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* OneWingedMichelangelo: The creation of the fresco is depicted in volume 3. The series focuses on the rivalry between Leonardo and the title character, and as Michelangelo witnesses and responds to Leonardo's painting here, Leonardo does the same with "Miche"'s ''Pieta''.

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* OneWingedMichelangelo: ''Manga/OneWingedMichelangelo'': The creation of the fresco is depicted in volume 3. The series focuses on the rivalry between Leonardo and the title character, and as Michelangelo witnesses and responds to Leonardo's painting here, Leonardo does the same with "Miche"'s ''Pieta''.

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''The Last Supper'' is a 1498 UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] {{painting|s}} by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.

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''The Last Supper'' is a 1498 UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] {{painting|s}} by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the The painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.
traitor. It is painted on the wall of the Church of Santa Maria delle Grazie in Milan, and Leonardo's experiments with original kinds of paint, not all of which work in fresco, led to the original work not lasting long. Much of what can be seen today is restoration.



* ComicBookFantasyCasting: [[http://www.lairweb.org.nz/leonardo/supper.html Allegedly]], Leonardo based the face of Judas off of [[https://en.wikipedia.org/wiki/Girolamo_Savonarola Savonarola]], a prominent Florentine preacher at the time.

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* ComicBookFantasyCasting: [[http://www.lairweb.org.nz/leonardo/supper.html Allegedly]], Leonardo based the face of Judas off of [[https://en.wikipedia.org/wiki/Girolamo_Savonarola Savonarola]], an [[TurbulentPriest extremist monk]] famous for his [[BookBurning "Bonfires of the Vanities"]], who was ruling Florence as a prominent Florentine preacher proto-puritan dictator at the time.



* RaceLift: Although his appearance is never explicitly described in scripture, it can be assumed from his birthplace that Jesus would be a ethnically Middle Eastern man. Leonardo paints him as a white man with long, brown hair and a beard, looking more like someone you'd meet in Florence than in Nazareth.

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* RaceLift: Although his appearance is never explicitly described in scripture, it can be assumed from his birthplace that Jesus would be a ethnically Middle Eastern man. Leonardo paints him as a white man with long, brown hair and a beard, looking more like someone you'd meet in Florence than in Nazareth. This was not new in Leonardo's generation, however.


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!!The work and its creation make appearances in:
* OneWingedMichelangelo: The creation of the fresco is depicted in volume 3. The series focuses on the rivalry between Leonardo and the title character, and as Michelangelo witnesses and responds to Leonardo's painting here, Leonardo does the same with "Miche"'s ''Pieta''.
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* SocialSemiCircle: [[RunningGag Did we mention that]} Jesus and the Apostles are all sitting on the same side of the table so their faces are all visible to the audience?

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* SocialSemiCircle: [[RunningGag Did we mention that]} that]] Jesus and the Apostles are all sitting on the same side of the table so their faces are all visible to the audience?
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Excessive blue-linking.


* SocialSemiCircle: [[RunningGag Did we mention that Jesus and the Apostles are all sitting on the same side of the table so their faces are all visible the audience]]?

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* SocialSemiCircle: [[RunningGag Did we mention that that]} Jesus and the Apostles are all sitting on the same side of the table so their faces are all visible to the audience]]?audience?
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Moved to the trivia tab.


* UrbanLegend:
** A widely-circulated bit of {{Glurge}} [[https://www.snopes.com/fact-check/the-last-supper/ tells the story]] that the same man posed as the model for Jesus and, some 10 or 25 years later after [[FaceHeelTurn living a life of dissolution]], for Judas. Of course, this is completely bogus; for one thing, Leonardo certainly didn't take ten whole years to finish the painting.
** The supposed [[ConspiracyPlacement secret symbols in the painting]] as popularized in ''Literature/TheDaVinciCode'' are regarded as purely fanciful by art historians.

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Moved to the trivia tab.


* RageAgainstTheHeavens: Thomas is pointing his index finger straight upward while staring directly at Jesus, as if to ask why {{God}} would destine one of the Apostles to be a traitor. This aspect of the painting is briefly discussed five minutes into [[https://www.khanacademy.org/humanities/ap-art-history/early-europe-and-colonial-americas/renaissance-art-europe-ap/v/leonardo-da-vinci-last-supper-1495-98 this video]].
-->'''Dr. Steven Zucker:''' There's that incredible grouping of Thomas pointing upward.\\
'''Dr. Beth Harris:''' As if to say, is this something that is ordained by God? Is this God's plan, that one of us should betray you?

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* RageAgainstTheHeavens: Thomas is pointing his index finger straight upward while staring directly at Jesus, Jesus as if to ask why would {{God}} would destine one of the Apostles to be a traitor. This aspect of the painting is briefly discussed five minutes into [[https://www.khanacademy.org/humanities/ap-art-history/early-europe-and-colonial-americas/renaissance-art-europe-ap/v/leonardo-da-vinci-last-supper-1495-98 this video]].
-->'''Dr. Steven Zucker:''' There's that incredible grouping of Thomas pointing upward.\\
'''Dr. Beth Harris:''' As if to say, is this something that is ordained by God? Is this God's plan, that one of us should betray you?
And why would he give his own sown such a terrible death.
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* GeodesicCast: The twelve apostles are separated into four groups of three, who all respond differently to Christ's announcement.

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* GeodesicCast: The twelve apostles are separated into four groups of three, who all respond differently to Christ's announcement. James(the Greater), Thomas, and Philip are skeptical. Jude Thaddeus, Matthew, and Simon the Zealot display questioning expressions. Andrew, Bartholomew, and James (the son of Alphaeus) are surprised. John, Judas Iscariot, and Peter can only be grouped by the variety of their reactions and because they play an important role in the events to come: Jonh will become Mary's honorary son, Judas will sell Jesus, and Peter will react aggressively to Jesus' capture.
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* MeaningfulBackgroundEvent: One can notice that Judas' arm has spilled the salt on the table (a bad omen), which signals him as the traitor. It also {{foreshadow|ing}}s the horrible things that are to come.
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* AndThatLittleGirlWasMe: {{Inverted}}. In order to find the appropriate look for Judas, he went to the local prisons and found a man who looked haggard, angry and dangerous and used him as the model. Some years later he still hadn't found the right person to stand in for Jesus. While pondering the question, a man walked into the studio who looked perfect, clean, with kind features. Leonardo immediately chose the man as his inspiration for Jesus. When Leonardo asked the man if they had ever met, the man replied "Yes, I was Judas" [[note]]FridgeBrilliance when you realize that Jesus had to have been pretty average-looking for a 1st-century Judean, otherwise why would the Romans have needed Judas to identify him?[[/note]].
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''The Last Supper'' is a 1498 UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] painting by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.

to:

''The Last Supper'' is a 1498 UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] painting {{painting|s}} by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.
Is there an issue? Send a MessageReason:
None


''The Last Supper'' is a 1498 painting by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.

to:


''The Last Supper'' is a 1498 UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] painting by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* SocialSemiCircle: [[RunningGag Did we mention that Jesus and the Apostles are all sitting on the same side of the table so their faces are all visible the audience]]?
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None


%%Zero Context Examples are not allowed on the Wiki, and any such examples will be commented out. Repeated creation of zero context examples may result in suspension or death by firing squad.

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%%Zero Context %%Zero-Context Examples are not allowed on the Wiki, and any such examples will be commented out. Repeated creation of zero context examples may result in suspension or death by firing squad.



[[caption-width-right:350:[-''"Very truly I tell you, one of you is going to betray me."''-]]]

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[[caption-width-right:350:[-''"Very [[caption-width-right:350:''"Very truly I tell you, one of you is going to betray me."''-]]]"'']]
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* DudeLooksLikeALady: John (the apostle directly to the left of Jesus, who seems to be fainting) is depicted as a LongHairedPrettyBoy with a very feminine face, presumably to emphasize his status as the youngest Apostle.

