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* Heal the World [[https://www.youtube.com/watch?v=BWf-eARnf6U heard here]] is a heartfelt anti-war message of peace.
* You Are Not Alone [[https://www.youtube.com/watch?v=pAyKJAtDNCw heard here]] is a tearful appeal to keep up hope.
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* [[https://www.youtube.com/watch?v=qTUINfx2XbY "Blood on the Dance Floor"]] combines elements of funk and new jack swing to bring a dark, catchy tune that wouldn't sound out-of-place in a ''Franchise/SonicTheHedgehog'' game; it helps that the percussion track seems to be the basis for [[VideoGame/Sonic3AndKnuckles Knuckles's theme]] (note that the song was originally supposed to be included on the ''Dangerous'' album).

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* [[https://www.youtube.com/watch?v=qTUINfx2XbY "Blood on the Dance Floor"]] combines elements of funk and new jack swing to bring a dark, catchy tune that wouldn't sound out-of-place in a ''Franchise/SonicTheHedgehog'' ''VideoGame/SonicTheHedgehog'' game; it helps that the percussion track seems to be the basis for [[VideoGame/Sonic3AndKnuckles Knuckles's theme]] (note that the song was originally supposed to be included on the ''Dangerous'' album).
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Reverting bowdlerisation.


** Imposter or not, [[https://www.youtube.com/watch?v=kgzdLoSjOZg "Monster"]] is a pretty catchy song. And features a rap solo from Music/FiftyCent.

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** Imposter or not, [[https://www.youtube.com/watch?v=kgzdLoSjOZg "Monster"]] is a pretty damn catchy song. And features a rap solo from Music/FiftyCent.
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** [[https://www.youtube.com/watch?v=g4tpuu-Up90 "You Rock My World"]] is easily the best song on it, and its [[https://www.youtube.com/watch?v=1-7ABIM2qjU music video]] is even more awesome, as it co-stars Chris Tucker and freaking '''Marlon Brando'''!

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** [[https://www.youtube.com/watch?v=g4tpuu-Up90 "You Rock My World"]] is easily the best song on it, and its [[https://www.youtube.com/watch?v=1-7ABIM2qjU music video]] is even more awesome, as it co-stars Chris Tucker and freaking even '''Marlon Brando'''!Brando'''.



** Imposter or not, [[https://www.youtube.com/watch?v=kgzdLoSjOZg "Monster"]] is a pretty damn catchy song. And features a rap solo from Music/FiftyCent.

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** Imposter or not, [[https://www.youtube.com/watch?v=kgzdLoSjOZg "Monster"]] is a pretty damn catchy song. And features a rap solo from Music/FiftyCent.

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Why did you do that? These were correctly indented before. The second-level bullet is not part of the introduction to the album, it's an introduction to the first two songs.


* Not for nothing is ''Music/{{Thriller}}'' by far the best-selling album of all time by any artist, ever. Jackson wanted to assemble an album with no filler tracks, resulting in nine songs of which ''seven'' were released as singles, with every one reaching the Top 10 on the Billboard charts.[[note]] "Beat It" and "Billie Jean" were both #1 hits, "The Girl is Mine" reached #2, "Thriller" topped out at #4, "Wanna Be Startin' Somethin'" made it to #5, "Human Nature" peaked at #7, and "P.Y.T." managed to sneak in at #10.[[/note]] "Thriller", "Beat It", and "Billie Jean" were also matched to videos which collectively revolutionised the medium of the music video. The album hits the ground running full speed with two songs in the same disco/funk style as most of ''Music/OffTheWall'', but even more so:
** [[https://www.youtube.com/watch?v=4Uj3zitETs4 "Wanna Be Startin' Somethin'"]] starts with a driving bass and drum beat and adds a first rate horn section in counterpoint to Jackson's angry vocals about rumourmongering for the sake of starting fights. Despite its fast tempo and major key, it is one of the most frightening yet fascinating tracks he ever recorded.
** The impeccably scored [[https://www.youtube.com/watch?v=hG9OzYVSg3c "Baby Be Mine"]] meshes the lyrics of a plaintive love ballad with more outstanding drums, bass, brass, and keyboards. It was one of just two songs on the album not to be released as a single,[[note]] It was, however, released as the B-side to "Human Nature".[[/note]] which is a shame, as it more than holds its own against the album's more famous tracks.

