History CowardlyLion / Literature

* Literature/CiaphasCain, '''[[LargeHamTitle HERO OF THE IMPERIUM!!!]]''' He quite literally [[DirectLineToTheAuthor wrote the book]] on how to be one of these in the ''TabletopGame/{{Warhammer 40000}}'' universe. Despite taking on (and defeating) foes that would have easily brushed aside other mortal men, Cain continues to consider himself a DirtyCoward and FakeUltimateHero, writing off all of his heroic feats as the result of either accident or pragmatism. Really, all Cain wants is to live a quiet and peaceful life. However, the one compiling his notes is of the opinion that Cain just isn't giving himself enough credit, citing several times that Cain has acted genuinely heroic, and playing up his tendency to [[AFatherToHisMen look out for his troops]]. The author has stated [[ShrugOfGod even he's not sure which interpretation is right]].

** Although Draco Malfoy ran from danger in the Forbidden Forest in first book, in the last one he chose not to recognize Harry to the Death Eaters even though by doing that he put himself and his parents at risk of retribution from Voldemort if not an outright death sentence. He also kept holding onto Goyle (who is much bigger and heavier in size)during the Fiendfyre instead of abandoning him and saving his own skin.

** Although he ran from danger in the Forbidden Forest in first book, in the last one he chose not to recognize Harry to the Death Eaters even though by doing that he put himself and his parents at risk of retribution from Voldemort if not an outright death sentence. He also kept holding onto Goyle (who is much bigger and heavier in size)during the Fiendfyre instead of abandoning him and saving his own skin.

* Martha Abbott (rhymes with rabbit) in Zilpha Keatley Snyder's ''The Changeling'' is this. Deprecated as a coward and crybaby by herself and everyone in her family, she does a number of things that frighten the life out of her. She cries, even pukes, but she ''does'' them. Few if any children's books illustrate the difference between courage and fearlessness the way this one does.

* [[Literature/BloodyJack Jacky Faber]] is a self-proclaimed coward, and insists that her moments of [[LittleMissBadass badassery]] were just combinations of bad luck, coincidence, and what had to be done, but the fact is that those moments of badassery far outnumber any actual cowardice she may display.

