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* Cooper coupling the landing craft with the ''Endurance'' [[spoiler: after Dr. Mann, in his mad attempt to hijack the ship, severely damaged it. It should be noted that he does this while the ''Endurance'' is '''spinning at 68rpm.''']]
to:
* Cooper coupling the landing craft with the ''Endurance'' [[spoiler: after Dr. Mann, in his mad attempt to hijack the ship, severely damaged it. It should be noted that he does this while the ''Endurance'' is '''spinning at 68rpm.''']]''' And he doesn't black out, even though the g-forces of that spin did knock out Brand.]]
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changed the wording of transcended humans into Bulk Beings because the human part is only a theory by a character while it\'s confirmed that the bulk beings did create the room. hole. library thing.
Changed line(s) 7 (click to see context) from:
* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpendicular time-bending gravity waves ([[MindScrew or something like that]]) created by humans who have transcended time and space. It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity.]]
to:
* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpendicular time-bending gravity waves ([[MindScrew or something like that]]) created by humans Bulk Beings who have transcended time and space. It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity.]]
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Changed line(s) 7 (click to see context) from:
* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpendicular time-bending gravity waves (or something like that) created by humans who have transcended time and space. It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity.]]
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* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpendicular time-bending gravity waves (or ([[MindScrew or something like that) that]]) created by humans who have transcended time and space. It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity.]]
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* TARS casually reveals that he [[spoiler: turned off the auto-docking to prevent Dr. Mann stealing the Endeavour, due to his low trust settings]].
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**The way in which they move around (including their ability to swim by rotating like a water wheel makes this use of practical effects all the more amazing.
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* While on Miller's planet, the Cooper sees a tsunami is coming their way and orders Brand and Doyle to return to the shuttle. Except Brand gets stuck under a piece of debris [[spoiler: while trying to recover the data log]], so Doyle orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and saves Brand in a flash.
to:
* While on Miller's planet, the Cooper planet,Cooper sees a tsunami is coming their way and orders Brand and Doyle to return to the shuttle. Except Brand gets stuck under a piece of debris [[spoiler: while trying to recover the data log]], so Doyle orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and saves Brand in a flash.
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Changed line(s) 2 (click to see context) from:
* When on Miller's planet, the Cooper sees a tsunami is coming their way and orders Brand and Doyle to return to the shuttle. Except Brand gets stuck under a piece of debris [[spoiler: while trying to recover the data log]], so Doyle orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and saves Brand in a flash.
to:
* When While on Miller's planet, the Cooper sees a tsunami is coming their way and orders Brand and Doyle to return to the shuttle. Except Brand gets stuck under a piece of debris [[spoiler: while trying to recover the data log]], so Doyle orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and saves Brand in a flash.
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* When on the water planet, the astronauts realize a gigantic tidal wave is coming their way and all rush to the shuttle. Brand, however, is stuck under a piece of debris further from the ship, so Cooper orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and goes to save Brand in a flash.
to:
* When on the water Miller's planet, the astronauts realize Cooper sees a gigantic tidal wave tsunami is coming their way and all rush orders Brand and Doyle to return to the shuttle. Brand, however, is Except Brand gets stuck under a piece of debris further from [[spoiler: while trying to recover the ship, data log]], so Cooper Doyle orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and goes to save saves Brand in a flash.
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Changed line(s) 3 (click to see context) from:
* Cooper coupling the landing craft with the ''Endurance'' [[spoiler: after Dr. Mann, in his mad attempt to hijack the ship, severely damaged it and sent it spinning too fast for a safe coupling.]]
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* Cooper coupling the landing craft with the ''Endurance'' [[spoiler: after Dr. Mann, in his mad attempt to hijack the ship, severely damaged it and sent it spinning too fast for a safe coupling.]]it. It should be noted that he does this while the ''Endurance'' is '''spinning at 68rpm.''']]
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-->[[spoiler: '''Cooper: '''No. It's necessary.]]
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-->[[spoiler: '''Cooper: '''No. It's necessary.]]''necessary.'']]
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Changed line(s) 10 (click to see context) from:
* The long, empty shot of the crew drifting past Saturn. Even though [[spoiler: they're all still alive at that point]], there is still such a profound sense of isolation and insignificance--and they still have so far to go. There is just enough time on this shot to allow all this to sink in, too. Now ''that'' is filmmaking.
to:
* The long, empty shot of the crew drifting past Saturn. Even though [[spoiler: they're all still alive at that point]], there is still such a profound sense of isolation and insignificance--and they still have so far to go. There is just enough time on this shot to allow all this to sink in, too. in. Now ''that'' is filmmaking.
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Changed line(s) 9 (click to see context) from:
* Murph [[spoiler: torching Tom's crops, to draw him out and save Tom's family from himself.]]
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* Murph [[spoiler: torching Tom's crops, to draw him out and save Tom's family from himself.]]]]
