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Not to be confused with VideoGame/SimCity, which is [[VideoGameCrueltyPotential potentially]] a whole lot nicer. Or [[VideoGame/GrandTheftAutoViceCity GTA Vice City]], which is ''definitely not'' all that nicer. Or UsefulNotes/LasVegas, for that matter.

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Not to be confused with VideoGame/SimCity, ''VideoGame/SimCity'', which is [[VideoGameCrueltyPotential potentially]] a whole lot nicer. Or [[VideoGame/GrandTheftAutoViceCity ''[[VideoGame/GrandTheftAutoViceCity GTA Vice City]], City]]'', which is ''definitely not'' all that nicer. Or UsefulNotes/LasVegas, for that matter.
matter.

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----> '''Klump (to Shlubb):''' "I can only express puzzlement that borders on alarm."

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----> ---> '''Klump (to Shlubb):''' "I can only express puzzlement that borders on alarm."



* BornInTheWrongCentury: Dwight suggests that Marv would have had a better life in ancient times, as a warrior on the field of battle or a gladiator in the Roman arena.

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* BornInTheWrongCentury: BornInTheWrongCentury:
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Dwight suggests that Marv would have had a better life in ancient times, as a warrior on the field of battle or a gladiator in the Roman arena.



* FamilyUnfriendlyDeath: That Yellow Bastard. Hartigan ''tears his balls off with his bare hands'' before beating him to death.

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* FamilyUnfriendlyDeath: FamilyUnfriendlyDeath:
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That Yellow Bastard. Hartigan ''tears his balls off with his bare hands'' before beating him to death.



-->'''Wallace''': Here comes one of his hugs. Here's hoping my ribs are good and flexible. My ribs hold up fine. Not so much as a crack.

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-->'''Wallace''': --->'''Wallace''': Here comes one of his hugs. Here's hoping my ribs are good and flexible. My ribs hold up fine. Not so much as a crack.



-->'''Marv''': Is that the best you can do, you pansies?

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-->'''Marv''': --->'''Marv''': Is that the best you can do, you pansies?



* RobbingTheDead: Dwight sifts through Jackie-Boy's wallet after the latter was killed by Miho. He finds a wad of cash (which he puts in his own pocket)... And Jack's police badge.

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* RobbingTheDead: RobbingTheDead:
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Dwight sifts through Jackie-Boy's wallet after the latter was killed by Miho. He finds a wad of cash (which he puts in his own pocket)... And Jack's police badge.
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* FragileSpeedster: As Marv proves, Kevin isn't so tough when he can't hop around.

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* FragileSpeedster: As Marv proves, Kevin isn't so tough when he can't hop around.around, and goes down after a single punch.



** In ''The Hard Goodbye'', [[spoiler:Kevin]] kills Goldie and leaves Marv to deal with the police. Marv realises the too quick police response means he was set up.

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** In ''The Hard Goodbye'', [[spoiler:Kevin]] kills Goldie and leaves Marv to deal with the police. Marv realises the too quick too-quick police response means he was set up.
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* DaddysGirl: In the appropriately titled, ''Daddy's Little Girl''. A young woman whose life is entirely controlled by her rich father asks her lover to shoot him so the two of them can be together at last. He eventually goes through with the deed, but it turns out the gun loaded with blanks and the father beats him to death. The two of them were in a sexual relationship (though it's unclear if they're an actual incestuous father and daughter or just a couple with a fetish) and used violence to turn the father on as foreplay.

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* DaddysGirl: In the appropriately titled, ''Daddy's Little Girl''. A young woman whose life is entirely controlled by her rich father asks her lover to shoot him so the two of them can be together at last. He eventually goes through with the deed, but it turns out the gun is loaded with blanks and the father beats him to death. The two of them were in a sexual relationship (though it's unclear if they're an actual incestuous father and daughter or just a couple with a fetish) and used violence to turn the father on as foreplay.
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* BlackBlood: The blood in the film is white. Or, in one particular case, ''yellow''. This is an artifact of the comics it's based on, which are entirely black and white (no gray!) except for the yellow Junior (and his blood). It's worth noting however that it changes from shot to shot and story to story. In "That Yellow Bastard" the blood is always white, save for the Bastard's, but in "The Hard Goodbye" pretty much all the blood is bright red (in the commentary the directors noted that the black blood just made Hartigan's face look muddy instead of beaten to a pulp, so they had to make it red). "The Big Fat Kill" throws consistency out the window in favor of interesting visuals. Jackie Boy is shown with his sliced blown off and spewing white blood, but when his throat is slashed, red blood splashes on Miho's face.

