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* ''Film/TheMummy'' in Nostalgiaween 2017 is super low-key, even with old style running gags, which is explained by the [[spoiler:Nerd]] coming in at the end to join a crossover review of the 2017 remake next week.

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* ''Film/TheMummy'' ''Film/TheMummy1999'' in Nostalgiaween 2017 is super low-key, even with old style running gags, which is explained by the [[spoiler:Nerd]] coming in at the end to join a crossover review of the 2017 remake next week.
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The way weekly releases are set up for ''WebVideo/TheNostalgiaCritic'' since its 2013 revival follows a specific pattern: a shorter, less emotional episode with little involvement from other actors (such as a list, an editorial, or a neutral retrospective on a movie rather than a scathing riff) will come between larger, sketch-heavy reviews. This allows more prep time for sketches in longer episodes and to give the recurring actors some time off. However, there are still episodes in the "larger episode" spot, and even some "smaller episodes" with less heavy content than usual. This is usually to allow Doug and company to prepare for particularly high-effort episodes, such as crossovers, clipless reviews, or [[WhamEpisode episodes that further certain story arcs.]]

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The way weekly releases are set up for ''WebVideo/TheNostalgiaCritic'' since its 2013 revival follows a specific pattern: a shorter, less emotional episode with little involvement from other actors (such as a list, an editorial, or a neutral retrospective on a movie rather than a scathing riff) will come between larger, sketch-heavy reviews.{{review}}s. This allows more prep time for sketches in longer episodes and to give the recurring actors some time off. However, there are still episodes in the "larger episode" spot, and even some "smaller episodes" with less heavy content than usual. This is usually to allow Doug and company to prepare for particularly high-effort episodes, such as crossovers, clipless reviews, or [[WhamEpisode episodes that further certain story arcs.]]
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* The ''WesternAnimation/TheSwanPrincess'' review is mostly Critic riffing on his own with low involvement from Tamara and Malcolm, coming between the ''WesternAnimation/FoodFight'' review which had some quite cinematic sketch scenes, and ''WesternAnimation/TheLorax'' which featured loads of GratuitousSpecialEffects with Seussian illustrations.

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* The ''WesternAnimation/TheSwanPrincess'' review is mostly Critic riffing on his own with low involvement from Tamara and Malcolm, coming between the ''WesternAnimation/FoodFight'' review which had some quite cinematic sketch scenes, and ''WesternAnimation/TheLorax'' ''WesternAnimation/TheLorax2012'' which featured loads of GratuitousSpecialEffects with Seussian illustrations.
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Removed editorializing.


* One week in February, The Critic reviewed ''Film/PatchAdams'' and showed it for the disrespectful, {{glurge}}y, disgustingly uncomfortable mess it was. The very next week, he did an episode on ''Anime/PonyoOnTheCliffByTheSea'', having fun with the adorable charm of the movie.

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* One week in February, The Critic reviewed ''Film/PatchAdams'' and showed criticized it for the as a disrespectful, {{glurge}}y, disgustingly uncomfortable mess it was.mess. The very next week, he did an episode on ''Anime/PonyoOnTheCliffByTheSea'', having fun with the adorable charm of the movie.
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* The Top 11 Adult Jokes We Never Got as Kids was released between two big reviews, the musical and cameo-laden review of ''Film/{{Les Miserables|2012}}'' and the much hyped up review of ''Film/TheLastAirbender''. There only a brief narration by the Critic at the beginning of the video.

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* The Top 11 Adult Jokes We Never Got as Kids was released between two big reviews, the musical and cameo-laden review of ''Film/{{Les Miserables|2012}}'' and the much hyped up review of ''Film/TheLastAirbender''. There There's only a brief narration by the Critic at the beginning of the video.
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* Tamara has talked about, while they love working there, big episodes or one with lots of skits need recovery time (not just for Doug but for actors too), and that’s why there might be a few less involved ones in a row.
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* Enforced in “The Top 11 Most Awesome Movie Themes”, as it becomes apparent as the list goes on that the character needed some hopeful kickass music to stave off the DespairEventHorizon that occurred a month later.
* Part four of the DarkerAndEdgier WebVideo/ToBoldlyFlee, while still {{foreshadowing}} depressing stuff, was more like the "everyone's shooting and being slapsticky" feel the audience was used to from the site. Of course it ended on a downer with [[spoiler: Snob getting kidnapped by the baddies]], and only got darker from there.

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* Enforced in “The "The Top 11 Most Awesome Movie Themes”, Themes", as it becomes apparent as the list goes on that the character needed some hopeful kickass music to stave off the DespairEventHorizon that occurred a month later.
* Part four of the DarkerAndEdgier WebVideo/ToBoldlyFlee, ''WebVideo/ToBoldlyFlee'', while still {{foreshadowing}} depressing stuff, was more like the "everyone's shooting and being slapsticky" feel the audience was used to from the site. Of course it ended on a downer with [[spoiler: Snob getting kidnapped by the baddies]], and only got darker from there.



