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Quotes from lyrics don't go in italics unless they're part of a page-topping quote.


-->''Look I made you some content!\\

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-->''Look -->Look I made you some content!\\



It's a beautiful day to stay [[TitleDrop insiiiide!]]''

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It's a beautiful day to stay [[TitleDrop insiiiide!]]''insiiiide!]]



-->''Hey, what can ya say?\\

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-->''Hey, -->Hey, what can ya say?\\



But it'll be over soon, you wait...''

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But it'll be over soon, you wait...''
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-->Look I made you some content!\\

to:

-->Look -->''Look I made you some content!\\



It's a beautiful day to stay [[TitleDrop insiiiide!]]

to:

It's a beautiful day to stay [[TitleDrop insiiiide!]]insiiiide!]]''



-->Hey, what can ya say?\\

to:

-->Hey, -->''Hey, what can ya say?\\



But it'll be over soon, you wait...

to:

But it'll be over soon, you wait...''
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This namespace is Spoilers Off.


* From ''The Inside Outtakes'', [[https://www.youtube.com/watch?v=NeOhV4zOxJ4 "The Chicken"]] might be the most beautiful song Bo has ever written: a completely sincere, melancholy, existentialist {{Deconstruction}} of [[spoiler:the oldest joke in the world]].

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* From ''The Inside Outtakes'', [[https://www.youtube.com/watch?v=NeOhV4zOxJ4 "The Chicken"]] might be the most beautiful song Bo has ever written: a completely sincere, melancholy, existentialist {{Deconstruction}} of [[spoiler:the the oldest joke in the world]].world.
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* From ''The Inside Outtakes'', [[https://www.youtube.com/watch?v=NeOhV4zOxJ4 "The Chicken"]] might be the most beautiful song Bo has ever written: a completely sincere, melancholy, existentialist {{Deconstruction}} of [[spoiler:the oldest joke in the world]].
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* "All Eyes On Me" builds on "Can't Handle This"'s themes and sound and is another grand (and depressing) finale.

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* "All Eyes On Me" builds on has drawn many comparisons to "Can't Handle This"'s themes This" from ''Make Happy'' and sound for good reason. It's an emotionally devastating gut-punch of sincerity and is another grand (and depressing) finale.desperation that manages to capture the swelling emotions of an arena rock audience participation song in a sold-out stadium despite being performed and filmed in front of an audience of 0 in a tiny and cluttered studio apartment.
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* "Welcome to the Internet" is a VillainSong for the Internet, is as grandiose as any villain song you'd hear on Broadway or in a Disney musical, perfectly personifying the internet as an unnerving and creepy entity that happily talks about how it has given us everything we could ever imagine, and now has us firmly in its grasp, hopelessly addicted. The jaunty, circus ringleader melody sells the ridiculous insanity of all that's on offer so well that the horror doesn't hit you until the beautiful bridge section ends with deliciously mocking laughter, followed by the song concluding on a final, more menacing repetition of the chorus.

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* "Welcome to the Internet" is a VillainSong for the Internet, is as grandiose as any villain song you'd hear on Broadway or in a Disney musical, perfectly personifying the internet as an unnerving and creepy entity that happily talks about how it has given us everything we could ever imagine, and now has us firmly in its grasp, hopelessly addicted. The jaunty, circus ringleader melody sells the ridiculous insanity of all that's on offer so well that the horror doesn't hit you until the beautiful bridge section ends with deliciously mocking laughter, followed by the song concluding on a final, more menacing repetition of the chorus. It was so popular and memorable that Creator/JoshScorcher made an AffectionateParody of this song for video games and the failures of its industry in 2021, titled [[https://www.youtube.com/watch?v=WhkHF3PmTgc&t=4s "Welcome to the Industry"]].
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* "Welcome to the Internet" is a VillainSong for the Internet, is as grandiose as any villain song you'd hear on Broadway or in a Disney musical, perfectly personifying the internet as an unnerving and creepy entity that happily talks about how it has given us everything we could ever imagine, and now has us firmly in its grasp, hopelessly addicted. It's both catchy and painfully haunting, and possibly culturally-defining, if [[https://www.youtube.com/watch?v=k1BneeJTDcU&lc=Ugwezm59RI0u8s74jfN4AaABAg this YouTube comment]] is to be trusted:

to:

* "Welcome to the Internet" is a VillainSong for the Internet, is as grandiose as any villain song you'd hear on Broadway or in a Disney musical, perfectly personifying the internet as an unnerving and creepy entity that happily talks about how it has given us everything we could ever imagine, and now has us firmly in its grasp, hopelessly addicted. It's both catchy and painfully haunting, and possibly culturally-defining, if [[https://www.youtube.com/watch?v=k1BneeJTDcU&lc=Ugwezm59RI0u8s74jfN4AaABAg this YouTube comment]] is to be trusted:The jaunty, circus ringleader melody sells the ridiculous insanity of all that's on offer so well that the horror doesn't hit you until the beautiful bridge section ends with deliciously mocking laughter, followed by the song concluding on a final, more menacing repetition of the chorus.
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None


