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Music/TheBeatles' twelve studio [=LPs=] and various singles and [=EPs=] are packed with so many seminal moments of Western popular music as we now know it that it's hard to believe they were released in the space of just over seven years.
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Music/TheBeatles' twelve studio [=LPs=] and various singles and [=EPs=] are packed with so many seminal moments of Western popular music as we now know it that it's hard to believe they were released in the space of just over seven years.years, and all by the same four young men.
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* The extended edition of "Eight Days At Week", with the harmonic intro and extra lyrics, is as great as the final version.
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* The extended edition of "Eight Days At Week", with the harmonic harmonies in the intro and extra lyrics, is as great as the final version.
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This was on the first volume, not the third; sorting by track order.
* The extended edition of "Eight Days At Week", with the harmonic intro and extra lyrics, is as great as the final version.
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* The extended edition of "Eight Days At Week", with the harmonic intro and extra lyrics, is as great as the final version.
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* The extended edition of "Eight Days At Week", with the harmonic intro and extra lyrics, is as great as the final version.
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* The TitleTrack is one of their better album openers, bursting forth with big vocal harmonies and a giddy horn section typical of psychedelic-era Beatles. It's engaging from its immediate opening, to its sudden jump into a ''slower'' tempo, right to the left-field outro - a melancholy, minor-key piano solo that sounds like the dying sounds of an old carnival.
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* The TitleTrack is one of their better album openers, bursting forth with big vocal harmonies and a giddy horn section typical of psychedelic-era Beatles. It's engaging from its immediate opening, to its sudden jump into a ''slower'' tempo, right to the left-field outro - a melancholy, minor-key minor-[[{{Scales}} key]] piano solo that sounds like the dying sounds of an old carnival.
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* The surreal yet serene "Lucy in the Sky With Diamonds" is a hallmark of the psychedelic era ( even though it was not itself drug-inspired). Memorable lyrics, a very catchy tune, and a great vocal performance by John backed by a keyboard riff and sitar drone.
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* The surreal yet serene "Lucy in the Sky With Diamonds" is a hallmark of the psychedelic era ( even (even though it was not itself drug-inspired). Memorable lyrics, a very catchy tune, and a great vocal performance by John backed by a keyboard riff and sitar drone.
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* The animal noise cacophony that closes "Good Morning Good Morning", as well as the ever-shifting time signature of the verses decrying the emptiness of suburban life and the blare of saxophones in the chorus under the almost threatening repetitions of "GOOD MORNING!", make for a great "closer" to Sgt. Pepper's band's performance, leading straight into a high-energy reprise of the title track.
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* The animal noise cacophony that closes After opening with a crowing rooster, "Good Morning Good Morning", as well as the ever-shifting time signature Morning" alternates choruses dominated by blaring saxophones and almost threatening repetitions of the "GOOD MORNING!" with verses decrying the emptiness of suburban life and knocking the blare of saxophones listener further off balance with frequent time signature changes. Throw in the chorus under animal noise cacophony in the almost threatening repetitions of "GOOD MORNING!", make for coda, and you have a great "closer" to Sgt. Pepper's band's performance, leading straight into a high-energy reprise of the title track.
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* The surreal yet serene "Lucy in the Sky With Diamonds" is a hallmark of the psychedelic era ([[WhatDoYouMeanItWasntMadeOnDrugs even though it was not itself drug-inspired]]). Memorable lyrics, a very catchy tune, and a great vocal performance by John backed by a keyboard riff and sitar drone.
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* The surreal yet serene "Lucy in the Sky With Diamonds" is a hallmark of the psychedelic era ([[WhatDoYouMeanItWasntMadeOnDrugs ( even though it was not itself drug-inspired]]).drug-inspired). Memorable lyrics, a very catchy tune, and a great vocal performance by John backed by a keyboard riff and sitar drone.
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* Try to think of any other rock band at the time that could have gotten away with releasing "Revolution 9" in a serious context. Maybe the Mothers of Invention, but that's about it. Not only that, but the piece is a fantastic exhibit of NightmareFuel and a great example of CreepyAwesome
when listened to in the proper atmosphere, and it actually has a sophisticated enough structure to be scored and included in Hal Leonard's ''The Beatles Complete Scores'' alongside all their more conventional material.
when listened to in the proper atmosphere, and it actually has a sophisticated enough structure to be scored and included in Hal Leonard's ''The Beatles Complete Scores'' alongside all their more conventional material.