* The Top 11 Adult Jokes We Never Got as Kids was released between two big reviews, the musical and cameo-laden review of ''[[Film/LesMiserables2012 Les Miserables]]'' and the much hyped up review of ''Film/TheLastAirbender''. There only a brief narration by the Critic at the beginning of the video.
* “Top 12 Santa Clauses” is a sweet list of his favorite Santa characters, in between the [[Film/ManOfSteel episode]] that Doug worked 28 hours on with no sleep editing and all the CameBackWrong-ness of ''WesternAnimation/EightCrazyNights'' review.

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* The Top 11 Adult Jokes We Never Got as Kids was released between two big reviews, the musical and cameo-laden review of ''[[Film/LesMiserables2012 Les Miserables]]'' ''Film/{{Les Miserables|2012}}'' and the much hyped up review of ''Film/TheLastAirbender''. There only a brief narration by the Critic at the beginning of the video.
* “Top "Top 12 Santa Clauses” Clauses" is a sweet list of his favorite Santa characters, in between the [[Film/ManOfSteel episode]] that Doug worked 28 hours on with no sleep editing and all the CameBackWrong-ness of ''WesternAnimation/EightCrazyNights'' review.



* Other than from SequelHook and the {{foreshadowing}} scene with Critic abusing Malcolm and Tamara again, the ''WesternAnimation/TheSwanPrincess'' review is safe skitless riffing on the movie for two reasons. 1) The last time he bashed something [[Anime/SailorMoon girly]] was a disaster. 2) ''WesternAnimation/FoodFight'' was important to his SanitySlippage (or to be more accurate, not getting money for it), and ''Film/TheLorax'' was huge on GratuitousSpecialEffects.

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* Other than from SequelHook and the {{foreshadowing}} scene with Critic abusing Malcolm and Tamara again, the ''WesternAnimation/TheSwanPrincess'' review is safe skitless riffing on the movie for two reasons. 1) The last time he bashed something [[Anime/SailorMoon girly]] was a disaster. 2) ''WesternAnimation/FoodFight'' was important to his SanitySlippage (or to be more accurate, not getting money for it), and ''Film/TheLorax'' ''WesternAnimation/TheLorax'' was huge on GratuitousSpecialEffects.



* ''Film/SmallSoldiers'' is a simple rant on a movie coming off two big crossovers (Bloodrayne with Linkara, Spoony and Snob, Purge with Film Brain and Rob Paulsen/Maurice [=LaMarche=]), and with a scary SequelHook for ''Film/ThePrincessDiaries'' involving Hyper Fangirl.

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* ''Film/SmallSoldiers'' is a simple rant on a movie coming off two big crossovers (Bloodrayne (''Bloodrayne'' with Linkara, Spoony and Snob, Purge ''The Purge'' with Film Brain and Rob Paulsen/Maurice [=LaMarche=]), and with a scary SequelHook for ''Film/ThePrincessDiaries'' involving Hyper Fangirl.
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Added DiffLines:

* ''Film/TheMummy'' in Nostalgiaween 2017 is super white wallish, even with old style running gags, which is explained by the [[spoiler: Nerd coming in at the end to do the 2017 remake]].
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* “Top 12 Santa Clauses” is a sweet list of his favorite Santa characters, in between the [[Film/ManOfSteel episode]] that Doug worked 28 hours on with no sleep editing and all the CameBackWrong-ness of ''Film/EightCrazyNights'' review.

to:

* “Top 12 Santa Clauses” is a sweet list of his favorite Santa characters, in between the [[Film/ManOfSteel episode]] that Doug worked 28 hours on with no sleep editing and all the CameBackWrong-ness of ''Film/EightCrazyNights'' ''WesternAnimation/EightCrazyNights'' review.
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* ''SmallSoldiers'' is a simple rant on a movie coming off two big crossovers (Bloodrayne with Linkara, Spoony and Snob, Purge with Film Brain and Rob Paulsen/Maurice [=LaMarche=]), and with a scary SequelHook for ''Film/ThePrincessDiaries'' involving Hyper Fangirl.

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* ''SmallSoldiers'' ''Film/SmallSoldiers'' is a simple rant on a movie coming off two big crossovers (Bloodrayne with Linkara, Spoony and Snob, Purge with Film Brain and Rob Paulsen/Maurice [=LaMarche=]), and with a scary SequelHook for ''Film/ThePrincessDiaries'' involving Hyper Fangirl.
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Moved from Breather Episode.

Added DiffLines:

* One week in February, The Critic reviewed ''Film/PatchAdams'' and showed it for the disrespectful, {{glurge}}y, disgustingly uncomfortable mess it was. The very next week, he did an episode on ''Anime/PonyoOnTheCliffByTheSea'', having fun with the adorable charm of the movie.