--> "There is an adult radio station in germany, called "[[https://www.deutschlandfunk.de Deutschlandfunk]]", which normally only has documentaries, news and politics. The only times they play music its normally whenever some Jazzmusician has died. And only at 1am. They played your song at least twice already, which actually means they accepted this song as part of a new culture, as something important that people need to hear. Congrats."
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-> "There is an adult radio station in germany, called "[[https://www.deutschlandfunk.de Deutschlandfunk]]", which normally only has documentaries, news and politics. The only times they play music its normally whenever some Jazzmusician has died. And only at 1am. They played your song at least twice already, which actually means they accepted this song as part of a new culture, as something important that people need to hear. Congrats."

to:

-> --> "There is an adult radio station in germany, called "[[https://www.deutschlandfunk.de Deutschlandfunk]]", which normally only has documentaries, news and politics. The only times they play music its normally whenever some Jazzmusician has died. And only at 1am. They played your song at least twice already, which actually means they accepted this song as part of a new culture, as something important that people need to hear. Congrats."

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Changed: 322

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* "Welcome to the Internet" is a VillainSong for ''the Internet'', is as grandiose as any villain song you'd hear on Broadway or in a Disney musical, perfectly personifying the internet as an unnerving and creepy entity that will happily give you [[BeCarefulWhatYouWishFor everything you could ever imagine]], for better and (mostly) for ill.

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* "Welcome to the Internet" is a VillainSong for ''the Internet'', the Internet, is as grandiose as any villain song you'd hear on Broadway or in a Disney musical, perfectly personifying the internet as an unnerving and creepy entity that will happily give you [[BeCarefulWhatYouWishFor talks about how it has given us everything you we could ever imagine]], for better imagine, and (mostly) for ill.now has us firmly in its grasp, hopelessly addicted. It's both catchy and painfully haunting, and possibly culturally-defining, if [[https://www.youtube.com/watch?v=k1BneeJTDcU&lc=Ugwezm59RI0u8s74jfN4AaABAg this YouTube comment]] is to be trusted:
-> "There is an adult radio station in germany, called "[[https://www.deutschlandfunk.de Deutschlandfunk]]", which normally only has documentaries, news and politics. The only times they play music its normally whenever some Jazzmusician has died. And only at 1am. They played your song at least twice already, which actually means they accepted this song as part of a new culture, as something important that people need to hear. Congrats."
Is there an issue? Send a MessageReason:
None


* "Welcome to the Internet" is a VillainSong for the Internet and is as grandiose as (and even creepier than) anything put out by Disney, with Bo seemingly channeling the Joker at points. Creator/JoshScorcher made an AffectionateParody of this song for video games and the failures of its industry in 2021, titled [[https://www.youtube.com/watch?v=WhkHF3PmTgc&t=4s "Welcome to the Industry"]].

to:

* "Welcome to the Internet" is a VillainSong for the Internet and ''the Internet'', is as grandiose as (and even creepier than) anything put out by Disney, with Bo seemingly channeling the Joker at points. Creator/JoshScorcher made an AffectionateParody of this any villain song you'd hear on Broadway or in a Disney musical, perfectly personifying the internet as an unnerving and creepy entity that will happily give you [[BeCarefulWhatYouWishFor everything you could ever imagine]], for video games better and the failures of its industry in 2021, titled [[https://www.youtube.com/watch?v=WhkHF3PmTgc&t=4s "Welcome to the Industry"]].(mostly) for ill.
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* The opening song is amazing (both lyrically and visually).
-->Look I made you some content!\\
Daddy made you your favorite, open wide\\
Here comes the content!\\
It's a beautiful day to stay [[TitleDrop insiiiide!]]
* "Unpaid Intern" is a quick but memorable tune that's wonderfully jazzy.
* "Bezos I" is gloriously ironic, with a spectacular synth solo that will stick it your head forever.
* "That Funny Feeling" is a beautiful, James Taylor-esque song that lists off trends in pop culture and society in general while Bo is constantly getting a "funny" (read: dreadful) feeling.
-->Hey, what can ya say?\\
We were overdue\\
But it'll be over soon, you wait...
* "Welcome to the Internet" is a VillainSong for the Internet and is as grandiose as (and even creepier than) anything put out by Disney, with Bo seemingly channeling the Joker at points. Creator/JoshScorcher made an AffectionateParody of this song for video games and the failures of its industry in 2021, titled [[https://www.youtube.com/watch?v=WhkHF3PmTgc&t=4s "Welcome to the Industry"]].
* "All Eyes On Me" builds on "Can't Handle This"'s themes and sound and is another grand (and depressing) finale.
* "Goodbye" captures the feeling of isolation and ''despair'' that many felt during quarantine, and perfectly captures the special's themes of anxiety, depression, and loneliness.
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