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* NeverMessWithGranny: Distraught after her sister was spirited away by the Other Mother, she divided up the Pink Palace into apartments [[LittleOldLadyInvestigates and bricked up the little door]] to disrupt the Other Mother as much as possible.

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* NeverMessWithGranny: Distraught after her sister was spirited away by the Other Mother, she divided up the Pink Palace into apartments [[LittleOldLadyInvestigates and bricked up the little door]] to disrupt the Other Mother as much as possible.possible, and began refusing to rent to people with kids to starve her out.
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The mysterious passage between worlds which Coraline uses to travel between the real world and the Other World.

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The mysterious passage between worlds which Coraline uses to travel between the real world and the Other World. In the book, it's shown to be alive in some form; the movie doesn't lean into this as much, but it's still somewhat implied.



* AdaptationalAbomination: {{Inverted|Trope}} in the film, where the passage isn't its own entity, but rather an extension of the Other World.

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* AdaptationalAbomination: {{Inverted|Trope}} in the film, where the passage isn't its own entity, but rather an extension of the Other World. It's still implied to be alive, though.



* EldritchAbomination: In the book, at least. The passage is a mysterious, "deep and slow" entity of some sort which is [[TimeAbyss even older than the Beldam]]. Not only can it [[AlienGeometries alter its length]] and even ''texture'' seemingly at will, but it [[GeniusLoci knows when Coraline is travelling inside it]]. The last time she goes through it, it has downy ''fur''.

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* EldritchAbomination: In the book, at least. The passage is a mysterious, "deep and slow" entity of some sort which is [[TimeAbyss even older than the Beldam]]. Not only can it [[AlienGeometries alter its length]] and even ''texture'' seemingly at will, but it [[GeniusLoci knows when Coraline is travelling inside it]]. The last time she goes through it, it has downy ''fur''. There are subtle implications of it being alive in the movie, but it's not given as much focus.
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* BigDamnHeroes: [[spoiler:In the climax, shows up amidst the roaring of his motorcycle's engine to rescue Coraline when the Other Mother's severed right hand is kidnapping her and nearly choking her]].

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* BigDamnHeroes: [[spoiler:In the climax, he shows up amidst the roaring of his motorcycle's engine to rescue Coraline when the Other Mother's severed right hand is kidnapping her and nearly choking her]].
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* LaserGuidedKarma: A positive example. Coraline [[spoiler:retrieves the eyes of the ghost children, thus freeing their souls from the Beldam's grasp, which in turn enables them to assist Coraline in her own escape by helping her close the door to the Other World when the Beldam tries to reach through.]]

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Badass Adorable involves fighting prowess and we're not supposed to reference other entries like that. I also tried to use a fitting replacement plus giving another example more context.


* YouthfulFreckles: She has a couple of freckles on both of her cheeks.

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* YouthfulFreckles: She She's eleven-years-old and has a couple of freckles on both of her cheeks.



* BadassAdorable: In the climax, [[spoiler: he saves Coraline from being kidnapped by the Other Mother's hand.]]



* BigDamnHeroes: See BadassAdorable and how he [[spoiler:shows up amidst the roaring of his motorcycle's engine to rescue Coraline when the Other Mother's severed right hand is kidnapping her and nearly choking her]].

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* BigDamnHeroes: See BadassAdorable and how he [[spoiler:shows [[spoiler:In the climax, shows up amidst the roaring of his motorcycle's engine to rescue Coraline when the Other Mother's severed right hand is kidnapping her and nearly choking her]].



* BadassAdorable: During Coraline's third trip to the Other World, the Other Wybie rescues her from the mirror room she was thrown into and helps her get through the passage to the real world. On Coraline's fourth trip, [[spoiler:he is already dead]].

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* BadassAdorable: BigDamnHero: During Coraline's third trip to the Other World, the Other Wybie rescues her from the mirror room she was thrown into and helps her get through the passage to the real world. On Coraline's fourth trip, [[spoiler:he is already dead]].

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* AdaptationalUgliness: In the book, the Other Mother's final form is simply thin, tall, and pale. The movie transforms her into a gaunt and twisted skeleton-spider hybrid with a cracked porcelain face and hands made of sewing needles.

