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* AscendToAHigherPlaneOfExistence: {{Inverted}} as Lucifer has just been kicked out the Christian {{Heaven}}. In other words, he has descended from a higher plane of existence and is now sulking at the top of an Earthly mountain.
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* GoldAndWhiteAreDivine: {{Downplayed}}. It's not very notorious but the region of the sky where the divine angels are flying is dominated by a pale background and sports yellowish clouds, which contrasts with the darker clouds that surround the fallen [[{{Satan}} Lucifer]]. Furthermore, the angels themselves have white wings -- The blackened parts of Lucifer's partially corrupted wings don't have any gold or yellow tinges, while the still-white parts do.
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* ShoutOut: Cabanel illustrated Lucifer as he's reinterpreted in the NarrativePoem ''Literature/ParadiseLost''. Hence, the emotional turmoil that his fall causes him. Instead of, you know, just doing it ForTheEvulz.
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* WingedHumanoid: By welding Grecorroman art and religion, the Renaissance art movement started the whole idea of Christian angels being winged humanoids. A trend that Neoclassicists such as Cabanel followed. Therefore, not only the angels in the background are depicted as young men with feathery wings, but also Lucifer, the [[TitleCharacter titular fallen angel}}. The good angel's wings are white while Lucifer's are slowly darkening.
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* WingedHumanoid: By welding Grecorroman art and religion, the Renaissance art movement started the whole idea of Christian angels being winged humanoids. A trend that Neoclassicists such as Cabanel followed. Therefore, not only the angels in the background are depicted as young men with feathery wings, but also Lucifer, the [[TitleCharacter titular fallen angel}}.angel]]. The good angel's wings are white while Lucifer's are slowly darkening.
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* WingedHumanoid: By welding Grecorroman art and religion, Neoclassicism artistic movement followed the Renaissance trend of Christian angels being winged humanoids. Cabanel, being a prominent artist of the time, followed the trend so not only the angels in the background are depicted as young men with feathery wings, but also Lucifer. The former's wings are white while the latter's are slowly darkening.
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* WingedHumanoid: By welding Grecorroman art and religion, Neoclassicism artistic movement followed the Renaissance trend art movement started the whole idea of Christian angels being winged humanoids. Cabanel, being a prominent artist of the time, followed the A trend so that Neoclassicists such as Cabanel followed. Therefore, not only the angels in the background are depicted as young men with feathery wings, but also Lucifer. Lucifer, the [[TitleCharacter titular fallen angel}}. The former's good angel's wings are white while the latter's Lucifer's are slowly darkening.
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* WingedHumanoid: By welding Grecorroman art and religion, Neoclassicism artistic movement started the whole idea of Christian angels being winged humanoids. Cabanel, being a prominent artist of the time, followed the trend so not only the angels in the background are depicted as young men with feathery wings, but also Lucifer. The former's wings are white while the latter's are slowly darkening.
to:
* WingedHumanoid: By welding Grecorroman art and religion, Neoclassicism artistic movement started followed the whole idea Renaissance trend of Christian angels being winged humanoids. Cabanel, being a prominent artist of the time, followed the trend so not only the angels in the background are depicted as young men with feathery wings, but also Lucifer. The former's wings are white while the latter's are slowly darkening.
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* HeavenlyBlue: The general lighting and shading of the painting are blue because it's that time of dawn when the sun hasn't raised yet (the so-called blue hour). As its name indicates, this artwork depicts Christian angels (as perceived in UsefulNotes/TheRenaissance) -- Lucifer, newly expulsed from Heaven and still retaining most of his angelic beauty, as well as a number of blue-tinted, background angels who are worshipping God.
to:
* HeavenlyBlue: The general lighting and shading of the painting are blue because it's that time of dawn when the sun hasn't raised yet (the so-called blue hour). As its name indicates, this artwork depicts Christian angels (as perceived in UsefulNotes/TheRenaissance) during Neoclassicism) -- Lucifer, newly expulsed from Heaven and still retaining most of his angelic beauty, as well as a number of blue-tinted, background angels who are worshipping God.
