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* Gordon/Fester's HelpFaceTurn: "You were a terrible mother! There! I said it!"
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* Holly negotiating with Hans:
-->'''HANS:''' What idiot put you in charge?
-->'''HOLLY:''' You did. (Hans looks up in surprise) When you murdered my boss. Now everybody's looking to me. Personally, I'd pass on the job. I don't enjoy being this close to you.
* Argyle cutting off Theo with the limo and knocking him out.
* John taking out the rocket launcher-wielding terrorists with their own plastic explosives.
-->'''HANS:''' What idiot put you in charge?
-->'''HOLLY:''' You did. (Hans looks up in surprise) When you murdered my boss. Now everybody's looking to me. Personally, I'd pass on the job. I don't enjoy being this close to you.
* Argyle cutting off Theo with the limo and knocking him out.
* John taking out the rocket launcher-wielding terrorists with their own plastic explosives.
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** Back in 1955, after Marty realizes he's just followed a false trail and gotten nothing but Biff's dirty magazine.
--> Doc Brown: "Marty, the entire future depends on you finding Biff and getting that book back!"
--> Marty: "I know! I just don't know where ..."
-->(Sounds of Biff and George's fight in the parking lot from Part I)
--> Marty: "''OF COURSE!!!''"
--> Doc Brown: "Marty, the entire future depends on you finding Biff and getting that book back!"
--> Marty: "I know! I just don't know where ..."
-->(Sounds of Biff and George's fight in the parking lot from Part I)
--> Marty: "''OF COURSE!!!''"
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[[AC: TheInvisibleMan]]
* Griffin the Invisible Man himself has a great many great moments, but by far the best would have to be how he takes revenge on Kemp; quite apart from not being fooled by the police's attempt to protect him, he waits until Kemp [[HopeSpot feels as though he's managed to get to safety]], and then reveals that he's sitting in the backseat of the car. Then he ties Kemp up, drives the car to the edge of a cliff and...
-->'''Griffin:''' I hope your car's insured, Kemp: I'm afraid there's going to a nasty accident in a minute... a ''very'' nasty accident.
-->'''Kemp:''' Griffin, I'll do anything, everything you ask!
-->'''Griffin:''' You will? That's fine. Just sit where you are; I'll get out and take the handbrake off and give you a little shove to help you on. You'll run gently down and through the railings, then you'll have a big thrill for a hundred yards or so 'til you hit a boulder, then you'll do a somesault and probably break your arms, then a grand finish-up with a broken neck! Well, goodbye, Kemp. I always said you were a [[DirtyCoward dirty little coward]]- you're a dirty sneaking little rat as well! Goodbye!
-->(He takes the handbrake off, letting the car roll off the cliff- Kemp screaming all the way, dampened by the sound of Griffin's [[EvilLaugh maniacal laughter]].)
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* Part VII: Jason Takes Manhattan: when Jason is on a rooftop and a high school boxer is trying to fight him, Jason takes a few punches and finally retaliates. He punches the student in the face, and the student's head is knocked clean off his shoulders. It then rolls off the roof and into a dumpster on the ground, followed immediately by the dumpster lid slamming itself shut.
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** From All Saints Day: "DING DONG, MOTHERFUCKER! DING ''DONG!''
** The [[spoiler: courtroom execution]] from the first and the final fire fight in the second. The first may also count as CrazyAwesome.
** The [[spoiler: courtroom execution]] from the first and the final fire fight in the second. The first may also count as CrazyAwesome.
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* From All Saints Day: "DING DONG, MOTHERFUCKER! DING ''DONG!''
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[[AC: AstroBoy]]
* From the 2009 film - after [[spoiler: Astro is captured and deactivated, Dr. Tenma suddenly turns on Stone and, with Dr. Elefun's help, snatches the Blue Core so he can reactivate Astro, assure him that despite not being Toby Astro is still Tenma's son, and send Astro off to escape while Tenma and Elefun face the military]]. The interaction between [[spoiler:Astro and Tenma]] makes this the CrowningMomentOfHeartwarming too.
** In the same movie, Astro [[spoiler:defeats a coliseum full of robots, slows a falling island enough to minimize damage and casualties, and flips a ''skyscraper-sized'' baddie that has absorbed most of the air force's weaponry over his head.]] Astro is BadassAdorable, plain and simple.
