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* In the review of ''Film/CoolWorld'', Ralph Bakshi's changing of Saruman's name to Aruman in his adaptation of ''WesternAnimation/TheLordOfTheRings'' is listed as an example of why even very creative directors have to be reigned in by the studios sometimes. However, this was actually an example of the reverse since the Aruman name was actually an executive mandate due to Saruman's name sounding too much like Sauron, and Ralph Bakshi was even able to partially reverse this decision by having him referred to as Saruman in some of the lines which were recorded later. When the Critic gets around to reviewing Bakshi's ''The Lord of the Rings'', Bakshi instead blames the Aruman name change on studio interference.
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Critical Research Failure under trope repair.
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* He got a lot of criticism for the CriticalResearchFailure rant directed at Creator/MichaelBay in ''Film/PearlHarbor'', and so went back to it in "When Is A Movie Just A Movie", explaining that while he went too far on the {{Eagleland}}, the fact that soldiers couldn't swim was still just glanced over in a line. He goes into detail on this much better criticism, and compares it to ''Film/{{Titanic 1997}}'', as that had multiple scenes talking about the lack of lifeboats before the crisis.
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* He got a lot of criticism for the CriticalResearchFailure InUniverseFactoidFailure rant directed at Creator/MichaelBay in ''Film/PearlHarbor'', and so went back to it in "When Is A Movie Just A Movie", explaining that while he went too far on the {{Eagleland}}, the fact that soldiers couldn't swim was still just glanced over in a line. He goes into detail on this much better criticism, and compares it to ''Film/{{Titanic 1997}}'', as that had multiple scenes talking about the lack of lifeboats before the crisis.
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* Why Is Loki So Hot was so bitter and problematic that even Rob asked what the fuck in the Lorax behind the scenes. Doug did far better in his 2019 editorial on why Marvel villains have improved, relating to Loki wrt being attention hungry and kind of pathetic, commenting that he's hot in a feminine way, and happily acknowledging fangirls on why the good Marvel villains are like that because they took traits from Loki.
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* Why Is Loki So Hot was so bitter and problematic that even Rob asked what the fuck in the Lorax behind the scenes. Doug did far better in his 2019 editorial on why Marvel villains have improved, relating to Loki wrt being attention hungry and kind of pathetic, commenting that he's hot in a feminine way, and happily acknowledging fangirls on why the good Marvel villains are like that because they took traits from Loki.
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* Why Is Loki So Hot was so bitter and problematic that even Rob asked what the fuck in the Lorax behind the scenes. Doug did far better in his 2019 editorial on why Marvel villains have improved, relating to Loki wrt being attention hungry and kind of pathetic, commenting that he's hot in a feminine way, and happily acknowledging fangirls on why the good Marvel villains are like that because they took traits from Loki.
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* If you want to have the world collapse in on itself from how meta it is, here's Critic's [[https://www.youtube.com/watch?v=rpdmUjLo9Jg review]] of "The Review Must Go On," which, even with Critic praising it [[ItsAllAboutMe because it's all about him and how unstoppable he is]], still mocks it pretty ruthlessly. Quite satisfying for fans who disliked it so much.
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* If you want to have the world collapse in on itself from how meta it is, here's Critic's [[https://www.youtube.com/watch?v=rpdmUjLo9Jg review]] of "The Review Must Go On," which, even with Critic praising it [[ItsAllAboutMe because it's all about him and how unstoppable he is]], still mocks it pretty ruthlessly. Quite satisfying for fans who disliked it so much. Both Donnie and Critic being pissed off with the choice, even with all the PostModernism that implies, helps a lot too.
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* Allison and Lindsay didn’t like how Doug/Rob wrote them in the movies, and while there is plenty of other issues besides this point, Doug apparently tries very hard to be better at this, as according to Rachel and Tamara in the [[https://www.youtube.com/watch?v=rn0lMaJ9iOk 2016 Unlimited Beers]] vlog (and Malcolm said at a later con he gets the same), they always get asked anxiously if lines are okay and they don’t have to say anything they think is sexist.
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* The 2013 ''Anime/SailorMoon'' episode was... not loved, with abuse jokes, not doing the research and The Talking Dick Scene, so people were nervous when in 2019 he did Toonami, obviously including the show. Not to fear! Heather explains the show, talking about the queer and feminist themes, and Critic himself is perfectly happy to hear about it.