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* BlackBlood: The blood in the film is white. Or, in one particular case, ''yellow''. This is an artifact of the comics it's based on, which are entirely black and white (no gray!) except for the yellow Junior (and his blood). It's worth noting however that it changes from shot to shot and story to story. In "That Yellow Bastard" the blood is always white, save for the Bastard's, but in "The Hard Goodbye" pretty much all the blood is bright red (in the commentary the directors noted that the black blood just made Hartigan's face look muddy instead of beaten to a pulp, so they had to make it red). "The Big Fat Kill" throws consistency out the window in favor of interesting visuals. Jackie Boy is shown with his hand sliced blown off and spewing white blood, but when his throat is slashed, red blood splashes on Miho's face.

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Trope was cut/disambiguated due to cleanup


* BludgeonedToDeath: Attempted by Kevin when he lays Marv out with a sledgehammer.



* ColorblindCasting: Nancy, Jacki-Boy and Gail are played in the film by Creator/JessicaAlba (Latino), Creator/BenicioDelToro (Puerto-Rican) and Creator/RosarioDawson (Afro-Latino) respectively.

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* ColorblindCasting: Nancy, Jacki-Boy and Gail are played in the film by Creator/JessicaAlba (Latino), Creator/BenicioDelToro (Puerto-Rican) (Puerto Rican) and Creator/RosarioDawson (Afro-Latino) respectively.



* DropTheHammer: Kevin lays Marv out with a sledgehammer.
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''Sin City'' is an irregular comic book series about the venal Basin City (known as "Sin City" to the people who live there) and the seedy inhabitants who lurk in its alleys and doorways. It is probably writer/artist Creator/FrankMiller's best known work (other than ''ComicBook/BatmanTheDarkKnightReturns'').

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''Sin City'' is an irregular comic book series about the venal Basin City (known as "Sin City" to the people who live there) and the seedy inhabitants who lurk in its alleys and doorways. It is probably writer/artist Creator/FrankMiller's best known work (other than ''ComicBook/BatmanTheDarkKnightReturns'').
not to [[ComicBook/BatmanYearOne star]] [[ComicBook/BatmanTheDarkKnightReturns Batman]].
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Several of the ''Sin City'' comics were turned into an anthology film by director Creator/RobertRodriguez, simply called '''''Sin City''''', which was released in 2005.

Rodriguez quit the Director's Guild to let Frank Miller take co-director status. Even his friend Creator/QuentinTarantino was given a co-director credit, since he came over on a day of shooting to film a scene. Rodriguez shot the film panel-for-panel from the comics, using black and white footage and GreenScreen backgrounds to get the perfect ''Sin City'' feel.

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Several of the ''Sin City'' comics were turned into an anthology film by director Creator/RobertRodriguez, simply called '''''Sin City''''', ''Sin City'', which was released in 2005.

Rodriguez quit the Director's Guild to let Frank Miller take co-director status. Even his [[note]]The Director's Guild refused to give joint credit to two directors not previously established as a team, especially since Miller had never directed before. Rodriguez originally planned to give full credit to Miller, but Miller turned this down.[[/note]] Creator/QuentinTarantino, a friend Creator/QuentinTarantino of Rodriguez, was also given a co-director credit, credit since he came over on a day of shooting to film a scene. Rodriguez shot the film panel-for-panel from the comics, using black and white footage and GreenScreen backgrounds to get the perfect ''Sin City'' feel.
feel. The end result was a film Rodriguez considered "less of an adaptation than a translation"; as such, there is no official writer credit on the film.



A sequel, '''''Sin City: A Dame To Kill For''''', was released in August 2014, after a loooong stretch in DevelopmentHell. Sadly, the deaths of two important actors - Creator/BrittanyMurphy (Shelly) and Creator/MichaelClarkeDuncan (Manute) - and Devon Aoki (Miho) taking time off from acting caused [[TheOtherDarrin some difficulties]]. Duncan and Aoki were replaced by Creator/DennisHaysbert and Creator/JamieChung respectively, with Jeremy Piven taking over from Creator/MichaelMadsen as Bob.

