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none of these are jokes, therefore not Running Gags


* RunningGag: They frequently bring back lyrics about dreams and being awake. Also Constance's "run away" verse is sung by several characters. And of course the police's catchphrase for the entire trilogy is used, twice.
** Both times are in "The Bust"
-->'''Solider:''' And on the day we come, it's over
** And again, later:
-->'''Thomas:''' And on the day we come....it's over.
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-->'''Blood Red Leader:''' Ignore this damn music\\
Stay focused instead\\
Do not start singing, stop--\\
Dolly oh oh we come dollay!

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* CozyVoiceForCatastrophes: Lloyd remains composed and calm even when narrating how things go awry

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* CozyVoiceForCatastrophes: Lloyd remains composed and calm even when narrating how things go awryawry.
* {{Cult}}: The Voodoopunks are also the rebellion.



* {{Cult}}: The Voodoopunks are also the rebellion.


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* {{Earworm}}: "Blood Red Dogs". Justified as it's meant to be, and narrate, a brainwashing song.

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* BreakUpSong: "Discussion 2" for Thomas and Constance [[spoiler:They get back together at the end of the album, though]]

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* BreakUpSong: "Discussion 2" for Thomas and Constance Constance.[[spoiler:They get back together at the end of the album, though]]



* CozyVoiceForCatastrophes: Lloyd remains composed and calm even when narrating how things go awry



* MacGuffin: [[spoiler:the MCG serves no other purpose]].
* MadnessMantra: "Dolly-do-dolly-o-dolly!"

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* LemonyNarrator: Lloyd is a more cheery and hammy example thanks to his job as a radio host, but his pulse doesn't waver when it comes to relate tragedies if he thinks they make an interesting story. [[spoiler:He was ready to dispose of Thomas if it weren't for Jackie's intervention, and caused hers and John's deaths to compensate for Constance's DeusExMachina song.]]
* MacGuffin: [[spoiler:the The MCG serves no other purpose]].
device, wanted both by the Voodoopunks for their master plan, and for the Police to caught the Voodoopunks.
* MadnessMantra: "Dolly-do-dolly-o-dolly!""Dolly oh oh we come dollay!"



* YouHaveOutlivedYourUsefulness: Defied by Jacqueline when the story calls for her to execute [[spoiler:Thomas. She decides that he's a good person despite working for the government, and refuses to go along with it.]]

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* YouHaveOutlivedYourUsefulness: Defied by Jacqueline when the story calls for her to execute [[spoiler:Thomas. She decides that he's a good person despite working for the government, and refuses to go along with it.]]]]
* ZombieApocalypse: The Voodoopunk's brainwashing song was only meant to stop the Red Dogs Army by mind wiping their minds, but the soldiers can't stop chanting which causes the effects to spread like a virus all over the city. [[spoiler: This was foiled by Constance singing another song into the MGC transmission to restore their minds.]]
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* MadnessMantra: "Dolly-do-dolly-o-dolly!"
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misuse of "subversion"


* IdiotHero: Subverted. Constance is far from stupid, but she is clueless. [[spoiler:To the point that she doesn't realize her aunt runs the resistance and her boyfriend works for the government.]] She loses this by the end, though.

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* IdiotHero: Subverted. Downplayed as Constance is far from stupid, but she is clueless. [[spoiler:To the point that she doesn't realize her aunt runs the resistance and her boyfriend works for the government.]] She loses this by the end, though.



* JerkassRealization: Subverted. Constance is never a jerkass, really, but she can be a bit selfish throughout most of the album. Towards the end of the third act, she realizes this and also that she can't keep running from her problems and, as the opera puts it, living in a world of dreams. She has an IAmBecomingSong, "Storyville Station", which details this development.