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* Not for nothing is ''Music/{{Thriller}}'' by far the best-selling album of all time by any artist, ever. Jackson wanted to assemble an album with no filler tracks, resulting in nine songs of which ''seven'' were released as singles, with every one reaching the Top 10 on the Billboard charts.[[note]] "Beat It" and "Billie Jean" were both #1 hits, "The Girl is Mine" reached #2, "Thriller" topped out at #4, "Wanna Be Startin' Somethin'" made it to #5, "Human Nature" peaked at #7, and "P.Y.T." managed to sneak in at #10.[[/note]] "Thriller", "Beat It", and "Billie Jean" were also matched to videos which collectively revolutionised the medium of the music video. video.
**
The album hits the ground running full speed with two songs in the same disco/funk style as most of ''Music/OffTheWall'', but even more so:
** *** [[https://www.youtube.com/watch?v=4Uj3zitETs4 "Wanna Be Startin' Somethin'"]] starts with a driving bass and drum beat and adds a first rate horn section in counterpoint to Jackson's angry vocals about rumourmongering for the sake of starting fights. Despite its fast tempo and major key, it is one of the most frightening yet fascinating tracks he ever recorded.
** *** The impeccably scored [[https://www.youtube.com/watch?v=hG9OzYVSg3c "Baby Be Mine"]] meshes the lyrics of a plaintive love ballad with more outstanding drums, bass, brass, and keyboards. It was one of just two songs on the album not to be released as a single,[[note]] It was, however, released as the B-side to "Human Nature".[[/note]] which is a shame, as it more than holds its own against the album's more famous tracks.

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* Not for nothing is ''Music/{{Thriller}}'' by far the best-selling album of all time by any artist, ever. Jackson wanted to assemble an album with no filler tracks, resulting in nine songs of which ''seven'' were released as singles, with every one reaching the Top 10 on the Billboard charts.[[note]] "Beat It" and "Billie Jean" were both #1 hits, "The Girl is Mine" reached #2, "Thriller" topped out at #4, "Wanna Be Startin' Somethin'" made it to #5, "Human Nature" peaked at #7, and "P.Y.T." managed to sneak in at #10.[[/note]] "Thriller", "Beat It", and "Billie Jean" were also matched to videos which collectively revolutionised the medium of the music video.
** The album hits the ground running full speed with two songs in the same disco/funk style as most of ''Music/OffTheWall'', but even more so:
*** [[https://www.youtube.com/watch?v=4Uj3zitETs4 "Wanna Be Startin' Somethin'"]] starts with a driving bass and drum beat and adds a first rate horn section in counterpoint to Jackson's angry vocals about rumourmongering for the sake of starting fights. Despite its fast tempo and major key, it is one of the most frightening yet fascinating tracks he ever recorded.
*** The impeccably scored [[https://www.youtube.com/watch?v=hG9OzYVSg3c "Baby Be Mine"]] meshes the lyrics of a plaintive love ballad with more outstanding drums, bass, brass, and keyboards. It was one of just two songs on the album not to be released as a single,[[note]] It was, however, released as the B-side to "Human Nature".[[/note]] which is a shame, as it more than holds its own against the album's more famous tracks.

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* Not for nothing is ''Music/{{Thriller}}'' by far the best-selling album of all time by any artist, ever. Jackson wanted to assemble an album with no filler tracks, resulting in nine songs of which ''seven'' were released as singles, with every one reaching the Top 10 on the Billboard charts.[[note]] "Beat It" and "Billie Jean" were both #1 hits, "The Girl is Mine" reached #2, "Thriller" topped out at #4, "Wanna Be Startin' Somethin'" made it to #5, "Human Nature" peaked at #7, and "P.Y.T." managed to sneak in at #10.[[/note]] "Thriller", "Beat It", and "Billie Jean" were also matched to videos which collectively revolutionised the medium of the music video.
**
video. The album hits the ground running full speed with two songs in the same disco/funk style as most of ''Music/OffTheWall'', but even more so:
*** ** [[https://www.youtube.com/watch?v=4Uj3zitETs4 "Wanna Be Startin' Somethin'"]] starts with a driving bass and drum beat and adds a first rate horn section in counterpoint to Jackson's angry vocals about rumourmongering for the sake of starting fights. Despite its fast tempo and major key, it is one of the most frightening yet fascinating tracks he ever recorded.
*** ** The impeccably scored [[https://www.youtube.com/watch?v=hG9OzYVSg3c "Baby Be Mine"]] meshes the lyrics of a plaintive love ballad with more outstanding drums, bass, brass, and keyboards. It was one of just two songs on the album not to be released as a single,[[note]] It was, however, released as the B-side to "Human Nature".[[/note]] which is a shame, as it more than holds its own against the album's more famous tracks.
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Hm, this is linked twice. Once is enough.


