ** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly abstract.abstract and less straightforward.
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Changed line(s) 11,12 (click to see context) from:
Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]. Those huge [[UsefulNotes/TheRenaissance Renaissance]] allegorical or historical murals. And that explains why he was [[UsefulNotes/RevolutionsOf1848 Napoleon III's]] preferred artist and the public's favorite.
to:
Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]. Those Pompier]]; i.e., those huge [[UsefulNotes/TheRenaissance Renaissance]] allegorical or historical murals. And that explains why he was [[UsefulNotes/RevolutionsOf1848 Napoleon III's]] preferred artist and the public's favorite.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/self_portrait_alexandre_cabanel.jpg]]
[[caption-width-right:350:Cabanel's self-portrait in oil.]]
[[caption-width-right:350:Cabanel's self-portrait in oil.]]
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* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
to:
* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, shame, anger, and hurt are very fresh.
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Alexandre Cabanel was a French painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic movement which, in other words, means he was a technician. And a virtuoso, at that, painting an extremely realistic self-portrait at fourteen.
to:
Alexandre Cabanel was a French painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic movement which, in other words, means he was a technician. And a virtuoso, at that, painting an extremely realistic self-portrait at fourteen.
thirteen.
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* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
to:
* ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio example of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
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As a fun fact, he had a lot of pupils. You can count them by dozens.
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As a fun fact, he had a lot of pupils. You can count them those who also made a name of their own by the dozens.
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* ''Art/TheBirthOfVenus|Cabanel'' (1863)
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* ''Art/TheBirthOfVenus|Cabanel'' ''[[Art/TheBirthOfVenusCabanel The Birth of Venus]]'' (1863)
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%% !! Conversational Troping Alexandre Cabanel engaged in:
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%% !! Conversational Troping Alexandre Cabanel engaged in:
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* ''Art/TheBirthOfVenusCabanel'' (1863)
* ''Nymph Abducted by a Faun'' (1860)
* ''Ophelia'' (1883)
* ''Phaedra'' (1880)
* ''Nymph Abducted by a Faun'' (1860)
* ''Ophelia'' (1883)
* ''Phaedra'' (1880)
to:
* ''Art/TheBirthOfVenusCabanel'' ''Art/TheBirthOfVenus|Cabanel'' (1863)
*''Nymph Abducted by a Faun'' ''Art/NymphAbductedByAFaun'' (1860)
*''Ophelia'' ''Art/{{Ophelia}}'' (1883)
*''Phaedra'' ''Art/{{Phaedra}}'' (1880)
*
*
*
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* ''Cleopatra Testing Poisons on Condemned Prisoners'' (1887)
* ''The Death of Francesca da Rimini and Paolo Malatesta'' (1870)
* ''Harmonie'' (1877)
* ''Napoleon III'' (1865)
* ''The Death of Francesca da Rimini and Paolo Malatesta'' (1870)
* ''Harmonie'' (1877)
* ''Napoleon III'' (1865)
to:
* ''Cleopatra Testing Poisons on Condemned Prisoners'' ''Art/CleopatraTestingPoisonsOnCondemnedPrisoners'' (1887)
*''The Death of Francesca da Rimini and Paolo Malatesta'' ''TheDeathOfFrancescaDaRiminiAndPaoloMalatesta'' (1870)
*''Harmonie'' ''Art/{{Harmonie}}'' (1877)
*''Napoleon III'' ''Art/NapoleonIII'' (1865)
*
*
*
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* ''The Daughter of Jephthah'' (1879)
* ''The Death of Moses'' (1851)
* ''The Expulsion of Adam and Eve from the Garden of Paradise'' (1867)
* ''The Fallen Angel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
* ''The Death of Moses'' (1851)
* ''The Expulsion of Adam and Eve from the Garden of Paradise'' (1867)
* ''The Fallen Angel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
to:
* ''The Daughter of Jephthah'' ''Art/TheDaughterOfJephthah'' (1879)
*''The Death of Moses'' ''Art/TheDeathOfMoses'' (1851)
*''The Expulsion of Adam and Eve from the Garden of Paradise'' ''Art/TheExpulsionOfAdamAndEveFromTheGardenOfParadise'' (1867)
*''The Fallen Angel'' ''Art/TheFallenAngel'' (1847): Possibly, the painting Cabanel's most famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
*
*
*
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* ''The Fallen Angel'' (1847): Possibly, the painting Cabanel's most famous. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
to:
* ''The Fallen Angel'' (1847): Possibly, the painting Cabanel's most famous.famous for. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
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* ''Nymph Abducted by a Faun''(1860)
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* ''Nymph Abducted by a Faun''(1860)Faun'' (1860)
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* ''The daughter of Jephthah'' (1879)
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* ''The daughter Daughter of Jephthah'' (1879)
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* ''The Fallen Angel'' (1847)
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* ''The Fallen Angel'' (1847)
(1847): Possibly, the painting Cabanel's most famous. At least in contemporary times, given the amount of {{Fan Art}}ists using it as a template for characters who undergo a FaceHeelTurn. It's also an OlderThanRadio of the KubrickStare. It depicts Lucifer just after he's expulsed from Heaven, so the feelings of betrayal, anger, and hurt are very fresh.