** Zog, the giant robot Astro revived, is about to crush a human who wronged them underneath his foot. The human protests that he can't, due to the laws of robotics, which have apparently been in use for 50 years. Zog, who was built far earlier than that, simply says:
* From the 2009 film - after [[spoiler: Astro is captured and deactivated, Dr. Tenma suddenly turns on Stone and, with Dr. Elefun's help, snatches the Blue Core so he can reactivate Astro, assure him that despite not being Toby Astro is still Tenma's son, and send Astro off to escape while Tenma and Elefun face the military]]. The interaction between [[spoiler:Astro and Tenma]] makes this the CrowningMomentOfHeartwarming too.
** In the same movie, Astro [[spoiler:defeats a coliseum full of robots, slows a falling island enough to minimize damage and casualties, and flips a ''skyscraper-sized'' baddie that has absorbed most of the air force's weaponry over his head.]] Astro is BadassAdorable, plain and simple.
** Zog, the giant robot Astro revived, is about to crush a human who wronged them underneath his foot. The human protests that he can't, due to the laws of robotics, which have apparently been in use for 50 years. Zog, who was built far earlier than that, simply says:
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[[AC: AstroBoy]]
AstroBoy (2009 film)]]
*From the 2009 film - after After [[spoiler: Astro is captured and deactivated, Dr. Tenma suddenly turns on Stone and, with Dr. Elefun's help, snatches the Blue Core so he can reactivate Astro, assure him that despite not being Toby Astro is still Tenma's son, and send Astro off to escape while Tenma and Elefun face the military]]. The interaction between [[spoiler:Astro and Tenma]] makes this the CrowningMomentOfHeartwarming too.
** In the same movie, * Astro [[spoiler:defeats a coliseum full of robots, slows a falling island enough to minimize damage and casualties, and flips a ''skyscraper-sized'' baddie that has absorbed most of the air force's weaponry over his head.]] Astro is BadassAdorable, plain and simple.
** * Zog, the giant robot Astro revived, is about to crush a human who wronged them underneath his foot. The human protests that he can't, due to the laws of robotics, which have apparently been in use for 50 years. Zog, who was built far earlier than that, simply says:
*
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** Again from the same movie - what about the scene where Astro learns to fly and then spends a few minutes playing in the clouds, with the scene culminating in his iconic tunnel-through-the-mountain? Whatever your overall opinion of the movie is, if you didn't find this sequence thrilling something is wrong.
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** When Sirius apparates into the Veil room in the Department of Mysteries. He walks up to Lucius Malfoy, says, "Get away from my godson," and ''punches him in the face!''
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Dang it, forgot about escape sequences.
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* As further evidence that writer/director Paul W.S. Anderson is learning, Claire goes from doing...pretty much nothing in the third movie to having a legitimate CMoA of her own here, namely her fight against [[ResidentEvil5 the Executioner Majini]] in the prison's shower room. The fight ''tears the room apart'', and climaxes with Claire grabbing a dropped sawed off shotgun, sliding toward the Executioner and shooting him point blank in the chest. True, [[spoiler:it only puts him down temporarily]], but it was still awesome!
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* As further evidence that writer/director Paul W.S. Anderson is learning, Claire goes from doing...pretty much nothing in the third movie to having a legitimate CMoA [=CMoA=] of her own here, namely her fight against [[ResidentEvil5 the Executioner Majini]] in the prison's shower room. The fight ''tears the room apart'', and climaxes with Claire grabbing a dropped sawed off shotgun, sliding toward the Executioner and shooting him point blank in the chest. True, [[spoiler:it only puts him down temporarily]], but it was still awesome!
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*** Well, yes, but AuthorsSavingThrow + TakeThatScrappy! = a definite step in the right direction.
* As further evidence that writer/director Paul W.S. Anderson is learning, Claire goes from doing...pretty much nothing in the third movie to having a legitimate CMoA of her own here, namely her fight against [[ResidentEvil5 the Executioner Majini]] in the prison's shower room. The fight ''tears the room apart'', and climaxes with Claire grabbing a dropped sawed off shotgun, sliding toward the Executioner and shooting him point blank in the chest. True, [[spoiler:it only puts him down temporarily]], but it was still awesome!