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* AdaptationalUgliness: In the book, the Other Mother's final form is simply thin, tall, and pale. The That form does show up in the movie transforms when she starts revealing her into true nature, but her '''true''' form is a gaunt and twisted skeleton-spider hybrid with a cracked porcelain face and hands made of sewing needles.



** Her begging for Coraline not to leave, claiming that she will die without her, is a common tactic used by abusers to guilt trip their victims into staying with them. Although in the case of the Other Mother, the plea might be genuine since children [[IAmAHumanitarian seem to be her source of sustenance]].



* WalkingSpoiler: Yeah, it's really impossible to discuss her without giving away the fact that she is extremely evil, something that is not immediately obvious when she is first encountered.



* WickedWitch: "Beldam" is an archaic word for "witch," and she certainly has the witch-like powers to back it up. She's also incredibly evil. Coraline even calls her "evil witch" at one point. Finally, her ''modus operandi'' is almost identical to that of the archetypal witch from ''Literature/HanselAndGretel'': lure children starved for something (affection, in lieu of food) into a location that calls to their desires (a more welcoming replica of their home, in lieu of the traditional GingerbreadHouse) and shower them with false love, whilst in reality preparing them to be devoured. According to some legends, Beldam was a supernatural creatur created by God himself to guard the forests.

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* WickedWitch: "Beldam" is an archaic word for "witch," "witch" (or, according to some legends, refers to a supernatural creature created by God to guard the forests) and she certainly has the witch-like powers to back it up. She's also incredibly evil. Coraline even calls her "evil witch" at one point. Finally, her ''modus operandi'' is almost identical to that of the archetypal witch from ''Literature/HanselAndGretel'': lure children starved for something (affection, in lieu of food) into a location that calls to their desires (a more welcoming replica of their home, in lieu of the traditional GingerbreadHouse) and shower them with false love, whilst in reality preparing them to be devoured. According to some legends, Beldam was a supernatural creatur created by God himself to guard the forests.
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* BadassAdorable: During Coraline's second trip to the Other World, the Other Wybie rescues her from the mirror room she was thrown into and helps her get through the passage to the real world. On Coraline's third trip, [[spoiler:he is already dead]].

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* BadassAdorable: During Coraline's second third trip to the Other World, the Other Wybie rescues her from the mirror room she was thrown into and helps her get through the passage to the real world. On Coraline's third fourth trip, [[spoiler:he is already dead]].

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Trope cleanup. She's known to be extremely ruthless and deceitful and under contradictory tropes. Not truly affable at all.


* AffablyEvil: Surprisingly, in the novel, the Other Mother can be considered this. The whole point of creating her copy of the Pink Palace and its residents is so she can draw children into her world and care for them like any mother would, as it's stated in the novel that she loves her collection of children to death (quite literally, as she sees them as nothing more than possessions and collectables which she forgets about when they pass away, not considering their feelings or the situation when they become husks of their former selves).



* SatanicArchetype: A charming, seductive, powerful, and completely evil being who rules over her own world, enjoys making deals with mortals, uses temptations to lead souls astray to eternal entrapment within her realm, and is [[CreativeSterility creatively sterile]]; able only to copy and mock what already exists rather than creating something truly original. Yep, she fits.

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* SatanicArchetype: A charming, seductive, powerful, and completely evil being who rules over her own world, enjoys making deals with mortals, uses temptations to lead souls astray to eternal entrapment within her realm, and is [[CreativeSterility creatively sterile]]; able only to copy and mock what already exists rather than creating something truly original. Yep, she fits.
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* DomesticAbuse: Somewhat. While he's the Beldam's husband in name only (given that she created him), the fact that he's a stand-in for Coraline's father and his "wife" tends to take out her frustration on him makes his situation this trope.

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* DomesticAbuse: Somewhat. While he's the Beldam's husband in name only (given that she created him), the fact that he's a stand-in for Coraline's father and that his "wife" tends to take out her frustration on him makes his situation this trope.
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* DiryCoward: He runs away from Coraline after calling her crazy.

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* DiryCoward: DirtyCoward: He runs away from Coraline after calling her crazy.