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!! Trivia about Alexandre Cabanel:
* CriticalDissonance:
** When he was a pupil, Cabanel faced a tough public in his fellow Academic artist. His art was called sloppy and too Romanticist in style. To call sloppy ''The Fallen Angel''... The public, of course, loved his paintings. His relationship with art critics remained rocky -- at times appraising him, then despising his art. It was often his most inspired and emotional-heavy works the ones receiving the second treatment.
** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly abstract.
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%% !! Trivia about Alexandre Cabanel:
%% * CriticalDissonance:
%% ** When he was a pupil, Cabanel faced a tough public in his fellow Academic artist. His art was called sloppy and too Romanticist in style. To call sloppy ''The Fallen Angel''... The public, of course, loved his paintings. His relationship with art critics remained rocky -- at times appraising him, then despising his art. It was often his most inspired and emotional-heavy works the ones receiving the second treatment.
%% ** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly
----
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Alexandre Cabanel was a French painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic current which, in other words, means he was a [[TechnicianVersusPerformer technician]]. And a virtuoso, at that.
to:
Alexandre Cabanel was a French painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic current movement which, in other words, means he was a [[TechnicianVersusPerformer technician]]. technician. And a virtuoso, at that.
that, painting an extremely realistic self-portrait at fourteen.
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Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]. Those huge UsefulNotes/Renaissance allegorical or historical murals. And that explains why he was UsefulNotes/NapoleonIII's preferred artist.
to:
Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]. Those huge UsefulNotes/Renaissance [[UsefulNotes/TheRenaissance Renaissance]] allegorical or historical murals. And that explains why he was UsefulNotes/NapoleonIII's [[UsefulNotes/RevolutionsOf1848 Napoleon III's]] preferred artist.
artist and the public's favorite.
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You can read more about his life in ThatOtherWiki [[https://en.wikipedia.org/wiki/Alexandre_Cabanel here]].
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!! Trivia about Alexandre Cabanel:
* CriticalDissonance:
** When he was a pupil, Cabanel faced a tough public in his fellow Academic artist. His art was called sloppy and too Romanticist in style. To call sloppy ''The Fallen Angel''... The public, of course, loved his paintings. His relationship with art critics remained rocky -- at times appraising him, then despising his art. It was often his most inspired and emotional-heavy works the ones receiving the second treatment.
** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly abstract.
----
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!! Trivia about Alexandre Cabanel:
* CriticalDissonance:
** When he was a pupil, Cabanel faced a tough public in his fellow Academic artist. His art was called sloppy and too Romanticist in style. To call sloppy ''The Fallen Angel''... The public, of course, loved his paintings. His relationship with art critics remained rocky -- at times appraising him, then despising his art. It was often his most inspired and emotional-heavy works the ones receiving the second treatment.
** Several years after his death, the TechnicianVersusPerformer debate between academician and modern art ensured he was put to the wringer by post-[[https://en.wikipedia.org/wiki/Idealism_(arts) idealist]] art critics. The "uneducated" public, still adored some of his paintings, if only because modern art got increasingly abstract.