** The Rod Temperton-penned "[[https://www.youtube.com/watch?v=5X-Mrc2l1d0 Rock with You]]" was the album's second ''Billboard'' chart-topper, and is another great disco/post-disco track, with an awesome TruckDriversGearChange after the instrumental break. The [[https://www.youtube.com/watch?v=5X-Mrc2l1d0 video]] follows the trajectory from PerformanceVideo to ConceptVideo started by "Don't Stop 'Til You Get Enough", with Michael singing and dancing in a sequined suit, lit from behind in bright green.

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** The Rod Temperton-penned "[[https://www.youtube.com/watch?v=5X-Mrc2l1d0 Rock with You]]" was the album's second ''Billboard'' chart-topper, and is another great disco/post-disco track, with an awesome TruckDriversGearChange after the instrumental break. The [[https://www.youtube.com/watch?v=5X-Mrc2l1d0 video]] video follows the trajectory from PerformanceVideo to ConceptVideo started by "Don't Stop 'Til You Get Enough", with Michael singing and dancing in a sequined suit, lit from behind in bright green.
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Fixing spelling error and trimming Word Cruft.


** "Unbreakable," which is not only a killer "fuck the haters" song by has one of the most ''insanely'' catchy {{ear worm}}s of any MJ song. A perfect start for the album.

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** "Unbreakable," which is not only a killer "fuck the haters" song by but has one of the most ''insanely'' catchy {{ear worm}}s of any MJ song. A perfect start for the album.



** Even critics at the time who dismissed the album called "2000 Wats" an exceptional dance track. It's also one of the few where MJ sings in his normal, deeper voice[[note]]To elaborate, that high-pitched, feminine voice of his was a put on, the result of his infamous fear of aging. His real voice was more bassy and masculine.[[/note]] and it is ''awesome''. Not to mention that rhythm could rival even the hottest Music/{{Nsync}} tracks from the time.

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** Even critics at the time who dismissed the album called "2000 Wats" an exceptional dance track. It's also one of the few where MJ sings in his normal, deeper voice[[note]]To elaborate, that voice[[note]]That high-pitched, feminine voice of his was a put on, the result of his infamous fear of aging. His real voice was more bassy and masculine.[[/note]] and it is ''awesome''. Not to mention that rhythm could rival even the hottest Music/{{Nsync}} tracks from the time.
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** Even critics at the time who dismissed the album called "2000 Wats" an exceptional dance track. It's also one of the few where MJ sings in his normal, deeper voice[[note]]To elaborate, that high-pitched, feminine voice of his was a put on, the result of his infamous fear of aging. His real voice was more bassy and masculine.[[/note]] and it is ''awesome''. Not to mention that rhythm could rival even the hottest Music/Nsync tracks from the time.

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** Even critics at the time who dismissed the album called "2000 Wats" an exceptional dance track. It's also one of the few where MJ sings in his normal, deeper voice[[note]]To elaborate, that high-pitched, feminine voice of his was a put on, the result of his infamous fear of aging. His real voice was more bassy and masculine.[[/note]] and it is ''awesome''. Not to mention that rhythm could rival even the hottest Music/Nsync Music/{{Nsync}} tracks from the time.
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** [[http://www.youtube.com/watch?v=pEEMi2j6lYE "Stranger in Moscow"]], which does a great job capturing the emotional devastation of his first child molestation trial. The music almost feels like a proto-{{downtempo}} song.

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** [[http://www.youtube.com/watch?v=pEEMi2j6lYE "Stranger in Moscow"]], which does a great job capturing the emotional devastation of his first child molestation trial. The music almost feels like a proto-{{downtempo}} proto-downtempo/trip-hop song.
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** "Who Is It", a brooding yet effectively dark song that tells the tale of a man left in complete despair after losing his love to someone else.