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!''The Last Supper'' contains examples of:

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!''The !!''The Last Supper'' contains provides examples of:of:



-->'''Dr. Steven Zucker''': There's that incredible grouping of Thomas pointing upward.
-->'''Dr. Beth Harris''': As if to say, is this something that is ordained by God? Is this God's plan, that one of us should betray you?

to:

-->'''Dr. Steven Zucker''': Zucker:''' There's that incredible grouping of Thomas pointing upward.
-->'''Dr.
upward.\\
'''Dr.
Beth Harris''': Harris:''' As if to say, is this something that is ordained by God? Is this God's plan, that one of us should betray you?



** The supposed [[ConspiracyPlacement secret symbols in the painting]] as popularized in ''Literature/TheDaVinciCode'' are regarded as purely fanciful by art historians.

to:

** The supposed [[ConspiracyPlacement secret symbols in the painting]] as popularized in ''Literature/TheDaVinciCode'' are regarded as purely fanciful by art historians.historians.
----
Is there an issue? Send a MessageReason:
The rule for American vs. Commonwealth spellings is "first come, first served". And I know this originally used the Commonwealth spelling because I wrote it.


** Giampietrino's 1520 [[https://upload.wikimedia.org/wikipedia/commons/1/11/Giampietrino-Last-Supper-ca-1520.jpg copy]] of ''The Last Supper'', regarded as one of the best preserved records of how the painting originally looked and used as a resource for the 1978-98 restoration, does give the Apostles halos (except for Judas). This may have been artistic license by Giampietrino in producing the copy, or it may indicate that the Apostles in Leonardo's painting originally had halos, but they have been lost in subsequent restorations.

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** Giampietrino's 1520 [[https://upload.wikimedia.org/wikipedia/commons/1/11/Giampietrino-Last-Supper-ca-1520.jpg copy]] of ''The Last Supper'', regarded as one of the best preserved records of how the painting originally looked and used as a resource for the 1978-98 restoration, does give the Apostles halos (except for Judas). This may have been artistic license licence by Giampietrino in producing the copy, or it may indicate that the Apostles in Leonardo's painting originally had halos, but they have been lost in subsequent restorations.
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* AcceptableBreaksFromReality: It would make a lot more sense to have the Apostles sitting on opposite sides of the table, but it's for the best Leonardo Da Vinci didn't dedicate his talents to a painting of six peoples' backs covering up what is either Jesus or an Italian hobo.

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* AcceptableBreaksFromReality: It would make a lot more sense to have the Apostles sitting on opposite sides of the table, but it's for the best Leonardo Da da Vinci didn't dedicate his talents to a painting of six peoples' backs covering up what is either Jesus or an Italian hobo.



* AllThereInTheManual: The only way to know without a doubt who is who in the painting is to look at Leonardo Da Vinci's notes that specified the names of each individual in the painting.

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* AllThereInTheManual: The only way to know without a doubt who is who in the painting is to look at Leonardo Da da Vinci's notes that specified the names of each individual in the painting.



* {{Prequel}}: Leonardo Da Vinci was tasked with painting something opposite to a depiction of ''The Crucifixion''. Knowing that, it's no surprise Leonardo painted ''The Last Supper'', where Christ announced his sacrifice through bread and wine.

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* {{Prequel}}: Leonardo Da da Vinci was tasked with painting something opposite to a depiction of ''The Crucifixion''. Knowing that, it's no surprise Leonardo painted ''The Last Supper'', where Christ announced his sacrifice through bread and wine.
Is there an issue? Send a MessageReason:
Version with more vibrant colors.