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* CreativeSterility: She can't actually create anything, but can only ''copy'', ''twist'', and ''change'' what already exists (in other words, what she already has on hand), [[spoiler:hence why there's nothing beyond the garden in her world]]. It becomes a plot point in the novel when Coraline notices [[spoiler:a snow globe on the mantle, which isn't there in the real world. It's where her parents are being held]]. In the film, this is used to a disturbing Cinderella-like effect where all of her creations devolve into that from that which they were made, including rats and pumpkins.

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* CreativeSterility: She can't actually create anything, but can only ''copy'', ''twist'', and ''change'' what already exists (in other words, what she already has on hand), [[spoiler:hence why there's nothing beyond the garden in her world]]. It becomes a plot point in the novel when Coraline notices [[spoiler:a snow globe on the mantle, which isn't there in the real world. It's where her parents are being held]]. In the film, this is used to a disturbing Cinderella-like effect where all of her creations devolve into that from that which they were made, including rats and pumpkins. --> '''Sweet Ghost Girl (to Coraline):''' Be clever, miss. Even if you win, she'll never let you go.



* CreativeSterility: She can't actually create anything, but can only ''copy'', ''twist'', and ''change'' what already exists (in other words, what she already has on hand), [[spoiler:hence why there's nothing beyond the garden in her world]]. It becomes a plot point in the novel when Coraline notices [[spoiler:a snow globe on the mantle, which isn't there in the real world. It's where her parents are being held]]. In the film, this is used to a disturbing Cinderella-like effect where all of her creations devolve into that from that which they were made, including rats and pumpkins.



* NiceJobFixingItVillain: She makes the Other Father and the Other Wybie ''[[GoneHorriblyRight too well]]''. They love Coraline, just as they're meant to, and don't want to see any harm come to her, regardless if she instructs them to. They actively resist their creator even at the cost of their own lives.

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* NiceJobFixingItVillain: She makes the Other Father and the Other Wybie ''[[GoneHorriblyRight too well]]''. They love Coraline, just as they're meant to, and don't want to see any harm come to her, regardless if she instructs them to. They actively resist their creator even at the cost of their own lives. The Other Mother's love of games also leads her to indulge Coraline's claim that her parents are hidden behind the door to the Passage Between Worlds by unlocking said door; this not only allows Coraline to escape with her parents and the ghost eyes, but she also grabs the key and locks both doors leading to the passage, causing the Other Mother to eventually starve to death in the Other World after her severed hand fails to retrieve the key from Coraline in the real world.



* WouldHurtAChild: She ''eats'' children alive, ''after'' she's sewed buttons over their eye sockets. In the real world, her severed hand also attempts to make Wybie fall down the well when he comes to Coraline's rescue.

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* WouldHurtAChild: She ''eats'' children alive, ''after'' she's sewed buttons over their eye sockets. In the real world, her severed hand also attempts to make Wybie fall down the well when he comes to Coraline's rescue.rescue, and would've attacked Coraline herself if Wybie didn't smash it to bits with a rock.

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* ChildEater: In the film, the Other Mother lures children to the Other World so she can sustain herself by eating their flesh before trapping their souls.



* FinalBoss: The Other Mother is the final foe Coraline must face before she and her parents are able to leave the Other World. Her severed hand serves as a PostFinalBoss for Coraline and Wybie in the real world.



* HungryMenace: She's made into one in the film adaptation, with the intent of feeding on her victims' souls.

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* HungryMenace: She's made into one in the film adaptation, with the intent of feeding on her victims' souls.flesh.



* LaserGuidedKarma: The Cat claws her button eyes out -- fitting, considering that she sowed buttons into the eyes of children before devouring their lives and trapping their souls.

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* LaserGuidedKarma: The Cat claws her button eyes out -- fitting, considering that she sowed sewed buttons into the eyes of children before devouring their lives and trapping their souls.



* PoweredByAForsakenChild: Implied. When Coraline retrieves the ghost children's eyes, the creations in the Other World surrounding them begin to rapidly deteriorate, as if the eyes themselves were some sort of magic source holding them together.