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** "Who Is It", a brooding yet effectively dark song that tells the tale of a man left in complete despair after losing his love to someone else. It's also got a ''sick'' beat, courtesy of MJ beat-boxing.



** [[http://www.youtube.com/watch?v=0P4A1K4lXDo "Scream"]], in the expensive spaceship with Music/JanetJackson. A video that, to this day, is one of the most expensive music videos ever made (topping out at about $7 million).
** [[http://www.youtube.com/watch?v=pEEMi2j6lYE "Stranger in Moscow"]], another lesser-known song from the album.

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** [[http://www.youtube.com/watch?v=0P4A1K4lXDo "Scream"]], in the expensive spaceship with Music/JanetJackson. A video that, to this day, is one of the most expensive music videos ever made (topping out at about $7 million).
million). Along with "This Time Around" and "2 Bad," it's also a great song to put on when you're pissed off.
** [[http://www.youtube.com/watch?v=pEEMi2j6lYE "Stranger in Moscow"]], another lesser-known song from which does a great job capturing the album.emotional devastation of his first child molestation trial. The music almost feels like a proto-{{downtempo}} song.

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* Even his last album, ''Music/{{Invincible}}'' -- while easily not his best at the time -- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. [[https://www.youtube.com/watch?v=g4tpuu-Up90 "You Rock My World"]] is easily the best song from ''Invincible'', and its [[https://www.youtube.com/watch?v=1-7ABIM2qjU music video]] is even more awesome, and co-stars Chris Tucker and '''Marlon Brando'''!

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* Even his last album, ''Music/{{Invincible}}'' -- while easily not his best at the time -- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. songs.
**
[[https://www.youtube.com/watch?v=g4tpuu-Up90 "You Rock My World"]] is easily the best song from ''Invincible'', on it, and its [[https://www.youtube.com/watch?v=1-7ABIM2qjU music video]] is even more awesome, and as it co-stars Chris Tucker and freaking '''Marlon Brando'''!Brando'''!
** "Unbreakable," which is not only a killer "fuck the haters" song by has one of the most ''insanely'' catchy {{ear worm}}s of any MJ song. A perfect start for the album.
** "Break of Dawn" and "Heaven Can Wait," the closest MJ ever came to a straight-up sex jam after "I Just Can't Stop Lovin' You." Both of them just ooze sex appeal.
** Even critics at the time who dismissed the album called "2000 Wats" an exceptional dance track. It's also one of the few where MJ sings in his normal, deeper voice[[note]]To elaborate, that high-pitched, feminine voice of his was a put on, the result of his infamous fear of aging. His real voice was more bassy and masculine.[[/note]] and it is ''awesome''. Not to mention that rhythm could rival even the hottest Music/Nsync tracks from the time.
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** "Hold My Hand," a gorgeous {{silly love song|s}} performed with then-[=R&B=] superstar (and close friend of MJ's) Akon.
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** The peppy [[http://www.youtube.com/watch?v=HzZ_urpj4As "The Way You Make Me Feel"]] shows Michael as a flirtatious smooth talker rather than the streetwise rebel of "Bad" or the lover of "I Can't Stop Loving You", and its sheer energy really captures the thunderbolt that LoveAtFirstSight can deliver.

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** The peppy [[http://www.youtube.com/watch?v=HzZ_urpj4As "The Way You Make Me Feel"]] shows Michael as a flirtatious smooth talker rather than the streetwise rebel of "Bad" or the lover of "I Just Can't Stop Loving You", and its sheer energy really captures the thunderbolt that LoveAtFirstSight can deliver.
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Fleshing out the odd ZCE.