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* SadlyMythtaken: Artistically reinterpreting the Christian and Grecoroman canon was a [[{{Enforced}} common trend]] during the Renaissance. This was done by idealizing the subjects and humanizing them (i.e., {{Eldritch Abomination}}s were portrayed as humanoids). In this case, Cabanel did a reinterpretation of a reinterpretation. ''Literature/ParadiseLost'' already humanizes Lucifer by delving into his rhetoric and sentiments (even if Evil causes his gradual VillainousBreakdown). Cabanel adds an extra layer to it by presenting Lucifer as a TroubledButCute young man instead of a seven-headed serpent. It makes it easier for the viewer to relate to Lucifer and see the pain his own evil has caused him. So, in this case, it's not sad but brilliant and done from a respectful place (Cabanel himself was a Christian).
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* SadlyMythtaken: Artistically reinterpreting the Christian and Grecoroman canon was a [[{{Enforced}} common trend]] during the Renaissance.Neoclassicism. This was done by idealizing the subjects and humanizing them (i.e., {{Eldritch Abomination}}s were portrayed as humanoids). In this case, Cabanel did a reinterpretation of a reinterpretation. ''Literature/ParadiseLost'' already humanizes Lucifer by delving into his rhetoric and sentiments (even if Evil causes his gradual VillainousBreakdown). Cabanel adds an extra layer to it by presenting Lucifer as a TroubledButCute young man instead of a seven-headed serpent. It makes it easier for the viewer to relate to Lucifer and see the pain his own evil has caused him. So, in this case, it's not sad but brilliant and done from a respectful place (Cabanel himself was a Christian).
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* WingedHumanoid: By welding Grecorroman art and religion, UsefulNotes/TheRenaissance artistic movement started the whole idea of Christian angels being winged humanoids. Cabanel, being a prominent artist of the time, followed the trend so not only the angels in the background are depicted as young men with feathery wings, but also Lucifer. The former's wings are white while the latter's are slowly darkening.
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* WingedHumanoid: By welding Grecorroman art and religion, UsefulNotes/TheRenaissance Neoclassicism artistic movement started the whole idea of Christian angels being winged humanoids. Cabanel, being a prominent artist of the time, followed the trend so not only the angels in the background are depicted as young men with feathery wings, but also Lucifer. The former's wings are white while the latter's are slowly darkening.
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* GoodWingsEvilWings: To reflect his fall into darkness, Lucifer's wings are blackening. Meanwhile, the still loyal angels have white wings with a HeavenlyBlue tint. Though all of the wings are depicted as bird-like, regardless of alignment.
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* OrangeBlueContrast: The primary hues of the painting are orange and blue. The former is in Lucifer's ginger hair, cream-colored skin (notably orange on the torso), and red-rimmed, teary eyes; plus some small orange touches in his blackening wings. To a lesser extent, a bluish orange is present in some of the background angel's clothes and hair. Blue, on the other hand, is present in the overall lighting and shading of the painting, background elements due to atmospherical distortion, some angel's clothes, and Lucifer's eyes and wings. The contrast is somewhat {{downplayed}} but still very noticeable.
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* OrangeBlueContrast: The primary hues of the painting are orange and blue. The former is in Lucifer's ginger hair, cream-colored skin (notably orange on the torso), and red-rimmed, teary eyes; plus some small orange touches in his blackening wings. To a lesser extent, a bluish orange bluish-orange is present in some of the background angel's clothes and hair. Blue, on the other hand, is present in the overall lighting and shading of the painting, background elements due to atmospherical distortion, some angel's clothes, and Lucifer's eyes and wings. The contrast is somewhat {{downplayed}} but still very noticeable.
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* DarkIsEvil: Lucifer's wings are turning black, starting from the outside. This signifies his fall from grace and his becoming the prince of Hell.
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* DarkIsEvil: Lucifer's wings are turning black, starting from the outside. This signifies his fall from grace and his becoming the prince of Hell.
Hell. Additionally, shadows pool on his face and the clouds below him are black.
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* HeavenAbove: Lucifer is staring angrily at the sky, a sky where God and his angels live and a place that is now forbidden to him. Moreover, the still divine angels are flying above Lucifer and the upper half of the canvas is occupied by, well, the sky.
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* HeavenAbove: Lucifer is staring angrily at the sky, a sky where God and his angels live and a place that is now forbidden to him. Moreover, the still divine angels are flying above Lucifer and the upper half of the canvas is occupied by, well, the sky.
sky. Finally, Lucifer is perched atop a solitary mountain -- mountains having typically been associated with paths to Heaven.
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* LightIsGood: The clouds below the still loyal angels are soft yellow and their wings are white.