----
---
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* ''Ophelia'' (1883)
* ''Phaedra'' (1880)
* ''Phaedra'' (1880)
* ''Cleopatra Testing Poisons on Condemned Prisoners'' (1887)
* ''Harmonie'' (1877)
* ''The daughter of Jephthah'' (1879)
* ''The Expulsion of Adam and Eve from the Garden of Paradise'' (1867)
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!! Tropes found throughout Alexandre Cabanel's paintings:
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%% !! Tropes found throughout Alexandre Cabanel's paintings:paintings:
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/self_portrait_alexandre_cabanel.jpg]]
[[caption-width-right:350:Cabanel's self-portrait in oil.]]
->''"Of all the academic painters, Cabanel was both the most adored by the public and the most criticized."''
-->-- '''Jean Nougaret''', art historian from the Montpellier Academy of Sciences and Letters.
Alexandre Cabanel was a French painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic current which, in other words, means he was a [[TechnicianVersusPerformer technician]]. And a virtuoso, at that.
Academic Art is the LawfulNeutral of the arts because it sets strict rules of how art must be done. Some people regard it as LawfulStupid since it heavily constrains creativity and doesn't put the expression of emotion as its highest priority -- which is the primary reason why modern art was born.
Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]. Those huge UsefulNotes/Renaissance allegorical or historical murals. And that explains why he was UsefulNotes/NapoleonIII's preferred artist.
As a fun fact, he had a lot of pupils. You can count them by dozens.
You can read more about his life in ThatOtherWiki [[https://en.wikipedia.org/wiki/Alexandre_Cabanel here]].
----
!! List of paintings by Alexandre Cabanel:
[[AC: Allegorical Paintings]]
* ''Art/TheBirthOfVenusCabanel'' (1863)
* ''Nymph Abducted by a Faun''(1860)
[[AC: Historical Paintings]]
* ''The Death of Francesca da Rimini and Paolo Malatesta'' (1870)
* ''Napoleon III'' (1865)
[[AC: Religious Paintings]]
* ''The Death of Moses'' (1851)
* ''The Fallen Angel'' (1847)
----
!! Tropes found throughout Alexandre Cabanel's paintings:
[[caption-width-right:350:Cabanel's self-portrait in oil.]]
->''"Of all the academic painters, Cabanel was both the most adored by the public and the most criticized."''
-->-- '''Jean Nougaret''', art historian from the Montpellier Academy of Sciences and Letters.
Alexandre Cabanel was a French painter of the [[https://en.wikipedia.org/wiki/Academic_art Academicism]] artistic current which, in other words, means he was a [[TechnicianVersusPerformer technician]]. And a virtuoso, at that.
Academic Art is the LawfulNeutral of the arts because it sets strict rules of how art must be done. Some people regard it as LawfulStupid since it heavily constrains creativity and doesn't put the expression of emotion as its highest priority -- which is the primary reason why modern art was born.
Cabanel, however, is one of the few who managed to create meaning and convey complex emotions ''within'' the Academist conventions. He is, in particular, the best representative of [[https://en.wikipedia.org/wiki/L%27art_pompier L'Art Pompier]]. Those huge UsefulNotes/Renaissance allegorical or historical murals. And that explains why he was UsefulNotes/NapoleonIII's preferred artist.
As a fun fact, he had a lot of pupils. You can count them by dozens.
You can read more about his life in ThatOtherWiki [[https://en.wikipedia.org/wiki/Alexandre_Cabanel here]].
----
!! List of paintings by Alexandre Cabanel:
[[AC: Allegorical Paintings]]
* ''Art/TheBirthOfVenusCabanel'' (1863)
* ''Nymph Abducted by a Faun''(1860)
[[AC: Historical Paintings]]
* ''The Death of Francesca da Rimini and Paolo Malatesta'' (1870)
* ''Napoleon III'' (1865)
[[AC: Religious Paintings]]
* ''The Death of Moses'' (1851)
* ''The Fallen Angel'' (1847)
----
!! Tropes found throughout Alexandre Cabanel's paintings:
