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* SnakesAreSexy: Draped over Eve's breasts, the seduction angle of the story is prevalent in the piece.
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''The Sin'' (German: ''Die Sünde'') is an 1893 {{painting|s}} by the German artist Franz Stuck. It depicts the nude Eve with a large serpent wrapped around her body. In the upper right corner is a bright field, while the rest of the surroundings are dark.
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''The Sin'' (German: ''Die Sünde'') is an 1893 {{painting|s}} by the German artist Franz Stuck. It depicts the a nude Eve [[Characters/BookOfGenesis Eve]] with a large serpent wrapped around her body. In the upper right corner is a bright field, while the rest of the surroundings are dark.
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* SerpentOfImmortality: {{Inverted}} as the devil serpent's temptation is what causes Adam and Even to be cast from an immortal life of prosperity.
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* AdaptationalVillainy: Eve's sin is portrayed as less of a mistake born from curiosity and more as actually wanting to embrace corruption. EvilFeelsGood for her, so she's now TheCorrupter, tempting other people with her sexual allure and carrying the EmbodimentOfVice as if it were her pet.
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* EmbodimentOfVice: As the name implies, the figure is meant to act as an embodiment of sin as a concept. While it is meant to represent sin in general, emphasis can be place on {{Lust}} since the lightning draws attention to Eve's breasts and navel.
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* EmbodimentOfVice: As the name implies, the figure is meant to act as an embodiment of sin as a concept. While it is meant to represent sin in general, emphasis can be place placed on {{Lust}} since the lightning draws attention to Eve's breasts and navel.
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* BiblicalMotifs:
** The woman is Eve who, in the Abrahamic religions, is responsible for introducing original sin to mankind.
** The snake is {{Satan}} in disguise, the beast that introduced and tempted Eve into said original sin.
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**
** The snake is {{Satan}} in disguise,
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* {{Satan}}: The snake is the Devil in disguise, the beast that introduced and tempted Eve into committing the original sin.
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It's one of the first paintings of the Symbolist Movement, an artistic current that focuses on the interior self by its very design.
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* {{Allegory}}: Being one of the first paintings of the Symbolist Movement (a movement that focuses on the interior self by its very design), the painting was deliberately made to symbolize the nature of sin. [[BiblicalMotifs Based off of Eve (a woman in Abrahamic religions was responsible for introducing original sin to mankind) and the snake that tempted her (the beast that introduced and tempted Eve into it)]], the woman's nude physique acts as a lure to the viewer while the snake is ready to strike, partially hidden in her hair and shadows. This is symbolic of the nature of sin; an attractive thing that tempts you into accepting it, only to corrupt and poison you.
* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are meant to emphasize Eve's attractive form as as the snake hides in the darkness, ready to strike.
* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are meant to emphasize Eve's attractive form as as the snake hides in the darkness, ready to strike.
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* {{Allegory}}: Being one of the first paintings of the Symbolist Movement (a movement that focuses on the interior self by its very design), As a whole, the painting was deliberately made is meant to symbolize the nature of sin. [[BiblicalMotifs Based off of Eve (a For that purpose, it presents us with two characters: a woman in Abrahamic religions was responsible for introducing original sin to mankind) and the a snake that tempted curled on her (the beast that introduced and tempted Eve into it)]], the body. The woman's nude physique acts as a lure to the viewer while the snake is ready to strike, partially hidden in her hair and shadows. This is symbolic of the nature of sin; an attractive thing that tempts you into accepting it, only to corrupt and poison you.
you. Additionally, the woman is Eve (the first person in the Abrahamic religions to accept sin) and the snake is {{Satan}} (who tempted her to commit it).
* BiblicalMotifs:
** The woman is Eve who, in the Abrahamic religions, is responsible for introducing original sin to mankind.
** The snake is {{Satan}} in disguise, the beast that introduced and tempted Eve into said original sin.
* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are meant to emphasize Eve's attractive form asas the snake hides in the darkness, ready to strike.
* BiblicalMotifs:
** The woman is Eve who, in the Abrahamic religions, is responsible for introducing original sin to mankind.
** The snake is {{Satan}} in disguise, the beast that introduced and tempted Eve into said original sin.
* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are meant to emphasize Eve's attractive form as
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* EmbodimentOfVice: As the name implies, the figure is meant to act as an AnthropomorphicPersonification of sin as a concept. While it is meant to represent sin in-general, emphasis can be place on {{Lust}} since the lighter parts of the painting draw attention to Eve's breasts and naval.
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* EmbodimentOfVice: As the name implies, the figure is meant to act as an AnthropomorphicPersonification embodiment of sin as a concept. While it is meant to represent sin in-general, in general, emphasis can be place on {{Lust}} since the lighter parts of the painting draw lightning draws attention to Eve's breasts and naval.navel.
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''The Sin'' (German: ''Die Sünde'') is an 1893 painting by the German artist Franz Stuck. It depicts the nude Eve with a large serpent wrapped around her body. In the upper right corner is a bright field, while the rest of the surroundings are dark.
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''The Sin'' (German: ''Die Sünde'') is an 1893 painting {{painting|s}} by the German artist Franz Stuck. It depicts the nude Eve with a large serpent wrapped around her body. In the upper right corner is a bright field, while the rest of the surroundings are dark.
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* FemmeFatale: The Femme Fatale is an archetype that was commonly used by the Symbolists. Here, Eve is portrayed almost Myth/{{Lilith}}[=-like=] in how the shadows frame her as this voluptuously lure of physical delights, [[AdaptationalVillainy a far-cry from the passive waif Abrahamic art usually portrays her as]].
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* FemmeFatale: The Femme Fatale is an archetype that was commonly used by the Symbolists. Here, Eve is portrayed almost Myth/{{Lilith}}[=-like=] in how the shadows frame her as this voluptuously voluptuous lure of physical delights, [[AdaptationalVillainy a far-cry far cry from the passive waif Abrahamic art usually portrays her as]].
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* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are mean to emphasize Eve's attractive form as as the snake hides in the darkness, ready to strike.
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* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are mean meant to emphasize Eve's attractive form as as the snake hides in the darkness, ready to strike.
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None
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* FemmeFatale: The Femme Fatale is an archetype that was commonly used by the Symbolists. Here, Eve is portrayed almost {{Lilith}}-like in how the shadows frame her as this voluptuously lure of physical delights, [[AdaptationalVillainy a far-cry from the passive waif Abrahamic art usually portrays her as]].
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* FemmeFatale: The Femme Fatale is an archetype that was commonly used by the Symbolists. Here, Eve is portrayed almost {{Lilith}}-like Myth/{{Lilith}}[=-like=] in how the shadows frame her as this voluptuously lure of physical delights, [[AdaptationalVillainy a far-cry from the passive waif Abrahamic art usually portrays her as]].
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None
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* EmbodimentOfVice: As the name implies, the figure is meant to act as an AnthropomorphicPersonification of sin as a concept. While it is meant to represent sin in-general, emphasis can be place on {{lust}] since the lighter parts of the painting draw attention to Eve's breasts and naval.
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* EmbodimentOfVice: As the name implies, the figure is meant to act as an AnthropomorphicPersonification of sin as a concept. While it is meant to represent sin in-general, emphasis can be place on {{lust}] {{Lust}} since the lighter parts of the painting draw attention to Eve's breasts and naval.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/thesin.jpg]]
%%[[caption-width-right:300:some caption text]]
''The Sin'' (German: ''Die Sünde'') is an 1893 painting by the German artist Franz Stuck. It depicts the nude Eve with a large serpent wrapped around her body. In the upper right corner is a bright field, while the rest of the surroundings are dark.
The motif was conceived as a development of Stuck's 1889 painting ''Sensuality (Die Sinnlichkeit)''. The Sin was first exhibited in 1893, at the inaugural exhibition of the Munich Secession, where it caused a sensation. It was bought by the Neue Pinakothek in Munich and became a critical and commercial breakthrough for Stuck. It has since become an emblematic painting for the symbolist movement.
Stuck created twelve known versions of the painting. Some of these can be viewed at the Neue Pinakothek in Munich, the National Gallery in Berlin, the Galleria di arte Moderna in Palermo, the Frye Art Museum in Seattle, and at the Villa Stuck in Munich, where it is enshrined in the artist's Künstleraltar.
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!!''The Sin'' provides examples of:
* {{Allegory}}: Being one of the first paintings of the Symbolist Movement (a movement that focuses on the interior self by its very design), the painting was deliberately made to symbolize the nature of sin. [[BiblicalMotifs Based off of Eve (a woman in Abrahamic religions was responsible for introducing original sin to mankind) and the snake that tempted her (the beast that introduced and tempted Eve into it)]], the woman's nude physique acts as a lure to the viewer while the snake is ready to strike, partially hidden in her hair and shadows. This is symbolic of the nature of sin; an attractive thing that tempts you into accepting it, only to corrupt and poison you.
* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are mean to emphasize Eve's attractive form as as the snake hides in the darkness, ready to strike.
* DarkIsEvil: The ObviouslyEvil snake is black and dark-grey that blends into the darkness of Eve's hair and the shadow she is hiding in.
* EmbodimentOfVice: As the name implies, the figure is meant to act as an AnthropomorphicPersonification of sin as a concept. While it is meant to represent sin in-general, emphasis can be place on {{lust}] since the lighter parts of the painting draw attention to Eve's breasts and naval.
* FemmeFatale: The Femme Fatale is an archetype that was commonly used by the Symbolists. Here, Eve is portrayed almost {{Lilith}}-like in how the shadows frame her as this voluptuously lure of physical delights, [[AdaptationalVillainy a far-cry from the passive waif Abrahamic art usually portrays her as]].
* SnakesAreSinister: Considering it is the snake that first tempted Eve in Genesis, the snake is ObviouslyEvil in design.
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%%[[caption-width-right:300:some caption text]]
''The Sin'' (German: ''Die Sünde'') is an 1893 painting by the German artist Franz Stuck. It depicts the nude Eve with a large serpent wrapped around her body. In the upper right corner is a bright field, while the rest of the surroundings are dark.
The motif was conceived as a development of Stuck's 1889 painting ''Sensuality (Die Sinnlichkeit)''. The Sin was first exhibited in 1893, at the inaugural exhibition of the Munich Secession, where it caused a sensation. It was bought by the Neue Pinakothek in Munich and became a critical and commercial breakthrough for Stuck. It has since become an emblematic painting for the symbolist movement.
Stuck created twelve known versions of the painting. Some of these can be viewed at the Neue Pinakothek in Munich, the National Gallery in Berlin, the Galleria di arte Moderna in Palermo, the Frye Art Museum in Seattle, and at the Villa Stuck in Munich, where it is enshrined in the artist's Künstleraltar.
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!!''The Sin'' provides examples of:
* {{Allegory}}: Being one of the first paintings of the Symbolist Movement (a movement that focuses on the interior self by its very design), the painting was deliberately made to symbolize the nature of sin. [[BiblicalMotifs Based off of Eve (a woman in Abrahamic religions was responsible for introducing original sin to mankind) and the snake that tempted her (the beast that introduced and tempted Eve into it)]], the woman's nude physique acts as a lure to the viewer while the snake is ready to strike, partially hidden in her hair and shadows. This is symbolic of the nature of sin; an attractive thing that tempts you into accepting it, only to corrupt and poison you.
* {{Chiaroscuro}}: The intense juxtaposition of Eve's white skin and the black of the snakes and the shadows are mean to emphasize Eve's attractive form as as the snake hides in the darkness, ready to strike.
* DarkIsEvil: The ObviouslyEvil snake is black and dark-grey that blends into the darkness of Eve's hair and the shadow she is hiding in.
* EmbodimentOfVice: As the name implies, the figure is meant to act as an AnthropomorphicPersonification of sin as a concept. While it is meant to represent sin in-general, emphasis can be place on {{lust}] since the lighter parts of the painting draw attention to Eve's breasts and naval.
* FemmeFatale: The Femme Fatale is an archetype that was commonly used by the Symbolists. Here, Eve is portrayed almost {{Lilith}}-like in how the shadows frame her as this voluptuously lure of physical delights, [[AdaptationalVillainy a far-cry from the passive waif Abrahamic art usually portrays her as]].
* SnakesAreSinister: Considering it is the snake that first tempted Eve in Genesis, the snake is ObviouslyEvil in design.
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