* The TropeNamer is the Cowardly Lion in ''Literature/TheWonderfulWizardOfOz'', as he usually tended to lose the "Cowardly" part of his name whenever Dorothy was in danger or something was required that only he could do. The [[Film/TheWizardOfOz film version]] examines this trope in some depth, with the Wizard eventually pointing out to the Lion that he was confusing cowardice with common sense. Sometimes, [[KnowWhenToFoldEm running away is the most sensible option if fighting only gets you pointlessly killed]]. The Lion demonstrates this when he flees from the Kalidahs in Baum's original book--however, when he has something to protect after joining Dorothy and the others, he not only stands up to them, but ''volunteers'' to sacrifice himself to protect the others from them, until Scarecrow comes up with a plan that makes such a sacrifice unnecessary. The way that he manages to find bravery without the Wizard's help (much like how the Scarecrow typically always comes up with good ideas even without a brain) seems to be a big theme of the book: the heroes had what they wanted all along, but never realized it.
%% * Katniss Everdeen from Hunger Games Trilogy is this. She overcomes it for the third and final book, Mockingjay.
%% * [[SixthRanger David]] from ''Literature/{{Animorphs}}''. [[spoiler:He gets over this after his FaceHeelTurn]].
%% * Harold Lauder is this way in Creator/StephenKing's ''Literature/TheStand''.
%% * Samwell Tarly in ''Literature/ASongOfIceAndFire''.
* ''Literature/HarryPotter'':
** Ron Weasley has shades of this, with his fears of his mother's wrath and spiders constantly gnawing at him. It's his desire to help and protect Harry ([[CanNotSpitItOut and Hermione]]) that keep pushing him forward.
** Neville Longbottom begins the first book as a withdrawn boy who questions why he was Sorted into the "brave" house of Gryffindor. But he still fights Malfoy at a Quidditch match and attempts to stop Harry, Ron, and Hermione from breaking the rules towards the end of the book. By the time of the fifth book, he's willing to follow Harry into the Department of Mysteries, and when he loses his wand in the climatic fight, he tries punching his opponents. ''Deathly Hallows'' sees him discard the "cowardly" portion altogether when he [[TookALevelInBadass takes a level in badass]].
* Franchise/StarWarsLegends:
** Kell Tainer, from ''[[Literature/XWingSeries Wraith Squadron]]'', constantly deals with what he considers to be cowardice. When his commanding officer figures it out, he calls it more a case of "extremely strong performance anxiety", as he's not so much afraid of battle as he is of screwing up, particularly when people are counting on him--understandable, if not necessarily desirable, in military service pilots. [[spoiler: Though this officer was unaware of when Kell 1. Literally froze up while controlling an X-wing, unable to work the controls, thinking his ship was instead malfunctioning, and 2. Not really aware that Kell was one lever-pull away from just leaving battle until he thought of his girlfriend, and pulled a BigDamnHeroes. Kell definitely fits this trope in his first book. However, he also grows out of the cowardice almost completely.]]
** The novelization of ''Literature/RevengeOfTheSith'' has a villainous example, compromising between General Grievous's two canonical portrayals, as a HeroKiller (in ''WesternAnimation/StarWarsCloneWars'') or a DirtyCoward (in [[Film/RevengeOfTheSith the film]]), by making him a very dangerous fighter who nonetheless has a healthy respect for his own skin. He'd rather run than fight, but when cornered, as he eventually is by Obi-Wan, he is a match for nearly any member of the Jedi Order.
* In Lee Lightner's TabletopGame/{{Warhammer 40000}} ''Literature/SpaceWolf'' novel ''Wolf's Honour'', Mikal feels [[TheChainsOfCommanding heavily burdened by the role]] that fell on him when Berek was gravely wounded. He [[ConverseWithTheUnconscious sees the unconscious leader and asks why him]] -- and is enraged when he realizes that the skald, Morgrim, listened to him. When Morgrim says that he will describe this as a warrior paying respects to his lord before battle, Mikal can not believe him and confesses to his doubts and his conviction that Berek could have led them better; Morgrim assures him that Berek felt the same way and that having never shirked his duty, Mikal has not failed.
* Literature/CiaphasCain, '''[[LargeHamTitle HERO OF THE IMPERIUM!!!]]''' He quite literally [[DirectLineToTheAuthor wrote the book]] on how to be one of these in the ''TabletopGame/{{Warhammer 40000}}'' universe. Despite taking on (and defeating) foes that would have easily brushed aside other mortal men, Cain continues to consider himself a DirtyCoward and FakeUltimateHero, writing off all of his heroic feats as the result of either accident or pragmatism. Really, all Cain wants is to live a quiet and peaceful life. However, the one compiling his notes is of the opinion that Cain just isn't giving himself enough credit, citing several times that Cain has acted genuinely heroic, and playing up his tendency to [[AFatherToHisMen look out for his troops]]. The author has stated [[ShrugOfGod even he's not sure which interpretation is right]].
* The [[ProudWarriorRace Aiel]] from ''Literature/TheWheelOfTime'' live much of their lives in a harsh desert wasteland. Thus, they are not only incapable of swimming, but they are somewhat hydrophobic to the point that ''humidity'' unnerves them. Still, they're willing to form makeshift rafts or kickboards to get them across a large body of water if they absolutely have to.

* The protagonist of ''Literature/RowanOfRin'' is afraid of virtually everything, but has learned to cope with this enough to be functional in everyday life. This leaves him [[spoiler:the last one standing in a nonlethal DwindlingParty scenario--everyone else turns back rather than face their personal worst fear, but he's faced his fears so often that it's become second nature to him.]]

* Martha Abbott (rhymes with rabbit) in Zilpha Keatley Snyder's ''The Changeling'' is this. Deprecated as a coward and crybaby by herself and everyone in her family, she does a number of things that frighten the life out of her. She cries, even pukes, but she ''does'' them. Few if any children's books illustrate the difference between courage and fearlessness the way this one does.
* While {{Literature/Flashman}} believes himself to be a dirty coward who has only survived because of his willingness to betray anyone and anything to save his skin, he's managed to do a hell of a lot of heroic things in his career. He's gone into the thick of the action again and again, despite being in the grip of self-soiling terror, because he wants to preserve his reputation. But the point is, he does it. He goes into danger again and again, fighting down his fear the whole way. He's a hero, not because he isn't afraid, but because he overcomes his fear. And he's afraid, not because he's a coward, but because he's smart enough to understand that he could die horribly. Doesn't stop him from being a lecher and an all-round bastard though
** In ''Flashman's Lady'' he is more afraid of failing his kidnapped wife than anything else.
%% * The title character of Creator/JimCHines' ''Jig the Goblin'' trilogy.
* The narrator of the ''{{Literature/Raffles}}'' stories, Bunny, is a CowardlySidekick to Raffles: timid and averse to violence and danger. However, when push comes to shove, his UndyingLoyalty to Raffles ensures that he's by the latter's side in whatever dangerous escapade the main is in.