* As further evidence that writer/director Paul W.S. Anderson is learning, Claire goes from doing...pretty much nothing in the third movie to having a legitimate CMoA of her own here, namely her fight against [[ResidentEvil5 the Executioner Majini]] in the prison's shower room. The fight ''tears the room apart'', and climaxes with Claire grabbing a dropped sawed off shotgun, sliding toward the Executioner and shooting him point blank in the chest. True, [[spoiler:it only puts him down temporarily]], but it was still awesome!
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** You know you've made some misteps in the franchise when your hero getting the everloving shit beaten out of her is considered the most awesome thing in the film.
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[[AC: {{Goodbye Lenin}}]]
* The amazing "Flying Lenin Scene": After awaking from a long coma and her children [[ptitle1d213erd keeping the end of communism a secret]] from her, a loyal socialist woman leaves her appartment for the first time to find a world that's very different from what she had known all her life. As she starts to realize that something is really wrong, a helicopter comes flying by, carrying away a giant dismanteled Lenin statue [[http://www.youtube.com/watch?v=Kehu8QBHCCk that seems to stretch out its arm to her for one last time, before disappearing into the sunset]]. It's even more amazing to watch in a theatre with the music and noise of the helicopter drowning out everything else. Clearly one of the greatest achievements of german cinema in the last decades.
* The amazing "Flying Lenin Scene": After awaking from a long coma and her children [[ptitle1d213erd keeping the end of communism a secret]] from her, a loyal socialist woman leaves her appartment for the first time to find a world that's very different from what she had known all her life. As she starts to realize that something is really wrong, a helicopter comes flying by, carrying away a giant dismanteled Lenin statue [[http://www.youtube.com/watch?v=Kehu8QBHCCk that seems to stretch out its arm to her for one last time, before disappearing into the sunset]]. It's even more amazing to watch in a theatre with the music and noise of the helicopter drowning out everything else. Clearly one of the greatest achievements of german cinema in the last decades.
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[[AC: ResidentEvil]]
* ''Afterlife'' opens with one of these: [[MagnificentBastard Wesker]] versus [[GodModeSue Alice]]. Let's put this into context, shall we? Over the course of movies 2 and 3, Alice has gone from the BadassNormal she was in film 1 to a full-blown GodModeSue (even BlackHoleSue by the third film), who could win a fistfight with the friggin' [[ResidentEvil3 Nemesis]], had PsychicPowers [[WallBanger that she got from the T-Virus]], and constantly [[SpotlightStealingSquad stole the spotlight]] from canon [[BadAss badasses]] Jill Valentine and Claire Redfield. She even [[spoiler:assembled [[MesACrowd a clone army]] to take on Umbrella.]] So, what happens in film 4? [[spoiler:As the clones go into Umbrella's Tokyo HQ, Wesker guns down one clone, evacuates to a CoolPlane, leaves the facility and ''nukes'' the entire clone army. He's then jumped by the original Alice on the plane...and he proceeds to tell her that it's nice to finally meet her, catches her off guard and injects her with a serum that permanently removes her God Mode powers, and then ''[[NoHoldsBarredBeatdown kicks her ass from one end of the plane to the other]].'' Yes, fans, Wesker literally ''beat the Sue out of Alice.'']] It. Was. '''''Glorious.'''''
* ''Afterlife'' opens with one of these: [[MagnificentBastard Wesker]] versus [[GodModeSue Alice]]. Let's put this into context, shall we? Over the course of movies 2 and 3, Alice has gone from the BadassNormal she was in film 1 to a full-blown GodModeSue (even BlackHoleSue by the third film), who could win a fistfight with the friggin' [[ResidentEvil3 Nemesis]], had PsychicPowers [[WallBanger that she got from the T-Virus]], and constantly [[SpotlightStealingSquad stole the spotlight]] from canon [[BadAss badasses]] Jill Valentine and Claire Redfield. She even [[spoiler:assembled [[MesACrowd a clone army]] to take on Umbrella.]] So, what happens in film 4? [[spoiler:As the clones go into Umbrella's Tokyo HQ, Wesker guns down one clone, evacuates to a CoolPlane, leaves the facility and ''nukes'' the entire clone army. He's then jumped by the original Alice on the plane...and he proceeds to tell her that it's nice to finally meet her, catches her off guard and injects her with a serum that permanently removes her God Mode powers, and then ''[[NoHoldsBarredBeatdown kicks her ass from one end of the plane to the other]].'' Yes, fans, Wesker literally ''beat the Sue out of Alice.'']] It. Was. '''''Glorious.'''''