[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/ultima_cena___da_vinci_5.jpg]]
[[caption-width-right:350:[-''“Very truly I tell you, one of you is going to betray me.”''-]]]

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/ultima_cena___da_vinci_5.jpg]]
[[caption-width-right:350:[-''“Very
org/pmwiki/pub/images/leonardo_last_supper.jpg]]
[[caption-width-right:350:[-''"Very
truly I tell you, one of you is going to betray me.”''-]]]"''-]]]
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* MonumentalDamage: For such a world-famous painting, it's suffered an astonishing amount of abuse over the centuries. With the combination of the unconventional painting techniques Leonardo used (making it less stable than a regular fresco) and severe environmental damage (including vandalism during the UsefulNotes/FrenchRevolution, bombing during UsefulNotes/WorldWarII, multiple bungling "restoration" attempts, and some bozo ''cutting a door through Jesus' feet''), it's a wonder the painting has survived at all. The Other Wiki has [[https://en.wikipedia.org/wiki/The_Last_Supper_(Leonardo_da_Vinci)#Damage_and_restorations the gory details]].

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* MonumentalDamage: For such a world-famous painting, it's suffered an astonishing amount of abuse over the centuries. With the combination of the unconventional painting techniques Leonardo used (making it less stable than a regular fresco) and severe environmental damage (including (moisture and smoke inside the chapel made the paint deteriorate; then there was the vandalism during the UsefulNotes/FrenchRevolution, bombing during UsefulNotes/WorldWarII, multiple bungling "restoration" attempts, and some complete bozo ''cutting a door through Jesus' feet''), it's a wonder the painting has survived at all. The Other Wiki has [[https://en.wikipedia.org/wiki/The_Last_Supper_(Leonardo_da_Vinci)#Damage_and_restorations the gory details]].
Is there an issue? Send a MessageReason:
None


* RaceLift: Although his appearance is never explicitly described in scripture, it can be assumed from his birthplace that Jesus would be a ethnically Middle Eastern man. Leonardo paints him as a white man with long, brown hair and a beard, looking more like someone you'd meet in Florence than in Nazarus.

to:

* RaceLift: Although his appearance is never explicitly described in scripture, it can be assumed from his birthplace that Jesus would be a ethnically Middle Eastern man. Leonardo paints him as a white man with long, brown hair and a beard, looking more like someone you'd meet in Florence than in Nazarus.Nazareth.
Is there an issue? Send a MessageReason:
None


* MonumentalDamage: For such a famous painting, it's suffered an astonishing amount of abuse over the centuries. With the combination of the unconventional painting techniques Leonardo used (making it less stable than a regular fresco) and severe environmental damage (including vandalism during the UsefulNotes/FrenchRevolution, bombing during WorldWarTwo, bungling "restoration" attempts, and some bozo ''cutting a door through Jesus' feet''), it's a wonder the painting has survived at all. The Other Wiki has [[https://en.wikipedia.org/wiki/The_Last_Supper_(Leonardo_da_Vinci)#Damage_and_restorations the gory details]].

to:

* MonumentalDamage: For such a famous world-famous painting, it's suffered an astonishing amount of abuse over the centuries. With the combination of the unconventional painting techniques Leonardo used (making it less stable than a regular fresco) and severe environmental damage (including vandalism during the UsefulNotes/FrenchRevolution, bombing during WorldWarTwo, UsefulNotes/WorldWarII, multiple bungling "restoration" attempts, and some bozo ''cutting a door through Jesus' feet''), it's a wonder the painting has survived at all. The Other Wiki has [[https://en.wikipedia.org/wiki/The_Last_Supper_(Leonardo_da_Vinci)#Damage_and_restorations the gory details]].
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* MonumentalDamage: For such a famous painting, it's suffered an astonishing amount of abuse over the centuries. With the combination of the unconventional painting techniques Leonardo used (making it less stable than a regular fresco) and severe environmental damage (including vandalism during the UsefulNotes/FrenchRevolution, bombing during WorldWarTwo, bungling "restoration" attempts, and some bozo ''cutting a door through Jesus' feet''), it's a wonder the painting has survived at all. The Other Wiki has [[https://en.wikipedia.org/wiki/The_Last_Supper_(Leonardo_da_Vinci)#Damage_and_restorations the gory details]].
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* TooMuchInformation: Andrew, the fourth apostle to the right of Jesus, is seen holding up his hands as if to stop Jesus from saying anything else so disturbing.

to:

* TooMuchInformation: Andrew, the fourth apostle to the right of Jesus, is seen holding up his hands as if to stop Jesus from saying anything else so disturbing.disturbing.
* UrbanLegend:
** A widely-circulated bit of {{Glurge}} [[https://www.snopes.com/fact-check/the-last-supper/ tells the story]] that the same man posed as the model for Jesus and, some 10 or 25 years later after [[FaceHeelTurn living a life of dissolution]], for Judas. Of course, this is completely bogus; for one thing, Leonardo certainly didn't take ten whole years to finish the painting.
** The supposed [[ConspiracyPlacement secret symbols in the painting]] as popularized in ''Literature/TheDaVinciCode'' are regarded as purely fanciful by art historians.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* CheatedAngle: It would be a lot harder to identify Jesus and the Apostles if half of them were on the opposite side of the table with their backs towards the audience, so Leonardo sacrificed realism and put every character in the fresco on the same side of the table.
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''The Last Supper'' is a painting by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.

to:

''The Last Supper'' is a 1498 painting by Creator/LeonardoDaVinci depicting one of the most famous scenes from Literature/TheFourGospels: the dinner [[UsefulNotes/{{Jesus}} Jesus Christ]] had with his followers before being betrayed and killed. Currently held in the Santa Maria delle Grazie in Milan, the painting depicts Jesus in the center of the table reaching for bread to bless while surrounded by his twelve disciples, who are all in shock upon learning that one among them is a traitor.
Is there an issue? Send a MessageReason:
None


* RaceLift: Although his appearance is never explicitly described in scripture, it can be assumed from his birthplace that Jesus would be a ethnically Middle Eastern man. Leonardo paints him as a white man with long, brown hair and a beard, looking more like someone you'd meet in Vinci than in Nazarus.

to:

* RaceLift: Although his appearance is never explicitly described in scripture, it can be assumed from his birthplace that Jesus would be a ethnically Middle Eastern man. Leonardo paints him as a white man with long, brown hair and a beard, looking more like someone you'd meet in Vinci Florence than in Nazarus.
Is there an issue? Send a MessageReason:
None


* {{Prequel}}: A painting of ''The Crucifixion'' adorned one Church wall, so what better to cover the other wall than the episode where Christ announces his sacrifice with bread and wine?

to:

* {{Prequel}}: A Leonardo Da Vinci was tasked with painting something opposite to a depiction of ''The Crucifixion'' adorned one Church wall, so what better to cover the other wall than the episode Crucifixion''. Knowing that, it's no surprise Leonardo painted ''The Last Supper'', where Christ announces announced his sacrifice with through bread and wine?wine.
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None

Added DiffLines:

* {{Prequel}}: A painting of ''The Crucifixion'' adorned one Church wall, so what better to cover the other wall than the episode where Christ announces his sacrifice with bread and wine?
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Although not named in the painting itself, the individuals in the painting are (from left to right) Bartholomew, James the Lesser, Andrew, Judas, Peter, John, Jesus, Thomas, James the Greater, Philip, Matthew, Thaddeus, and Simon.

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Although not named in the painting itself, the individuals in the painting are (from left to right) Bartholomew, James the Lesser, Andrew, Judas, Peter, John, Jesus, Thomas, James the Greater, Philip, Matthew, Thaddeus, and Simon.
Simon. The individual identifications are based on annotated copies made by Leonardo's students.
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* OrderVersusChaos: Visually represented with the food around Jesus, as discussed in [[https://www.walksofitaly.com/blog/milan/facts-about-da-vincis-last-supper this blog]]. The food to Jesus's side (and thus closer to his emotional, human Apostles) has fallen over, while the food directly in front of him is in order and reflects Christ's own serenity in the scene.

to:

* OrderVersusChaos: Visually represented with the food around Jesus, as discussed in [[https://www.walksofitaly.com/blog/milan/facts-about-da-vincis-last-supper this blog]]. The food to Jesus's side sides (and thus closer to his emotional, human Apostles) has fallen over, while the food directly in front of him is in order and reflects standing up to reflect Christ's own serenity in the scene.face of his suffering.

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