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A sequel, '''''Sin ''Sin City: A Dame To Kill For''''', For'', was released in August 2014, after a loooong ''long'' stretch in DevelopmentHell. Miller and Rodriguez returned as co-directors, and the film contains an official screenplay by Miller. Sadly, the deaths of two important actors - -- Creator/BrittanyMurphy (Shelly) and Creator/MichaelClarkeDuncan (Manute) - and -- alongside Devon Aoki (Miho) taking time off from acting caused [[TheOtherDarrin some difficulties]]. Duncan and Aoki were replaced by Creator/DennisHaysbert and Creator/JamieChung Creator/JamieChung, respectively, with Jeremy Piven taking over from Creator/MichaelMadsen as Bob.
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Infamous for its absurdly macho writing, ''Sin City'' reads like an AffectionateParody of FilmNoir turned up a notch: every hero is a mentally and/or physically scarred bruiser of a man and every woman is a beautiful dame with a iheaving bosom. BlackAndGrayMorality is predominant.

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Infamous for its absurdly macho writing, ''Sin City'' reads like an AffectionateParody of FilmNoir turned up a notch: every hero is a mentally and/or physically scarred bruiser of a man and every woman is a beautiful dame with a iheaving heaving bosom. BlackAndGrayMorality is predominant.
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Infamous for its absurdly macho writing, ''Sin City'' reads like an AffectionateParody of FilmNoir turned up a notch: every hero is a mentally and/or physically scarred bruiser and every woman is a beautiful dame with a heaving bosom. BlackAndGrayMorality is predominant.

to:

Infamous for its absurdly macho writing, ''Sin City'' reads like an AffectionateParody of FilmNoir turned up a notch: every hero is a mentally and/or physically scarred bruiser of a man and every woman is a beautiful dame with a heaving iheaving bosom. BlackAndGrayMorality is predominant.



* IgnoreTheFanservice: When Ava Lord of ''A Dame to Kill For'' allies with Wallenquist, he tells her, "I'll warn you once and only once, Mrs. Lord — do not flirt with me. I have no use for your charms." Interestingly, despite being the most powerful crime lord in the city and having a number of drop-dead gorgeous women who work for him such as the assassin [[EvilRedhead Mariah]], Herr Wallenquist is never shown being involved with any woman (or man, for that matter), implying that he's completely uninterested in sex in general.

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* IgnoreTheFanservice: When Ava Lord of ''A Dame to Kill For'' allies with Wallenquist, he tells her, "I'll warn you once and only once, Mrs. Lord do not flirt with me. I have no use for your charms." Interestingly, despite being the most powerful crime lord in the city and having a number of drop-dead gorgeous women who work for him such as the assassin [[EvilRedhead Mariah]], Herr Wallenquist is never shown being involved with any woman (or man, for that matter), implying that he's completely uninterested in sex in general.

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A sequel, '''''Sin City: A Dame To Kill For''''', was released in August 2014, and at least one more ''Sin City'' film is planned. Originally, the first sequel was planned to include the titular story, along with a brand-new sequel to ''That Yellow Bastard'' and the three ''Blue Eyes'' short stories. The final film drops the ''Blue Eyes'' stories for a second original story and another ''Booze, Broads and Bullets'' yarn, "Just Another Saturday Night".

The other sequel will be centered around ''Hell and Back''. Both films were originally scheduled for a 2008 release, but were in DevelopmentHell for seven years until [[http://www.flickeringmyth.com/2012/04/sin-city-2-is-go-at-last.html 2012, when they were]] SavedFromDevelopmentHell. Sadly, the recent deaths of two important actors - Creator/BrittanyMurphy (Shelly) and Creator/MichaelClarkeDuncan (Manute) - and Devon Aoki (Miho) taking time off from acting caused [[TheOtherDarrin some difficulties]]. (Duncan and Aoki have been replaced by Creator/DennisHaysbert and Creator/JamieChung respectively, with Jeremy Piven taking over from Creator/MichaelMadsen as Bob).

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A sequel, '''''Sin City: A Dame To Kill For''''', was released in August 2014, and at least one more ''Sin City'' film is planned. Originally, the first sequel was planned to include the titular story, along with after a brand-new sequel to ''That Yellow Bastard'' and the three ''Blue Eyes'' short stories. The final film drops the ''Blue Eyes'' stories for a second original story and another ''Booze, Broads and Bullets'' yarn, "Just Another Saturday Night".