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* JerkassRealization: Subverted. Constance is never a jerkass, really, but she can be a bit selfish acts selfishly throughout most of the album. Towards the end of the third act, she realizes this and also that she can't keep running from her problems and, as the opera puts it, living in a world of dreams. She has an IAmBecomingSong, "Storyville Station", which details this development.
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spelling


* SavvyGuyEnergeticGirl: A somewhat {{Downplayed}} example, but [[LovableRogue Constance]] is the HotBlooded GulieHero Energetic Girl, to [[StraightMan Thomas's]] Savvy Guy.

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* SavvyGuyEnergeticGirl: A somewhat {{Downplayed}} example, but [[LovableRogue Constance]] is the HotBlooded GulieHero GuileHero Energetic Girl, to [[StraightMan Thomas's]] Savvy Guy.
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Linking directly instead of through redirect.


* TheCult: The Voodoopunks are also the rebellion.

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* TheCult: {{Cult}}: The Voodoopunks are also the rebellion.
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* BittersweetEnding: [[spoiler:Constance and Thomas live after Jacqueline argues with Lloyd Allen to change the story, but she is killed by government soldiers soon after. John then sacrifices himself to give them a chance to flee the city, and while the rebels are able to storm parliament and overthrow the tyrannical government, they soon fall into infighting and New Albion ends up split into six districts that are at odds with each other.]]

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* BittersweetEnding: [[spoiler:Constance and Thomas live after Jacqueline argues with Lloyd Allen to change the story, but she is killed by government soldiers soon after. John then sacrifices himself to give them a chance to flee the city, and while battle. While the rebels are able to storm parliament and overthrow the tyrannical government, they soon fall into infighting and New Albion ends up split into six eight districts that are at odds with each other.]]
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* ArmorPiercingQuestion: Thomas delivers one to Constance during "The Discussion 2". Afterward, she admits to the karmic irony but is still hurt.
--> '''Constance''': You used me and you played me!\\
'''Thomas''': Like you played your marks?
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* WhamLine: "And on the day we come, it's over," coming from [[spoiler:Thomas, revealing his affiliation with the government]].
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* HeartbrokenBadass: Constance, after being betrayed by Thomas.

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* HeartbrokenBadass: Constance, All three of the O'Brians. John became an unstoppable cyborg after his wife's death, Jacqueline took over the voodoopunk resistance in response to what happened to her girlfriend, and Constance was an extraordinary thief even before being betrayed by Thomas.
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* BrokenAce: Arguably Jacqueline. She's all badass and intense, and in reality it still devastated over the death of her beloved girlfriend Dorothy.

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* BrokenAce: Arguably Jacqueline. She's all badass and intense, and in reality it still devastated over the death lobotomization of her beloved girlfriend Dorothy.
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* WorldOfBadass: Rebels, soldiers, thieves, spies, gangs of orphaned children....yep, seems to fit the bill.

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* WorldOfBadass: Rebels, soldiers, thieves, spies, gangs of orphaned children....yep, seems to fit the bill.bill.
* YouHaveOutlivedYourUsefulness: Defied by Jacqueline when the story calls for her to execute [[spoiler:Thomas. She decides that he's a good person despite working for the government, and refuses to go along with it.]]
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!The New Albion Radio Hour: A Dieselpunk Opera

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The Dieselpunk Opera occurs ten years after the events in Dolls of New Albion, and the featured family this time around is the O'Briens. The story is told by an all-knowing {{Narrator}}, who describes a New Albion torn apart by war.

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The Dieselpunk Opera occurs ten years after the events in Dolls of New Albion, and the featured family this time around is the O'Briens. O'Briens, with Constance O'Brien and her father John being the main protagonists. The story is told by an all-knowing {{Narrator}}, who describes a New Albion torn apart by war.
war.

The story of New Albion is continued in its sequel, AudioPlay/TheNewAlbionGuideToAnalogueConsciousness.
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The Dieselpunk Opera occurs ten years after the events in Dolls of New Albion, and the featured family this time around is the O'Brians. The story is told by an all-knowing {{Narrator}}, who describes a New Albion torn apart by war.