** [[http://www.youtube.com/watch?v=HzZ_urpj4As "The Way You Make Me Feel"]].
** [[http://www.youtube.com/watch?v=zZr_1K5oY_k "Speed Demon"]].
** "[[http://www.youtube.com/watch?v=PivWY9wn5ps Man in the Mirror]]". A slow buildup leading into perhaps the most glorious TruckDriversGearChange in music history:

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** The peppy [[http://www.youtube.com/watch?v=HzZ_urpj4As "The Way You Make Me Feel"]] shows Michael as a flirtatious smooth talker rather than the streetwise rebel of "Bad" or the lover of "I Can't Stop Loving You", and its sheer energy really captures the thunderbolt that LoveAtFirstSight can deliver.
** [[http://www.youtube.com/watch?v=HzZ_urpj4As "The Way You Make Me Feel"]].
** [[http://www.youtube.
com/watch?v=zZr_1K5oY_k "Speed Demon"]].
Demon"]] is pure adrenaline from start to finish, while the Will Vinton-directed claymation music video (used for a sequence in ''Film/{{Moonwalker}}'') is a memorable exercise in late 1980s MTV surrealism.
** [[UsefulNotes/MahatmaGandhi "Be the change that you wish to see in the world"]] is the message of "[[http://www.youtube.com/watch?v=PivWY9wn5ps Man in the Mirror]]". A slow buildup leading into perhaps the most glorious TruckDriversGearChange in music history:
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* ''Music/OffTheWall'' was the first of the triptych of Michael Jackson albums (along with ''Music/{{Thriller}}'' and ''Music/{{Bad}}'') produced by jazz legend Music/QuincyJones, and marks the point where his solo career really took off:
** "[[http://www.youtube.com/watch?v=yURRmWtbTbo Don't Stop 'til You Get Enough]]", his first big solo smash.
** "[[http://www.youtube.com/watch?v=5X-Mrc2l1d0 Rock With You]]". More great disco/post-disco, with an awesome TruckDriversGearChange after the instrumental break.
** "On The Floor", featuring absolutely furious slap-bass from Louis Johnson, who co-wrote the song with Michael and later played the famous bassline on "Billie Jean".

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* ''Music/OffTheWall'' was the first of the triptych of Michael Jackson albums (along with ''Music/{{Thriller}}'' and ''Music/{{Bad}}'') produced by jazz legend Music/QuincyJones, and marks the point where his solo career really took off:
off; it spawned four singles - "Don't Stop 'Til You Get Enough", "Rock with You", "Off the Wall", and "She's Out of My Life" - and every one reached the top 10 in the US.[[note]] Though only just in the latter two cases.[[/note]]
** "[[http://www.youtube.com/watch?v=yURRmWtbTbo Don't Stop 'til 'Til You Get Enough]]", Enough]]" was his first big solo smash.
smash, topping the charts in the USA, Australia, and New Zealand, and at least reaching the top 5 in Canada and many parts of Europe. The video is a fascinating proto-MTV exercise in green screen effects, with three copies of Michael dancing on screen at once in some shots.
** The Rod Temperton-penned "[[http://www.youtube.com/watch?v=5X-Mrc2l1d0 Rock With You]]". More with You]]" was the album's second ''Billboard'' chart-topper, and is another great disco/post-disco, disco/post-disco track, with an awesome TruckDriversGearChange after the instrumental break.
** "On
break. The [[https://www.youtube.com/watch?v=5X-Mrc2l1d0 video]] follows the trajectory from PerformanceVideo to ConceptVideo started by "Don't Stop 'Til You Get Enough", with Michael singing and dancing in a sequined suit, lit from behind in bright green.
** "Get on the
Floor", featuring absolutely furious slap-bass from Louis Johnson, who co-wrote the song with Michael and later played the famous bassline on "Billie Jean".

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* Most of his songs. Even his last album, ''Music/{{Invincible}}'' -- while easily not his best at the time -- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. Jackson's music pretty much WAS the music of the '80s if you weren't into [[NewWaveMusic New Wave]] or HairMetal, and most likely helped inspire or kickstart a few new musical genres on its own.

to:

* Most of his songs. Even his last album, ''Music/{{Invincible}}'' -- while easily not his best at the time -- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. Jackson's music pretty much WAS the music of the '80s if you weren't into [[NewWaveMusic New Wave]] or HairMetal, and most likely helped inspire or kickstart a few new musical genres on its own.own.
----



* "[[https://www.youtube.com/watch?v=T2wYZFji0Cs Shake Your Body (Down to the Ground)]]". [[EpicRocking Eight minutes]] of pure, concentrated awesome. If one listens closely, they can even hear what must be an early inspiration for "Thriller".