* The long, empty shot of the crew drifting past Saturn. Even though [[spoiler: they're all still alive at that point]], there is still such a profound sense of isolation and insignificance--and they still have so far to go. There is just enough time on this shot to allow all this to sink in, too. Now ''that'' is filmmaking.
* The long, empty shot of the crew drifting past Saturn. Even though [[spoiler: they're all still alive at that point]], there is still such a profound sense of isolation and insignificance--and they still have so far to go. There is just enough time on this shot to allow all this to sink in, too. Now ''that'' is filmmaking.
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Changed line(s) 8 (click to see context) from:
* Cooper Station. [[spoiler:Especially since not only is it a functional American space colony orbiting Saturn, implying that civilization's recovered beyond Earth, but that all it represents was made possible by both Cooper and his daughter. The fact that even the family farmhouse was moved to the colony is just icing of the cake.]]
to:
* Cooper Station. [[spoiler:Especially since not only is it a functional American space colony orbiting Saturn, implying that civilization's recovered beyond Earth, but that all it represents was made possible by both Cooper and his daughter. The fact that even the family farmhouse was moved to the colony is just icing of the cake.]]
* Murph [[spoiler: torching Tom's crops, to draw him out and save Tom's family from himself.]]
* Murph [[spoiler: torching Tom's crops, to draw him out and save Tom's family from himself.]]
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Changed line(s) 3 (click to see context) from:
* Cooper coupling the landing craft with the ''Endurance'' [[spoiler: after Dr. Mann in his mad attempt to hijack the ship, severely damaged it and sent it spinning too fast for a safe coupling.]]
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* Cooper coupling the landing craft with the ''Endurance'' [[spoiler: after Dr. Mann Mann, in his mad attempt to hijack the ship, severely damaged it and sent it spinning too fast for a safe coupling.]]
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* Cooper Station. [[spoiler:Especially since not only is it a functional American space colony orbiting Saturn, implying that civilization's recovered beyond Earth. But that all it represents was made possible by both Cooper and his daughter. The fact that even the family farmhouse was moved to the colony is just icing of the cake.]]
to:
* Cooper Station. [[spoiler:Especially since not only is it a functional American space colony orbiting Saturn, implying that civilization's recovered beyond Earth. But Earth, but that all it represents was made possible by both Cooper and his daughter. The fact that even the family farmhouse was moved to the colony is just icing of the cake.]]
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Changed line(s) 6 (click to see context) from:
* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpindicular time-bending gravity waves (or something like that) created by humans who have transcended time and space. It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity.]]
to:
* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpindicular perpendicular time-bending gravity waves (or something like that) created by humans who have transcended time and space. It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity.]]
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Changed line(s) 6 (click to see context) from:
* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpindicular time-bending gravity waves (or something like that) created by humans who have transcended time and space.]]
to:
* [[spoiler: "The 5th Dimension": An extra-dimensional transspatial grid-like structure composed of perpindicular time-bending gravity waves (or something like that) created by humans who have transcended time and space. It is what enables Cooper to send the necessary data for Professor Brand's gravity equation to Murph to successfully crack the equation, and save humanity.]]
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-->[[spoiler: '''CASE:''' It's not possible.]]
-->[[spoiler: '''Cooper: '''No. It's necessary.]]
-->[[spoiler: '''Cooper: '''No. It's necessary.]]
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Changed line(s) 1,2 (click to see context) from:
* When the astronauts first go through the wormhole and soar through infinite space. The imagery, mixed with the score, is fantastic.
** Even better, since Kip Thorne himself was an executive producer on the film, that imagery is not fake. Since he provided the actual mathematical models and equations to the VFX depart, that's what it would actually look like.
** Even better, since Kip Thorne himself was an executive producer on the film, that imagery is not fake. Since he provided the actual mathematical models and equations to the VFX depart, that's what it would actually look like.
to:
* When the astronauts first go through the wormhole and soar through infinite space. The imagery, mixed with the score, is fantastic.
** Even better, sincefantastic. Kip Thorne himself was an executive producer on the film, that imagery is not fake. Since he provided the actual mathematical models and equations to the VFX depart, so that's our best guess as to what it would actually look like.
** Even better, since
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** Even better, since Kip Thorne himself was an executive producer on the film, that imagery is not fake. Since he provided the actual mathematical models and equations to the VFX depart, that's what it would act look like.
to:
** Even better, since Kip Thorne himself was an executive producer on the film, that imagery is not fake. Since he provided the actual mathematical models and equations to the VFX depart, that's what it would act actually look like.
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** Even better, since Kip Thorne himself was an executive producer on the film, that imagery is not fake. Since he provided the actual mathematical models and equations to the VFX depart, that's what it would act look like.
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* TARS and CASE.
to:
* TARS and CASE. In a meta way: Their entire presence on the film (every borderline-AlienGeometries-feeling second of it) was ''practical effects''.
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Changed line(s) 5 (click to see context) from:
* TARS and CASE.
to:
* TARS and CASE.CASE.