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*** Somewhat related to that moment, the teaser trailer: Not sure what was being advertised, just images of welders working on a huge structure, with quotes from and about the space program, then the camera pans up at the start of the iconic line, "Space...the final frontier..." and you see ENTERPRISE on the structure being built... This troper cheered in the theater.
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[[AC: {{The A-Team}}]]
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[[AC: {{The A-Team}}]][[{{Film/TheATeam}} The A-Team]]]]
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[[AC:BadBoys]]
* Destroying the shanty town in ''Bad Boys II'', as a homage to ''PoliceStory''.
* Destroying the shanty town in ''Bad Boys II'', as a homage to ''PoliceStory''.
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* Demolishing the shanty town in ''Police Story II'' (I think - one of them, anyway), as later imitated by ''BadBoys II''
** That's the opening scene to the first ''Police Story''
** That's the opening scene to the first ''Police Story''
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* Demolishing the shanty town in ''Police Story II'' (I think - one of them, anyway), Story'', as later imitated by ''BadBoys II''
** That's the opening scene to the first ''Police Story''II''
** That's the opening scene to the first ''Police Story''
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from the The Fifth Element page
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** A non-action moment: The alien diva's opera number.
** Leeloo KO'ing a group of ''armed'' {{Rubber Forehead Alien}}s counts as well.
*** Made even better by the fact that those last two happen ''at the same time''.
** Leeloo KO'ing a group of ''armed'' {{Rubber Forehead Alien}}s counts as well.
*** Made even better by the fact that those last two happen ''at the same time''.
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* Let's face it. This entire film is a CrowningMomentOfAwesome for Luc Besson.
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[[AC:{{Juno}}]]
* When Brenda tells off the the ultrasound technician for suggestion that her daughter would be a bad parent.
-->'''Brenda''': Oh, you think you're so special because you get to play Picture Pages up there? Well, my five year old daughter could do that and let me tell you, she's not the brightest bulb in the tanning bed. So why don't you go back to night school in Mantino and learn a real trade.\\
''After the ultrasound technician walks away.''\\
'''Juno''': Bren! You's a dick! I love it!
* When Brenda tells off the the ultrasound technician for suggestion that her daughter would be a bad parent.
-->'''Brenda''': Oh, you think you're so special because you get to play Picture Pages up there? Well, my five year old daughter could do that and let me tell you, she's not the brightest bulb in the tanning bed. So why don't you go back to night school in Mantino and learn a real trade.\\
''After the ultrasound technician walks away.''\\
'''Juno''': Bren! You's a dick! I love it!
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[[AC:ThePrincessBride]]
* "Hello. My name is Inigo Montoya. You killed my father. Prepare to die."
* "I want my father back, you son of a bitch!"
* "Hello. My name is Inigo Montoya. You killed my father. Prepare to die."
* "I want my father back, you son of a bitch!"
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* ''BlueThunder'', being about a [[CoolPlane Cool]] BlackHelicopter, is already ripe for [=[=CMoA=]s=], but the crowner is set up by a scene where Murphy's girlfriend is fleeing from the police while carrying the [[PlotCoupon evidence]] that will unmask the GovernmentConspiracy. The cops pull her over on a bridge and it looks like things are lost, when Blue Thunder [[BigDamnGunship suddenly rises up]] with its [[{{BFG}} massive]] [[GatlingGood Gatling gun]] aimed straight at them. The [[OhCrap stunned look]] on their faces is absolutely priceless, as is the ensuing action when a police cruiser is literally sawn in half by the gun.
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* ''BlueThunder'', being about a [[CoolPlane Cool]] BlackHelicopter, is already ripe for [=[=CMoA=]s=], but the crowner is set up by a scene where Murphy's girlfriend is fleeing from the police while carrying the [[PlotCoupon evidence]] that will unmask the GovernmentConspiracy. The cops pull her over on a bridge and it looks like things are lost, when Blue Thunder [[BigDamnGunship [[GunshipRescue suddenly rises up]] with its [[{{BFG}} massive]] [[GatlingGood Gatling gun]] aimed straight at them. The [[OhCrap stunned look]] on their faces is absolutely priceless, as is the ensuing action when a police cruiser is literally sawn in half by the gun.
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** TwoWords: ''[[BigDamnGunship Klendathu]] [[ItsRainingMen Drop]]''
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** TwoWords: ''[[BigDamnGunship ''[[GunshipRescue Klendathu]] [[ItsRainingMen Drop]]''
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Changed line(s) 2198,2199 (click to see context) from:
** How about the opening sequence? Sure, it [[spoiler: [[TearJerker ends badly]]]], but that was pretty badass.
*** Kirk Senior was incredibly badass, and the fact that he's discussing baby names as he's [[spoiler: going to his death]] makes it all the more powerful.
*** Kirk Senior was incredibly badass, and the fact that he's discussing baby names as he's [[spoiler: going to his death]] makes it all the more powerful.
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** How about the USS Kelvin's last stand in the opening sequence? Sure, it [[spoiler: [[TearJerker ends badly]]]], but that was pretty badass.
***sequence: attacked by surprise, badly outgunned, carrying passengers...so George Kirk Senior was incredibly badass, and takes the fact that he's discussing baby names ship on a suicide run to keep the heat off the rest of them as he's [[spoiler: going to they evacuate. All the while holding together his death]] makes it all wife (who deserves a CMOA of her own for giving birth in the more powerful.middle of an evacuation under fire) over the com.
--> "I love you so much. I love yo-"
***
--> "I love you so much. I love yo-"
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** Hellboy is (apparently) at Kroenen's mercy, until a distraction by Manning distracts the Nazi, letting Hellboy [[spoiler:throw a rope around his neck and pull him into the spike pit. As the practically impossible to kill Kroenen struggles after being impaled several times, Hellboy speeds his passing with one enormous machine cog. And Manning follows that by dropping a handful of smaller cogs on him as well.]]
* Not as awesome as intimidating a CosmicHorror, but I was always impressed with Prof. Bruttenholm's final scene. Confronted by Kronen, Rasputin, and the certainty of a very stabby death, he faces it like a man, faith never wavering. "I call him . . . son."
* Not as awesome as intimidating a CosmicHorror, but I was always impressed with Prof. Bruttenholm's final scene. Confronted by Kronen, Rasputin, and the certainty of a very stabby death, he faces it like a man, faith never wavering. "I call him . . . son."
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** Hellboy is (apparently) at Kroenen's mercy, until a distraction by Manning distracts the Nazi, letting Hellboy [[spoiler:throw a rope around his neck and [[spoiler: pull him into the spike pit. As the practically impossible to kill Kroenen struggles after being impaled several times, Hellboy speeds his passing with one enormous Then he drops a giant machine cog. cog on him. And Manning follows that adds insult to injury by dropping a handful of smaller cogs on him as well.]]
* Not as awesome as intimidating aCosmicHorror, Cosmic Horror, but I was always impressed with Prof. Bruttenholm's final scene. Confronted by Kronen, Rasputin, and the certainty of a very stabby death, he faces it like a man, faith never wavering.
--> "He disclosed to me the child's true name. Would you like to know it?"
--> "I already know what to call him. I call him . . . son."
* Not as awesome as intimidating a
--> "He disclosed to me the child's true name. Would you like to know it?"
--> "I already know what to call him. I call him . . . son."
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* I can't believe ''The Fugitive'' hasn't been mentioned yet
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* Brandon (the fan who accidentally got the communicator) has one fairly late in the movie. When Captain Nesmith calls him to ask some technical questions about the ship, Brandon says "I know it's just a television show". Later, the Captain calls him again and says "Brandon? The show? It's real". Brandon replies "YES!!!", and every Star Trek fan in the audience had a [=CMoA=] of "If only...".
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* Brandon (the fan who accidentally got the communicator) has one fairly late in the movie. When Captain Nesmith calls him to ask some technical questions about the ship, Brandon says "I know tries to explain that he knows it's just not real, that it's ony a television show". Later, the show. The Captain calls cuts him again and says "Brandon? The show? It's real". Brandon replies "YES!!!", and off to tell him it's all real, to which he responds "OH I KNEW IT!!!!" And every Star Trek fan in the audience had a [=CMoA=] of "If only...".
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Deleted line(s) 1547 (click to see context) :
---> [[TheNostalgiaCritic 'Waa-waa-waa-waaaa!' (shrug)]]
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*** [[MemeticMutation "OF]] [[TheNostalgiaCritic COURSE!"]]
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*** [[MemeticMutation "OF]] [[TheNostalgiaCritic [[LargeHam COURSE!"]]
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Changed line(s) 1974 (click to see context) from:
* Being the Scarlet Pimpernel, Percy is essentially a walking CMoA, but one that particularly stands out comes after Chauvelin has used Armand to lure Percy into a trap, hoping to prevent him excaping with [[spoiler: the Dauphin]]. He now has a pair of soldiers holding each of them while he gloats:
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* Being the Scarlet Pimpernel, Percy is essentially a walking CMoA, but one that particularly stands out comes after Chauvelin has used Armand to lure Percy into a trap, hoping to prevent him excaping escaping with [[spoiler: the Dauphin]]. He now has a pair of soldiers holding each of them while he gloats:
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* Of course, the best one of all is [[spoiler: when Percy comes back from the "dead"]]. The look on Chauvelin's face when he turns around and sees him standing there is absolutely priceless.
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Changed line(s) 1974 (click to see context) from:
* Being the Scarlet Pimpernel, Percy is essentially a walking CMoA, but one that particularly stands out comes after Chauvelin has used Armand to lure Percy into a trap, hoping to prevent him excaping with the Dauphin. He now has a pair of soldiers holding each of them while he gloats:
to:
* Being the Scarlet Pimpernel, Percy is essentially a walking CMoA, but one that particularly stands out comes after Chauvelin has used Armand to lure Percy into a trap, hoping to prevent him excaping with [[spoiler: the Dauphin.Dauphin]]. He now has a pair of soldiers holding each of them while he gloats:
Changed line(s) 1977 (click to see context) from:
-->'''Percy''': (gives Armand a significant look, then turns to Chauvelin) Sink me, if you aren't right, for a change. But then, two no-account fellows like us, in exchange for one royal prince, would seem to be a fair exchange, don't you think? Amazing, how a mere lad can slip through your fingers so easily. I'll wager there'll be the devil to pay when your Committee of National Security discovers that he left the country.
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-->'''Percy''': (gives Armand a significant look, then turns to Chauvelin) Sink me, if you aren't right, for a change. But then, two no-account fellows like us, in exchange for [[spoiler: one royal prince, prince]], would seem to be a fair exchange, don't you think? Amazing, how [[spoiler: a mere lad lad]] can slip through your fingers so easily. I'll wager there'll be the devil to pay when your Committee of National Security discovers that he left the country.
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* Another one comes earlier, when Percy reveals to Armand who he is. Armand, up to this point, has thought that Percy is an empty-headed, foppish dandy, albeit one with anti-Revolution sympathies.
-->'''Armand''': I will warn the de Tournay family and help them flee, if necessary.
-->'''Percy''': Now look here, my dear fellow. I did not save your neck from those thugs of St. Cyr's merely to see you lose your head at the guillotine.
-->'''Armand''': My mind's quite made up, Percy. There's no use trying to stop me.
-->'''Percy''': I have no intention of stopping you. Do you suppose you could get into the Temple prison, and see the Count...tonight?
-->'''Armand''': I--I think so. And for what purpose?
-->'''Percy''': I...have a plan.
-->'''Armand''': You...have a ''plan''? You, who are practically incapable of any thought entering into your head that is not...trivial...Oh, really, Percy, this is ''serious''.
-->'''Percy''': (drops his fop voice) So am I. Deadly serious. We must rescue the de Tournay family, without risking you. You can be far more valuable to us if you keep in with Chauvelin, and continue to work for the Committee.
-->'''Armand''': Useful to us? What on earth are you talking about?