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* With all the complaints that the Photoshop title cards were scary (like ''Film/TheCatInTheHat'', ''Film/MasterOfDisguise'' and ''Why Do We Love Zombies'' among others), getting the Chick's artist on [[http://thatguywiththeglasses.com/images/stories/front/8.jpg board]] feels like this. Still frightening, but easier to take in cartoon form.
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* With all the complaints that the Photoshop title cards were scary (like ''Film/TheCatInTheHat'', ''Film/MasterOfDisguise'' ''Film/TheMasterOfDisguise'' and ''Why Do We Love Zombies'' among others), getting the Chick's artist on [[http://thatguywiththeglasses.com/images/stories/front/8.jpg board]] feels like this. Still frightening, but easier to take in cartoon form.
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None
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* With all the complaints that the Photoshop title cards were scary (like ''Film/CatInTheHat'', ''Film/MasterOfDisguise'' and ''Why Do We Love Zombies'' among others), getting the Chick's artist on [[http://thatguywiththeglasses.com/images/stories/front/8.jpg board]] feels like this. Still frightening, but easier to take in cartoon form.
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* With all the complaints that the Photoshop title cards were scary (like ''Film/CatInTheHat'', ''Film/TheCatInTheHat'', ''Film/MasterOfDisguise'' and ''Why Do We Love Zombies'' among others), getting the Chick's artist on [[http://thatguywiththeglasses.com/images/stories/front/8.jpg board]] feels like this. Still frightening, but easier to take in cartoon form.
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Made one of the bullet points more neutrally toned
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* He made a lot of derogatory gay jokes in his early days. But luckily, when Doug started making use of HoYay and FemaleGaze, these died out. In his crossover review of ''Film/TheWiz'' with WebVideo/ToddInTheShadows, he said he hates Creator/JoelSchumacher for his storytelling and adaptation skills, making it clear it's ''not'' because he's gay.
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* He made a lot of derogatory gay jokes in his early days. But luckily, when Doug started making use of HoYay and FemaleGaze, these died out. In his crossover review of ''Film/TheWiz'' with WebVideo/ToddInTheShadows, he said he hates Creator/JoelSchumacher for his storytelling and adaptation skills, making it clear it's ''not'' because he's gay.
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* If you want to have the world collapse in on itself from how meta it is, here's Critic's [[https://www.youtube.com/watch?v=rpdmUjLo9Jg review]] of "The Review Must Go On," which, even with Critic praising it [[ItsAllAboutMe because it's all about him and how unstoppable he is]], still mocks it pretty ruthlessly. Quite satisfying for fans who disliked it so much.
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* He made a lot of derogatory gay jokes in his early days. But luckily, when Doug started making use of HoYay and FemaleGaze, these died out. In his crossover review of ''Film/TheWiz'' with WebVideo/ToddInTheShadows, he said he hates Creator/JoelSchumacher for his storytelling and adaptation skills, making it clear it's ''not'' because he's gay.
* Also sorted out with the Critic himself. CharacterizationMarchesOn and suddenly a lot more focus is put on his sissiness and patheticness, but with good writing, good comedy and Doug's charm and actually decent acting skills, he's a much more interesting character than he was in the beginning.
* Santa Christ is still a BigGood who everyone {{squee}}s over, but he was made less of a ParodySue by having him display BewareTheNiceOnes and the ability to hold a '''long''' (if well-deserved) grudge. By reboot he's outright FallenHero, and while he's still a BaseBreakingCharacter, at least he's more interesting.
* A few people complained that he over-relied on film clips instead of jokes, so Doug made this a character trait. When the Critic got called out on the above in ''Franchise/StarTrek'' month and couldn't use footage from other stuff, he had no idea what to say.
* Attempted but failed in "Top 11 Dumbest Lord of the Rings Moments", as he tells anyone "about to have a heart attack" at his putting "Sam and Frodo's gayness" at such a top spot that if they were actually gay he'd like that, but it doesn't really help that he spends the rest of the section making disgusted faces at the two's emotional moments.
* Because of the reception ''Anime/SailorMoon'' got, from ''Theatre/LesMiserables'' onwards Critic was lampshaded to be awful a lot more, and bigger focus was given to consistent SanitySlippage instead of what looked like letting him do bad things while glorifying them. He still does bad things, plenty of them, but at least comes off like less of a DesignatedHero and more people call him out.
* With all the complaints that the Photoshop title cards were scary (like ''Film/CatInTheHat'', ''Film/MasterOfDisguise'' and ''Why Do We Love Zombies'' among others), getting the Chick's artist on [[http://thatguywiththeglasses.com/images/stories/front/8.jpg board]] feels like this. Still frightening, but easier to take in cartoon form.