** There's also a bit in ''The Edge of the World'' where Geralt is threatened by a group of elves. What does the foppish bard do? [[BadassBoast Demand that if they kill his friend, they better kill him too, or else he'll use his influence to set the entire world on them until the last elf is dead and their precious mountains are levelled to the ground]].
* [[Literature/BloodyJack Jacky Faber]] is a self-proclaimed coward, and insists that her moments of [[LittleMissBadass badassery]] were just combinations of bad luck, coincidence, and what had to be done, but the fact is that those moments of badassery far outnumber any actual cowardice she may display.
* In Herman Wouk's books ''[[Literature/TheWindsOfWarAndWarAndRemembrance The Winds of War]]'' and ''[[Literature/TheWindsOfWarAndWarAndRemembrance War and Remembrance]]'', Leslie Slote views himself as a coward, but his drive not to be one inspires him to commit some brave acts, and he ends up [[spoiler: dying a hero]].
* In "Philbert the Fearful," from Jay Williams' ''The Practical Princess and Other Liberating Fairy Tales'', the title character was a knight who much preferred sitting at home by a cozy fire with a good book. Yet when ordered by his doctor to accompany three other knights on a rescue mission to get some exercise, he managed to get a giant to kill itself by accident, drove off a cockatrice by showing it its reflection and held onto an enchanter who changed himself into a number of dangerous forms. (He also got the girl.)
* Waldo Butters and Mort Lindquist both show shades of this in Literature/TheDresdenFiles.
** Butters, a nebbish little polka-loving Jewish medical examiner, goes through the first book in which he appears in utter, pants-soiling terror, but nonetheless manages to stand beside full-fledged combat wizard Harry Dresden, and winds up utterly essential to the good guys' eventual victory, as well as to The Dinosaur Incident. In addition, he's got enough strength of principle to stand by his professional opinion that the corpses of Dresden-burned Red Court vampires aren't human remains, even though it gets him sent to a mental institution for six months. When Harry is temporarily out of commission in ''Literature/GhostStory'', Butters steps up, utilizing Bob the spirit to power a number of {{Magitek}} gizmos. In ''Literature/SkinGame'', he even [[spoiler:takes up Shiro's long-vacant position as a Knight of the Cross]].
** Morty starts the books as a con man with an atrophied magical ectomancy talent. He has to be badgered, threatened, or out-and-out coerced to help the heroes, but at the same time he uses his power to help plenty of lost ghosts and shades--and to keep the ones who've gone homicidally mad from venting their madness on the living. In ''Literature/GhostStory,'' he goes one better and [[spoiler:stands up to horrible torture from the ghost of the Corpsetaker, resisting her attempts to break him in order to gain his body and the power of the bound ghosts noted above]].
* Samwell Tarly in ''Literature/ASongOfIceAndFire''. He legitimately IS a coward in the beginning, but continues to consider himself one even after CharacterizationMarchesOn and he [[TookALevelInBadass Takes A SERIOUS Level In Badass]], [[spoiler: becomes the only living character to kill an Other]], and earns the title Sam the Slayer from his comrades. At one point Jon Snow has to ORDER him to stop deriding himself as a coward.
* Doc Meadows in ''Literature/SheepsClothing'' starts out first skeptical, then terrified of the vampiric threat to Salvation. However, when his ladylove Sarah is attacked and Wolf calls him a coward for wanting to run away, Doc goes into a full-on berserker rage and empties a rifle into the master vampire.
* Hiccup (and arguably, Fishlegs) in ''Literature/HowToTrainYourDragon''. Hiccup lampshades this himself numerous times.
* Victor Krohin from ''Literature/SecretCity'' is an extreme example. He's an absolute coward, and an ExtremeDoormat to boot. Yet, he's also a Reaper, one of those humans who perform superhuman feats under stress (i.e. mother lifting a car off her child, etc). In-universe, this phenomenon is explained as a [[HumansAreSpecial rare ability]] of some [[{{Muggles}} Chels]] to subconsciously drain ("reap") magic energy from all nearby artifacts and channel it into tremendous physical strength and speed, impliedly surpassing anything in the Secret City (no mean feat, given that half of City's races are already super strong, fast or both). And Victor is unique in that he can do it more than once in a lifetime. So, whenever he's sufficiently scared ''and'' has a magic battery with him, he'll crank up to a strength level enough to toss a large man forty yards vertically upwards, or ''rip the heads of three vampires off'' without them realizing what's happened. In other words, he's so badass ''because'' he's a coward, not ''despite'' it.
* Chet Morton and Bess Marvin of Literature/TheHardyBoys and Literature/NancyDrew stories, respectively. Each of them is easily the most skittish and afraid of their respective circles of friends, but when its necessary, both have been shown to pull through and have their moments.
* In the ''Literature/TheMysteriousBenedictSociety'' books, Sticky ran away from his parents, often grows jittery or tongue-tied under pressure, and is afraid he'll never live up to his real name, George Washington. However, he always comes through for his friends, such that Reynie, the main protagonist of the series, is proud to call him one of the bravest people he knows.
* Both David and John from the series ''Literature/JohnDiesAtTheEnd'' are somewhat warped versions of this. While both of them will readily face off against monsters, neither of them can deal with the fact that they have to do that, resulting in the vicious cycle of Dave's depression gradually worsening and John's drug abuse getting more and more serious through the trilogy.
--> And there it was. She suddenly realized she'd rather have David or John, either one, armed with a baseball bat, than any of these guys and their video game hardware. David and John had a look in their eye when things went down--a sad but resigned familiarity. They weren't trained for violence and maybe weren't particularly competent at it, but they weren't going to go pee in the corner, either. Both of them had come from bad homes, both had gotten hit quite a bit as kids and maybe that's all it was. Maybe they just understood something about the world and were more ready for it when things took a turn.
* ''Literature/TheUnknownSoldier'': Pretty much the whole cast of the novel. Because the story is based on the author's own war memories, and the trope is TruthInTelevision for any [[{{Conscription}} conscription army]] fighting for their homeland. They're all just ordinary humans, they all fear death... and yet most of them find it in them to do their job when the time comes. They have to. Their camaraderie helps them to do it.
* In ''The Hour of the Donkey'' by Creator/AnthonyPrice, Harry Bastable spends much of the book berating himself for cowardice, and is convinced that his successes are entirely down to luck and the support of his more capable colleague Willis. He's bemused when Willis admits to feeling much the same way with their respective positions reversed.
* ''Literature/TheOneAndOnlyBob'': [[TheProtagonist Bob]] is scared out of his mind, and every cell in his body is telling him to save himself, but he still [[spoiler:jumps to the call to save his nephew from being washed away in a raging river]].
* ''Literature/{{Deeplight}}'': Hark initally backs away from dangerous plans, but (usually) comes through when under pressure. As [[BigBrotherMentor Jelt]] likes to tell him, "You'll do it if you have to."