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* "[[https://www.youtube.com/watch?v=T2wYZFji0Cs Shake Your Body (Down to the Ground)]]". [[EpicRocking Eight minutes]] of pure, concentrated awesome. If one listens Listen closely, they and you can even hear what must be an early inspiration for "Thriller".



** The [[https://www.youtube.com/watch?v=T88J6IzWAFg title track]] is another first rate entry in the funk/disco style that was part of Michael's sound in the late 1970s, and although the LaughingMad intro is a bit hammy, it's hard to resist the song's entreaties to just cut loose on the dance floor.

to:

** "On The Floor", featuring absolutely furious slap-bass from Louis Johnson, who co-wrote the song with Michael and later played the famous bassline on "Billie Jean".
** The [[https://www.youtube.com/watch?v=T88J6IzWAFg title track]] is another first rate entry in the funk/disco disco/funk style that was part of Michael's sound in the late 1970s, and although the LaughingMad intro is a bit hammy, it's hard to resist the song's entreaties to just cut loose on the dance floor.



** "On The Floor", featuring absolutely furious slap-bass from Louis Johnson, who co-wrote the song with Michael and later played the famous bassline on "Billie Jean".



* [[https://www.youtube.com/watch?v=g4tpuu-Up90 "You Rock My World"]] is easily the best song from ''Invincible'', and its [[https://www.youtube.com/watch?v=1-7ABIM2qjU music video]] is even more awesome, and co-stars Chris Tucker and '''Marlon Brando'''!

to:

* Even his last album, ''Music/{{Invincible}}'' -- while easily not his best at the time -- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. [[https://www.youtube.com/watch?v=g4tpuu-Up90 "You Rock My World"]] is easily the best song from ''Invincible'', and its [[https://www.youtube.com/watch?v=1-7ABIM2qjU music video]] is even more awesome, and co-stars Chris Tucker and '''Marlon Brando'''!

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* From ''Music/OffTheWall'':

to:

* From ''Music/OffTheWall'':''Music/OffTheWall'' was the first of the triptych of Michael Jackson albums (along with ''Music/{{Thriller}}'' and ''Music/{{Bad}}'') produced by jazz legend Music/QuincyJones, and marks the point where his solo career really took off:



** "[[http://www.youtube.com/watch?v=5X-Mrc2l1d0 Rock With You]]". More great disco/post-disco.

to:

** "[[http://www.youtube.com/watch?v=5X-Mrc2l1d0 Rock With You]]". More great disco/post-disco.disco/post-disco, with an awesome TruckDriversGearChange after the instrumental break.
** The [[https://www.youtube.com/watch?v=T88J6IzWAFg title track]] is another first rate entry in the funk/disco style that was part of Michael's sound in the late 1970s, and although the LaughingMad intro is a bit hammy, it's hard to resist the song's entreaties to just cut loose on the dance floor.
--->Tonight, gotta leave that nine to five upon the shelf\\
And just enjoy yourself\\
Groove, let the madness and the music get to you\\
Life ain't so bad at all\\
When you're livin' [[TitleDrop off the wall]]
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* Two songs recorded with the great Music/FreddieMercury, but never released: [[http://www.youtube.com/watch?v=fbkFiM15Yhc State of Shock]] ([[http://en.wikipedia.org/wiki/State_of_Shock later released by The Jacksons with]] Music/MickJagger) and [[http://www.youtube.com/watch?v=ooKEHgeH884 There Must Be More to Life than This]]. WhatCouldHaveBeen...

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* Two songs recorded with the great Music/FreddieMercury, but never released: [[http://www.[[https://www.youtube.com/watch?v=fbkFiM15Yhc com/watch?v=ax3FOTiWwz0 State of Shock]] ([[http://en.wikipedia.org/wiki/State_of_Shock later released by The Jacksons with]] Music/MickJagger) and [[http://www.youtube.com/watch?v=ooKEHgeH884 There Must Be More to Life than This]]. WhatCouldHaveBeen...
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** "Who Is It", a brooding yet effectively dark song that tells the tale of a man left in complete despair after losing his love to someone else.

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** [[http://www.youtube.com/watch?v=JbHI1yI1Ndk "Jam"]], a lesser-known song.

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** [[http://www.youtube.com/watch?v=JbHI1yI1Ndk "Jam"]], a lesser-known song.song (at least among people who aren't ''Sonic 3'' fans).