* Changing the original ''Film/FaceOff'' review had to be done because Doug accidentally deleted it, but the quick farewell Rachel got in the retake was much nicer compared to the FemaleMisogynist-sounding [[http://www.youtube.com/watch?v=lejPief-1EA&feature=youtu.be original]] story.
* He got a lot of criticism for the CriticalResearchFailure rant directed at Creator/MichaelBay in ''Film/PearlHarbor'', and so went back to it in "When Is A Movie Just A Movie", explaining that while he went too far on the {{Eagleland}}, the fact that soldiers couldn't swim was still just glanced over in a line. He goes into detail on this much better criticism, and compares it to ''Film/{{Titanic 1997}}'', as that had multiple scenes talking about the lack of lifeboats before the crisis.
* The ''Film/AliceInWonderland2010'' review can feel like an apology for bad moves in ''Film/TheCatInTheHat'' and ''AI''; the former with Malice threatening to stab Critic for hitting her and not crying like Evilina did, and the latter with Burton giving a similar ending speech to Critic (with {{musical spoiler}}s for ''WebVideo/ToBoldlyFlee'' and ''WebVideo/DemoReel'') about how directors can make mistakes but Critic doing a RedemptionRejection.
* Doug got a lot of upset people after his vlog reviews of Avatar's two YouGoGirl episodes, mostly for him saying he hates the trope because it's been done to death and not needed. In “Top 11 Worst Avatar Episodes”, he gives a better explanation (that he realizes there's a load of misogyny still around, but the trope will usually turn the girl into a statistic than a character) and notes this is just an opinion from a boy's perspective.
* At least attempted in ''Film/MammaMia'', as he talks about the ChickFlick as not always being awful and there are a lot of good ones with effort put in, just that he hates the ones that he thinks wants to empower women but don't, and the ItsNotSupposedToWinOscars excuse. He's still not quite there with "(older especially) women can like easy crap made for them and have it as a GuiltyPleasure", but it's better than the ''Anime/SailorMoon'' debacle. He fixed this with the "Aw Girls", and explained them as not totally positive characters, but own their right to escape from reality with fluffy media.
* The second reiteration of the reboot credits was accused of being especially obnoxious with all the screaming and people getting abused, so the third EvolvingCredits, while still having a barrel-load of skit clips, massively toned down the sound effects and are better for it.
* In ''Film/LastActionHero'' real review, he clarified all the complaining about political correctness in ''Film/DemolitionMan'' was less whining about not being able to be DudeNotFunny and more that he has NostalgiaFilter about violent 80s films and hates tame PG-13 movies.
* In the ''Phantom'' commentary, Doug says even though he really loves the ''Film/HocusPocus'' review, he listened to "if I haven't watched this then I won't get it" criticism, and tried to explain things more in POTO, if still in a ShowDontTell sense.
* In ''Jem'', he talks at the end about how we all have our nostalgic franchises that are made to sell toys but are still meaningful, he has his (showing TMNT) and "you have yours (showing Pokemon) and that's fine". After Pokemon fans attacking him for mocking comments, and him trolling them, it feels like extending an olive branch.
* The Canadian commercials RunningGag was criticized as him coming off like he didn't care about what the PSA was about, just was more interested in calling them "killjoys", but in "Battle Of The Commercials'' he clarified that he did care and was scared of what was happening, showed a nice Canadian commercial and saved his upset for a British ad where they literally showed a dead body.
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* He made a lot of derogatory gay jokes in his early days. But luckily, when Doug started making use of HoYay and FemaleGaze, these died out. In his crossover review of ''Film/TheWiz'' with WebVideo/ToddInTheShadows, he said he hates Creator/JoelSchumacher for his storytelling and adaptation skills, making it clear it's ''not'' because he's gay.
* Also sorted out with the Critic himself. CharacterizationMarchesOn and suddenly a lot more focus is put on his sissiness and patheticness, but with good writing, good comedy and Doug's charm and actually decent acting skills, he's a much more interesting character than he was in the beginning.
* Santa Christ is still a BigGood who everyone {{squee}}s over, but he was made less of a ParodySue by having him display BewareTheNiceOnes and the ability to hold a '''long''' (if well-deserved) grudge. By reboot he's outright FallenHero, and while he's still a BaseBreakingCharacter, at least he's more interesting.
* A few people complained that he over-relied on film clips instead of jokes, so Doug made this a character trait. When the Critic got called out on the above in ''Franchise/StarTrek'' month and couldn't use footage from other stuff, he had no idea what to say.