* The TropeNamer is the Cowardly Lion in ''Literature/TheWonderfulWizardOfOz'', and he usually tended to lose the "Cowardly" part of his name whenever Dorothy was in danger or something was required that only a Lion could do. The [[Film/TheWizardOfOz film version]] examines this trope in some depth, with the Wizard eventually pointing out to the Lion that he was confusing cowardice with common sense. Sometimes, running away is the most sensible option if fighting only gets you pointlessly killed, as the Lion demonstrates when he flees from the Kalidahs in Baum's original book--however, when he has something to protect after joining Dorothy and the others, he not only stands up to them, but ''volunteers'' to sacrifice himself to protect the others from them, until Scarecrow comes up with a plan that makes it unnecessary. The way that he manages to find bravery without the Wizard's help (much like how the Scarecrow typically always comes up with good ideas even without a brain) seems to be a big theme of the book: the heroes had what they wanted all along, but never realized it.

* The foppish bard Dandilion in the ''[[Literature/TheWitcher Witcher]]'' series. He is obnoxious and cowardly, but in ''The Last Wish'' he mustered a [[DefiantToTheEnd brave face against execution]] and in ''Blood of Elves'' he held his tongue against torture -- torture that would have rendered his hands paralyzed and thus unable to play any musical instruments -- rather than betray his friend Geralt.

* In ''Discworld/AHatFullOfSky'', Tiffany realizes this is the case for ExtremeDoormat Petulia Gristle after the latter risks a confrontation with [[EldritchAbomination the Hiver]] to help her.