* WouldHurtAChild: She ''eats the souls'' of children, ''after'' she's sewed buttons over their eye sockets.

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* WouldHurtAChild: She ''eats the souls'' of children, ''eats'' children alive, ''after'' she's sewed buttons over their eye sockets.sockets. In the real world, her severed hand also attempts to make Wybie fall down the well when he comes to Coraline's rescue.
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[[caption-width-right:350:[[labelnote:Click here to see her second form.]]https://static.tvtropes.org/pmwiki/pub/images/other_mother_second_form.png]][[/labelnote]]
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* WickedWitch: "Beldam" is an archaic word for "witch," and she certainly has the witch-like powers to back it up. She's also incredibly evil. Coraline even calls her "evil witch" at one point. Finally, her ''modus operandi'' is almost identical to that of the archetypal witch from ''Literature/HanselAndGretel'': lure children starved for something (affection, in lieu of food) into a location that calls to their desires (a more welcoming replica of their home, in lieu of the traditional GingerbreadHouse) and shower them with false love, whilst in reality preparing them to be devoured.

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* WickedWitch: "Beldam" is an archaic word for "witch," and she certainly has the witch-like powers to back it up. She's also incredibly evil. Coraline even calls her "evil witch" at one point. Finally, her ''modus operandi'' is almost identical to that of the archetypal witch from ''Literature/HanselAndGretel'': lure children starved for something (affection, in lieu of food) into a location that calls to their desires (a more welcoming replica of their home, in lieu of the traditional GingerbreadHouse) and shower them with false love, whilst in reality preparing them to be devoured. According to some legends, Beldam was a supernatural creatur created by God himself to guard the forests.
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* DiryCoward: He runs away from Coraline after calling her crazy.


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* MyGodWhatHaveIDone: After calling her crazy and running away, later, he helped Coraline stop the Other Mother. He apologized for being an idiot and not listening to her.
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* SerialKiller: The Beldam's modus operandi involves manipulating the appearance of the Other World in order to lure children in and convince them to stay forever by sewing buttons into their eyes. Once she succeeds, she proceeds to devour said children, reducing them to ghosts trapped in her domain. She ate at least three children before Coraline and would've done the same thing to her had the Other Mother's previous victims not aided Coraline in her escape.

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* AdaptationalNiceGuy: In the book, the cat is ''extremely'' egotistical and aloof, only helping Coraline if he happens to be in the area anyway and if helping her doesn't hinder him any. In the film, he's her MysteriousProtector and ServileSnarker, often going out of his way to watch over her, warn her against, and save her from the Other Mother even when she's very rude to him. He even sends for Wybie at the end so Coraline can be saved from [[spoiler: the Other Mother's hand.]]

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* AdaptationalNiceGuy: In the book, the cat is ''extremely'' egotistical and aloof, only helping Coraline if he happens to be in the area anyway and if helping her doesn't hinder him any. In the film, he's her MysteriousProtector and ServileSnarker, often going out of his way to watch over her, warn her against, and save her from the Other Mother even when she's very rude to him. He even sends for Wybie at the end so Coraline can be saved from [[spoiler: the [[spoiler:the Other Mother's hand.]]



* AdaptationalNiceGuy: Mel is definitely a crabby person, but she's still considerably more sympathetic compared to the novels.

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* AdaptationalNiceGuy: AdaptationalNiceGirl: Mel is definitely a crabby person, but she's still considerably more sympathetic compared to the novels.novel version.



* AdaptationalVillainy: In the novel, the Other Mother collects children and lures them into her twisted copy of the Pink Palace so she can care for them just like any parent would, only sewing buttons in their eyes to ensure they stay with her forever, though seeing them as nothing more than collectables or a "tolerated pet". In the film, the Other Mother is implied to lure children, sew buttons in children's eyes, and eat them afterwards, all for her own survival.

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* AdaptationalVillainy: In the novel, the Other Mother collects children and lures them into her twisted copy of the Pink Palace so she can care for them just like any parent would, only sewing buttons in their eyes to ensure they stay with her forever, though seeing them as nothing more than collectables or a "tolerated pet". In the film, the Other Mother is implied to lure be a child-eating predator who lures the children, sew sews buttons in children's their eyes, and eat eats them afterwards, all for her own survival.