Added DiffLines:

* Part four of the DarkerAndEdgier WebVideo/ToBoldlyFlee, while still {{foreshadowing}} depressing stuff, was more like the "everyone's shooting and being slapsticky" feel the audience was used to from the site. Of course it ended on a downer with [[spoiler: Snob getting kidnapped by the baddies]], and only got darker from there.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

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* Enforced in “The Top 11 Most Awesome Movie Themes”, as it becomes apparent as the list goes on that the character needed some hopeful kickass music to stave off the DespairEventHorizon that occurred a month later.
* Aside from an awkward WeightWoe moment and plenty of bitching at actors when he shouldn't, ''Film/JurassicPark''. Mostly because the skits were kept short and silly and Critic liked the film.
* The Top 11 Adult Jokes We Never Got as Kids was released between two big reviews, the musical and cameo-laden review of ''[[Film/LesMiserables2012 Les Miserables]]'' and the much hyped up review of ''Film/TheLastAirbender''. There only a brief narration by the Critic at the beginning of the video.
* “Top 12 Santa Clauses” is a sweet list of his favorite Santa characters, in between the [[Film/ManOfSteel episode]] that Doug worked 28 hours on with no sleep editing and all the CameBackWrong-ness of ''Film/EightCrazyNights'' review.
* ''Film/FaceOff'' is a rare example of a WhamEpisode turning far lighter, as Doug had planned it to be both Tamara's introduction and Rachel's goodbye with {{cat fight}}ing, a special effect with Rachel's face morphing into Tamara's and Rachel being sent to California in a box. But because he deleted the footage, the review is a lot more of giggly snarking in front of a wall and a lot less sending Rachel off.
* Enforced but subverted in "Disney Afternoon". Critic sets the studio up like his childhood bedroom because he wants a nostalgia binge to escape from everything ([[http://blip.tv/nostalgiacritic/nc-alice-in-wonderland-6758886 after an episode dedicated to his crazy]]), but his abuse of Malcolm and Tamara and his own sad oddness keep getting in the way.
* Also subverted by the commercials, as both Doug and Critic confirmed they happen when Critic needs a break and Critic's always {{manchild}} excited for them, but they've always been DarkerAndEdgier, ranging from near DeathByDespair to skits about abusive parents that are based on his own.
* Other than from SequelHook and the {{foreshadowing}} scene with Critic abusing Malcolm and Tamara again, the ''WesternAnimation/TheSwanPrincess'' review is safe skitless riffing on the movie for two reasons. 1) The last time he bashed something [[Anime/SailorMoon girly]] was a disaster. 2) ''WesternAnimation/FoodFight'' was important to his SanitySlippage (or to be more accurate, not getting money for it), and ''Film/TheLorax'' was huge on GratuitousSpecialEffects.
* After the depressing ''Film/JurassicParkIII'', ''Film/AfterEarth'' is a lot lighter, with no storyline, no angst or fucked up jokes from Critic, Malcolm and Tamara relegated to bittier parts than usual, and Shyamalan not being a threat unlike his last two appearances.
* ''SmallSoldiers'' is a simple rant on a movie coming off two big crossovers (Bloodrayne with Linkara, Spoony and Snob, Purge with Film Brain and Rob Paulsen/Maurice [=LaMarche=]), and with a scary SequelHook for ''Film/ThePrincessDiaries'' involving Hyper Fangirl.
* ''Care Bears Nutcracker'' only has Malcolm and Tamara appear at the beginning trying to help Critic out of his post-Christmas funk (and a quick horn joke later), and is a very short review about the very harmless ''Care Bears'' franchise. This, after ''Grandma Got Run Over By A Reindeer'' had Critic terrifying Malcolm and Tamara with how crazy he was, and ''A Christmas Story II'' had the return of Hyper Fangirl stalking him.
* Lampshaded in ''Film/MammaMia'', as Malcolm and Tamara leave him at the start because nobody is going to watch him try and do a ChickFlick considering his history with girl stuff. This is also after WhamEpisode ''Film/TheMatrixRevolutions'' which actually resolved a [[PlotThreads Plot Thread]] [[KudzuPlot for once]].
* ''Film/EventHorizon'' is a basic review after ''WebVideo/ToBoldlyFlee''-effort ''Film/MadMaxFuryRoad'', crossover ''Film/TheSmurfs'' and lampshaded pandering clipless review of ''Film/{{Pixels}}''.
* Ironically given how high energy clipless reviews usually are, and what the trailer promised, but ''Film/TheForceAwakens'' is just Snob and Critic watching a re-enacted version of the film. This, after the very personal, very continuity-driven, very character focus ''Film/ChristmasWithTheKranks''.
* ''Film/TheAdventuresOfPlutoNash'', sandwiched in between two gargantuan-effort reviews. It's acknowledged in-universe as well, as they all want a day off (Malcolm and Tamara to drink, Critic to get ready for a review he actually wants to do) are mad at you for wanting work that they'll half-ass.
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