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The Dieselpunk Opera occurs ten years after the events in Dolls of New Albion, and the featured family this time around is the O'Brians.O'Briens. The story is told by an all-knowing {{Narrator}}, who describes a New Albion torn apart by war.
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The New Albion Radio Hour: A Dieselpunk Opera is a 3-Act opera composed and written by Music/PaulShapera. It is the sequel to ''AudioPlay/TheDollsOfNewAlbion'', and the audio version of the entire play can be found [[http://mochalab.bandcamp.com/album/the-new-albion-radio-hour-a-dieselpunk-opera here]].

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The ''The New Albion Radio Hour: A Dieselpunk Opera Opera'' is a 3-Act 4-Act opera composed and written by Music/PaulShapera. It is the sequel to ''AudioPlay/TheDollsOfNewAlbion'', and the audio version of the entire play can be found [[http://mochalab.bandcamp.com/album/the-new-albion-radio-hour-a-dieselpunk-opera here]].
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The New Albion Radio Hour: A Dieselpunk Opera is a 3-Act opera composed and written by Music/Paul Shapera. It is the sequel to ''AudioPlay/TheDollsOfNewAlbion'', and the audio version of the entire play can be found [[http://mochalab.bandcamp.com/album/the-new-albion-radio-hour-a-dieselpunk-opera here]].

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The New Albion Radio Hour: A Dieselpunk Opera is a 3-Act opera composed and written by Music/Paul Shapera.Music/PaulShapera. It is the sequel to ''AudioPlay/TheDollsOfNewAlbion'', and the audio version of the entire play can be found [[http://mochalab.bandcamp.com/album/the-new-albion-radio-hour-a-dieselpunk-opera here]].
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None


The New Albion Radio Hour: A Dieselpunk Opera is a 3-Act opera composed and written by Paul Shapera. It is the sequel to ''AudioPlay/TheDollsOfNewAlbion'', and the audio version of the entire play can be found [[http://mochalab.bandcamp.com/album/the-new-albion-radio-hour-a-dieselpunk-opera here]].

to:

The New Albion Radio Hour: A Dieselpunk Opera is a 3-Act opera composed and written by Paul Music/Paul Shapera. It is the sequel to ''AudioPlay/TheDollsOfNewAlbion'', and the audio version of the entire play can be found [[http://mochalab.bandcamp.com/album/the-new-albion-radio-hour-a-dieselpunk-opera here]].
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* PapaWolf: [[spoiler:When John and Constance are reunited in the substation, John ends up turning on his own side to protect her.]]
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* GoneHorriblyWrong: Jacqueline's plan to save New Albion.

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* GoneHorriblyWrong: GoneHorriblyRight: Jacqueline's plan to save New Albion. [[spoiler:The Voodoopunks' song is perfectly successful in paralyzing the government's soldiers, but because the possessed soldiers start singing along with it, the effect soon spreads throughout the entire city.]]

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* BittersweetEnding: [[spoiler:Constance and Thomas live after Jacqueline argues with Lloyd Allen to change the story, but she is killed by government soldiers soon after. John then sacrifices himself to give them a chance to flee the city, and while the rebels are able to storm parliament and overthrow the tyrannical government, they soon fall into infighting and New Albion ends up split into six districts that are at odds with each other.]]



* CannotTellFictionFromReality: The album itself purposefully makes it as complicated as actually possible to tell what part of the [[ShowWithinAShow]] and what's not.

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* CannotTellFictionFromReality: The album itself purposefully makes it as complicated as actually possible to tell what is part of the [[ShowWithinAShow]] ShowWithinAShow and what's not.
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* TheSneakyGirl: Constance

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* TheSneakyGirl: TheSneakyGuy: Constance
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* AntiHero: [[GuileHero Constance]]. She's a thief who, at the beginning, is pretty selfish, only sees what she wants to see, and is only ResignedToTheCall when she can't avoid it any longer. However, she's JustLifeRobinHood, and pretty justified in selfishness/blindness due to her DarkAndTroubledPast. And once she has CharacterDevelopment she becomes a lot more of classic hero and ''certainly''does the right thing in the end.