* EyeScream: During the final confrontation, she ends up getting her button eyes clawed off by the cat, permanently blinding her.

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* EyeScream: During the final confrontation, she ends up getting her button eyes clawed off by the cat, permanently blinding her.



* {{Hypocrite}}:
** She claims she loves children and wants them to be happy, but it's clear that she just loves them as possessions.
** She calls Coraline "selfish" even though she isn't that much better.

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* {{Hypocrite}}:
**
{{Hypocrite}}: She claims she loves children and wants them to be happy, but it's clear that she just loves them as possessions.
** She calls Coraline "selfish" even though she isn't that much better.
possessions. To say nothing of her MoralMyopia in the movie when her prey fights back.



* KarmicDeath: She ''seems'' like a KarmaHoudini first, since [[spoiler: we never see her again after Coraline escapes the Other World]]. But considering that she [[spoiler: literally feeds off the souls of children]], it's safe to say that she [[spoiler: starves to death, all alone]].

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* KarmicDeath: She ''seems'' like a KarmaHoudini first, since [[spoiler: we never see {{Implied}} to be her again ultimate fate after Coraline escapes her clutches and disposes of the key so that she'll be permanently trapped in the Other World]]. But World. The movie drops multiple hints that the Beldam is already close to dying of starvation, [[spoiler:including but not limited to her screaming during her VillainousBreakdown[='s=] crescendo that she'll die without Coraline]]. Trapped in the very same fake dimension where she entrapped her child victims in life and death, it's safe to presume that without her next meal, the Beldam will starve to death (a fitting fate for a monster who literally ate children); alone and in misery just like the ghost children were for decades.
* LaserGuidedKarma: The Cat claws her button eyes out -- fitting,
considering that she [[spoiler: literally feeds off sowed buttons into the souls eyes of children]], it's safe to say that she [[spoiler: starves to death, all alone]].children before devouring their lives and trapping their souls.



* LoopholeAbuse: Done very subtly, but she leaves Coraline before the two can shake on the bargain to release her parents. Given her implied fae nature, this might imply that had she sealed the deal with a handshake, she would have been bound to follow it, and thus left to allow herself to break the promise.

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* LoopholeAbuse: Done very subtly, but she leaves Coraline before the two can shake on the bargain to release her parents. Given her implied fae nature, this might imply implies that had she sealed the deal with a handshake, she would have been bound to follow it, and thus she left to allow herself to break the promise.



* MyBelovedSmother: She lures children into her world by pretending to be the perfect mother, in order to then trick them into letting her sew buttons onto their eyes so they can essentially become her toys until she grows bored of them and throws them away.

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* MyBelovedSmother: She lures children into her world by pretending to be the perfect mother, in order to then trick them into letting her sew buttons onto their eyes so they can essentially become her toys until she grows bored of them and throws them away. away (in the book at least -- in the film, she's implied to be a predator who intends to devour the children's lives from the get-go to sustain herself).



* ParentalSubstitute: {{Subverted}}. She acts like this to the children she targets... until she feasts on their souls and then disposes of them.

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* ParentalSubstitute: {{Subverted}}. She acts like this sets herself up to the children she targets... until targets as a better, more indulgent and idyllic version of their real mothers in order to lure them into her world... and once she has them firmly in her claws, she feasts on their souls and then disposes of them.what's left.



* SatanicArchetype: A charming, seductive, powerful, and completely evil being who rules over her own world, enjoys making deals with mortals, devours souls, and is [[CreativeSterility creatively sterile]], able only to copy and mock what already exists rather than creating something truly original. Yep, she fits.

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* SatanicArchetype: A charming, seductive, powerful, and completely evil being who rules over her own world, enjoys making deals with mortals, devours souls, uses temptations to lead souls astray to eternal entrapment within her realm, and is [[CreativeSterility creatively sterile]], sterile]]; able only to copy and mock what already exists rather than creating something truly original. Yep, she fits.