* Attempted but failed in "Top 11 Dumbest Lord of the Rings Moments", as he tells anyone "about to have a heart attack" at his putting "Sam and Frodo's gayness" at such a top spot that if they were actually gay he'd like that, but it doesn't really help that he spends the rest of the section making disgusted faces at the two's emotional moments.
* Because of the reception ''Anime/SailorMoon'' got, from ''Theatre/LesMiserables'' onwards Critic was lampshaded to be awful a lot more, and bigger focus was given to consistent SanitySlippage instead of what looked like letting him do bad things while glorifying them. He still does bad things, plenty of them, but at least comes off like less of a DesignatedHero and more people call him out.
* With all the complaints that the Photoshop title cards were scary (like ''Film/CatInTheHat'', ''Film/MasterOfDisguise'' and ''Why Do We Love Zombies'' among others), getting the Chick's artist on [[http://thatguywiththeglasses.com/images/stories/front/8.jpg board]] feels like this. Still frightening, but easier to take in cartoon form.
* Changing the original ''Film/FaceOff'' review had to be done because Doug accidentally deleted it, but the quick farewell Rachel got in the retake was much nicer compared to the FemaleMisogynist-sounding [[http://www.youtube.com/watch?v=lejPief-1EA&feature=youtu.be original]] story.
* He got a lot of criticism for the CriticalResearchFailure rant directed at Creator/MichaelBay in ''Film/PearlHarbor'', and so went back to it in "When Is A Movie Just A Movie", explaining that while he went too far on the {{Eagleland}}, the fact that soldiers couldn't swim was still just glanced over in a line. He goes into detail on this much better criticism, and compares it to ''Film/{{Titanic 1997}}'', as that had multiple scenes talking about the lack of lifeboats before the crisis.
* The ''Film/AliceInWonderland2010'' review can feel like an apology for bad moves in ''Film/TheCatInTheHat'' and ''AI''; the former with Malice threatening to stab Critic for hitting her and not crying like Evilina did, and the latter with Burton giving a similar ending speech to Critic (with {{musical spoiler}}s for ''WebVideo/ToBoldlyFlee'' and ''WebVideo/DemoReel'') about how directors can make mistakes but Critic doing a RedemptionRejection.
* Doug got a lot of upset people after his vlog reviews of Avatar's two YouGoGirl episodes, mostly for him saying he hates the trope because it's been done to death and not needed. In “Top 11 Worst Avatar Episodes”, he gives a better explanation (that he realizes there's a load of misogyny still around, but the trope will usually turn the girl into a statistic than a character) and notes this is just an opinion from a boy's perspective.
* At least attempted in ''Film/MammaMia'', as he talks about the ChickFlick as not always being awful and there are a lot of good ones with effort put in, just that he hates the ones that he thinks wants to empower women but don't, and the ItsNotSupposedToWinOscars excuse. He's still not quite there with "(older especially) women can like easy crap made for them and have it as a GuiltyPleasure", but it's better than the ''Anime/SailorMoon'' debacle. He fixed this with the "Aw Girls", and explained them as not totally positive characters, but own their right to escape from reality with fluffy media.
* The second reiteration of the reboot credits was accused of being especially obnoxious with all the screaming and people getting abused, so the third EvolvingCredits, while still having a barrel-load of skit clips, massively toned down the sound effects and are better for it.
* In ''Film/LastActionHero'' real review, he clarified all the complaining about political correctness in ''Film/DemolitionMan'' was less whining about not being able to be DudeNotFunny and more that he has NostalgiaFilter about violent 80s films and hates tame PG-13 movies.
* In the ''Phantom'' commentary, Doug says even though he really loves the ''Film/HocusPocus'' review, he listened to "if I haven't watched this then I won't get it" criticism, and tried to explain things more in POTO, if still in a ShowDontTell sense.
* In ''Jem'', he talks at the end about how we all have our nostalgic franchises that are made to sell toys but are still meaningful, he has his (showing TMNT) and "you have yours (showing Pokemon) and that's fine". After Pokemon fans attacking him for mocking comments, and him trolling them, it feels like extending an olive branch.
* The Canadian commercials RunningGag was criticized as him coming off like he didn't care about what the PSA was about, just was more interested in calling them "killjoys", but in "Battle Of The Commercials'' he clarified that he did care and was scared of what was happening, showed a nice Canadian commercial and saved his upset for a British ad where they literally showed a dead body.
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