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* Try to think of any other rock band at the time that could have gotten away with releasing "Revolution 9" in a serious context. Maybe the Mothers of Invention, but that's about it. Not only that, but the piece is a fantastic exhibit of NightmareFuel and a great example of CreepyAwesome
when listened to in the proper atmosphere, and it actually has a sophisticated enough structure to be scored and included in Hal Leonard's ''The Beatles Complete Scores'' alongside all their more conventional material.
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* Try to think of any other rock band at the time that could have gotten away with releasing "Revolution 9" in a serious context. Maybe the Mothers of Invention, but that's about it. Not only that, but the piece is a fantastic exhibit of NightmareFuel when listened to in the proper atmosphere, and it actually has a sophisticated enough structure to be scored and included in Hal Leonard's ''The Beatles Complete Scores'' alongside all their more conventional material.
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* Try to think of any other rock band at the time that could have gotten away with releasing "Revolution 9" in a serious context. Maybe the Mothers of Invention, but that's about it. Not only that, but the piece is a fantastic exhibit of NightmareFuel and a great example of CreepyAwesome
when listened to in the proper atmosphere, and it actually has a sophisticated enough structure to be scored and included in Hal Leonard's ''The Beatles Complete Scores'' alongside all their more conventional material.
when listened to in the proper atmosphere, and it actually has a sophisticated enough structure to be scored and included in Hal Leonard's ''The Beatles Complete Scores'' alongside all their more conventional material.
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* George gets a third songwriting credit in the angst-ridden "I Want to Tell You", the first Beatles song to have a fade-in ''and'' a fade-out. Highlights of the instrumentation include the triplet rhythm of the opening/closing guitar riff and the dissonant piano chord which plays over the second half of each verse.
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* George gets a third songwriting credit in the angst-ridden "I Want to Tell You", the first Beatles song to have a fade-in [[FadeIn fade-in]] ''and'' a fade-out. Highlights of the instrumentation include the triplet rhythm of the opening/closing guitar riff and the dissonant piano chord which plays over the second half of each verse.
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links shortening
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* Though this album is partly covers from the Beatles' early years on BBC Radio between 1963 and 1965, there's no better insight into the amount of intense energy through this compilation than through Paul's rocking vocals on Little Richard's [[https://www.youtube.com/watch?v=Phn2Fowl-Pg "Ooh! My Soul"]].
* Another example could be given to Ringo, busting out his underrated drum chops on a cover of Music/ElvisPresley's [[https://www.youtube.com/watch?v=TBwkYlcT6eQ "I'm Gonna Sit Right Down and Cry Over You"]].
* Another example could be given to Ringo, busting out his underrated drum chops on a cover of Music/ElvisPresley's [[https://www.youtube.com/watch?v=TBwkYlcT6eQ "I'm Gonna Sit Right Down and Cry Over You"]].
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* Though this album is partly covers from the Beatles' early years on BBC Radio between 1963 and 1965, there's no better insight into the amount of intense energy through this compilation than through Paul's rocking vocals on Little Richard's [[https://www.youtube.com/watch?v=Phn2Fowl-Pg [[https://youtu.be/Phn2Fowl-Pg "Ooh! My Soul"]].
* Another example could be given to Ringo, busting out his underrated drum chops on a cover of Music/ElvisPresley's[[https://www.youtube.com/watch?v=TBwkYlcT6eQ [[https://youtu.be/TBwkYlcT6eQ "I'm Gonna Sit Right Down and Cry Over You"]].
* Another example could be given to Ringo, busting out his underrated drum chops on a cover of Music/ElvisPresley's
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** The backing vocalists for the song include [[Music/TheRollingStones Mick Jagger and Keith Richards]] and Jagger's then-girlfriend Marianne Faithfull, while [[Music/TheWho Keith Moon]] played brush drums alongside Ringo (both Jagger and Moon can be seen in the ''Our World'' broadcast). In other words, the song features performances by members of perhaps ''the'' three most influential bands of UsefulNotes/TheBritishInvasion. (Further backing vocals are provided by Music/EricClapton and Music/TheHollies' Graham Nash, among many others.)
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** The backing vocalists for the song include [[Music/TheRollingStones [[Music/TheRollingStonesBand Mick Jagger and Keith Richards]] and Jagger's then-girlfriend Marianne Faithfull, while [[Music/TheWho Keith Moon]] played brush drums alongside Ringo (both Jagger and Moon can be seen in the ''Our World'' broadcast). In other words, the song features performances by members of perhaps ''the'' three most influential bands of UsefulNotes/TheBritishInvasion. (Further backing vocals are provided by Music/EricClapton and Music/TheHollies' Graham Nash, among many others.)