The other sequel will be centered around ''Hell and Back''. Both films were originally scheduled for a 2008 release, but were
loooong stretch in DevelopmentHell for seven years until [[http://www.flickeringmyth.com/2012/04/sin-city-2-is-go-at-last.html 2012, when they were]] SavedFromDevelopmentHell. DevelopmentHell. Sadly, the recent deaths of two important actors - Creator/BrittanyMurphy (Shelly) and Creator/MichaelClarkeDuncan (Manute) - and Devon Aoki (Miho) taking time off from acting caused [[TheOtherDarrin some difficulties]]. (Duncan Duncan and Aoki have been were replaced by Creator/DennisHaysbert and Creator/JamieChung respectively, with Jeremy Piven taking over from Creator/MichaelMadsen as Bob).
Bob.
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*** Kevin/Elijah looks an awful lot like [[Film/HarryPotter Harry Potter]].

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*** Kevin/Elijah looks an awful lot like [[Film/HarryPotter Harry Potter]].** In issue #8 of ''Hell and Back'', Jeremy Duncan from ComicStrip/{{Zits}} can be seen in the background as one of the students at the school Liebowitz's son goes to.
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Crosswicking Dismembering The Body.

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* DismemberingTheBody: After Miho kills "hero cop" Jack Rafferty and his friends, Dwight realizes that they have to use a car to get rid of the bodies. Because the friends' bodies won't fit in the trunk as they are, Miho chops them into pieces
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Updating Link


** In ''ComicBook/DaredevilBornAgain'', one of the Kingpin's lieutenants speaks with an excessive amount of Sesquipedalian Loquaciousness, which is played for laughs. Miller would later use the same type of gag when writing Shlubb and Klump (AKA Fat Man and Little Boy).

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** In ''ComicBook/DaredevilBornAgain'', ''ComicBook/BornAgain'', one of the Kingpin's lieutenants speaks with an excessive amount of Sesquipedalian Loquaciousness, which is played for laughs. Miller would later use the same type of gag when writing Shlubb and Klump (AKA Fat Man and Little Boy).
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* TheSociopath: ''Several'' characters probably qualify.
** Senator Roarke. He's a remorseless murderer and sadist with a completely warped view of morality, with his only value being continuing his legacy. Beyond that, he cares nothing for his family. He even murders his illegitimate son in cold blood.
** Junior. He's a pedophilic SerialKiller who only gets away with his crimes because of his powerful father. He is completely devoid of humanity, with his only goal in life being his child killing.
** Oddly downplayed with Kevin, as he seems like an obvious example. While he doesn't speak or show any emotion, his actions show that he enjoys terrorizing his victims, and he appears completely devoid of empathy. However, Marv's conversation with Cardinal Roarke reveals that Kevin was actually tormented by and remorseful of his habits, until the old man encouraged them.
** Ava Lorde. She's a highly manipulative woman who uses her sexuality to get her way. She shows no remorse for her crimes, and is completely devoid of empathy. She knows what people are feeling, she just doesn't care.
** Jack Rafferty is a low-functioning example. Granted, he was very drunk in his segment, but he shows himself to be a domineering, misogynistic man who [[StupidEvil manages to get him and his friends killed through sheer stupidity.]] Even after it's clear he's at the mercy of the Old Town girls, he's in complete disbelief that this could be happening to ''him'', showing a degree of narcissism as well.
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Index wick removal


* AcceptableTargets: In-universe. Marv notes that he loves hitmen, because he can torture and kill them all he wants without ever feeling bad about it.
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* ShadyLadyOfTheNight: In "The Big Fat Kill", the girls of Basin City's RedLightDistrict are also one of the city's many gangs. A full-on war ensues between them and another gang after they mistakenly kill a police officer (the abusive ex of one of the girls), giving the other gang {{blackmail}} material.
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Deleted word that violated How To Write An Example - Don't Refer to Other Items on the Page and Word Cruft - Positional comparatives.


** Marv also shoves a hatchet into a cop's crotch and at one point, crushes Weeval's balls in order to get him to comply.

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** Marv also shoves a hatchet into a cop's crotch and at one point, crushes Weeval's balls in order to get him to comply.
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* ChewingTheScenery: There's quite a bit of it in the movie, but it works with the tone quite nicely.

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* ChewingTheScenery: There's quite a bit of it in the movie, but it works with the tone quite nicely. [[EvilIsHammy Junior]] though seems to do it the most to the point where you can practically see his teeth marks in the set, both before ''and'' after his KarmicTransformation into ''That Yellow Bastard''.
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* InstantKnots: Miho does this w* hen she uses her sash to wrap around the bumper of a moving car and hold on.

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* InstantKnots: Miho does this w* hen when she uses her sash to wrap around the bumper of a moving car and hold on.

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