* SoreLoser: In the book, after Coraline finds [[spoiler:the first soul]], she summons a strong wind -- ''indoors'' -- to slow her down. In the movie, she pulls every trick in the book to prevent Coraline from acquiring the ghost eyes, and has a meltdown when she's losing. [[spoiler:She also has no intention of letting Coraline go, whether she wins or not]].

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* SoreLoser: In the book, after Coraline finds [[spoiler:the first soul]], she summons a strong wind -- ''indoors'' -- to slow her down. In the movie, she pulls every trick in the book to prevent Coraline from acquiring the ghost eyes, and has a meltdown [[VillainousBreakdown meltdown]] when she's losing. [[spoiler:She also has no intention of letting Coraline go, whether she wins or not]].



* WantingIsBetterThanHaving: The whole driving force behind the Other Mother's actions. When she finally gets her collection of children to stay with her forever, she quickly gets bored or frustrated and casts their souls aside in the room behind the hallway mirror before seeking out the next child.
* WickedStepmother: Wicked '''Other''' Mother, rather.

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* WantingIsBetterThanHaving: The whole driving force behind the Other Mother's actions. When she finally gets her collection of children to stay with her forever, she quickly gets bored or frustrated and casts their souls aside in into the room behind the hallway mirror before seeking out the next child.
* WickedStepmother: Wicked '''Other''' Mother, rather.
child.



* WouldHurtAChild: She ''eats the souls'' of children.
* YourSoulIsMine: It's heavily implied that this is the function of the button eyes.

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* WouldHurtAChild: She ''eats the souls'' of children.
children, ''after'' she's sewed buttons over their eye sockets.
* YourSoulIsMine: The souls of the long-dead children she previously devoured remain trapped in the Other World, in a dank room behind a hallway mirror after she's done with them. It's heavily implied that this is the function of buttons being sewn into the button eyes.children's eyes is giving the Other Mother a full stake on their soul.
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* MoralMyopia: Twofold, as shown when her VillainousBreakdown is one octave away from its zenith. She screams that Coraline is a "cheating girl" for bending and defying the rules of the game to achieve her goal, even though the Other Mother herself refused to play fair and would have outright gone back on the deal the game was founded on if Coraline had won fairly. She also calls Coraline a "selfish brat" for acting out of self-preservation to fatally harm the Other Mother, which is ''exactly'' what the Other Mother was trying to do to ''Coraline'' first -- not to mention that the Other Mother is completely self-serving throughout, unlike Coraline who is driven to save her parents just as much as herself, making the word "selfish" apply much more aptly to the Beldam.
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Dark Chick has been disambiguated


* TheDarkChick: Her younger Other self is quite evil, as she and the Other Miss Forcible attempt to harm Coraline in their taffy form.



* TheDarkChick: Her younger Other self is quite evil, as she and the Other Miss Spink attempt to harm Coraline in their morphed taffy form.
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The Dark Chick is not a trope anymore. Also, while we can use redirects (e.g. Like Mother Like Daughter), we're not supposed to edit trope names like that.


* [[LikeFatherLikeSon Like Mother, Like Daughter]]: In addition to her mother's looks, Coraline also inherited her mother's sarcasm.

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* [[LikeFatherLikeSon Like Mother, Like Daughter]]: LikeMotherLikeDaughter: In addition to her mother's looks, Coraline also inherited her mother's sarcasm.
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* DisneyVillainDeath: In the book, Coraline gets rid of the Other Mother's [[spoiler:hand, which is the last remaining part of her, by tricking it into falling into a very deep well]].

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dewicking Badass Baritone


* BadassBaritone: It comes with the territory for anyone voiced by Creator/KeithDavid.



* FurryReminder: Though he's voiced by [[BadassBaritone Keith David]], after mentioning that he heard something "right... over..." he meows like a regular cat and rushes off to find prey.

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* FurryReminder: Though he's voiced by [[BadassBaritone Keith David]], David, after mentioning that he heard something "right... over..." he meows like a regular cat and rushes off to find prey.
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This isn't really a spoiler. The medal is visible from the moment he's introduced and never discussed


* AmazingTechnicolorPopulation: [[spoiler: Probably from being a liquidator in the Chernobyl disaster.]]