* Cooper Station. [[spoiler:Especially since not only is it a functional American space colony orbiting Saturn, implying that civilization's recovered beyond Earth. But that all it represents was made possible by both Cooper and his daughter. The fact that even the family farmhouse was moved to the colony is just icing of the cake.]]
* Cooper Station. [[spoiler:Especially since not only is it a functional American space colony orbiting Saturn, implying that civilization's recovered beyond Earth. But that all it represents was made possible by both Cooper and his daughter. The fact that even the family farmhouse was moved to the colony is just icing of the cake.]]
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Changed line(s) 3 (click to see context) from:
* Cooper coupling the landing craft with the Endurance [[spoiler: after Dr. Mann in his mad attempt to hijack the ship, severely damaged it and sent it spinning too fast for a safe coupling.]]
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* Cooper coupling the landing craft with the Endurance ''Endurance'' [[spoiler: after Dr. Mann in his mad attempt to hijack the ship, severely damaged it and sent it spinning too fast for a safe coupling.]]
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* [[spoiler: "The 5th Dimension": A trans-spatial multi-dimensional grid-like structure composed of time-bending gravity waves (or something like that) created by humans who have transcended time and space.]]
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* [[spoiler: "The 5th Dimension": A trans-spatial multi-dimensional An extra-dimensional transspatial grid-like structure composed of perpindicular time-bending gravity waves (or something like that) created by humans who have transcended time and space.]]
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Changed line(s) 4 (click to see context) from:
* [[spoiler: "The 5th Dimension": A trans-spatial 3-dimensional grid-like structure composed of time-bending gravity waves (or something like that) created by humans who have transcended time and space.]]
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* [[spoiler: "The 5th Dimension": A trans-spatial 3-dimensional multi-dimensional grid-like structure composed of time-bending gravity waves (or something like that) created by humans who have transcended time and space.]]]]
* TARS and CASE.
* TARS and CASE.
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Changed line(s) 3 (click to see context) from:
* Cooper coupling the landing craft with the Endurance [[spoiler: after Dr. Mann in his mad attempt to hijack the ship damaged the ship and sent it spinning too fast for a safe coupling.]]
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* Cooper coupling the landing craft with the Endurance [[spoiler: after Dr. Mann in his mad attempt to hijack the ship ship, severely damaged the ship it and sent it spinning too fast for a safe coupling.]]
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Changed line(s) 3 (click to see context) from:
* Cooper coupling the landing craft with the Endurance [[spoiler: after Dr. Mann in his mad attempt to hijack the ship damaged the ship and sent it spinning too fast for a safe coupling.]]
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* Cooper coupling the landing craft with the Endurance [[spoiler: after Dr. Mann in his mad attempt to hijack the ship damaged the ship and sent it spinning too fast for a safe coupling.]]
* [[spoiler: "The 5th Dimension": A trans-spatial 3-dimensional grid-like structure composed of time-bending gravity waves (or something like that) created by humans who have transcended time and space.]]
* [[spoiler: "The 5th Dimension": A trans-spatial 3-dimensional grid-like structure composed of time-bending gravity waves (or something like that) created by humans who have transcended time and space.]]
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Changed line(s) 2 (click to see context) from:
* When on the water planet, the astronauts realize a gigantic tidal wave is coming their way and all rush to the shuttle. Brand, however, is stuck under a piece of debris further from the ship, so Cooper orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and goes to save Brand in a flash.
to:
* When on the water planet, the astronauts realize a gigantic tidal wave is coming their way and all rush to the shuttle. Brand, however, is stuck under a piece of debris further from the ship, so Cooper orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and goes to save Brand in a flash.flash.
* Cooper coupling the landing craft with the Endurance [[spoiler: after Dr. Mann in his mad attempt to hijack the ship damaged the ship and sent it spinning too fast for a safe coupling.]]
* Cooper coupling the landing craft with the Endurance [[spoiler: after Dr. Mann in his mad attempt to hijack the ship damaged the ship and sent it spinning too fast for a safe coupling.]]
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* When the astronauts first go through the wormhole and soar through infinite space. The imagery, mixed with the score, is fantastic.
to:
* When the astronauts first go through the wormhole and soar through infinite space. The imagery, mixed with the score, is fantastic.fantastic.
* When on the water planet, the astronauts realize a gigantic tidal wave is coming their way and all rush to the shuttle. Brand, however, is stuck under a piece of debris further from the ship, so Cooper orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and goes to save Brand in a flash.
* When on the water planet, the astronauts realize a gigantic tidal wave is coming their way and all rush to the shuttle. Brand, however, is stuck under a piece of debris further from the ship, so Cooper orders CASE to go save her. Up until then, CASE seemed like a clumsy, slow and blocky robot, but it suddenly makes full use of its shape-changing features, displays amazing moving speeds through the water and goes to save Brand in a flash.
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* When the astronauts first go through the wormhole and soar through infinite space. The imagery, mixed with the score, is fantastic.
