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* ArchangelGabriel: [[spoiler: Heavily implied to be Gabriel himself, and therefore the one who originally murdered Count Dracula, explaining the latter's familiarity.]]
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* AdaptationalOriginConnection: It's implied that [[spoiler:he killed Dracula for unknown reasons, which makes him indirectly to blame for his transformation into a vampire]].
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* AgeLift: ZigZagged. Physically he's much younger than his book counterpart, but he's [[spoiler:ReallySevenHundredYearsOld as he mentions fighting in Masada in 72 AD which would make him more than 1800 years old. Being an AngelUnaware, it's highly likely that he's far older than recorded history. Regardless, this makes him far older than Dracula, who actually states that he was born in 1422 which would only make him 466 by comparison.]]
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* SparedByTheAdaptation: He gets live this time around, and sails off to explore the world at the end of the film.
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* SparedByTheAdaptation: He gets to live this time around, and sails off to explore the world at the end of the film.
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* OfCorsetsSexy: She's a glamorous ActionGirl, and is introduced with a slow motion tilt upwards to show off the beauty of the corset
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* OfCorsetsSexy: She's a glamorous ActionGirl, and is introduced with a slow motion tilt upwards to show off the beauty of the corsetcorset.
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Changed line(s) 401 (click to see context) from:
* AdaptationalNationality: He's English in the original book, but Scottish here. Might double as a reference to the fact that Creator/RobertLouisStevenson who wrote the original book was Scottish.
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* AdaptationalNationality: He's English in the original book, but Scottish here. Might double as a reference to the fact that Creator/RobertLouisStevenson who wrote the original book was Scottish.Scottish and the fact that "Jekyll" is a Scottish surname.
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Changed line(s) 116,117 (click to see context) from:
-->'''Portrayed by''': Shuler Hensley.
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-->'''Portrayed by''': Shuler Hensley.
Hensley
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* DiedHappilyEverAfter: [[spoiler:She's proven right about being TogetherInDeath with her family. When Van Helsing sees her spectral soul in the clouds, she has nothing but joy at finally being with her lost family. S]]
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* DiedHappilyEverAfter: [[spoiler:She's proven right about being TogetherInDeath with her family. When Van Helsing sees her spectral soul in the clouds, she has nothing but joy at finally being with her lost family. S]]]]
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* AdaptationalNiceGuy: He’s noticeably kinder towards his creation here than his novel counterpart. More specifically, the literary Victor abandoned the monster almost immediately after he noticed one tiny little flaw in his "perfect" creation, while here the monster is undeniably grotesque--even moreso than when he was played by Creator/BorisKarloff in the 1931 film--but Victor loves his "son" all the same is planning to take him away someplace he'll be safe when he learns that the villagers have gone full TorchesAndPitchforks.
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* AdaptationalNiceGuy: He’s He's noticeably kinder towards his creation here than his novel counterpart. More specifically, the literary Victor abandoned the monster almost immediately after he noticed one tiny little flaw in his "perfect" creation, while here the monster is undeniably grotesque--even moreso than when he was played by Creator/BorisKarloff in the 1931 film--but Victor loves his "son" all the same is planning to take him away someplace he'll be safe when he learns that the villagers have gone full TorchesAndPitchforks.
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* SmallRoleBigImpact: He’s killed off not long after being introduced, but much of the plot hinges on Dracula trying to recreate his experiment.
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* SmallRoleBigImpact: He’s He's killed off not long after being introduced, but much of the plot hinges on Dracula trying to recreate his experiment.
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Changed line(s) 251 (click to see context) from:
* AdaptationalNiceGuy: He’s noticeably kinder towards his creation here than his novel counterpart. More specifically, the literary Victor abandoned the monster almost immediately after he noticed one tiny little flaw in his "perfect" creation, while here the monster is undeniably grotesque but Victor loves his "son" all the same is planning to take him away someplace he'll be safe when he learns that the villagers have gone full TorchesAndPitchforks.
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* AdaptationalNiceGuy: He’s noticeably kinder towards his creation here than his novel counterpart. More specifically, the literary Victor abandoned the monster almost immediately after he noticed one tiny little flaw in his "perfect" creation, while here the monster is undeniably grotesque but grotesque--even moreso than when he was played by Creator/BorisKarloff in the 1931 film--but Victor loves his "son" all the same is planning to take him away someplace he'll be safe when he learns that the villagers have gone full TorchesAndPitchforks.