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* RaysFromHeaven: {{Inverted}}. The yet to rise sun casts crepuscular rays over Lucifer, but they do so from behind. This serves to [[DarkIsEvil pool the shadows on Lucifer's face]] and to signify that he has turned his back on God, therefore God's influence and divinity cannot reach him anymore.
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* ProtagonistTitle: Lucifer, the subject of this painting, is a fallen angel.
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* ProtagonistTitle: Lucifer, the subject of this painting, is a fallen angel.
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* SadlyMythtaken: Artistically reinterpreting the Christian and Grecoroman canon was a [[{{Enforced}} common trend]] during the Renaissance. This was done by idealizing the subjects and humanizing them (i.e., {{Eldritch Abomination}}s were portrayed as humanoids). In this case, Cabanel did a reinterpretation of a reinterpretation. ''Literature/ParadiseLost'' already humanizes Lucifer by delving into his rhetoric and sentiments (even if Evil causes his gradual VillanousBreakdown). Cabanel adds an extra layer to it by presenting Lucifer as a TroubledButCute young man instead of a seven-headed serpent. It makes it easier for the viewer to relate to Lucifer and see the pain his own evil has caused him. So, in this case, it's not sad but brilliant and done from a respectful place (Cabanel himself was a Christian).
to:
* SadlyMythtaken: Artistically reinterpreting the Christian and Grecoroman canon was a [[{{Enforced}} common trend]] during the Renaissance. This was done by idealizing the subjects and humanizing them (i.e., {{Eldritch Abomination}}s were portrayed as humanoids). In this case, Cabanel did a reinterpretation of a reinterpretation. ''Literature/ParadiseLost'' already humanizes Lucifer by delving into his rhetoric and sentiments (even if Evil causes his gradual VillanousBreakdown).VillainousBreakdown). Cabanel adds an extra layer to it by presenting Lucifer as a TroubledButCute young man instead of a seven-headed serpent. It makes it easier for the viewer to relate to Lucifer and see the pain his own evil has caused him. So, in this case, it's not sad but brilliant and done from a respectful place (Cabanel himself was a Christian).
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* SadlyMythtaken: Artistically reinterpreting the Christian and Grecoroman canon was a [[{{Enforced}} common trend]] during the Renaissance. This was done by idealizing the subjects and humanizing them (i.e., {{Eldritch Abomination}}s were portrayed as humanoids). In this case, Cabanel did a reinterpretation of a reinterpretation. ''Literature/ParadiseLost'' already humanizes Lucifer by delving into his rhetoric and sentiments (even if Evil causes his gradual VillanousBreakdown). Cabanel adds an extra layer to it by presenting Lucifer as a TroubledButCute young man instead of a seven-headed serpent. It makes it easier for the viewer to relate to Lucifer and see the pain his own evil has caused him. So, in this case, it's not sad but brilliant and done from a respectful place (Cabanel himself was a Christian).
* {{Satan}}: The subject of this work is Lucifer, specifically, the one from UsefulNotes/{{Christianity}}.
* {{Satan}}: The subject of this work is Lucifer, specifically, the one from UsefulNotes/{{Christianity}}.
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* {{Satan}}: The subject of this work is Lucifer, specifically, the one from UsefulNotes/{{Christianity}}.
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* OurNudityIsDifferent: Here, nudity is not about sex appeal but about idealizing the painting's subject. Artistic idealism (one of the paradigms of the artistic movement Cabanel belonged to) is the abstraction of reality through two filters: the artist's perception and a standard of perfection. Nakedness exalts the human's body natural beauty while, at the same time, conferring a supernatural aura to the subject. It also makes Lucifer's simmering feelings appear rawer. Finally, it helps distinguish the fallen Lucifer from the still divine angels in the background.
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Cabanel got his inspiration for this painting from the 1667 epic, NarrativePoem ''Literature/ParadiseLost'', which itself is a retelling of the ''Literature/BookOfGenesis''.
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Cabanel got his inspiration for this painting from the 1667 epic, NarrativePoem ''Literature/ParadiseLost'', which itself is a retelling of the ''Literature/BookOfGenesis''.
''Literature/BookOfGenesis''. To be specific, Cabanel drew from the former's descriptions of Lucifer's internal turmoil and anguished monologues; something nonexistent in the latter.
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* HeavenlyBlue: The general lighting and shading of the painting is blue because it's that time of dawn when the sun hasn't raised yet (the so-called blue hour). As its name indicates, this artwork depicts Christian angels (as perceived in UsefulNotes/TheRenaissance) -- Lucifer, newly expulsed from Heaven and still retaining most of his angelic beauty, as well as a number of blue-tinted, background angels who are worshipping God.
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* HeavenlyBlue: The general lighting and shading of the painting is are blue because it's that time of dawn when the sun hasn't raised yet (the so-called blue hour). As its name indicates, this artwork depicts Christian angels (as perceived in UsefulNotes/TheRenaissance) -- Lucifer, newly expulsed from Heaven and still retaining most of his angelic beauty, as well as a number of blue-tinted, background angels who are worshipping God.
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Cabanel got his inspiration for this painting from the 1667 epic, NarrativePoem ''Literature/ParadiseLost'', which itself is a retelling of ''Literature/TheBookOfGenesis''.
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Cabanel got his inspiration for this painting from the 1667 epic, NarrativePoem ''Literature/ParadiseLost'', which itself is a retelling of ''Literature/TheBookOfGenesis''.
the ''Literature/BookOfGenesis''.
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Cabanel got his inspiration for this painting from the 1667 epic, NarrativePoem ''Literature/ParadiseLost'', which, in itself, is a retelling of the ''Literature/BookOfRevelation''.
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Cabanel got his inspiration for this painting from the 1667 epic, NarrativePoem ''Literature/ParadiseLost'', which, in itself, which itself is a retelling of the ''Literature/BookOfRevelation''.
''Literature/TheBookOfGenesis''.
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Cabanel got his inspiration for this painting from the 1667 epic, NarrativePoem ''Literature/ParadiseLost'', which, in itself, is a retelling of the ''Literature/BookOfRevelation''.
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* AdaptationalAttractiveness: In the ''Literature/BookOfRevelation'', Lucifer is depicted as a giant, seven-headed serpent/dragon. Cabanel portrays him as a beautiful young man with curly ginger hair and a muscled body.
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* AdaptationalAttractiveness: In both the ''Literature/BookOfRevelation'', ''Literature/BookOfRevelation'' and ''Literature/ParadiseLost'', Lucifer is depicted as a giant, seven-headed serpent/dragon. Cabanel portrays him as a beautiful young man with curly ginger hair and a muscled body.
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** Lucifer is the only angel who is naked. Other than serving to distinguish him from the divine angels, it's also because of the [[SlidingScaleOfShinyVersusGritty idealist aesthetic]] Academic painters like Cabanel favored. In other words, Lucifer is portrayed under an ideal of perfection -- perfect beauty with smooth textures and a naked body to exalt him and his raw emotions. Only Lucifer, the subject of the painting, gets this treatment; the other angels are poorly-detailed and wearing clothes.
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* OurAngelsAreDifferent: Cabanel's variety of angels is that of [[WingedHumanoid young men with feathery, bird-like wings]], no halo, and, most often than not, reddish brown hair. If the angel is still divine, he's robed with white, light blue, or light pink clothes. If the angel has fallen, he retains his human-like shape but is naked and his wings start to darken.
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* RuleOfSymbolism: The technicolor region in Lucifer's wings indicates the richness of his negative emotions -- the hurt from God favoring humans and the rage at himself for having failed and at God for having expelled him from Heaven.
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* RuleOfSymbolism: RuleOfSymbolism:
** The technicolor region in Lucifer's wings indicates the richness of his negative emotions -- the hurt from God favoring humans and the rage at himself for having failed and at God for having expelled him from Heaven.
** It's curious how Lucifer's wings darken from the outside instead of from the inside. This means that the corruption didn't come from his divine nature, which is perfect because God created it. Instead, it comes from his jealousy toward humans and resentment against God for favoring them when he, Lucifer, has served God so loyally for so long.
** The technicolor region in Lucifer's wings indicates the richness of his negative emotions -- the hurt from God favoring humans and the rage at himself for having failed and at God for having expelled him from Heaven.
** It's curious how Lucifer's wings darken from the outside instead of from the inside. This means that the corruption didn't come from his divine nature, which is perfect because God created it. Instead, it comes from his jealousy toward humans and resentment against God for favoring them when he, Lucifer, has served God so loyally for so long.
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* AdaptationalAttractiveness: In ''Literature/BookOfRevelation'', Lucifer is depicted as a giant, seven-headed serpent/dragon. Cabanel portrays him as a beautiful young man with curly ginger hair and a muscled body.