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* [[https://www.youtube.com/watch?v=qTUINfx2XbY "Blood on the Dance Floor"]] combines elements of funk and new jack swing to bring a dark, catchy tune that wouldn't sound out-of-place in a ''Franchise/SonicTheHedgehog'' game; it helps that the percussion track seems to be the basis for [[VideoGame/Sonic3AndKnuckles Knuckles's theme]] (note that the song was originally supposed to be included on the ''Dangerous'' album).
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** "On The Floor", featuring absolutely furious slap-bass from Louis Johnson, who co-wrote the song with Michael and later played the famous bassline on "Billie Jean".
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Pruning Word Cruft.


** "Give In To Me", also a lesser-known but awesome song. It is the same rock type as "Beat It" and "Dirty Diana" and is incredibly passionate.

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** "Give In To Me", also a lesser-known but awesome song. It song, is the same rock type as "Beat It" and "Dirty Diana" and is incredibly passionate.
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** "Give In To Me", also a lesser-known but awesome song. It is the same rock type as "Beat It" and "Dirty Diana" and is incredibly passionate.
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* From ''Music/{{Xscape}}'', [[https://www.youtube.com/watch?v=oG08ukJPtR8 "Love Never Felt So Good",]] especially the duet version with Music/JustinTimberlake.

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* From ''Music/{{Xscape}}'', [[https://www.youtube.com/watch?v=oG08ukJPtR8 "Love Never Felt So Good",]] especially the Good"]]. The duet version with Music/JustinTimberlake.Music/JustinTimberlake gets some bonus points for incorporating some lyrics from [[https://www.youtube.com/watch?v=DbW_NYCbrT4 Johnny Mathis's cover]], which predates the Jackson version's official release by 30 years.[[note]]The song was originally recorded as a demo tape in 1983 with the intention of appearing on the ''Music/{{Thriller}}'' album. When this plan fell through, it was given to Mathis with modified lyrics a year later; it was released on Mathis's album ''A Special Part of me''. The demo leaked in 2006, and wasn't given a proper release under Michael Jackson's branding until 5 years after his death.[[/note]]
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-->'''Michael:''' If you wanna make the world a better place, take a look at yourself and then make that...\\

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-->'''Michael:''' --->'''Michael:''' If you wanna make the world a better place, take a look at yourself and then make that...\\
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** "[[http://www.youtube.com/watch?v=PivWY9wn5ps Man in the Mirror]]". That TruckDriversGearChange!

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** "[[http://www.youtube.com/watch?v=PivWY9wn5ps Man in the Mirror]]". That TruckDriversGearChange!A slow buildup leading into perhaps the most glorious TruckDriversGearChange in music history:
-->'''Michael:''' If you wanna make the world a better place, take a look at yourself and then make that...\\
'''Choir:''' ''(out of flipping nowhere)'' CHANGE!
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Why is "best" randomly capitalised?


* Most of his songs. Even his last album, ''Music/{{Invincible}}'' -- while easily not his Best at the time-- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. Jackson's music pretty much WAS the music of the '80s if you weren't into [[NewWaveMusic New Wave]] or HairMetal, and most likely helped inspire or kickstart a few new musical genres on its own.

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* Most of his songs. Even his last album, ''Music/{{Invincible}}'' -- while easily not his Best best at the time-- time -- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. Jackson's music pretty much WAS the music of the '80s if you weren't into [[NewWaveMusic New Wave]] or HairMetal, and most likely helped inspire or kickstart a few new musical genres on its own.
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* Most of his songs. Even his last album, ''Music/{{Invincible}}'' -- while easily his worst -- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. Jackson's music pretty much WAS the music of the '80s if you weren't into [[NewWaveMusic New Wave]] or HairMetal, and most likely helped inspire or kickstart a few new musical genres on its own.

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* Most of his songs. Even his last album, ''Music/{{Invincible}}'' -- while easily not his worst -- Best at the time-- has several superb songs on it that we only ''wish'' others could adequately perform, let alone his larger than life 1980s songs. Jackson's music pretty much WAS the music of the '80s if you weren't into [[NewWaveMusic New Wave]] or HairMetal, and most likely helped inspire or kickstart a few new musical genres on its own.

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