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* AntiHero: [[GuileHero Constance]]. She's a thief who, at the beginning, is pretty selfish, only sees what she wants to see, and is only ResignedToTheCall when she can't avoid it any longer. However, she's JustLifeRobinHood, JustLikeRobinHood, and pretty justified in selfishness/blindness due to her DarkAndTroubledPast. And once she has CharacterDevelopment she becomes a lot more of classic hero and ''certainly''does the right thing in the end.

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* ActionHero: All four of the main characters to certain extent, but Constance in particular. Doubles as a GuileHero.



* AntiHero: [[GuileHero Constance]]. She's a thief who, at the beginning, is pretty selfish, only sees what she wants to see, and is only ResignedToTheCall when she can't avoid it any longer. However, she's JustLifeRobinHood, and pretty justified in selfishness/blindness due to her DarkAndTroubledPast. And once she has CharacterDevelopment she becomes a lot more of classic hero and ''certainly''does the right thing in the end.



* DitzyGenius: Constance is super smart, but tends to make her fair share of mistakes in the way of common sense



* NotSoAboveItAll: Constance sneaks around the soirees and steal like it's nobody's business--however, she's a StepfordSmiler in more then one respect and is actually does it to try to avoid the war
**Jacqueline is about as badass as it comes and a [[BigDamnHeroes BigDamnHero]], but is still lamenting the death of the woman she loved
* OddFriendShip: Between Jacqueline and Thomas, by the end



* TheSmartGuy: Constance is the smartest member of their team, which is saying a lot.

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* TheSmartGuy: TheSmartGirl: Constance is the smartest member of their team, which is saying a lot.lot considering her teammates aren't at all dumb themselves.
* TheSneakyGirl: Constance
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* BecomingTheMask: Constance goes deeper and deeper into her own head and her life as a thief, to the point where she refuses to what's right in front in her and only believes what she wants to believe

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* BecomingTheMask: Constance goes deeper and deeper into her own head and her life as a thief, to the point where she refuses see to what's right in front in her and only believes what she wants to believe

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* AlcoholicParent: [[DrowningMySorrows John]] becomes this to Constance. [[DescentIntoAddiction She ends up with a drinking problem, as well]]



* BecomingTheMask: Constance goes deeper and deeper into her own head and her life as a thief, to the point where she refuses to what's right in front in her and only believes what she wants to believe



* BigDamnHeroes: Jacqueline pretty much all the time.
** John, at the end.



* CannotTellFictionFromReality: The album itself purposefully makes it as complicated as actually possible to tell what part of the [[ShowWithinAShow]] and what's not.



* MentalWorld: Not a literal example, but the plot of the show is that, metaphorically speaking, [[BelievingTheirOwnLies Constance]] lived in a world only in her head and refused to acknowledge any real events because she was to afraid to face the truth. She even calls herself out on this at the end after her CharacterDevelopment
-->'''Constance:''' Storyville Station can never take, the one who's here now and awake



* ParentalNeglect: (Implied as it all happens before the album) It was accidental on the part of Jacqueline; when she's left having to raise her niece [[{{Delinquent}} Constance]], she genuinely DOES try to do a good job, but fails and Constance ends up spending much of her teenage years drinking on smoking to try to get past the supposed death of her parents.