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* AdaptationalAttractiveness: In the ''Literature/BookOfRevelation'', Lucifer is depicted as a giant, seven-headed serpent/dragon. Cabanel portrays him as a beautiful young man with curly ginger hair and a muscled body.
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* ProtagonistTitle: Lucifer, the subject of this painting, is a fallen angel.
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* WingedHumanoid: By welding Grecorroman art and religion, UsefulNotes/TheRenaissance artistic movement started the whole idea of Christian angels being winged humanoids. Cabanel, being a prominent artist of the time, followed the trend so not only the angels in the background are depicted as young men with feathery wings, but also Lucifer. The former's wings are white while the latter's are slowly darkening.
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* AdaptationalAttractiveness: In ''Literature/BookOfRevelation'', Lucifer is depicted as a giant, seven-headed serpent/dragon. Cabanel portrays him as a beautiful young man with curly ginger hair and a muscled body.
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Relocating to the Trivia subpage.
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* ReferencedBy:
** ''WesternAnimation/{{Arcane}}'': At the end of the third episode, Silco is embracing and comforting Powder, who has just been slapped and abandoned by her older sister. The [[https://static.tvtropes.org/pmwiki/pub/images/powder_in_silcos_arms.png final shot]] frames Powder's right eye between Silco's arms -- she's wearing the same expression as Cabanel's Lucifer and the lightning makes her eye color appear purplish pink (the same she will later get as Jinx). The context of this situation is that Powder has just accidentally killed all of her adoptive family and that the overwhelming guilt is going to drive her into insanity. Furthermore, this frame parallels one of the [[https://static.tvtropes.org/pmwiki/pub/images/powder_in_vis_arms.png promotional posters]], where Powder is being protectively hugged by her older sister and has a more innocent expression. In a sense, this represents how Powder went from a difficult childhood with a loving family to being adopted by a well-intentioned but toxic man who uses her as an assassin.
** ''Film/RevengeOfTheSith'': There are two shots where Anakin, after betraying the Jedi Council and becoming a Sith apprentice, references ''The Fallen Angel''. In the [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_anakin_1.png first]], he's crying and sporting a suffering expression after Palpatine orders him to kill the Jedi younglings. In the [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_anakin_2.png second]], Anakin is giving Obi-Wan a pained, full-of-hatred KubrickStare while dueling him, so he's shielding his face with his arms. This adds to Anakin being a SatanicArchetype.
** Very popular among {{Fan Art}}ists, who use it as a template for characters who undergo a FaceHeelTurn (though not always), such as [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_jinx.png Jinx]] from ''WesternAnimation/{{Arcane}}'', [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_eren.png Eren]] from ''Manga/AttackOnTitan'', [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_will_graham.jpg Will Graham]] from ''Series/{{Hannibal}}'', [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_irys.png [=IRyS=]]] from ''WebAnimation/{{Hololive}}'' (who is not evil, just has a nephilim aesthetic), [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_bakugo.png Bakugo]] from ''Manga/MyHeroAcademia'' (who didn't betray the heroes but is a jealous, narcissistic prick), [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_king.jpg King]] from ''Manga/OnePiece'', and [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_catra.png Catra]] from ''WesternAnimation/SheRaAndThePrincessesOfPower''.
** ''WesternAnimation/{{Arcane}}'': At the end of the third episode, Silco is embracing and comforting Powder, who has just been slapped and abandoned by her older sister. The [[https://static.tvtropes.org/pmwiki/pub/images/powder_in_silcos_arms.png final shot]] frames Powder's right eye between Silco's arms -- she's wearing the same expression as Cabanel's Lucifer and the lightning makes her eye color appear purplish pink (the same she will later get as Jinx). The context of this situation is that Powder has just accidentally killed all of her adoptive family and that the overwhelming guilt is going to drive her into insanity. Furthermore, this frame parallels one of the [[https://static.tvtropes.org/pmwiki/pub/images/powder_in_vis_arms.png promotional posters]], where Powder is being protectively hugged by her older sister and has a more innocent expression. In a sense, this represents how Powder went from a difficult childhood with a loving family to being adopted by a well-intentioned but toxic man who uses her as an assassin.
