History AwesomeMusic / RedVelvet

* "Bad Boy" is sultry, confident and slick, a perfect mixture of hip-hop beats and the R&B style they do so well. Billboard picked it as the best song released in 2018. The English version for "Bad Boy" has a sub-fandom of its own. For some, it's even better than the original, which is already a critically acclaimed smash hit. A key point in its amazing reception is the fact that the English lyrics, rather than {{Bowdlerize}}-ing the single's "AmbiguouslyEvil FemmeFatale" theme, take it UpToEleven.

* "Feel My Rhythm" samples [[Music/JohannSebastianBach Bach]]'s ''Air on the G String'' to create a perfect blend of classical music, trap beats, and their trademark vocal harmonies.

* All of "RBB" is really good: stand out parts include the future bass combined with an R&B base for "So Good" , the vocal frying in "Sassy Me" and the 90s vibes of "Taste". "Butterflies", though, is probably the most appreciated track, probably due to its amazing choreography.

* "Wow Thing". You know a song is gonna be awesome when four of the best performers from the 4th generation collaborate on it. Seulgi, [[{{Music/Gfriend}} SinB]], Chungha and Soyeon absolutely kill the 90s' vibe of the track.

* "Bad Boy" is sultry, confident and slick, a perfect mixture of hip-hop beats and the R&B style they do so well. Billboard picked it as the best song released in 2018.
** The English version for "Bad Boy" has a sub-fandom of its own. For some, it's even better than the original, which is already a critically acclaimed smash hit. A key point in its amazing reception is the fact that the English lyrics, rather than {{Bowdlerize}}-ing the single's "AmbiguouslyEvil FemmeFatale" theme, take it UpToEleven.

** The English version for "Bad Boy" has a sub-fandom of its own. For some, it's even better than the original, which is already a critically acclaimed smash hit. A key point in its amazing reception is the fact that the English lyrics, rather than {{Bowdlerize}}-ing the single's "AmbiguouslyEvil FemmeFatale" theme, they take it UpToEleven.

** The English version for "Bad Boy" has a sub-fandom of its own. For some, it's even better than the original, which is already a critically acclaimed smash hit. A key point in its amazing reception is the fact that the English lyrics, rather than {{Bowdlerize}}-ing the song theme, they take them UpToEleven.

** The English version for "Bad Boy" has a sub-fandom of its own. For some, it's even better than the original, which is already a critically acclaimed smash hit. A key point in its amazing reception is the fact that the English lyrics, rather than {{Bowdlerize}}-ing the song theme, they take them ''UpToEleven''.

* "RBB" is purposely quite simple melodically to let the girls' vocals shine. Irene's monster of a scream is considered the highest note ever registered in a K-Pop song.

* The "Reve Festival" trilogy presents: "Zimzalabim", a [[BaseBreaker polarizing track to say the least]], that literally pushed the industry's creative boundaries and that only Red Velvet could pull off; "Umpah Umpah", an uplifting and addictive summer track chosen by the Asia Artist Awards as Song of the Year; and finally "Psycho", dark and seductive, nominated as one of the best songs of 2019 despite being released near the end of the year.

* "RBB", if only because it's a song that is purposely quite simple melodically to let the girls' vocals shine. Not to mention, Irene's monster of a scream, considered the highest note ever registered in a K-Pop song.
* The "Reve Festival" trilogy presents: "Zimzalabim", a [[BaseBreaker polarizing track to say the least]], that literally pushed the industry's creative boundaries and is viewd as a song that only Red Velvet ould pull off; "Umpah Umpah", uplifting and addictive summer track chosen by the Asia Artist Awards as "Song Of The Year", and finally "Psycho", dark and seductive, nominated one of the best songs of 2019 despite being released near the end of the year.