* Literature/CiaphasCain, '''[[LargeHamTitle HERO OF THE IMPERIUM!!!]]''' He quite literally [[LiteraryAgentHypothesis wrote the book]] on how to be one of these in the ''TabletopGame/{{Warhammer 40000}}'' universe. Despite taking on (and defeating) foes that would have easily brushed aside other mortal men, Cain continues to consider himself a DirtyCoward and FakeUltimateHero, writing off all of his heroic feats as the result of either accident or pragmatism. Really, all Cain wants is to live a quiet and peaceful life. However, the one compiling his notes is of the opinion that Cain just isn't giving himself enough credit, citing several times that Cain has acted genuinely heroic, and playing up his tendency to [[AFatherToHisMen look out for his troops]]. The author has stated [[ShrugOfGod even he's not sure which interpretation is right]].

%% * Neville Longbottom in ''Literature/HarryPotter''. At least until he TookALevelInBadass in [[Literature/HarryPotterAndTheDeathlyHallows book 7]].

* [[Literature/HarryPotter Ron Weasley]] has shades of this, with his fears of his mother's wrath and spiders constantly gnawing at him. It's his desire to help and protect Harry ([[CanNotSpitItOut and Hermione]]) that keep pushing him forward.

* HoratioHornblower, in spades. Every time he sends whatever ship he's on into and out of the fire, he's constantly second-guessing himself and feels like he's lying to his admiring crew because he doesn't give them any hint how honestly frightened he is of being killed or maimed. In one battle, an explosive lands on the deck at his feet. He looks down, grimaces, carefully pinches off the fuse, and disposes of the (now harmless) explosive. He then looks up to see that ''everyone else'' on the deck is emerging from cover and staring at him like he's 12 feet tall. From that day forward, his crew worships the ground he walks on, but he ''still'' thinks of himself as a coward who just did what had to be done. ''Lieutenant Hornblower'', written from Bush's perspective, does have Bush privately doubt him for seeming nervous before a battle, but he's entirely satisfied of Hornblower's physical courage after his competence and clear thinking under fire saves the ship.

* Victor Krohin from ''Literature/SecretCity'' is an extreme example. He's an absolute coward, and ExtremeDoormat to boot. Yet, he's also a Reaper, one of those humans who perform superhuman feats under stress (i.e. mother lifting a car of her child, etc). In-univerce, this phenomenon is explained as [[HumansAreSpecial rare ability]] of some [[{{Muggles}} Chels]] to subconciously drain ("reap") magic energy from all nearby artifacts and channel it into tremendous physical strength and speed, impliedly surpassing anything in the Secret City (no mean feat, given that half of City's races are already super strong, fast or both). And Victor is unique in that he can do it more than once in a lifetime. So, whenever he's sufficiently scared ''and'' has a magic battery with him, he'll crank up to strength level enough to toss a lagre man forty yards vertically upwards, or ''rip the heads of three vampires off'' without them reailzing what's happened. In other Words, he's so badass ''because'' he's a coward, not ''despite'' it.

%% * The title character of JimCHines ''Jig the Goblin trilogy.

* In Lee Lightner's TabletopGame/{{Warhammer 40000}} ''SpaceWolf'' novel ''Wolf's Honour'', Mikal feels [[TheChainsOfCommanding heavily burdened by the role]] that fell on him when Berek was gravely wounded. He [[ConverseWithTheUnconscious sees the unconscious leader and asks why him]] -- and is enraged when he realizes that the skald, Morgrim, listened to him. When Morgrim says that he will describe this as a warrior paying respects to his lord before battle, Mikal can not believe him and confesses to his doubts and his conviction that Berek could have led them better; Morgrim assures him that Berek felt the same way and that having never shirked his duty, Mikal has not failed.

* HoratioHornblower, in spades. Every time he sends whatever ship he's on into and out of the fire, he's constantly second-guessing himself and feels like he's lying to his admiring crew because he doesn't give them any hint how honestly frightened he is of being killed or maimed. In one battle, an explosive lands on the deck at his feet. He looks down, grimaces, carefully pinches off the fuse, and disposes of the (now harmless) explosive. He then looks up to see that ''everyone else'' on the deck is emerging from cover and staring at him like he's 12 feet tall. From that day forward, his crew worships the ground he walks on, but he ''still'' thinks of himself as a coward who just did what had to be done.

* [[BloodyJack Jacky Faber]] is a self-proclaimed coward, and insists that her moments of [[LittleMissBadass badassery]] were just combinations of bad luck, coincidence, and what had to be done, but the fact is that those moments of badassery far outnumber any actual cowardice she may display.