** ''Film/RevengeOfTheSith'': There are two shots where Anakin, after betraying the Jedi Council and becoming a Sith apprentice, references ''The Fallen Angel''. In the [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_anakin_1.png first]], he's crying and sporting a suffering expression after Palpatine orders him to kill the Jedi younglings. In the [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_anakin_2.png second]], Anakin is giving Obi-Wan a pained, full-of-hatred KubrickStare while dueling him, so he's shielding his face with his arms. This adds to Anakin being a SatanicArchetype.
** Very popular among {{Fan Art}}ists, who use it as a template for characters who undergo a FaceHeelTurn (though not always), such as [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_jinx.png Jinx]] from ''WesternAnimation/{{Arcane}}'', [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_eren.png Eren]] from ''Manga/AttackOnTitan'', [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_will_graham.jpg Will Graham]] from ''Series/{{Hannibal}}'', [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_irys.png [=IRyS=]]] from ''WebAnimation/{{Hololive}}'' (who is not evil, just has a nephilim aesthetic), [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_bakugo.png Bakugo]] from ''Manga/MyHeroAcademia'' (who didn't betray the heroes but is a jealous, narcissistic prick), [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_king.jpg King]] from ''Manga/OnePiece'', and [[https://static.tvtropes.org/pmwiki/pub/images/cabanel_catra.png Catra]] from ''WesternAnimation/SheRaAndThePrincessesOfPower''.
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* EvilRedhead: {{Subverted}}. Lucifer, the most prominent element of the artwork, sports reddish ginger hair. However, on further inspection, so do almost all of the non-fallen angels.
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* EvilRedhead: {{Subverted}}.{{Zigzagged}}. Lucifer, the most prominent element of the artwork, sports reddish ginger hair. However, Curiously enough, on further inspection, so do almost all of the non-fallen angels.
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It depicts [[{{Satan}} Lucifer]] just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh on his countenance. Lucifer has his arms crossed over the lower half of his face and is tensely laying over a patch of rocky soil with both his wings and muscles coiled tightly. There are blue-tinted angels in the background.
to:
It depicts [[{{Satan}} Lucifer]] just after he's expulsed from Heaven, so the feelings of shame, anger, and hurt are very fresh on his countenance. countenance -- most famously, his teary, hateful gaze. Lucifer also has his arms crossed over the lower half of his face and is tensely laying over a patch of rocky soil with both his wings and muscles coiled tightly. There are blue-tinted angels in the background.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/cabanels_fallen_angel__1_1.jpg]]
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/cabanels_fallen_angel__1_1.org/pmwiki/pub/images/cabanels_fallen_angel__4.jpg]]
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* RedAndBlackAndEvilAllOver: Heavily {{downplayed}} but Lucifer's main hues are his red hair and blackening wings.
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* HeavenlyBlue: The general lighting of the painting is blue because it's that time of dawn when the sun hasn't raised yet (the so-called blue hour). As its name indicates, this artwork depicts Christian angels (as perceived in UsefulNotes/TheRenaissance) -- Lucifer, newly expulsed from Heaven and still retaining most of his angelic beauty, as well as a number of blue-tinted, background angels who are worshipping God.
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* HeavenlyBlue: The general lighting and shading of the painting is blue because it's that time of dawn when the sun hasn't raised yet (the so-called blue hour). As its name indicates, this artwork depicts Christian angels (as perceived in UsefulNotes/TheRenaissance) -- Lucifer, newly expulsed from Heaven and still retaining most of his angelic beauty, as well as a number of blue-tinted, background angels who are worshipping God.
* OrangeBlueContrast: The primary hues of the painting are orange and blue. The former is in Lucifer's ginger hair, cream-colored skin (notably orange on the torso), and red-rimmed, teary eyes; plus some small orange touches in his blackening wings. To a lesser extent, a bluish orange is present in some of the background angel's clothes and hair. Blue, on the other hand, is present in the overall lighting and shading of the painting, background elements due to atmospherical distortion, some angel's clothes, and Lucifer's eyes and wings. The contrast is somewhat {{downplayed}} but still very noticeable.
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* TechnicolorMagic: Lucifer's wings show three distinct zones -- white inside, technicolor in-between, and dark edges. The multicolored intermediate region is a visual representation of whatever divine magic is turning him from angel to demon.
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* TechnicolorMagic: Lucifer's wings show three distinct zones -- white inside, technicolor in-between, and dark edges. The multicolored intermediate region is a visual representation of whatever divine magic is turning demoting him from angel to demon.