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* AmazingTechnicolorPopulation: [[spoiler: Probably from being a liquidator in the Chernobyl disaster.]]



* HiddenDepths: [[spoiler: The medal that he is always seen wearing, that's the medal that was awarded to the first responders in the Chernobyl disaster...]]

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* HiddenDepths: [[spoiler: The medal that he is always seen wearing, that's the medal that was awarded to the first responders in the Chernobyl disaster...]]

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Gag Boobs has been renamed to Boob Based Gag. Changing to the proper trope where appropriate and cutting misuse.


* GagBoobs: ''Whoa''. She even jostles Miss Spink with them simply by turning aside.



* [[TopHeavyGuy Top Heavy Gal]]: A rare female example. Miss Forcible's enormous GagBoobs contrast strongly with her relatively skinny legs.

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* [[TopHeavyGuy Top Heavy Gal]]: A rare female example. Miss Forcible's enormous GagBoobs boobs contrast strongly with her relatively skinny legs.



* FanDisservice: Let's just say an old lady with giant GagBoobs doesn't make for the best Birth of Venus model.

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* FanDisservice: Let's just say an old lady with giant GagBoobs boobs doesn't make for the best Birth of Venus model.



* GagBoobs: In both her old ''and'' young form, though it's less exaggerated on the latter.
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* BadLiar: She tries to tell Coraline her real mother and father are absent because they probably grew bored of her and ran off to France. This makes her a ''horribly'' bad liar, considering she has been ''watching'' the family's movements for days and would know full well a more convincing story would have something to do with their garden catalog. Of course, she could've been doing on purpose, since she's completely aware of ''why'' Coraline came back to the Other World after she had just escaped a few moments ago.

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* BadLiar: She tries to tell Coraline her real mother and father are absent because they probably grew bored of her and ran off to France. This makes her a ''horribly'' bad liar, considering she has been ''watching'' the family's movements for days and would know full well a more convincing story would have something to do with their garden catalog. Of course, she could've been doing so on purpose, since she's completely aware of ''why'' Coraline came back to the Other World after she had just escaped a few moments ago.
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* AdaptationalBadass: [[spoiler:In the book, her right hand falls for Coraline's trap, hook, line and sinker, and tumbles straight into the well. The movie has it put up more of a fight; it tries to drag Coraline back into the Other World while she has the black button key on her, tries to knock Wybie into the well when he interferes with the hand, and doesn't stop trying to go after Coraline and the key until it's smashed by a large and heavy rock thrown by Wybie. It even manages to climb back up when it falls into the well along with Wybie in the movie, whereas in the book, it doesn't make an effort to do so once it grabs the key.]]

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* AdaptationalBadass: [[spoiler:In [[spoiler: This applies to to her severed right hand, at least. In the book, her right hand falls for Coraline's trap, hook, line line, and sinker, and tumbles straight into the well. The movie has it put up more of a fight; it tries to drag Coraline back into the Other World while she has just as she's about to drop the black button key on her, into the well, tries to knock Wybie into the well when he interferes with the hand, and doesn't stop trying to go after Coraline and the key until it's smashed by a large and heavy rock thrown by Wybie. It even manages to climb back up when it falls into the well along with Wybie in the movie, whereas in the book, it doesn't make an effort to do so once it grabs the key.]]
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* BuxomBeautyStandard: Seems to believe in this trope, seeing as her part in "Sirens of the Sea" is basically about being on the "boobs" side of the "butts vs. boobs" debate.
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* UnwittingInstigatorOfDoom: Unlocking the small door to the Other World kicks off the main danger of the film.

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* UnwittingInstigatorOfDoom: Unlocking the small door to the Other World kicks off the main danger of the film. film adaptation.
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* UnwittingInstigatorOfDoom: Unlocking the small door to the Other World kicks off the main danger of the film.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


* BlackEyesOfEvil: The trait she shares with all Other World inhabitants. UncannyValley aside, it's the first indicator that the Other Mother, and her world for that matter, aren't all they seem.

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* BlackEyesOfEvil: The trait she shares with all Other World inhabitants. UncannyValley aside, it's It's the first indicator that the Other Mother, and her world for that matter, aren't all they seem.

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