* SiblingTeam: John and Jacqueline

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* SiblingRivalry: They end up as a SiblingTeam, but before that, John and Jacqueline were this almost to CainAndAbel territory, except that both of them were good-hearted, just on opposite sides of the war. However, it should be noted that while Jacqueline was the RebelLeader and John the government's secret weapon, they never fought directly against each other, being as John didn't know Jacqueline was a rebel and Jacqueline thought John was dead
* SiblingTeam: John and JacquelineJacqueline, by the end of the album

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* BadassDriver: Jacqueline, during "The Bust"



* BigEntrance: Those guys in the beginning of "The Bust"
-->'''Police:''' And on the day we come, it's over!
** And John, in "The Operation" and "The Substation" (the same event happens in each song, but from a different point-of-view)



* BrokenAce: Arguably Jacqueline. She's all badass and intense, and in reality it still devastated over the death of her beloved girlfriend Dorothy.



* {{CatchPhrase}}: It's a musical, so lyrics are often repeated, but:
** "Bathe in The Fire" for [[BrokenHero John]]
** "And now back to the New Albion Radio Hour!" for [[UnreliableNarrator Lloyd]]
** "The Thief.....is a lady" for [[NiceGuy Thomas]]
** "Run, run away" for [[TheSmartGuy Constance]]



* ComeWithMeIfYouWantToLive: [[RebelLeader Jacqueline]] tells [[GuileHero Constance]] that if she doesn't give the rebels the MCG, the government will kill her. About one minute later, [[UndercoverCopReveal Thomas]] tells Constance that if she doesn't give government the MCG then....the government will kill her. (In his defense, he truly is trying is trying to save her). [[RefusalOfTheCall Both times, Constance refuses and runs away]]
* DarkAndTroubledPast: All four main characters have had pretty rough lives.



* StepfordSmiler: Constance plays this trope with two layers--Number 1, she flirts with people at parties, and then takes their money. Number 2, she forcing herself to ignore the world around her as to not have to think or feel or really live.
** Lloyd Allen seemed pretty trustworthy over the radio.



* DarkAndTroubledPast: All four main characters have had pretty rough lives.



* WhatTheHellHero: Jacqueline and Thomas feel this way about Constance, and her occasional selfishness, throughout the opera until the end when she does the right thing.

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* WhatTheHellHero: Jacqueline and Thomas feel this way about Constance, and her occasional selfishness, throughout the opera until the end when she does the right thing.thing.
* WorldOfBadass: Rebels, soldiers, thieves, spies, gangs of orphaned children....yep, seems to fit the bill.

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* EstablishingCharacterMusic: The 'run away' verse from "The Bust" was this for [[BelievingTheirOwnLies Constance]] before her CharacterDevelopment in [[IAmBecomingSong Storyville Station]]
-->'''Constance:''' Run like the hunted
--> Run like the coming, run like the sword will finally fall
--> Run like the desperate, your last final minute
--> Run like the end has come to call
--> Run like the hours, the days all when counted
--> Run like they past while dreamers slept
--> Run like the fire, the winds of desire
--> Run if you want to live again
--> Run, taste the rain
--> Run, from mistakes you've made
--> Run, run away
--> Run, and just embrace
--> Run, the air, the pulse, the pain
--> Run, run away



* FourManBand: By the end.
**Pervert: Jacqueline (HeroicComedicSociopath), {{Downplayed}} since you can actually have a serious conversation with her
**ButtMonkey: Thomas
**TheSmartGuy: Constance
**OnlySaneMan: John



* IdiotBall: They toss one of these around; [[GuileHero Constance]] is TheSmartGuy of the opera, being clever, crafty master thief....but decides to run around the city with the object everyone wants. [[RebelLeader Jacqueline]] is smart enough to figure out to use the MCG, not smart enough to realize it's probably not a good idea to posses people with it. [[TheMole Thomas]] tricked TheTrickster (Constance), but five minutes after got kidnapped by a cult.




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* SavvyGuyEnergeticGirl: A somewhat {{Downplayed}} example, but [[LovableRogue Constance]] is the HotBlooded GulieHero Energetic Girl, to [[StraightMan Thomas's]] Savvy Guy.


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* SiblingTeam: John and Jacqueline

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