-->'''Percy''': You must swear, by all you hold sacred, that what you are about to hear you will not repeat to anyone.
-->'''Armand''': Well, I...
-->'''Percy''': ''Not even Marguerite.''
-->'''Armand''': You must be quite mad!
-->'''Percy''': ''Do you swear?''
-->'''Armand''': Very well.
-->'''Percy''': (shows Armand the seal on his ring) Do you recognize that seal?
-->'''Armand''': It looks like a flower of some sort.
-->'''Percy''': Correct. It is a scarlet pimpernel.
-->'''Armand''': I will warn the de Tournay family and help them flee, if necessary.
-->'''Percy''': Now look here, my dear fellow. I did not save your neck from those thugs of St. Cyr's merely to see you lose your head at the guillotine.
-->'''Armand''': My mind's quite made up, Percy. There's no use trying to stop me.
-->'''Percy''': I have no intention of stopping you. Do you suppose you could get into the Temple prison, and see the Count...tonight?
-->'''Armand''': I--I think so. And for what purpose?
-->'''Percy''': I...have a plan.
-->'''Armand''': You...have a ''plan''? You, who are practically incapable of any thought entering into your head that is not...trivial...Oh, really, Percy, this is ''serious''.
-->'''Percy''': (drops his fop voice) So am I. Deadly serious. We must rescue the de Tournay family, without risking you. You can be far more valuable to us if you keep in with Chauvelin, and continue to work for the Committee.
-->'''Armand''': Useful to us? What on earth are you talking about?
-->'''Percy''': You must swear, by all you hold sacred, that what you are about to hear you will not repeat to anyone.
-->'''Armand''': Well, I...
-->'''Percy''': ''Not even Marguerite.''
-->'''Armand''': You must be quite mad!
-->'''Percy''': ''Do you swear?''
-->'''Armand''': Very well.
-->'''Percy''': (shows Armand the seal on his ring) Do you recognize that seal?
-->'''Armand''': It looks like a flower of some sort.
-->'''Percy''': Correct. It is a scarlet pimpernel.
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[[AC: The Scarlet Pimpernel (1982 version)]]
* Being the Scarlet Pimpernel, Percy is essentially a walking CMoA, but one that particularly stands out comes after Chauvelin has used Armand to lure Percy into a trap, hoping to prevent him excaping with the Dauphin. He now has a pair of soldiers holding each of them while he gloats:
-->'''Chauvelin''': Good day, Sir Percy. I realize that your ''nobless oblige'' would not permit you to abaondon one of your men.
-->'''Armand''': I'm sorry, Percy.
-->'''Percy''': (gives Armand a significant look, then turns to Chauvelin) Sink me, if you aren't right, for a change. But then, two no-account fellows like us, in exchange for one royal prince, would seem to be a fair exchange, don't you think? Amazing, how a mere lad can slip through your fingers so easily. I'll wager there'll be the devil to pay when your Committee of National Security discovers that he left the country.
-->'''Chauvelin''': Oh, has he left the country? I was under the impression that there was some ''problem'' in getting away.
-->'''Percy''': No, no, no. It is done...''like this''.
-->(Cue Percy and Armand punching the soldiers in the stomach and running away.)
* Being the Scarlet Pimpernel, Percy is essentially a walking CMoA, but one that particularly stands out comes after Chauvelin has used Armand to lure Percy into a trap, hoping to prevent him excaping with the Dauphin. He now has a pair of soldiers holding each of them while he gloats:
-->'''Chauvelin''': Good day, Sir Percy. I realize that your ''nobless oblige'' would not permit you to abaondon one of your men.
-->'''Armand''': I'm sorry, Percy.
-->'''Percy''': (gives Armand a significant look, then turns to Chauvelin) Sink me, if you aren't right, for a change. But then, two no-account fellows like us, in exchange for one royal prince, would seem to be a fair exchange, don't you think? Amazing, how a mere lad can slip through your fingers so easily. I'll wager there'll be the devil to pay when your Committee of National Security discovers that he left the country.
-->'''Chauvelin''': Oh, has he left the country? I was under the impression that there was some ''problem'' in getting away.
-->'''Percy''': No, no, no. It is done...''like this''.
-->(Cue Percy and Armand punching the soldiers in the stomach and running away.)
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